Chapter 2

1. Rembrandt’s Mother: Head Bust, three-quarters r. 1628. B. 354. 2. Rembrandt’s Mother: Head only, full face. 1628. B. 352 2.* Rembrandt with a Broad Nose. (1628) B. 4 3. Rembrandt Bareheaded, with High Curly Hair: Head and Bust. (1628.) B. 27 4. Rembrandt Bareheaded: A Large Plate Roughly Etched: Head and Bust. 1629. B. 338 4.* Aged Man of Letters. (1629.) B. 149 5. Peter and John at the Gate of the Temple: Roughly Etched. (1629-30.) B. 95 6. The Small Lion Hunt (with one Lion). (1629-30.) B. 116 7. Beggar Man and Beggar Woman Conversing. 1630. B. 164 8. Beggar Seated Warming his Hands at a Chafing Dish. (1630.) B. 173 9. Beggar Leaning on a Stick, facing l. (1630.) B. 163 10. Beggar in a Long Cloak, Sitting in an Arm-chair. (1630.) B. 160 11. Beggar Seated on a Bank. 1630. B. 174 12. Beggar with a Wooden Leg. (1630.) B. 179 13. Beggar Man and Beggar Woman Behind a Bank. (1630) B. 165 14. Man in a Cloak and Fur Cap Leaning against a Bank. (1630.) B. 151 15. Beggar in a High Cap, Standing and Leaning on a Stick. (1630.) B. 162 16. Ragged Peasant with his Hands Behind Him, Holding a Stick. (1630.) B. 172 17. The Flight into Egypt: A Sketch. (1630.) B. 54 18. The Presentation in the Temple (with the Angel): small plate. 1630. B. 51 19. The Circumcision: small plate. (1630.) B. 48 20. Christ Disputing with the Doctors: small plate. 1630. B. 66 21. Bust of a Man (Rembrandt’s Father?) in full face, wearing a Close Cap. 1630. B. 304 22. Bust of a Man (Rembrandt’s Father?) wearing a High Cap, three-quarters r. 1630. B. 321 23. Bald-headed Man (Rembrandt’s Father?) in Profile r; head only; bust added afterwards. 1630. B. 292 24. Bald-headed Man (Rembrandt’s Father?) in Profile r.; small bust. 1630. B. 294 25. Three Studies of Old Men’s Heads. (1630.) B. 374 26. Bust of an Old Man with Flowing Beard and White Sleeve. (1630.) B. 291 27. Bust of an Old Man with Flowing Beard: the Head Bowed Forward: l. shoulder unshaded. 1630. B. 325 28. Bust of an Old Man with Flowing Beard: the head inclined three-quarters r. 1630. B. 309 29. Rembrandt in a Fur Cap: the Dress Light: bust. 1630. B. 24 30. Rembrandt Bareheaded, in Sharp Light from r.; Looking over his Shoulder: bust. 1630. B. 10 31. Rembrandt Bareheaded and Open-mouthed, as if Shouting: bust. 1630. B. 13 32. Rembrandt in a Cap, Open-mouthed and Staring: bust in outline. 1630. B. 320 33. Rembrandt Bareheaded, with Thick Curling Hair and Small White Collar: bust. (1630.) B. 1 34. Rembrandt in a Cap, Laughing: Bust. 1630. B. 316 35. Rembrandt Bareheaded, Leaning Forwards as if Listening: bust. (1630.) B. 9 36. Rembrandt Bareheaded, Leaning Forward: bust lightly indicated. (1630-1.) B. 5 37. Head of a Man in a Fur Cup, Crying Out. (1631.) B. 327 38. The Blind Fiddler. 1631. B. 138 39. Head of a Man in a High Cap: three-quarters r. (1631.) B. 302 40. A Polander standing with Stick: profile to r. (the “Little Polander”). 1631. B. 142 41. Sheet of Studies of Men’s Heads (the plate afterwards cut into five parts). (1631.) B. 366 42. Diana at the Bath. (1631.) B. 201 43. Naked Woman Seated on a Mound. (1631.) B. 198 44. Jupiter and Antiope: the smaller Plate. (1631.) B. 204 45. A Man Making Water. 