Chapter 5

Sometimes her friends would ask what she would do if her face were to freeze in frowns, but her Uncle John used to say that she was always too hot to freeze. One evening she came to Uncle John with the usual frown, showing him her new brocade doll dress. She had put it away carelessly, and it was all in "beggars' presses."

"Just see, Uncle John," she whined; "dear me! I never get any thing nice that it isn't spoiled somehow or other. Isn't that too bad? This dress has been wrinkled for a week, and now it will never come smooth at all."

"That's bad, surely," said Uncle John, "but there is something more than that. I know something of yours that is finer than that brocade silk, that is all in 'beggars' presses.'"

"Why, no, Uncle John, I haven't any thing so fine as this, you know, and now this is all puckered and wrinkled and krinkled, and what will I do?"

"Give me your hand," said Uncle John. "Do you see that skin? There is no silk so fine as that. These chubby cheeks are covered with a skin that is finer. But you have kept this skin puckered about your eyes and your forehead and the corner of your mouth, you have kept it puckered and wrinkled and krinkled as you say, till I am afraid it will never be straight. I don't think a hot iron would smoothe it. Do you?"

Now Uncle John spoke very kindly, indeed. There were no wrinkles in his voice. Some people have wrinkles in their words. But notwithstanding her uncle's kindness, naughty little Tilda Tulip went off in a pout, and declared that Uncle John was "real mean. He never feels sorry for a body when they are in trouble." And so she wrinkled her voice into a whine, and wrinkled and puckered her face up most frightfully.

At last, tired of teasing and talking and troubling, Tilda Tulip tumbled into her trundle-bed and was tucked tightly in. Everybody was glad when she went to sleep. Everybody dreaded the time when she should wake up. She was a good girl when she was asleep.

She dreamed. It was a funny dream. I think she must have remembered what Uncle John said, for she thought she saw a funny little old house, by a funny little old hill, near a funny little old bridge. Out of this house came a funny little old woman, with a funny little old bonnet, carrying a funny little old bag on her back, and with a funny little old cane in her hand. Her face was wrinkled and cross--wrinkled all over, and she stooped dreadfully. But she tossed her funny little old bag on to the back of a funny little old donkey, and climbed up herself. Then she was cross with the funny little old bag, and mad with the funny little old donkey, and she beat him with a funny little old stick, and scolded and scolded with a funny little old cracked, quivering, peevish, hateful voice.

And so Tilda followed her as she rode, and all the rude boys along the road cried out, "There goes the funny little old woman and her donkey!" And a beautiful lady came along, and when she met the funny little old woman, she sat down on a stone and wept, and said, "O Miriam, my daughter!" But the funny little old woman only beat her donkey and scolded more than ever. And Tilda wondered why the beautiful woman called the funny little old woman her daughter. And Tilda dreamed that many days passed, and that every day the funny little old woman rode on the funny little old donkey to the city. And every day the beautiful woman wept and said, "O Miriam, my daughter!" One day Tilda approached the beautiful woman and spoke to her.

"Why do you call that funny, hateful, little old woman your daughter?"

"Because she is my daughter."

"But she is so much older than you are."

"Why," said the beautiful woman, "don't you know the history of the funny little old woman that rides her donkey to town every day? She is my daughter. She is not old; but she was a cross child. She fretted and pouted, and scolded and screamed. She frowned till her brow began to wrinkle. I do not know whether a fairy enchanted her or not, but when she became angry there was one wrinkle that could not be removed. The next time she was mad, another wrinkle remained. When she found that the wrinkles would not come out she became mad at that, and of course, every time she got into a passion there came other wrinkles. Then, too, her temper grew worse. Her once beautiful voice began to sound like a cracked tin horn. The wrinkles soon covered her face; then they grew crosswise; you see it is all in beggars' presses. She got old; she shrivelled up; she stooped over. She became so cross that she spends most of her time in that funny little old house, to keep away from the rest of us. She must have something to do, and so she gets angry at the stones and breaks them up. She then carries them to the city and throws them into the river. She must have something to beat, and so we let her have this poor donkey, whose skin is thick. She beats him, and thus people are saved from her ravings. I do not know whether she will ever come to her senses or not. O Miriam, my daughter!"

