Chapter 16
But come, my poor Claude, I see you are too sick for such deep subjects; so let us while away the time by picking the brains of this tall handsome boy at the helm, who is humming a love-song to himself sotto voce, lest it should be overheard by the grey-headed father, who is forward, poring over his Wesleyan hymn-book. He will have something to tell you; he has a soul in him looking out of those wild dark eyes, and delicate aquiline features of his. He is no spade-drudge or bullet-headed Saxon clod: he has in his veins the blood of Danish rovers and passionate southern Milesians, who came hither from Teffrobani, the Isle of Summer, as the old Fenic myths inform us. Come and chat with him. You dare not stir? Perhaps you are in the right. I shall go and fraternize, and bring you reports.
* * * *
He has been, at all events, ‘up the Straits’ as the Mediterranean voyage is called here, and seen ‘Palermy’ and the Sicilians. But, for his imagination, what seems to have struck it most was that it was a ‘fine place for Jack, for a man could get mools there for a matter of three-halfpence a-day.’
‘And was that all you got out of him?’ asked Claude, sickly and sulkily.
‘Oh, you must not forget the halo of glory and excitement which in a sailor’s eyes surrounds the delights of horseback. But he gave me besides a long glowing account of the catechism which they had there, three-quarters of a mile long.’
‘Pope Pius’s catechism, I suppose?’
So thought I, at first; but it appeared that all the dead of the city were arranged therein, dried and dressed out in their finest clothes, ‘every sect and age,’ as Tom said, ‘by itself; as natural as life!’ We may hence opine that he means some catacombs or other.
Poor Claude could not even get up a smile: but his sorrows were coming swiftly to an end. The rock clefts grew sharper and sharper before us. The soft masses of the lofty bank of wooded cliff rose higher and higher. The white houses of Clovelly, piled stair above stair up the rocks, gleamed more and more brightly out of the green round bosoms of the forest. As we shut in headland after headland, one tall conical rock after another darkened with its black pyramid the bright orb of the setting sun. Soon we began to hear the soft murmur of the snowy surf line; then the merry voices of the children along the shore; and running straight for the cliff-foot, we shipped into the little pier, from whence the red-sailed herring-boats were swarming forth like bees out of a hive, full of gay handsome faces, and all the busy blue-jacketed life of seaport towns, to their night’s fishing in the bay.
IV.—CLOVELLY.
A couple of days had passed, and I was crawling up the paved stairs inaccessible to cart or carriage, which are flatteringly denominated ‘Clovelly-street,’ a landing-net full of shells in one hand, and a couple of mackerel lines in the other; behind me a sheer descent, roof below roof; at an angle of 45°, to the pier and bay, 200 feet below, and in front, another hundred feet above, a green amphitheatre of oak, and ash, and larch, shutting out all but a narrow slip of sky, across which the low, soft, formless mist was crawling, opening every instant to show some gap of intense dark rainy blue, and send down a hot vaporous gleam of sunshine upon the white cottages, with their grey steaming roofs, and bright green railings, packed one above another upon the ledges of the cliff; and on the tall tree-fuchsias and gaudy dahlias in the little scraps of court-yard, calling the rich faint odour out of the verbenas and jessamines, and, alas! out of the herring-heads and tails also, as they lay in the rivulet; and lighting up the wings of the gorgeous butterflies, almost unknown in our colder eastern climate, which fluttered from woodland down to garden, and from garden up to woodland, and seemed to form the connecting link between that swarming hive of human industry and the deep wild woods in which it was embosomed. So up I was crawling, to dine off gurnards of my own catching,—excellent fish, despised by deluded Cockneys, who fancy that because its head is large and prickly, therefore its flesh is not as firm, and sweet, and white, as that of any cod who ever gobbled shell-fish,—when down the stair front of me, greasy as ice from the daily shower, came slipping and staggering, my friend Claude, armed with camp-stool and portfolio.
‘Where have you been wandering to-day?’ I asked. ‘Have you yet been as far as the park, which, as I told you, would supply such endless subjects for your pencil?’
‘Not I. I have been roaming up and down this same “New Road” above us; and find there materials for a good week’s more work, if I could afford it. Indeed, it was only to-day, for the first time, that I got as far as the lodge at the end of it, and then was glad enough to turn back shuddering at the first glimpse of the flat, dreary moorland beyond,—as Adam may have turned back into Eden after a peep out of the gates of Paradise.’