1631. B. 190 46. A Woman Making Water. 1631. B. 191 47. Bust of an Old Bearded Man Looking Down, three-quarters r. 1631. B. 260 48. Bust of an Old Man with Flowing Beard: Head Nearly Erect: Eyes Cast Down: Looking Slightly l. 1631. B. 315 49. Bust of an Old Man with Fur Cap and Flowing Beard: nearly full face: Eyes Direct. (1631.) B. 312 50. Rembrandt’s Mother with Hand on Chest: small bust. 1631. B. 349 51. Rembrandt’s Mother Seated Facing r., in an Oriental Headdress: half length, Showing Hands. 1631. B. 348 52. Rembrandt’s Mother Seated at a Table Looking r.: three-quarter length. (1631.) B. 343 53. Bearded Man (Rembrandt’s Father?) in Furred Oriental Cap and Robe: half length. 1631. B. 263 54. Rembrandt Wearing a Soft Hat, Cocked: head only: body added afterwards. 1631. B. 7 55. Rembrandt with Long Bushy Hair: head only. (1631.) B. 8 56. Rembrandt in a Heavy Fur Cap: full face: bust. 1631. B. 16 57. Rembrandt Wearing a Soft Cap: full face: head only. (1631.) B. 2 58. Rembrandt with Cap Pulled Forward: bust. (1631.) B. 319 59. Rembrandt with Fur Cap, in an Oval Border: bust. (1631.) B. 12 †60. Rembrandt with Bushy Hair and Contracted Eyebrows: bust. 1631. B. 25 61. Rembrandt Bareheaded, the Light Falling from the r.: bust. (1631.) B. 332 †62. Rembrandt in a Slant Fur Cap: bust. 1631. B. 14 63. Rembrandt in a Cloak with Falling Collar: bust. 1631. B. 15 †64. Rembrandt with a Jewel in his Cap. (1631.) Middleton, 18 †65. Bust of a Young Man in a Cap. (1631.) B. 322 66. Rembrandt in a Dark Cloak and Cap: bust. (1631.) B. 6 67. Rembrandt(?), Scowling, in an Octagon: head only. (1631.) B. 336 68. Grotesque Profile: Man in High Cap. (1631.) B. 326 69. Peasant with his Hands Behind his Back. 1631. B. 135 †70. Bust of a Snub-nosed Man in a Cap: Profile r. 1631. B. 317 †71. Bust of a Man in a Cap, Bound Round the Ears and Chin. (1631.) B. 323 72. Beggar with a Stick, Walking l. 1631. B. 167 73. Beggar with his l. Hand Extended. 1631. B. 150 74. The Blindness of Tobit: A Sketch. (1631.) B. 153 75. Seated Beggar and his Dog. 1631. B. 175 75.* A Stout Man in a Large Cloak. (1631.) B. 184 †76. Old Woman Seated in a Cottage, with a String of Onions on the Wall. 1631. B. 134 77. The Leper (“Lazarus Klap”). 1631. B. 171 77.* Beggar Man and Beggar Woman. (1631.) B. 183 78. Two Beggars Tramping towards the r. (1631.) B. 154 78.* Two Studies of Beggars. (1631.) B. 182 79. Beggar with a Crippled Hand Leaning on a Stick r. (1631.) B. 166 80. Old Beggar Woman with a Gourd. (1631.) B. 168 †8l. Beggar Standing Leaning on a Stick l.: small plate. (1631.) B. 169 †82. Bust of an Old Woman in Furred Cloak and Heavy Headdress. 1631. B. 355 †83. Bust of an Old Woman in a High Head-dress Bound Round the Chin. (1631.) B. 358 †84. Bust of a Beardless Man (Rembrandt’s Father?) in a Fur Cloak and Cap: Looking Down: three-quarters l. 1631. B. 307 †85. Bust of a Bald Man (Rembrandt’s Father?) in a Fur Cloak Looking r. 1631. B. 324 †86. Bust of a Bald Man Looking Down, Grinning. 