Chapter 3
I expect a long letter from you every day now. But I don't see what you will make it out of. I think I have got all the _things_ and you won't have anything left but the _words_. I am sure you don't sit out on the wood-shed at Aunt Oferr's, and I don't believe you pound stones and bricks, and make colors. Do you know when we rubbed our new shoes with pounded stone and made them gray?
I never told you about Luclarion. She came up as soon as the things were all sent off, and she lives at the minister's. Where she used to live is only two miles from here, but other people live there now, and it is built on to and painted straw color, with a green door.
Your affectionate sister, FRANCES SHIERE.
When Laura's letter came this was it:--
DEAR FRANK,--I received your kind letter a week ago, but we have been very busy having a dressmaker and doing all our fall shopping, and I have not had time to answer it before. We shall begin to go to school next week, for the vacations are over, and then I shall have ever so much studying to do. I am to take lessons on the piano, too, and shall have to practice two hours a day. In the winter we shall have dancing-school and practicing parties. Aunt has had a new bonnet made for me. She did not like the plain black silk one. This is of _gros d'Afrique_, with little bands and cordings round the crown and front; and I have a dress of _gros d'Afrique_, too, trimmed with double folds piped on. For every-day I have a new black _mousseline_ with white clover leaves on it, and an all-black French chally to wear to dinner. I don't wear my black and white calico at all. Next summer aunt means to have me wear white almost all the time, with lavender and violet ribbons. I shall have a white muslin with three skirts and a black sash to wear to parties and to Public Saturdays, next winter. They have Public Saturdays at dancing-school every three weeks. But only the parents and relations can come. Alice and Geraldine dance the shawl-dance with Helena Pomeroy, with crimson and white Canton crape scarfs. They have showed me some of it at home. Aunt Oferr says I shall learn the _gavotte_.
Aunt Oferr's house is splendid. The drawing-room is full of sofas, and divans, and ottomans, and a _causeuse_, a little S-shaped seat for two people. Everything is covered with blue velvet, and there are blue silk curtains to the windows, and great looking-glasses between, that you can see all down into through rooms and rooms, as if there were a hundred of them. Do you remember the story Luclarion used to tell us of when she and her brother Mark were little children and used to play that the looking-glass-things were real, and that two children lived in them, in the other room, and how we used to make believe too in the slanting chimney glass? You could make believe it here with _forty_ children. But I don't make believe much now. There is such a lot that is real, and it is all so grown up. It would seem so silly to have such plays, you know. I can't help thinking the things that come into my head though, and it seems sometimes just like a piece of a story, when I walk into the drawing-room all alone, just before company comes, with my _gros d'Afrique_ on, and my puffed lace collar, and my hair tied back with long new black ribbons. It all goes through my head just how I look coming in, and how grand it is, and what the words would be in a book about it, and I seem to act a little bit, just to myself as if I were a girl in a story, and it seems to say, "And Laura walked up the long drawing-room and took a book bound in crimson morocco from the white marble pier table and sat down upon the velvet ottoman in the balcony window." But what happened then it never tells. I suppose it will by and by. I am getting used to it all, though; it isn't so _awfully_ splendid as it was at first.
I forgot to tell you that my new bonnet flares a great deal, and that I have white lace quilling round the face with little black dotty things in it on stems. They don't wear those close cottage bonnets now. And aunt has had my dresses made longer and my pantalettes shorter, so that they hardly show at all. She says I shall soon wear long dresses, I am getting so tall. Alice wears them now, and her feet look so pretty, and she has such pretty slippers: little French purple ones, and sometimes dark green, and sometimes beautiful light gray, to go with different dresses. I don't care for anything but the slippers, but I _should_ like such ones as hers. Aunt says I can't, of course, as long as I wear black, but I can have purple ones next summer to wear with my white dresses. That will be when I come to see you.
I am afraid you will think this is a very _wearing_ kind of a letter, there are so many 'wears' in it. I have been reading it over so far, but I can't put in any other word.
Your affectionate sister, LAURA SHIERE.