At last Tilda dreamed that the funny, wrinkled, cross, little old woman, got down one day off her donkey, poured the stones out of the bag, and came and sat down by the beautiful lady. Then the funny little old woman cried. She put her head in the lap of the beautiful lady, and said, "O mother, how shall I get these wrinkles away!"

And the beautiful lady kissed her and said, "Ah! my daughter, if you will but cast out the bitterness from your heart, as you poured the stones from the bag, I shall not care for the wrinkles?"

The next day Tilda saw the funny little old woman feeding and petting the donkey. Then she saw her carrying food to a poor widow. And every time the funny little old woman did a kind act there was one wrinkle less on her face. And then she went into a hospital, and she was so kind to the sick that they all loved the funny little old woman. And still the wrinkles grew fewer, and the form grew straighter, and the face grew fresher, until all the people in the hospital said, "Our funny little old woman is really getting younger." And younger and still younger she became, until the beautiful lady kissed her beautiful Miriam again, and the music came back into her voice once more. And Tilda Tulip thought in her dream that Miriam looked like herself, and that the beautiful lady seemed like her own mother. And then she waked up and found it morning, for she had dreamed all this long dream in one night.

And when she was about to fly into a passion with her stockings, in dressing, the thought of the funny little old woman and her face in beggars' presses kept her from it. When she was dressed she told uncle Jack all about the dream, and he smiled.

"Suppose you try the plan that the funny little old woman did, and see if you can't get rid of some of your wrinkles," he said to Tilda.

WIDOW WIGGINS' WONDERFUL CAT.

Widow Wiggins was a wee, wiry, weird woman, with a wonderful cat--a very wonderful cat, indeed! The neighbors all said it was bewitched. Perhaps it was; I don't know; but a very wonderful cat it was. It had a strange way of knowing, when people were talking, whether what they said was right or wrong. If people said what they ought not to say, wee Widow Wiggins' wonderful cat would mew. Perhaps the cat had lived so long with the wee, wiry, weird widow woman, who was one of the best in the world, that it had gotten her dislike to things that were wrong. But the wee widow's neighbors were afraid of that cat. When Mrs. Vine, a very vile, vinegar-tongued, vixenish virago, abused her neighbors to the wee, wiry, weird, widow woman, the Widow Wiggins' wonderful cat would mew. And so the vile, vixenish virago wished the cat was dead. And when slender, slim, slippery Sly Slick, Esq., tried to persuade the widow to swindle her neighbor, the cat mewed furiously. And so it came that Mr. Slick did not like the wee widow's wonderful cat. In fact, he said it was a nuisance. And Tilda Tattle, the tiresome-tongued, town tale-bearer, could not abide the cat, because it mewed all the time she was tattling.

And so it happened that good Deacon Pettibone, and his wife, who was even better than the deacon, were about the only visitors the wee, weird Widow Wiggins had. As the deacon never said any harm of anybody, and as the deacon's wife never thought any harm, and as the wee widow woman never felt any harm, the cat would lie stretched out on the hearth all day while these three good people talked.

But though the deacon was good, and his wife was better, yet the deacon's oldest son was not the boy he ought to have been. Somehow or other, as it will happen sometimes, he listened to everybody but his father and his mother. Bad company led him astray. At first the deacon did not suspect him; but when he showed signs of having been drinking, the deacon was very severe. I am afraid there was not enough of kindness in the father's severity. At any rate, after awhile, Tom was told that if he repeated the offence he must go from home. Tom had got to be a hard boy. The deacon felt greatly provoked. But when a boy shows that he is not able to overcome temptation while he is at home, I am not sure that he will be any better if he is sent by himself. I don't think that helps it. But Tom was bad, and so he had no right to complain. He yielded to temptation, and was sent away, his father telling him that he should never come back again. Deacon Pettibone thought he was doing right, but I am afraid he was angry.