1631. B. 298 †87. Bust of Bearded Old Man with High Forehead and Close Cap. 1631. B. 314 †88. Bust of an Old Man Looking Down, with Wavy Hair and Beard: cap added afterwards. (1631.) B. 337 †89. Small Bust of Bearded Man Looking Down, with Eyes Nearly Closed. (1631.) B. 296 90. Sheet of Studies: Head of Rembrandt, Beggar Couple, Heads of Old Man and Old Woman, etc. (1632.) B. 363 †91. Rembrandt’s Mother in Widow’s Dress and Black Gloves. (1632) B. 344 92. Old Man Seated, with Flowing Beard, Fur Cap and Velvet Cloak. (1632.) B. 262 93. Man Standing in Oriental Costume and Plumed Fur Cap. 1632. B. 152 94. St. Jerome Playing: Arched Print. 1632. B. 101 95. The Holy Family. (1632.) B. 62 96. The Raising of Lazarus: the larger Plate. (1632.) B. 73 97. The Rat-Killer. 1632. B. 121 98. Polander Leaning on a Stick: Profile l. (1632.) B. 141 99. A Turbaned Soldier on Horseback. (1632.) B. 139 100. A Cavalry Fight. (1632-3.) B. 117 101. The Good Samaritan. 1633. B. 90 102. The Descent from the Cross: first plate. 1633. B. 81, I 103. The Descent from the Cross: second plate. 1633. B. 81, II, etc. 104. Joseph’s Coat Brought to Jacob. (1633.) B. 38 105. The Flight into Egypt: small plate. 1633. B. 52 106. The Ship of Fortune. 1633. B. 111 107. Rembrandt’s Mother in a Cloth Head-dress, Looking Down: head only. 1633. B. 351 108. Rembrandt in Cap and Scarf: the Face Dark: bust. 1633. B. 17 109. Rembrandt with Raised Sabre: half-length. 1634. B. 18 110. Rembrandt with Plumed Cap and Lowered Sabre: three-quarter length: afterwards bust in oval. 1634. B. 23 111. Jan Cornelis Sylvius, Preacher (r). 1634. B. 266 112. Rembrandt’s Wife Saskia, with Pearls in her Hair, bust. 1634. B. 347 113. Woman Reading. 1634. B. 345 114. A Peasant: One of a Pair, Calling Out. 1634. B. 177 115. A Peasant: the Other of the Pair, Replying. 1634. B. 178 116. Two Tramps, a Man and a Woman. (1634.) B. 144 117. Sheet of Two Slight Studies: One of Two Peasants. (1634.) B. 373 118. Joseph and Potiphar’s Wife. 1634. B. 39 119. St. Jerome Reading. 1634. B. 100 120. The Angel Appearing to the Shepherds. 1634. B. 44 121. Christ at Emmaus: the smaller plate. 1634. B. 88 122. Christ and the Woman of Samaria: among Ruins. 1634. B. 71 123. The Crucifixion: small plate. (1634.) B. 80 124. The Tribute-Money. (1634.) B. 68 125. The Stoning of S. Stephen. 1635. B. 97 126. Christ Driving the Money-Changers from the Temple. 1635. B. 69 127. Girl with Hair Falling on her Shoulders (the “Great Jewish Bride”). 1635. B. 340 128. Jan Uytenbogaert, Preacher of the Sect of Arminian Remonstrants. 1635. B. 279 129. Old Woman Sleeping. (1635-7.) B. 350 130. Old Bearded Man in a High Fur Cap, with Closed Eyes. (1635.) B. 290 131. The First Oriental Head (Rembrandt’s Father?). 1635. B. 286 132. The Second Oriental Head (Rembrandt’s Father?). (1635.) B. 287 133. The Third Oriental Head. 163;. B. 288 134. The Fourth Oriental Head. (1635.) B. 289 †l35. Head of an Old Man in a High Fur Cap. (1635.) B. 299 136. Bald Old Man with a Short Beard, in profile r. 0635.) B. 306 †137. Curly-headed Man with a Wry Mouth. (1635.) B. 305 138. Polander Standing with Arms Folded. (1635.) B. 140 139. The Quacksalver. 1635. B. 129 140. St. Jerome Kneeling in Prayer, Looking Down. 1635. B. 102 141. The Pan-cake Woman. 