P.S. Aunt Oferr says Laura Shiere is such a good sounding name. It doesn't seem at all common. I am glad of it. I should hate to be common.
I do not think I shall give you any more of it just here than these two letters tell. We are not going through all Frank and Laura's story. That with which we have especially to do lies on beyond. But it takes its roots in this, as all stories take their roots far back and underneath.
Two years after, Laura was in Homesworth for her second summer visit at the farm. It was convenient, while the Oferrs were at Saratoga. Mrs. Oferr was very much occupied now, of course, with introducing her own daughters. A year or two later, she meant to give Laura a season at the Springs. "All in turn, my dear, and good time," she said.
The winter before, Frank had been a few weeks in New York. But it tired her dreadfully, she said. She liked the theatres and the concerts, and walking out and seeing the shops. But there was "no place to get out of it into." It didn't seem as if she ever really got home and took off her things. She told Laura it was like that first old letter of hers; it was just "wearing," all the time.
Laura laughed. "But how can you live _without_ wearing?" said she.
Frank stood by, wondering, while Laura unpacked her trunks that morning after her second arrival at Aunt Oldways'. She had done now even with the simplicity of white and violet, and her wardrobe blossomed out like the flush of a summer garden.
She unfolded a rose-colored muslin, with little raised embroidered spots, and threw it over the bed.
"Where _will_ you wear that, up here?" asked Frank, in pure bewilderment.
"Why, I wear it to church, with my white Swiss mantle," answered Laura. "Or taking tea, or anything. I've a black silk _visite_ for cool days. That looks nice with it. And see here,--I've a pink sunshade. They don't have them much yet, even in New York. Mr. Pemberton Oferr brought these home from Paris, for Gerry and Alice, and me. Gerry's is blue. See! it tips back." And Laura set the dashy little thing with its head on one side, and held it up coquettishly.
"They used them in carriages in Paris, he said, and in St. Petersburg, driving out on the Nevskoi Prospekt."
"But where are your common things?"
"Down at the bottom; I haven't come to them. They were put in first, because they would bear squeezing. I've two French calicoes, with pattern trimmings; and a lilac jaconet, with ruffles, open down the front."
Laura wore long dresses now; and open wrappers were the height of the style.
Laura astonished Homesworth the first Sunday of this visit, with her rose-colored toilet. Bonnet of shirred pink silk with moss rosebuds and a little pink lace veil; the pink muslin, full-skirted over two starched petticoats; even her pink belt had gay little borders of tiny buds and leaves, and her fan had a pink tassel.
"They're the things I wear; why shouldn't I?" she said to Frank's remonstrance.
"But up here!" said Frank. "It would seem nicer to wear something--stiller."
So it would; a few years afterward Laura herself would have seen that it was more elegant; though Laura Shiere was always rather given to doing the utmost--in apparel--that the occasion tolerated. Fashions grew stiller in years after. But this June Sunday, somewhere in the last thirties or the first forties, she went into the village church like an Aurora, and the village long remembered the resplendence. Frank had on a white cambric dress, with a real rose in the bosom, cool and fresh, with large green leaves; and her "cottage straw" was trimmed with white lutestring, crossed over the crown.
"Do you feel any better?" asked Aunt Oldways of Laura, when they came home to the country tea-dinner.
"Better--how?" asked Laura, in surprise.
"After all that 'wear' and _stare_," said Aunt Oldways, quietly.
Aunt Oldways might have been astonished, but she was by no means awestruck, evidently; and Aunt Oldways generally spoke her mind.
Somehow, with Laura Shiere, pink was pinker, and ribbons were more rustling than with most people. Upon some quiet unconscious folks, silk makes no spread, and color little show; with Laura every gleam told, every fibre asserted itself. It was the live Aurora, bristling and tingling to its farthest electric point. She did not toss or flaunt, either; she had learned better of Signor Pirotti how to carry herself; but she was in conscious _rapport_ with every thing and stitch she had about her. Some persons only put clothes on to their bodies; others really seem to contrive to put them on to their souls.
