Chapter 4

THOU that art sandalled on immortal feet With leaves of palm, the prize of Victory; Thou that art crowned with snakes and blossoms sweet, Queen of the silver dews and shadowy sky, I pray thee by all names men name thee by! Demeter, come, and leave the yellow wheat! Or Aphrodite, let thy lovers sigh! Or Dian, from thine Asian temple fleet!

Or, yet more dread, divine Persephone From worlds of wailing spectres, ah, draw near; Approach, Selene, from thy subject sea; Come, Artemis, and this night spare the deer: By all thy names and rites I summon thee; By all thy rites and names, Our Lady, hear!

THE COMING OF ISIS.

SO Lucius prayed, and sudden, from afar, Floated the locks of Isis, shone the bright Crown that is tressed with berry, snake, and star; She came in deep blue raiment of the night, Above her robes that now were snowy white, Now golden as the moons of harvest are, Now red, now flecked with many a cloudy bay, Now stained with all the lustre of the light.

Then he who saw her knew her, and he knew The awful symbols borne in either hand; The golden urn that laves Demeter’s dew, The handles wreathed with asps, the mystic wand; The shaken seistron’s music, tinkling through The temples of that old Osirian land.

_THE SPINET_.

_MY heart an old Spinet with strings_ _To laughter chiefly turned_, _but some_ _That Fate has practised hard on_, _dumb_, _They answer not whoever sings_. _The ghosts of half-forgotten things_ _Will touch the keys with fingers numb_, _The little mocking spirits come_ _And thrill it with their fairy wings_.

_A jingling harmony it makes_ _My heart_, _my lyre_, _my old Spinet_, _And now a memory it wakes_, _And now the music means_ “_forget_,” _And little heed the player takes_ _Howe’er the thoughtful critic fret_.

NOTES.

Page 3. _The Fortunate Islands_. This piece is a rhymed loose version of a passage in the _Vera Historia_ of Lucian. The humorist was unable to resist the temptation to introduce passages of mockery, which are here omitted. Part of his description of the Isles of the Blest has a close and singular resemblance to the New Jerusalem of the Apocalypse. The clear River of Life and the prodigality of gold and of precious stones may especially be noticed.

_Whoso doth taste the Dead Men’s bread_, &.c. This belief that the living may visit, on occasion, the dwellings of the dead, but can never return to earth if they taste the food of the departed, is expressed in myths of worldwide distribution. Because she ate the pomegranate seed, Persephone became subject to the spell of Hades. In Apuleius, Psyche, when she visits the place of souls, is advised to abstain from food. Kohl found the myth among the Ojibbeways, Mr. Codrington among the Solomon Islanders; it occurs in Samoa, in the Finnish Kalewala (where Wainamoinen, in Pohjola, refrains from touching meat or drink), and the belief has left its mark on the mediæval ballad of Thomas of Ercildoune. When he is in Fairy Land, the Fairy Queen supplies him with the bread and wine of earth, and will not suffer him to touch the fruits which grow “in this countrie.” See also “Wandering Willie” in Redgauntlet.

Page 20. _As now the hutted Eskimo_. The Eskimo and the miserable Fuegians are almost the only Socialists who practise what European Anarchists preach. The Fuegians go so far as to tear up any piece of cloth which one of the tribe may receive, so that each member may have a rag. The Eskimo are scarcely such consistent walkers, and canoes show a tendency to accumulate in the hands of proprietors. Formerly no Eskimo was allowed to possess more than one canoe. Such was the wild justice of the Polar philosophers.

Page 36. _The latest minstrel_. “The sound of all others dearest to his ear, the gentle ripple of Tweed over its pebbles, was distinctly audible as we knelt around the bed and his eldest son kissed and closed his eyes.”—Lockhart’s Life of Scott, vii., 394.

Page 45. _Ronsard’s Grave_. This version ventures to condense the original which, like most of the works of the Pleiad, is unnecessarily long.

Page 46. _The snow_, _and wind_, _and hail_. Ronsard’s rendering of the famous passage in Odyssey, vi., about the dwellings of the Olympians. The vision of a Paradise of learned lovers and poets constantly recurs in the poetry of Joachim du Bellay, and of Ronsard.

Page 50. _Romance_. Suggested by a passage in La Faustin, by M. E. de Goncourt, a curious moment of poetry in a repulsive piece of _naturalisme_.

Page 55. _M. Boulmier_, author of _Les Villanelles_, died shortly after this villanelle was written; he had not published a larger collection on which he had been at work.

Page 61. _Edmund Gorliot_. The bibliophile will not easily procure Gorliot’s book, which is not in the catalogues. Throughout _The Last Maying_ there is reference to the _Pervigilium Veneris_.

Page 105. _Bird-Gods_. Apparently Aristophanes preserved, in a burlesque form, the remnants of a genuine myth. Almost all savage religions have their bird-gods, and it is probable that Aristophanes did not invent, but only used a surviving myth of which there are scarcely any other traces in Greek literature.

Page 134. _Spinet_. The accent is on the last foot, even when the word is written _spinnet_. Compare the remarkable Liberty which Pamela took with the 137th Psalm.

_My Joys and Hopes all overthrown_, _My Heartstrings almost broke_, _Unfit my Mind for Melody_, _Much more to bear a Joke_. _But yet_, _if from my Innocence_ _I_, _even in Thought_, _should slide_, _Then_, _let my fingers quite forget_ _The sweet Spinnet to guide_!

_Pamela_, _or Virtue Rewarded_, vol. i., p. 184., 1785.

FOOTNOTES.

{78} N.B. There is only one veracious statement in this ballade, which must not be accepted as autobiographical.

{80} These lines do _not_ apply to Miss Annie P. (or Daisy) Miller, and her delightful sisters, _Gades adituræ mecum_, in the pocket edition of Mr. James’s novels, if ever I go to Gades.

{105} Tonatiu, the Thunder Bird; well known to the Dacotahs and Zulus.

{106a} The Hawk, in the myth of the Galinameros of Central California, lit up the Sun.

{106b} Pundjel, the Eagle Hawk, is the demiurge and “culture-hero” of several Australian tribes.

{106c} The Creation of Man is thus described by the Australians.

{107a} In Andaman, Thlinkeet, Melanesian, and other myths, a Bird is the Prometheus Purphoros; in Normandy this part is played by the Wren.

{107b} Yehl: the Raven God of the Thlinkeets.

{108a} Indra stole Soma as a Hawk and as a Quail. For Odin’s feat as a Bird, see _Bragi’s Telling_ in the Younger Edda.

{108b} Pundjel, the Eagle Hawk, gave Australians their marriage laws.

{108c} _Lubra_, a woman; _kobong_, “totem;” or, to please Mr. Max Müller, “otem.”

{108d} The Crow was the Hawk’s rival.

{130} Lycaon, the first werewolf.