Chapter 2

It was Columbus sometimes; sometimes it was Captain Cook; to-day, it was no less than Jason sailing after the golden fleece.

Out of odd volumes in the garret, and out of "best books" taken down from the secretary in the "settin'-room," and put into their hands, with charges, of a Sunday, to keep them still, they had got these things, jumbled into strange far-off and near fantasies in their childish minds. "Lake Ontario" included and connected all.

"I'll tell you what it is," said Marcus, tumbling up against the parlor door and an idea at once. "In here!"

"What?" asked Luke, breathless, without looking up, and paddling with the shovel, from an inverted rocking-chair.

"The golden thing! Hush!"

At this moment Grashy came into the kitchen, took a little tin kettle from a nail over the dresser, and her sun-bonnet from another behind the door, and made her way through the apartment as well as she could for bristling chair-legs, with exemplary placidity. She was used to "Lake Ontario."

"Don't get into any mischief, you Apostles," was her injunction. "I'm goin' down to Miss Ruddock's for some 'east."

"Good,"; says Mark, the instant the door was shut "Now this is Colchis, and I'm going in."

He pronounced it much like "cold-cheese," and it never occurred to him that he was naming any unusual or ancient locality. There was a "Jason" in the Mills Village. He kept a grocer's shop. Colchis might be close by for all he knew; out beyond the wall, perhaps, among the old barrels. Children _place_ all they read or hear about, or even all they imagine, within a very limited horizon. They cannot go beyond their world. Why should they? Neither could those very venerable ancients.

"'Tain't," says Luclarion, with unbeguiled practicality. "It's just ma's best parlor, and you mustn't."

It was the "mustn't" that was the whole of it. If Mark had asserted that the back kitchen, or the cellar-way closet was Colchis, she would have indorsed it with enthusiasm, and followed on like a loyal Argonaut, as she was. But her imagination here was prepossessed. Nothing in old fable could be more environed with awe and mystery than this best parlor.

"And, besides," said Luclarion, "I don't care for the golden fleece; I'm tired of it. Let's play something else."

"I'll tell you what there is in here," persisted Mark. "There's two enchanted children. I've seen 'em!"

"Just as though," said Luke contemptuously. "Ma ain't a witch."

"Tain't ma. She don't know. They ain't visible to her. _She_ thinks it's nothing but the best parlor. But it opens out, right into the witch country,--not for her. 'Twill if we go. See if it don't."

He had got hold of her now; Luclarion could not resist that. Anything might be true of that wonderful best room, after all. It was the farthest Euxine, the witch-land, everything, to them.

So Mark turned the latch and they crept in

"We must open a shutter," Mark said, groping his way.

"Grashy will be back," suggested Luke, fearfully.

"Guess so!" said Mark. "She ain't got coaxed to take her sun-bonnet off yet, an' it'll take her ninety-'leven hours to get it on again."

He had let in the light now from the south window.

The red carpet on the floor; the high sofa of figured hair-cloth, with brass-headed nails, and brass rosettes in the ends of the hard, cylinder pillows; the tall, carved cupboard press, its doors and drawers glittering with hanging brass handles; right opposite the door by which they had come in, the large, leaning mirror, gilt--garnished with grooved and beaded rim and an eagle and ball-chains over the top,--all this, opening right in from the familiar every-day kitchen and their Lake Ontario,--it certainly meant something that such a place should be. It meant a great deal more than sixteen feet square could hold, and what it really was did not stop short at the gray-and-crimson stenciled walls.

The two were all alone in it; perhaps they had never been all alone in it before. I think, notwithstanding their mischief and enterprise, they never had.

And deep in the mirror, face to face with them, coming down, it seemed, the red slant of an inner and more brilliant floor, they saw two other little figures. Their own they knew, really, but elsewhere they never saw their own figures entire. There was not another looking-glass in the house that was more than two feet long, and they were all hung up so high!

"There!" whispered Mark. "There they are, and they can't get out."

"Of course they can't," said sensible Luclarion.