Laura Shiere came up to Homesworth three years later, with something more wonderful than a pink embossed muslin:--she had a lover.
Mrs. Oferr and her daughters were on their way to the mountains; Laura was to be left with the Oldways. Grant Ledwith accompanied them all thus far on their way; then he had to go back to Boston.
"I can't think of anything but that pink sunshade she used to carry round canted all to one side over her shoulder," said Aunt Oldways, looking after them down the dusty road the morning that he went away. Laura, in her white dress and her straw hat and her silly little bronze-and-blue-silk slippers printing the roadside gravel, leaning on Grant Ledwith's arm, seemed only to have gained a fresh, graceful adjunct to set off her own pretty goings and comings with, and to heighten the outside interest of that little point of eternity that she called her life. Mr. Ledwith was not so much a man who had won a woman, as Laura was a girl who had "got a beau."
She had sixteen tucked and trimmed white skirts, too, she told Frank; she should have eight more before she was married; people wore ever so many skirts now, at a time. She had been to a party a little while ago where she wore _seven_.
There were deep French embroidery bands around some of these white skirts; those were beautiful for morning dresses. Geraldine Oferr was married last winter; Laura had been her bridesmaid; Gerry had a white brocade from Paris, and a point-lace veil. She had three dozen of everything, right through. They had gone to housekeeping up town, in West Sixteenth Street. Frank would have to come to New York next winter, or in the spring, to be _her_ bridesmaid; then she would see; then--who knew!
Frank was only sixteen, and she lived away up here in Homesworth among the hills; she had not "seen," but she had her own little secret, for all that; something she neither told nor thought, yet which was there; and it came across her with a queer little thrill from the hidden, unlooked-at place below thought, that "Who" _didn't_ know.
Laura waited a year for Grant Ledwith's salary to be raised to marrying point; he was in a wholesale woolen house in Boston; he was a handsome fellow, with gentlemanly and taking address,--capital, this, for a young salesman; and they put his pay up to two thousand dollars within that twelvemonth. Upon this, in the spring, they married; took a house in Filbert Street, down by the river, and set up their little gods. These were: a sprinkle of black walnut and brocatelle in the drawing-room, a Sheffield-plate tea-service, and a crimson-and-giltedged dinner set that Mrs. Oferr gave them; twilled turkey-red curtains, that looked like thibet, in the best chamber; and the twenty-four white skirts and the silk dresses, and whatever corresponded to them on the bride-groom's part, in their wardrobes. All that was left of Laura's money, and all that was given them by Grant Ledwith's father, and Mr. Titus Oldways' astounding present of three hundred dollars, without note or comment,--the first reminder they had had of him since Edward Shiere's funeral, "and goodness knew how he heard anything now," Aunt Oferr said,--had gone to this outfit. But they were well set up and started in the world; so everybody said, and so they, taking the world into their young, confident hands for a plaything, not knowing it for the perilous loaded shell it is, thought, merrily, themselves.
Up in Homesworth people did not have to wait for two thousand dollar salaries. They would not get them if they did.
Oliver Ripwinkley, the minister's son, finished his medical studies and city hospital practice that year, and came back, as he had always said he should do, to settle down for a country doctor. Old Doctor Parrish, the parson's friend of fifty years, with no child of his own, kept the place for Oliver, and hung up his old-fashioned saddle-bags in the garret the very day the young man came home. He was there to be "called in," however, and with this backing, and the perforce of there being nobody else, young Doctor Ripwinkley had ten patients within the first week; thereby opportunity for shewing himself in the eyes of ten families as a young man who "appeared to know pretty well what he was about."
So that when he gave further proof of the same, by asking, within the week that followed, the prettiest girl in Homesworth, Frances Shiere, to come and begin the world with him at Mile Hill village, nobody, not even Frank herself, was astonished.