Well, when Tom got away he did not get any better. He went down faster. At last his health broke down. He thought of home as he walked around hardly able to stand up. But the deacon would not ask him back, nor would he encourage him even by a kind look to ask to be taken back again. The deacon's wife tried to persuade him. She cried. But the deacon said he must not break his word. His wife told him that a rash word ought to be broken where it did others harm. The deacon's wife grew sick, and the vile, vinegar-tongued, vixenish virago said that the deacon was an old brute. The tattling, tiresome-tongued, town tale-bearer talked about a good many things that she _might_ say, if she wanted to, and she did say that the deacon and his wife did not get on like angels. But the wee, wiry, weird Widow Wiggins watched wearily by the bedside of the sick Mrs. Pettibone. And still Deacon Pettibone refused to break his word, though he was breaking his wife's heart, and breaking God's command, and ruining his son.

At last the sick mother, longing for her son, thought of a plan by which to bring her husband to reason.

"Fetch your cat over the next time you come," she said to the wee, wiry, widow woman.

And so when the wee, weird Widow Wiggins came again, the wonderful cat followed her and lay down by the stove. Soon after the deacon came in, looking very sad but very stern.

"Did you see Tom?" asked his wife.

"No, I didn't," said the deacon, "and I don't want to."

"Mew!" said the cat.

The deacon noticed the cat, and got a little red in the face; but he went on talking.

"I tell you what, wife, Tom has made his bed and he must lie on it, that's all!"

"Mew! mew! mew!"

"I can't break my word anyhow; I said he shouldn't come back, and he shan't; so now there's no use in pining yourself to death over a scapegrace."

"Mew! mew! mew! m-e-e-o-w!" shrieked the cat, with every bristle on end, and her claws scratching the floor.

"Mrs. Wiggins, I wish you would keep that miserable cat at home," said the deacon; and so the wee widow woman took up the wonderful cat and carried it home.

But the poor deacon couldn't rest. That night he thought he could hear that cat mewing at him all the time. He remembered that he had not seen Tom for some days. What if he was dying? It was a long night. The deacon at last got to thinking of the touching and wonderful Parable of the Prodigal. And then in the stillness he thought he could hear something in his heart mewing at him.

At last daylight came, and he hastened to find Tom in a wretched garret racked with disease. He brought him home tenderly, and Tom got well both in his body and in his soul.

The Chicken Little Stories.

SIMON AND THE GARULY.

Chicken Little fixed herself up in her new rocking-chair, set her mouth in a very prim fashion, leaned her head on one side, and began to rock with all her might, jerking her feet from the floor every time.

"I yish," she began, "I yish somebody yould tell some stories yat yould be little for me to hear."

And having made this speech, which was meant as a hint for me, she rocked harder than ever, nearly upsetting herself two or three times.

"What shall it be about?" I said.

"'Bout some naughty boy or 'nother."

She likes to hear of naughty boys, but not of naughty girls. She thinks stories of naughty girls are a little personal. And so, with her chair going and her shining eyes peering out from under her overhanging forehead, I began

_THE STORY._

Simon was a selfish fellow. He was always willing anybody should divide good things with him, but was never willing, himself, to divide with anybody else. He was never willing to play with others, for fear he would not be treated right. His two brothers and his sister had their playthings together, but Simon would not play with them, for fear he should not get his rights in all things, and so he took his little stock and set up for himself. His brothers and sister, of course, by putting theirs together, had many more than he. Then, too, by working together, they managed to fix up many nice things. But poor Simon had nobody to help him, and nobody to play with him. So he came to feel very bad. He thought everybody was angry with him.

One sunny afternoon, when the other children were laughing and shouting merrily, poor Simon tried in vain to be happy by himself. Something in his throat kept choking him.

("I guess it was the cry that choked him," broke in the Small Chicken. "I had a cry in my throat yesterday. It was bigger than my fist, and most choked me to death, till I let it out.")

Yes, that was what hurt him, and presently he let it out, as you say, and had a good, hard cry. Then gradually he went off into a sort of doze. Soon he felt something strike him on the head.