"If we only knew the right thing to say, or do, they might," said Mark. "It's that they're waiting for, you see. They always do. It's like the sleeping beauty Grashy told us."

"Then they've got to wait a hundred years," said Luke.

"Who knows when they began?"

"They do everything that we do," said Luclarion, her imagination kindling, but as under protest. "If we could jump in perhaps they would jump out."

"We might jump _at_ 'em," said Marcus. "Jest get 'em going, and may-be they'd jump over. Le's try."

So they set up two chairs from Lake Ontario in the kitchen doorway, to jump from; but they could only jump to the middle round of the carpet, and who could expect that the shadow children should be beguiled by that into a leap over bounds? They only came to the middle round of _their_ carpet.

"We must go nearer; we must set the chairs in the middle, and jump close. Jest _shave_, you know," said Marcus.

"O, I'm afraid," said Luclarion.

"I'll tell you what! Le's _run_ and jump! Clear from the other side of the kitchen, you know. Then they'll have to run too, and may-be they can't stop."

So they picked up chairs and made a path, and ran from across the broad kitchen into the parlor doorway, quite on to the middle round of the carpet, and then with great leaps came down bodily upon the floor close in front of the large glass that, leaned over them, with two little fallen figures in it, rolling aside quickly also, over the slanting red carpet.

But, O dear what did it?

Had the time come, anyhow, for the old string to part its last fibre, that held the mirror tilting from the wall,--or was it the crash of a completed spell?

There came a snap,--a strain,--as some nails or screws that held it otherwise gave way before the forward pressing weight, and down, flat-face upon the floor, between the children, covering them with fragments of splintered glass and gilded wood,--eagle, ball-chains, and all,--that whole magnificence and mystery lay prostrate.

Behind, where it had been, was a blank, brown-stained cobwebbed wall, thrown up harsh and sudden against them, making the room small, and all the enchanted chamber, with its red slanting carpet, and its far reflected corners, gone.

The house hushed up again after that terrible noise, and stood just the same as ever. When a thing like that happens, it tells its own story, just once, and then it is over. _People_ are different. They keep talking.

There was Grashy to come home. She had not got there in time to hear the house tell it. She must learn it from the children. Why?

"Because they knew," Luclarion said. "Because, then, they could not wait and let it be found out."

"We never touched it," said Mark.

"We jumped," said Luke.

"We couldn't help it, if _that_ did it. S'posin' we'd jumped in the kitchen, or--the--flat-irons had tumbled down,--or anything? That old string was all wore out."

"Well, we was here, and we jumped; and we know."

"We was here, of course; and of course we couldn't help knowing, with all that slam-bang. Why, it almost upset Lake Ontario! We can tell how it slammed, and how we thought the house was coming down. I did."

"And how we were in the best parlor, and how we jumped," reiterated Luclarion, slowly. "Marcus, it's a stump!"

They were out in the middle of Lake Ontario now, sitting right down underneath the wrecks, upon the floor; that is, under water, without ever thinking of it. The parlor door was shut, with all that disaster and dismay behind it.

"Go ahead, then!" said Marcus, and he laid himself back desperately on the floor. "There's Grashy!"

"Sakes and patience!" ejaculated Grashy, merrily, coming in. "They're drownded,--dead, both of 'em; down to the bottom of Lake Ontariah!"

"No we ain't," said Luclarion, quietly. "It isn't Lake Ontario now. It's nothing but a clutter. But there's an awful thing in the best parlor, and we don't know whether we did it or not. We were in there, and we jumped."

Grashy went straight to the parlor door, and opened it. She looked in, turned pale, and said "'Lection!"

That is a word the women have, up in the country, for solemn surprise, or exceeding emergency, or dire confusion. I do not know whether it is derived from religion or politics. It denotes a vital crisis, either way, and your hands full. Perhaps it had the theological association in Grashy's mind, for the next thing she said was, "My soul!"

"Do you know what that's a sign of, you children?"

"Sign the old thing was rotten," said Marcus, rather sullenly.