He should have taken courage and gone a half-mile further,—to the furze-grown ruins of a great Roman camp, which gives its name to the place, ‘Clovelly,’—Vallum Clausum, or Vallis Clausa, as antiquarians derive it; perhaps, ‘the hidden camp,’ or glen,—perhaps something else. Who cares? The old Romans were there, at least 10,000 strong: and some sentimental tribune or other of them had taste enough to perch his summer-house out on a conical point of the Hartland Cliffs, now tumbling into the sea, tesselated pavement, baths and all. And strange work, no doubt, went on in that lonely nook, looking out over the Atlantic swell,—nights and days fit for Petronius’s own pen, among a seraglio of dark Celtic beauties. Perhaps it could not be otherwise. An ugly state of things—as heathen conquests always must have been; yet even in it there was a use and meaning. But they are past like a dream, those 10,000 stalwart men, who looked far and wide over the Damnonian moors from a station which would be, even in these days, a first-rate military position. Gone, too, are the old Saxon Franklins who succeeded. Old Wrengils, or some such name, whoever he was, at last found some one’s bill too hard for his brain-pan; and there he lies on the hill above, in his ‘barrow’ of Wrinklebury. And gone, too, the gay Norman squire, who, as tradition says, kept his fair lady in the old watch-tower, on the highest point of the White Cliff—‘Gallantry Bower,’ as they call it to this day—now a mere ring of turf-covered stones, and a few low stunted oaks, shorn by the Atlantic blasts into the shape of two huge cannon, which form a favourite landmark for the fisherman of the bay. Gone they all are, Cymry and Roman, Saxon and Norman; and upon the ruins of their accumulated labour we stand here. Each of them had his use,—planted a few more trees or cleared a few more, tilled a fresh scrap of down, organized a scrap more of chaos. Who dare wish the tide of improvement, which has been flowing for nineteen centuries, swifter and swifter still as it goes on, to stop, just because it is not convenient to us just now to move on? It will not take another nineteen hundred years, be sure, to make even this lovely nook as superior to what it is now as it is now to the little knot of fishing huts where naked Britons peeped out, trembling at the iron tramp of each insolent legionary from the camp above. It will not take another nineteen hundred years to develope the capabilities of this place,—to make it the finest fishery in England, next to Torbay,—the only safe harbour of refuge for West Indiamen, along sixty miles of ruthless coast,—and a commercial centre for a vast tract of half-tilled land within, which only requires means of conveyance to be as fertile and valuable as nine-tenths of England. Meanwhile Claude ought to have seen the deer-park. The panorama from that old ruined ‘bower’ of cliff and woodland, down and sea, is really unique in its way.
‘So is the whole place, in my eyes,’ said Claude. ‘I have seen nothing in England to be compared to this little strip of paradise between two great waste worlds of sea and moor. Lynmouth might be matched among the mountains of Wales and Ireland. The first three miles of the Rheidol, from the Devil’s Bridge towards Aberystwith, or the gorge of the Wye, down the opposite watershed of the same mountains, from Castle Dufferin down to Rhaiadyr, are equal to it in magnificence of form and colour, and superior in size. But I question whether anything ever charmed me more than did the return to the sounds of nature which greeted me to-day, as I turned back from the dreary, silent moorland turnpike into this new road, terraced along the cliffs and woods—those who first thought of cutting it must have had souls in them above the herd—and listened to a glorious concert in four parts, blending and supporting each other in exquisite harmony, from the shrill treble of a thousand birds, and the soft melancholy alto of the moaning woods, downward through the rich tenor hum of innumerable insects, who hung like sparks of fire beneath the glades of oak, to the bass of the unseen surge below,
“Whose deep and dreadful organ-pipe,”
far below me, contrasted strangely with the rich soft inland character of the deep woods, luxuriant ferns, and gaudy flowers. It is that very contrast which makes the place so unique. One is accustomed to connect with the notion of the sea bare cliffs, breezy downs, stunted shrubs struggling for existence: and instead of them behold a forest wall, 500 feet high, of almost semi-tropic luxuriance. At one turn, a deep glen, with its sea of green woods, filled up at the mouth with the bright azure sheet of ocean.—Then some long stretch of the road would be banked on one side with crumbling rocks, festooned with heath, and golden hawkweed, and London pride, like velvet cushions covered with pink lace, and beds of white bramble blossom alive with butterflies; while above my head, and on my right, the cool canopy of oak and birch leaves shrouded me so close, that I could have fancied myself miles inland, buried in some glen unknown to any wind of heaven, but that everywhere between green sprays and grey stems, gleamed that same boundless ocean blue, seeming, from the height at which I was, to mount into the very sky. It looked but a step out of the leafy covert into blank infinity. And then, as the road wound round some point, one’s eye could fall down, down, through the abyss of perpendicular wood, tree below tree clinging to and clothing the cliff, or rather no cliff; but perpendicular sheet of deep wood sedge, and broad crown ferns, spreading their circular fans.—But there is no describing them, or painting them either.—And then to see how the midday sunbeams leapt past one down the abyss, throwing out here a grey stem by one point of burnished silver, there a hazel branch by a single leaf of glowing golden green, shooting long bright arrows down, through the dim, hot, hazy atmosphere of the wood, till it rested at last upon the dappled beach of pink and grey pebbles, and the dappled surge which wandered up and down among them, and broke up into richer intricacy with its chequer-work of woodland shadows, the restless net of snowy foam.’