"Wake up! wake up!"

Simon opened his eyes, and saw a funny, little, old man standing over him, who kept one of his eyes shut all the time, and looked out of the other with the queerest twinkle in the world. He had a knotty stick in his hand, and was tapping Simon over the head with it.

"What do you want?" growled Simon.

With that the old man hit him another sharp blow over the head.

"Get up," he said, "and come with me, and I will show you where I live. I am one of the Garulies."

Simon got to his feet, partly because he was afraid of another blow from the cudgel, and partly because he had a very great desire to know something of the Garulies.

"Come along! come along!" said the queer little man, as he gave Simon another tap.

He took the road through the woods pasture, down under Swallow Hill, and then through the blackberry patch, until they came to the brook known as "Bee Tree Run." Here, just at the foot of a large sycamore, and among its roots, was fastened a curious boat, made of a large turtle shell turned upside down.

"Get in! get in!" squealed the little old Garuly.

"I am too large," said Simon; "that craft will sink if I step in."

In an instant the little man whirled round and hit him three tremendous raps over the head with his cudgel, shouting, or rather _squeaking_,

"Smaller! smaller! smaller!"

The blows made Simon's head ring, but when he recovered himself, he found that the turtle-shell boat appeared a great deal larger than before. Not only that, but every thing about him appeared larger. He soon discovered, however, that he was smaller, and that that was what made other things seem larger. For you know we measure everything by ourselves.

("Mamma doesn't," said the Chicken; "she measures with a yard-stick.")

Well, Simon prided himself on being so big, and it was not pleasant to him to find himself suddenly become so small that a large rooster could have looked down upon him. But he did not say any thing, for fear of old Garuly's stick, but just got into the boat as soon as possible. The old man got in, too, and they were soon floating down the stream. The brook seemed like a river, and the grass upon the banks was like trees, to Simon, now. The old Garuly guided the boat over the rapids, that seemed frightful to Simon, and floated it down to where the cliffs were steep, and presently came to a place where the water runs under a large rock. The old man steered the queer craft into this dark, cave-like place, and shot up to a shelving landing-place.

"Get out!" he squeaked.

Simon did as he was commanded.

"Go in! go in!" cried the Garuly, pointing to a hole in the cliff.

"I am too large," said Simon.

And immediately the old man struck him over the head three times, as before, crying,

"Smaller! smaller! smaller!"

Simon now found himself not more than half as large as he was before. He went in with the Garuly, who had also grown smaller. Inside there was the daintiest chamber, all full of beautiful shells wrought into tiny articles of furniture. The floor was paved with shining pebbles, and the room was lit up by three fire-flies and two glow-worms.

"How could you make the place so beautiful?" cried Simon.

"The Garulies work together," said the old man, sharply.

The little man told Simon to go in through another door, but Simon was still too large for that, and so the Garuly again pounded him, crying,

"Smaller! smaller! smaller!"

Once in, Simon saw indeed the treasures of the Garuly's household. There were easy-chairs, made of the hulls of hickory-nuts; hammocks, made of the inside bark of the paw-paw; wash-bowls, curiously carved from the hulls of beech-nuts; and beautiful curtains, of the leaves of the silver poplar. The floor was paved with the seeds of the wild grape, and beautifully carpeted with the lichens from the beech and maple trees. The beds were made of a great variety of mosses, woven together with the utmost delicacy of workmanship. There was a bath-tub made of a mussel-shell, cut into beautiful cameo figures.

"How wonderful!" cried Simon, clapping his hands.

"The Garulies work together!" said the old man, more decidedly than before.

Simon noticed that his own voice was beginning to squeak like that of the old Garuly himself. But after seeing the interior of his dwelling, he would not have minded being changed into a Garuly.

The old man was now leading him out through a different entrance. Then along a path they went until they came to a fence, the rails of which seemed to Simon to be larger than logs. They crawled through the fence, and found themselves in a farm-yard. The chickens seemed to be larger than those great creatures that geologists say once lived on the earth, and that were as high as a house. Presently they came to a bee-stand. The bees seemed to Simon to be of immense size, and he was greatly afraid; but the old Garuly spoke to the fierce-looking sentinel bee that stood by the door and shook one of his antennæ in a friendly way.