"Wish that was all," said Grashy, her lips white yet. "Hope there mayn't nothin' dreadful happen in this house before the year's out. It's wuss'n thirteen at the table."

"Do you s'pose we did it?" asked Luke, anxiously.

"Where was you when it tumbled?"

"Right in front of it. But we were rolling away. _We_ tumbled."

"'Twould er come down the fust jar, anyway, if a door had slammed. The string's cut right through," said Grashy, looking at the two ends sticking up stiff and straight from the top fragment of the frame. "But the mercy is you war'n't smashed yourselves to bits and flinders. Think o'that!"

"Do you s'pose ma'll think of that?" asked Luclarion.

"Well--yes; but it may make her kinder madder,--just at first, you know. Between you and me and the lookin'-glass, you see,--well, yer ma is a pretty strong-feelin' woman," said Grashy, reflectively. "'Fi was you I wouldn't say nothin' about it. What's the use? _I_ shan't."

"It's a stump," repeated Luclarion, sadly, but in very resolute earnest.

Grashy stared.

"Well, if you ain't the curiousest young one, Luke Grapp!" said she, only half comprehending.

When Mrs. Grapp came home, Luclarion went into her bedroom after her, and told her the whole story. Mrs. Grapp went into the parlor, viewed the scene of calamity, took in the sense of loss and narrowly escaped danger, laid the whole weight of them upon the disobedience to be dealt with, and just as she had said, "You little fool!" out of the very shock of her own distress when Luke had burned her baby foot, she turned back now, took the two children up-stairs in silence, gave them each a good old orthodox whipping, and tucked them into their beds.

They slept one on each side of the great kitchen-chamber.

"Mark," whispered Luke, tenderly, after Mrs. Grapp's step had died away down the stairs. "How do you feel?"

"Hot!" said Mark. "How do you?"

"You ain't mad with me, be you?"

"No."

"Then I feel real cleared up and comfortable. But it _was_ a stump, wasn't it?"

* * * * *

From that time forward, Luclarion Grapp had got her light to go by. She understood life. It was "stumps" all through. The Lord set them, and let them; she found that out afterward, when she was older, and "experienced religion." I think she was mistaken in the dates, though; it was _recognition_, this later thing; the experience was away back,--at Lake Ontario.

It was a stump when her father died, and her mother had to manage the farm, and she to help her. The mortgage they had to work off was a stump; but faith and Luclarion's dairy did it. It was a stump when Marcus wanted to go to college, and they undertook that, after the mortgage. It was a stump when Adam Burge wanted her to marry him, and go and live in the long red cottage at Side Hill, and she could not go till they had got through with helping Marcus. It was a terrible stump when Adam Burge married Persis Cone instead, and she had to live on and bear it. It was a stump when her mother died, and the farm was sold.

Marcus married; he never knew; he had a belles-lettres professorship in a new college up in D----. He would not take a cent of the farm money; he had had his share long ago; the four thousand dollars were invested for Luke. He did the best he could, and all he knew; but human creatures can never pay each other back. Only God can do that, either way.

Luclarion did not stay in ----. There were too few there now, and too many. She came down to Boston. Her two hundred and eighty dollars a year was very good, as far as it went, but it would not keep her idle; neither did she wish to live idle. She learned dress-making; she had taste and knack; she was doing well; she enjoyed going about from house to house for her days' work, and then coming back to her snug room at night, and her cup of tea and her book.

Then it turned out that so much sewing was not good for her; her health was threatened; she had been used to farm work and "all out-doors." It was a "stump" again. That was all she called it; she did not talk piously about a "cross." What difference did it make? There is another word, also, for "cross" in Hebrew.

Luclarion came at last to live with Mrs. Edward Shiere. And in that household, at eight and twenty, we have just found her.

III.

BY STORY-RAIL: TWENTY-SIX YEARS AN HOUR.

Laura Shiere did not think much about the "stump," when, in her dark gray merino travelling dress, and her black ribbons, nicely appointed, as Mrs. Oferr's niece should be, down to her black kid gloves and broad-hemmed pocket-handkerchief, and little black straw travelling-basket (for morocco bags were not yet in those days), she stepped into the train with her aunt at the Providence Station, on her way to Stonington and New York.