She bought three new gowns, a shawl, a black silk mantle, and a straw bonnet. She made six each of every pretty white garment that a woman wears; and one bright mellow evening in September, they took their first tea in the brown-carpeted, white-shaded little corner room in the old "Rankin house;" a bigger place than they really wanted yet, and not all to be used at first; but rented "reasonable," central, sunshiny, and convenient; a place that they hoped they should buy sometime; facing on the broad sidegreen of the village street, and running back, with its field and meadow belongings, away to the foot of great, gray, sheltering Mile Hill.
And the vast, solemn globe, heedless of what lit here or there upon its breadth, or took up this or that life in its little freckling cities, or between the imperceptible foldings of its hills,--only carrying way-passengers for the centuries,--went plunging on its track, around and around, and swept them all, a score of times, through its summer and its winter solstices.
IV.
AFTERWARDS IS A LONG TIME.
Old Mr. Marmaduke Wharne had come down from Outledge, in the mountains, on his way home to New York. He had stopped in Boston to attend to some affairs of his own,--if one can call them so, since Marmaduke Wharne never had any "own" affairs that did not chiefly concern, to their advantage, somebody else,--in which his friend Mr. Titus Oldways was interested, not personally, but Wharne fashion. Now, reader, you know something about Mr. Titus Oldways, which up to this moment, only God, and Marmaduke Wharne, and Rachel Froke, who kept Mr. Oldways' house, and wore a Friend's drab dress and white cap, and said "Titus," and "Marmaduke" to the two old gentlemen, and "thee" and "thou" to everybody,--have ever known. In a general way and relation, I mean; separate persons knew particular things; but each separate person thought the particular thing he knew to be a whimsical exception.
Mr. Oldways did not belong to any church: but he had an English Prayer-book under his Bible on his study table, and Baxter and Fenelon and à Kempis and "Wesley's Hymns," and Swedenborg's "Heaven and Hell" and "Arcana Celestia," and Lowell's "Sir Launfal," and Dickens's "Christmas Carol," all on the same set of shelves,--that held, he told Marmaduke, his religion; or as much of it as he could get together. And he had this woman, who was a Friend, and who walked by the Inner Light, and in outer charity, if ever a woman did, to keep his house. "For," said he, "the blessed truth is, that the Word of God is in the world. Alive in it. When you know that, and wherever you can get hold of his souls, then and there you've got your religion,--a piece at a time. To prove and sort your pieces, and to straighten the tangle you might otherwise get into, there's _this_," and he laid his hand down on the Four Gospels, bound in white morocco, with a silver cross upon the cover,--a volume that no earthly creature, again, knew of, save Titus and Marmaduke and Rachel Froke, who laid it into a drawer when she swept and dusted, and placed it between the crimson folds of its quilted silken wrapper when she had finished, burnishing the silver cross gently with a scrap of chamois leather cut from a clean piece every time. There was nothing else delicate and exquisite in all the plain and grim establishment; and the crimson wrapper was comfortably worn, and nobody would notice it, lying on the table there, with an almanac, a directory, the big, open Worcester's Dictionary, and the scattered pamphlets and newspapers of the day.
Out in the world, Titus Oldways went about with visor down.
He gave to no fairs nor public charities; "let them get all they could that way, it wasn't his way," he said to Rachel Froke. The world thought he gave nothing, either of purse or life.
There was a plan they had together,--he and Marmaduke Wharne,--this girls' story-book will not hold the details nor the idea of it,--about a farm they owned, and people working it that could go nowhere else to work anything; and a mill-privilege that might be utilized and expanded, to make--not money so much as safe and honest human life by way of making money; and they sat and talked this plan over, and settled its arrangements, in the days that Marmaduke Wharne was staying on in Boston, waiting for his other friend, Miss Craydocke, who had taken the River Road down from Outledge, and so come round by Z----, where she was staying a few days with the Goldthwaites and the Inglesides. Miss Craydocke had a share or two in the farm and in the mill.
And now, Titus Oldways wanted to know of Marmaduke Wharne what he was to do for Afterwards.
It was a question that had puzzled and troubled him. Afterwards.
"While I live," he said, "I will do what I can, and _as_ I can. I will hand over my doing, and the wherewith, to no society or corporation. I'll pay no salaries nor circumlocutions. Neither will I--afterwards. And how is my money going to work on?"