1635. B. 124 †142. The Strolling Musicians. (1635.) B. 119 143. Christ before Pilate: large plate. 1635-6. B. 77 144. Rembrandt and his Wife Saskia: busts. 1636. B. 19 145. Studies of the Head of Saskia and others. 1636. B. 365 146. Samuel Manasseh Ben Israel, Jewish Author. 1636. B. 269 147. The Return of the Prodigal Son. 1636. B. 91 148. Abraham Caressing Isaac. (1637.) B. 33 149. Abraham Casting Out Hagar and Ishmael. 1637. B. 30 150. Bearded Man Wearing a Velvet Cap with a Jewel Clasp. 1637. B. 313 151. Young Man in a Velvet Cap with Books Beside Him. 1637. B. 268 152. Three Heads of Women, one Asleep. 1637. B. 368 153. Three Heads of Women, one Lightly Etched. (1637.) B. 367 154. Study of Saskia as S. Catherine (the “Little Jewish Bride”). 1638. B. 342 155. Sheet with Two Studies: a Tree, and the Upper Part of a Head Wearing a Velvet Cap. (1638.) B. 372 156. Rembrandt in Velvet Cap and Plume, with an Embroidered Dress: bust. 1638. B. 20 157. Rembrandt in a Flat Cap with a Shawl About His Shoulders. (1638.) B. 26 158. Man in a Broad-Brimmed Hat and Ruff. (1630.) B. 311 159. Adam and Eve. 1638. B. 28 160. Joseph Telling His Dreams. 1638. B. 37 161. The Death of the Virgin. 1639. B. 99 162. The Presentation in the Temple: an oblong print. (1639.) B. 49 163. Sheet of Studies, with a Woman Lying Ill in Bed, etc. (1639.) B. 369 164. A Peasant in a High Cap, Standing Leaning on a Stick. 1639. B. 133 165. Death Appearing to a Wedded Couple From An Open Grave. 1639. B. 109 166. The Skater. (1639.) B. 156 167. Jan Uytenbogaert, Receiver-General (the “Gold-Weigher”). 1639. B. 281 168. Rembrandt Leaning on a Stone Sill: half length. 1639. B. 21 169. Old Man Shading His Eyes with His Hand. (1639.) B. 259 170. Old Man with a Divided Fur Cap. 1640. B. 265 171. The Beheading of John the Baptist. 1640. B. 92 172. The Triumph of Mordecai. (1640.) B. 40 173. Christ Crucified Between the Two Thieves: an oval plate. (1640.) B. 79 174. Sleeping Puppy. (1640.) B. 158 175. Small Grey Landscape: A House and Trees Beside a Pool. (1640.) B. 207 176. View of Amsterdam. (1640.) B. 210 177. Landscape with a Cottage and Hay Barn: oblong. 1641. B. 225 178. Landscape with a Cottage and a Large Tree. 1641. B. 226 179. The Windmill. 1641. B. 233 180. The Small Lion Hunt (with Two Lions). (1641.) B. 115 181. The Large Lion Hunt. 1641. B. 114 182. The Baptism of the Eunuch. 1641. B. 98 183. Jacob and Laban(?). 1641. B. 118 184. The Spanish Gipsy (Preciosa). (1641.) B. 120 185. The Angel Departing from the Family of Tobias. 1641. B. 185. 186. Virgin and Child in the Clouds. 1641. B. 61 187. Cornelis Claesz Anslo, Mennonite Preacher. 1641. B. 271 188. Portrait of a Boy, in profile. 1641. B. 310 189. Man at Desk, Wearing Cross and Chain. 1641. B. 261. 190. The Card-Player. 1641. B. 136 191. Man Drawing from a Cast. (1641.) B. 130 192. Woman at a Door-hatch Talking to a Man and Children (the “Schoolmaster”). 1641. B. 128 193. The Virgin with the Instruments of the Passion. (1641.) B. 85 194. Man in an Arbour. 