The world seemed easily laid out before her. She was like a cousin in a story-book, going to arrive presently at a new home, and begin a new life, in which she would be very interesting to herself and to those about her. She felt rather important, too, with her money independence--there being really "property" of hers to be spoken of as she had heard it of late. She had her mother's diamond ring on her third finger, and was comfortably conscious of it when she drew off her left-hand glove. Laura Shiere's nature had only been stirred, as yet, a very little below the surface, and the surface rippled pleasantly in the sunlight that was breaking forth from the brief clouds.

Among the disreputable and vociferous crowd of New York hack drivers, that swarmed upon the pier as the _Massachusetts_ glided into her dock, it was good to see that subduedly respectable and consciously private and superior man in the drab overcoat and the nice gloves and boots, who came forward and touched his hat to Mrs. Oferr, took her shawl and basket, and led the way, among the aggravated public menials, to a handsome private carriage waiting on the street.

"All well at home, David?" asked Mrs. Oferr.

"All well, ma'am, thank you," replied David.

And another man sat upon the box, in another drab coat, and touched _his_ hat; and when they reached Waverley Place and alighted, Mrs. Oferr had something to say to him of certain directions, and addressed him as "Moses."

It was very grand and wonderful to order "David" and "Moses" about. Laura felt as if her aunt were something only a little less than "Michael with the sword." Laura had a susceptibility for dignities; she appreciated, as we have seen out upon the wood-shed, "high places, and all the people looking up."

David and Moses were brothers, she found out; she supposed that was the reason they dressed alike, in drab coats; as she and Frank used to wear their red merinos, and their blue ginghams. A little spasm did come up in her throat for a minute, as she thought of the old frocks and the old times already dropped so far behind; but Alice and Geraldine Oferr met her the next instant on the broad staircase at the back of the marble-paved hall, looking slight and delicate, and princess-like, in the grand space built about them for their lives to move in; and in the distance and magnificence of it all, the faint little momentary image of Frank faded away.

She went up with them out of the great square hall, over the stately staircase, past the open doors of drawing-rooms and library, stretching back in a long suite, with the conservatory gleaming green from the far end over the garden, up the second stairway to the floor where their rooms were; bedrooms and nursery,--this last called so still, though the great, airy front-room was the place used now for their books and amusements as growing young ladies,--all leading one into another around the skylighted upper hall, into which the sunshine came streaked with amber and violet from the richly colored glass. She had a little side apartment given to her for her own, with a recessed window, in which were blossoming plants just set there from the conservatory; opposite stood a white, low bed in a curtained alcove, and beyond was a dressing-closet. Laura thought she should not be able to sleep there at all for a night or two, for the beauty of it and the good time she should be having.

At that same moment Frank and her Aunt Oldways were getting down from the stage that had brought them over from Ipsley, where they slept after their day's journey from Boston,--at the doorstone of the low, broad-roofed, wide-built, roomy old farm-house in Homesworth.

Right in the edge of the town it stood, its fields stretching over the south slope of green hills in sunny uplands, and down in meadowy richness to the wild, hidden, sequestered river-side, where the brown water ran through a narrow, rocky valley,--Swift River they called it. There are a great many Swift Rivers in New England. It was only a vehement little tributary of a larger stream, beside which lay larger towns; it was doing no work for the world, apparently, at present; there were no mills, except a little grist-mill to which the farmers brought their corn, cuddled among the rocks and wild birches and alders, at a turn where the road came down, and half a dozen planks made a bit of a bridge.