"_Your_ money?"
"Well,--God's money."
"How did it work when it came to you?"
Mr. Oldways was silent.
"He chose to send it to you. He made it in the order of things that it should come to you. You began, yourself, to work for money. You did not understand, then, that the money would be from God and was for Him."
"He made me understand."
"Yes. He looked out for that part of it too. He can look out for it again. His word shall not return unto him void."
"He has given me this, though, to pass on; and I will not put it into a machine. I want to give some living soul a body for its living. Dead charities are dead. It's of no use to will it to you, Marmaduke; I'm as likely to stay on, perhaps, as you are."
"And the youngest life might drop, the day after your own. You can't take it out of God's hand."
"I must either let it go by law, or will it--here and there. I know enough whom it would help; but I want to invest, not spend it; to invest it in a life--or lives--that will carry it on from where I leave it. How shall I know?"
"He giveth it a body as it pleaseth Him," quoted Marmaduke Wharne, thoughtfully. "I am English, you know, Oldways; I can't help reverencing the claims of next of kin. Unless one is plainly shown otherwise, it seems the appointment. How can we set aside his ways until He clearly points us out his own exception?"
"My 'next' are two women whom I don't know, my niece's children. She died thirty years ago."
"Perhaps you ought to know them."
"I know _about_ them; I've kept the run; but I've held clear of family. They didn't need me, and I had no right to put it into their heads they did, unless I fully meant"--
He broke off.
"They're like everybody else, Wharne; neither better nor worse, I dare say; but the world is full of just such women. How do I know this money would be well in their hands--even for themselves?"
"Find out."
"One of 'em was brought up by an Oferr woman!"
The tone in which he _commonized_ the name to a satiric general term, is not to be written down, and needed not to be interpreted.
"The other is well enough," he went on, "and contented enough. A doctor's widow, with a little property, a farm and two children,--her older ones died very young,--up in New Hampshire. I might spoil _her_; and the other,--well, you see as I said, I _don't know_."
"Find out," said Marmaduke Wharne, again.
"People are not found out till they are tried."
"Try 'em!"
Mr. Oldways had been sitting with his head bent, thoughtfully, his eyes looking down, his hands on the two stiff, old-fashioned arms of his chair. At this last spondaic response from Marmaduke, he lifted his eyes and eyebrows,--not his head,--and raised himself slightly with his two hands pressing on the chair arms; the keen glance and the half-movement were impulsively toward his friend.
"Eh?" said he.
"Try 'em," repeated Marmaduke Wharne. "Give God's way a chance."
Mr. Oldways, seated back in his chair again, looked at him intently; made a little vibration, as it were, with his body, that moved his head up and down almost imperceptibly, with a kind of gradual assenting apprehension, and kept utterly silent.
So, their talk being palpably over for this time, Marmaduke Wharne got up presently to go. They nodded at each other, friendlily, as he looked back from the door.
Left alone, Mr. Titus Oldways turned in his swivel-chair, around to his desk beside which he was sitting.
"Next of kin?" he repeated to himself. "God's way?--Well! Afterwards is a long time. A man must give it up somewhere. Everything escheats to the king at last."
And he took a pen in his hand and wrote a letter.
V.
HOW THE NEWS CAME TO HOMESWORTH.
"I wish I lived in the city, and had a best friend," said Hazel Ripwinkley to Diana, as they sat together on the long, red, sloping kitchen roof under the arches of the willow-tree, hemming towels for their afternoon "stent." They did this because their mother sat on the shed roof under the fir, when she was a child, and had told them of it. Imagination is so much greater than fact, that these children, who had now all that little Frank Shiere had dreamed of with the tar smell and the gravel stones and the one tree,--who might run free in the wide woods and up the breezy hillsides,--liked best of all to get out on the kitchen roof and play "old times," and go back into their mother's dream.
"I wish I lived in a block of houses, and could see across the corner into my best friend's room when she got up in the morning!"
"And could have that party!" said Diana.