1642. B. 257 195. Girl with a Basket. (1642.) B. 356 196. Sick Woman with Large White Head-dress (Saskia). (1642.) B. 359 197. Woman in Spectacles, Reading. (1642.) B. 362 198. The Raising of Lazarus: the smaller plate. 1642. B. 72 199. The Descent from the Cross: a Sketch. 1642. B. 82 200. The Flute-Player (L’Espiegle). 1642. B. 188 201. St. Jerome in a Dark Chamber. 1642. B. 105 202. Student at a Table by Candlelight. (1642.) B. 148 203. Cottage with a White Paling. 1642. B. 232 204. The Hog. 1643. B. 157 205. The Three Trees. 1643. B. 212 206. The Shepherd and his Family. 1644. B. 220 207. The Sleeping Herdsman. (1644.) B. 189 208. The Rest on the Flight: a Night Piece. (1644.) B. 57 209. Six’s Bridge. 1645. B. 208 210. The Omval. 1645. B. 209 211. The Boat-house. 1645. B. 231 212. Cottages beside a Canal: with a Church and Sailing Boat. (1645.) B. 228 213. Cottages and Farm Buildings with a Man Sketching. (1645.) B. 219 214. Abraham and Isaac. 1645. B. 34 215. Christ Carried to the Tomb. (1645.) B. 84 216. The Rest on the Flight: lightly etched. 1645. B. 58 217. S. Peter in Penitence. 1645. B. 96 218. Old Man in Meditation, Leaning on a Book. (1645.) B. 147 219. Beggar Woman Leaning on a Stick. 1646. B. 70 220. Study from the Nude: Man Seated Before a Curtain. 1646. B. 193 221. Study from the Nude: Man Seated on the Ground with One Leg Extended. 1646. B. 196 222. Studies from the Nude: One Man Seated and Another Standing: with a Woman and Baby lightly etched in the background. (1646.) B. 194 223. Le Lit à la Française (Ledekant). 1646. B. 186 224. The Monk in the Cornfield. (1646.) B. 187 225. Jan Cornells Sylvius, Preacher: posthumous portrait. 1646. B. 280 226. Ephraim Bonus, Jewish Physician. 1647. B. 278 227. Jan Asselyn, Painter. (1647.) B. 277 228. Jan Six. 1647. B. 285 229. Rembrandt Drawing at a Window. 1648. B. 22 230. Sheet of Studies with the Head of Rembrandt, a Beggar Man, Woman and Child. (1648.) B. 370 231. The Artist Drawing from a Model: unfinished plate. (1648.) B. 192 232. S. Jerome Beside a Pollard Willow. 1648. B. 103 233. Beggars Receiving Alms at the Door of a House. 1648. B. 176 234. Jews in a Synagogue. 1648. B. 126 235. Medea: or the Marriage of Jason and Creusa. 1648. B. 112 236. Christ, with the Sick Around Him, receiving Little Children (the “Hundred Guilder Print”). (1649.) B. 74 237. The Incredulity of Thomas. 1650. B. 89 238. Canal with an Angler and Two Swans. 1650. B. 235 239. Canal with a Large Boat and Bridge. 1650. B. 236 240. Landscape with a Cow Drinking. (1650.) B. 237 241. Landscape with a Hay Barn and a Flock of Sheep. 1650. B. 224 242. Landscape with a Milk-man. (1650.) B. 213 243. Landscape with an Obelisk. (1650.) B. 227 244. Landscape with Trees, Farm-buildings and a Tower. 1650. B. 223 245. Landscape with a Square Tower. 1650. B. 218 246. Landscape with Three Gabled Cottages Beside a Road. 1650. B. 217 247. The Bull. (1650.) B. 253 248. The Shell. 1650. B. 159 249. The Goldweigher’s Field. 1651. B. 234 250. The Bathers. 1651. B. 195 251. Clement de Jonghe, Printseller. 1651. B. 272 252. The Blindness of Tobit: the larger plate. 1651. B. 42 253. The Flight into Egypt: a Night Piece. 