Chapter 20

Frédéric Régamey, Bracquemond (in the fine drawing at the Luxembourg), De Nittis (in pastel), Raffaelli (in an oil painting), Desboutins (in an etching), and finally M. Helleu (in dry point), have striven to penetrate and preserve the subtle psychology of the master's grave, proud, and gentle countenance. With these distinguished names the iconography of the Goncourts concludes. Perhaps, as a light and graceful monument of memory, we might add the fine drawing made by Willette on the occasion of the Edmond de Goncourt banquet, which represents the elder brother standing, leaning against the pedestal of his brother's statue, while at his feet three creatures, symbolizing the principal forms of their inspiration, are grouped, superb and mournful. Who are they? No doubt _Madame de Pompadour_, the _Geisha_ of Japanese art, and finally, bestial and degraded, _La Fille Élisa_--types that symbolize the most salient aspects of that genius--historic, æsthetic, and fictional--which will keep green the precious memory of Edmond and Jules de Goncourt.

OCTAVE UZANNE.