Punch, or the London Charivari, Volume 153, October 3, 1917

Chapter 4

Chapter 4286 wordsPublic domain

I confess I should have thought that the fictional possibilities of being as like as two peas to Royalty were fairly exhausted. But apparently Mr. EDGAR JEPSON does not share this view; and it is only fair to admit that in _The Professional Prince_ (HUTCHINSON) he has contrived to give a novel twist to the already well laboured theme. _Prince Richard_ (precise nationality unstated) was so bored with the common round of his exalted duties that, hearing of a convenient double, he engages him, at four hundred a year and pickings, to represent him at dull functions, and incidentally to pay the requisite attentions to the young woman, reported by photograph as depressingly plain, whom political considerations have marked as the _Prince's fiancée_. When later one of the characters points out to His Highness that this conduct showed some lapse from the finer ideals of taste, I am bound to say that I could find no words of contradiction. However the originality arrives when _John Stuart_, the deputy, instead of falling in love with the bride-elect in Ruritanian fashion, develops a marked liking for the prosaic side of his job, and insists upon lecturing his supposed relations upon the political crisis of the moment. Capital fun this. When the _fiancée_ in her turn proved wholly different from the photograph I permitted myself to hope that we were in for a double masquerade--but this was to expect too much. Still, Mr. JEPSON has handled his wildly-preposterous plot with great verve; and even if the central situation is one that has been often encountered before, this only proves again that HOPE springs eternal.... But I wish he had avoided the War.

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"WHERE MY CARAVAN HAS RESTED."

"Wanted, modern Detached Villa Residence, inside tram lines."--_Northern Whig_.