1651. B. 53 254. The Star of the Kings: a Night Piece. (1652.) B. 113 255. Adoration of the Shepherds; a Night Piece. (1652.) B. 46 256. Christ Preaching (“la Petite Tombe”). (1652.) B. 57 257. Christ Disputing with the Doctors: a sketch. 1652. B. 65 258. David in Prayer. 1652. B. 41 259. Peasant Family on the Tramp. (1652.) B. 131 260. Faust in His Study, Watching a Magic Disk. (1652.) B. 270 261. Titus Van Ryn, Rembrandt’s Son. (1656.) B. 11 262. Sheet of Studies, with a Wood and Paling, Part of Two Heads, and a Horse and Cart. (1652.) B. 364 263. Clump of Trees with a Vista. 1652. B. 222 264. Landscape with a Road Beside a Canal. (1652.) B. 221 265. Landscape with Sportsman and Dogs. (1653.) B. 211 266. The Flight into Egypt: altered from Tobias and the Angel by Hercules Seghers. (1653.) B. 56 267. S. Jerome Reading, in an Italian Landscape. (1653.) B. 104 268. Jan Antonides van der Linden, Professor of Medicine. 1665. B. 264 269. Lieven Willemsz Van Coppenol, Writing-Master: the smaller plate. (1653.) B. 282 270. Christ Crucified between the Two Thieves: large oblong plate (the “Three Crosses”). 1653. B. 78 271. Christ Presented to the People: large oblong plate. 1655. B. 76 272. The Golf-Player. 1654. B. 125 273. The Adoration of the Shepherds (with the Lamp). (1654.) B. 45 274. The Circumcision (in the Stable). 1654. B. 47 275. The Virgin and Child with the Cat: and Joseph at the Window. 1654. B. 63 276. The Flight into Egypt: Holy Family Crossing a Brook. 1654. B. 55. 277. Christ Seated Disputing with the Doctors. 1654. B. 64 278. Christ Between His Parents, Returning from the Temple. 1654. B. 60 279. The Presentation in the Temple: in the Dark Manner. (1654.) B. 50 280. The Descent from the Cross: by Torchlight. 1654. B. 83 281. The Entombment. (1654.) B. 86 282. Christ at Emmaus: the larger plate. 1654. B. 87. 283. Abraham’s Sacrifice. 1655. B. 35 284. Four Illustrations to a Spanish Book. (A. The Image seen by Nebuchadnezzar. B. Jacob’s Ladder. C. David and Goliath. D. Daniel’s Vision of Four Beasts.) 1655. B. 36 285. The Goldsmith. 1655. B. 123 286. Abraham Entertaining the Angels. 1656. B. 29 287. Jacob Haaring (the “Old Haaring”). (1655.) B. 274 288. Thomas Jacobsz Haaring (the “Young Haaring.”) 1655. B. 275 289. Arnold Tholinx, Inspector of Medical Colleges at Amsterdam. (1656.) B. 284 290. Jan Lutma, the Elder, Goldsmith and Sculptor. 1656. B. 276 291. Abraham Francen, Art Dealer. (1656.) B. 273 292. S. Francis Beneath a Tree, Praying. 1657. B. 107 293. The Agony in the Garden. (1657.) B. 75 294. Christ and the Woman of Samaria: an Arched Print. 1658. B. 70 295. The Phrenix; or the Statue Overthrown: an Allegory of Doubtful Meaning. 1658. B. 110 296. Woman Sitting Half Dressed Beside a Stove. 1658. B. 197 297. Woman at the Bath, with a Hat Beside Her. 1658. B. 199 298. Woman Bathing Her Feet at a Brook. 1658. B. 200 299. Negress Lying Down. 1658. B. 205 300. Lieven Willemsz Van Coppenol, Writing-Master: the larger plate. (1658.) B. 283 300*. Rembrandt Etching. 1658. Seidlitz, 379 301. Peter and John Healing the Cripple at the Gate of the Temple. 1659. B. 94 302. Jupiter and Antiope: the larger plate. 1659. B. 103 303. The Woman with the Arrow. 1661. B. 202