("His Aunt Annie?" said Chicken Little. "What do you mean?"

"His antennæ are his feelers, the little hair-like things that stand out from his head.")

Now the bees seemed to know the Garuly, and so they let him pass in. But poor Simon had to be pounded down again before he was small enough to go in. When he got in, he saw a world of beauty. Being so small himself, and so near to the bees, he could see how beautiful their eyes were, made up of hundreds of little eyes, with little hairs growing out between them. And then, too, the honey-comb seemed like great, golden wells, full of honey. Each well seemed as large as a barrel. They climbed up along the sides of the combs, and saw some bees feeding the young, some building cells, some bringing in honey, some feeding the queen bee, some clearing out the waste matter, and others standing guard. They all seemed cheerful.

"Bees all work together!" piped the old man. "No bee is selfish. These bees will not live to eat this honey. Bees that work hard in summer only live to be about two months old. This honey is stored for others. But see how happy they all are. How much may be done by those who work together cheerfully."

Out of the hive they went, and back toward the Garuly's house. But the old man turned aside to go to an ant-hill.

"Let's go in here," said the Garuly.

"No, I am too large," said Simon.

"Smaller! smaller! smaller!" cried the Garuly, beating him over the head again, until Simon was not much larger than the ants, and the ants appeared to be as large as ponies. Down the well-like hole they climbed, until they entered the chambers of the ants. Here all were busy, some carrying out earth, others excavating new chambers, others caring for the eggs, others bringing in food, while others were clearing out the road. But no one grumbled, none said that he had the heaviest load.

"See!" cried the Garuly, "the little ants work together. They have all things in common. There is no selfishness and no quarrelling among them."

Just then a wise old ant came up, and hearing the Garuly's remark, he said,

"Did you never hear the

_"STORY OF THE SELFISH ANT?_

"There was once a selfish ant who could never be satisfied. He always thought he had the hardest work in the world. If he carried burdens, he complained that those who cared for the eggs had the easiest time; and if he had charge of the eggs, he wished to be changed to some other kind of work. At last he thought he would set up for himself. It was exceedingly hard work for him to dig and find his own food with no help, so that half the summer was gone before he got a place to live in, and a sorry place it was. Before he got any food laid by, the rain filled up his house, and he had to spend another month in digging. And so, with one mishap and another, and no one to help him, the summer was soon almost gone, and he had no store for winter. When the first frost came, the selfish fellow came back, heartbroken and crestfallen, and begged to be taken into the colony again. All winter long he had to eat the bread that others had gathered, and he never afterward grumbled because his work was a little harder than that of others."

"You see," said the Garuly, "that the ants work together. What a shame it is that you should not be able even to play with your brothers and sister!"

And with that the little old man turned his one eye on Simon, and it shone like a coal of fire, and Simon thought he could feel it burning him. Just then an ant came up, who had heard the conversation, and asked the Garuly what it meant.

"He will not even play with his brothers," said the old man, looking fiercer than ever.

"Put him out!" cried the ant. And then a hundred ants cried, "put him out!" and they began tugging at him with all their might. One caught hold of his right foot and another of his left, one took him by the arm and another by the head, and as they were nearly as big as he was, they were about to carry him off bodily, when Simon suddenly awoke, and started up, to find that instead of the ants tugging at him, it was the other children, who had come to awaken him, for fear he would catch cold sleeping in the night air, and to find that what he thought was the one fiery eye of the Garuly, was the full moon shining through the trees.

* * *

"There," said the Wee Chick, "that spoils the story. I don't want it to be a dream. What made 'em yake him up so twick?"

"Was he better afterward?" said Fairy.

"Yes, for the very next day he moved to the same playhouse with the rest of the children, and whenever he was selfish he would look around to see if the old Garuly was looking at him out of one eye."

THE JOBLILIES.