"O, what beautiful places!" cried Frank, as they crossed the little bridge, and glanced either way into a green, gray, silvery vista of shrubs and rocks, and rushing water, with the white spires of meadow-sweet and the pink hardback, and the first bright plumes of the golden rod nodding and shining against the shade,--as they passed the head of a narrow, grassy lane, trod by cows' feet, and smelling of their milky breaths, and the sweetness of hay-barns,--as they came up, at length, over the long slope of turf that carpeted the way, as for a bride's feet, from the roadside to the very threshold. She looked along the low, treble-piled garden wall, too, and out to the open sheds, deep with pine chips; and upon the broad brown house-roof, with its long, gradual decline, till its eaves were within reach of a child's fingers from the ground; and her quick eye took in facilities.

"O, if Laura could see this! After the old shed-top in Brier Street, and the one tree!"

But Laura had got what the shed-top stood for with her; it was Frank who had hearkened to whole forests in the stir of the one brick-rooted fir. To that which each child had, it was already given.

In a week or two Frank wrote Laura a letter. It was an old-fashioned letter, you know; a big sheet, written close, four pages, all but the middle of the last page, which was left for the "superscription." Then it was folded, the first leaf turned down twice, lengthwise; then the two ends laid over, toward each other; then the last doubling, or rather trebling, across; and the open edge slipped over the folds. A wafer sealed it, and a thimble pressed it,--and there were twenty-five cents postage to pay. That was a letter in the old times, when Laura and Frank Shiere were little girls. And this was that letter:--

DEAR LAURA,--We got here safe, Aunt Oldways and I, a week ago last Saturday, and it is _beautiful_. There is a green lane,--almost everybody has a green lane,--and the cows go up and down, and the swallows build in the barn-eaves. They fly out at sundown, and fill all the sky up. It is like the specks we used to watch in the sunshine when it came in across the kitchen, and they danced up and down and through and away, and seemed to be live things; only we couldn't tell, you know, what they were, or if they really did know how good it was. But these are big and real, and you can see their wings, and you know what they mean by it. I guess it is all the same thing, only some things are little and some are big. You can see the stars here, too,--such a sky full. And that is all the same again.

There are beautiful roofs and walls here. I guess you would think you were high up! Harett and I go up from under the cheese-room windows right over the whole house, and we sit on the peak by the chimney. Harett is Mrs. Dillon's girl. Not the girl that lives with her,--her daughter. But the girls that live with people are daughters here. Somebody's else, I mean. They are all alike. I suppose her name is Harriet, but they all call her Harett. I don't like to ask her for fear she should think I thought they didn't know how to pronounce.

I go to school with Harett; up to the West District. We carry brown bread and butter, and doughnuts, and cheese, and apple-pie in tin pails, for luncheon. Don't you remember the brown cupboard in Aunt Oldways' kitchen, how sagey, and doughnutty, and good it always smelt? It smells just so now, and everything tastes just the same.

There is a great rock under an oak tree half way up to school, by the side of the road. We always stop there to rest, coming home. Three of the girls come the same way as far as that, and we always save some of our dinner to eat up there, and we tell stories. I tell them about dancing-school, and the time we went to the theatre to see "Cinderella," and going shopping with mother, and our little tea-parties, and the Dutch dolls we made up in the long front chamber. O, _don't_ you remember, Laura? What different pieces we have got into our remembrances already! I feel as if I was making patchwork. Some-time, may-be, I shall tell somebody about living _here_. Well, they will be beautiful stories! Homesworth is an elegant place to live in. You will see when you come next summer.

There is an apple tree down in the south orchard that bends just like a horse's back. Then the branches come up over your head and shade you. We ride there, and we sit and eat summer apples there. Little rosy apples with dark streaks in them all warm with the sun. You can't think what a smell they have, just like pinks and spice boxes. Why don't they keep a little way off from each other in cities, and so have room for apple trees? I don't see why they need to crowd so. I hate to think of you all shut up tight when I am let right out into green grass, and blue sky, and apple orchards. That puts me in mind of something! Zebiah Jane, Aunt Oldways' girl, always washes her face in the morning at the pump-basin out in the back dooryard, just like the ducks. She says she can't spatter round in a room; she wants all creation for a slop-bowl. I feel as if we had all creation for everything up here. But I can't put all creation in a letter if I try. _That_ would spatter dreadfully.