The title-page border is taken from a portrait etching by Juriaen Ovens, of Frederick III of Holstein Gottdorp.

[1, I, REMBRANDT’S MOTHER, Unfinished state. 1628: B. 354.]

1, I. REMBRANDT’S MOTHER, Unfinished state. 1628: B. 354.

[7, I. BEGGAR MAN AND BEGGAR WOMAN CONVERSING. 1630. B. 164]

7, I. BEGGAR MAN AND BEGGAR WOMAN CONVERSING. 1630. B. 164

[20, I. CHRIST DISPUTING WITH THE DOCTORS: SMALL PLATE. 1630. B. 66]

20, I. CHRIST DISPUTING WITH THE DOCTORS: SMALL PLATE. 1630. B. 66

[23, I. BALD-HEADED MAN (REMBRANDT’S FATHER?) In profile _r.;_ head only, bust added afterwards. 1630. B. 292. First state, the body being merely indicated in ink]

23, I. BALD-HEADED MAN (REMBRANDT’S FATHER?) In profile _r.;_ head only, bust added afterwards. 1630. B. 292. First state, the body being merely indicated in ink

[38, II. THE BLIND FIDDLER. 1631. B. 138]

38, II. THE BLIND FIDDLER. 1631. B. 138

[40139164. THE LITTLE POLANDER. 1631. B. 142. 139. THE QUACKSALVER. 1635. B. 129. 164. A PEASANT IN A HIGH CAP, STANDING LEANING ON A STICK. 1639. B. 133]

40. THE LITTLE POLANDER. 1631. B. 142. 139. THE QUACKSALVER. 1635. B. 129. 164. A PEASANT IN A HIGH CAP, STANDING LEANING ON A STICK. 1639. B. 133

[52, III. REMBRANDT’S MOTHER SEATED. (1631.) B. 343.]

52, III. REMBRANDT’S MOTHER SEATED. (1631.) B. 343.

[54, VI. REMBRANDT WEARING A SOFT HAT, COCKED. 1631. B. 7. Later state, the body added.]

54, VI. REMBRANDT WEARING A SOFT HAT, COCKED. 1631. B. 7. Later state, the body added.

[57. REMBRANDT WEARING A SOFT CAP. (1631.) B. 2]

57. REMBRANDT WEARING A SOFT CAP. (1631.) B. 2

[97, I. THE RAT-KILLER. 1632. B. 121]

97, I. THE RAT-KILLER. 1632. B. 121

[110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was afterwards cut down to a bust in an oval.]

110, I. REMBRANDT WITH PLUMED HAT, AND SABRE. 1634. B. 23. This plate was afterwards cut down to a bust in an oval.

[112. REMBRANDT’S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347]

112. REMBRANDT’S WIFE, SASKIA, WITH PEARLS IN HER HAIR. 1634. B. 347

[127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state]

127, I. THE GREAT JEWISH BRIDE. 1635. B. 340. Unfinished state

[129. OLD WOMAN SLEEPING. (1635-7.) B. 350.]

129. OLD WOMAN SLEEPING. (1635-7.) B. 350.

[147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91]

147. THE RETURN OF THE PRODIGAL SON. 1636. B. 91