‘You must be fresh from reading Mr. Ruskin’s book, Claude, to be able to give birth to such a piece of complex magniloquence as that last period of yours.’
‘Why, I saw all that, and ten thousand things more; and yet do you complain of me for having tried to put one out of all those thousand things into words? And what do you mean by sneering at Mr. Ruskin? Are there not in his books more and finer passages of descriptive poetry—word-painting—call them what you will, than in any other prose book in the English language?’
‘Not a doubt of it, my dear Claude; but it will not do for every one to try Mr. Ruskin’s tools. Neither you nor I possess that almost Roman severity, that stern precision of conception and expression, which enables him to revel in the most gorgeous language, without ever letting it pall upon the reader’s taste by affectation or over-lusciousness. His style is like the very hills along which you have been travelling, whose woods enrich, without enervating, the grand simplicity of their forms.’
‘The comparison is just,’ said Claude. ‘Mr. Ruskin’s style, like those very hills, and like, too, the Norman cathedrals of which he is so fond, is rather magnified than concealed by the innumerable multiplicity of its ornamental chasing and colouring.’
‘And is not that,’ I asked, ‘the very highest achievement of artistic style?’
‘Doubtless. The severe and grand simplicity, of which folks talk so much, is great indeed; but only the greatest as long as men are still ignorant of Nature’s art of draping her forms with colour, chiaroscuro, ornament, not at the expense of the original design, but in order to perfect it by making it appeal to every faculty instead of those of form and size alone.’
‘Still you will allow the beauty of a bare rock, a down, a church spire, a sheet or line of horizontal water,—their necessity to the completion of a landscape. I recollect well having the value of a stern straight line in Nature brought home to me, when, during a long ride in the New Forest, after my eye had become quite dulled and wearied with the monotonous softness of rolling lawns, feathery heath, and rounded oak and beech woods, I suddenly caught sight of the sharp peaked roof of Rhinefield Lodge, and its row of tall stiff poplar-spires, cutting the endless sea of curves. The relief to my eye was delicious. I really believe it heightened the pleasure with which I reined in my mare for a chat with old Toomer the keeper, and the noble bloodhound who eyed me from between his master’s legs.’
‘I can well believe it. Simple lines in a landscape are of the same value as the naked parts of a richly-clothed figure. They act both as contrasts and as indications of the original substratum of the figure; but to say that severe simplicity is the highest ideal is mere pedantry and Manicheism.’
‘Oh, everything is Manicheism with you, Claude!’
‘And no wonder, while the world is as full of it now as it was in the thirteenth century. But let that pass. This craving after so-called classic art, whether it be Manicheism or not, is certainly a fighting against God,—a contempt of everything which He has taught us artists since the introduction of Christianity. I abominate this setting up of Sculpture above Painting, of the Greeks above the Italians,—as if all Eastern civilization, all Christian truth, had taught art nothing,—as if there was not more real beauty in a French cathedral or a Venetian palazzo than in a dozen Parthenons, and more soul in one Rafaelle, or Titian either, than in all the Greek statues of the Tribune or Vatican.’
‘You have changed your creed, I see, and, like all converts, are somewhat fierce and fanatical. You used to believe in Zeuxis and Parrhasius in old times.’
‘Yes, as long as I believed in Fuseli’s “Lectures;” but when I saw at Pompeii the ancient paintings which still remain to us, my faith in their powers received its first shock; and when I re-read in the Lectures of Fuseli and his school all their extravagant praises of the Greek painters, and separated their few facts fairly out from among the floods of rant on which they floated, I came to the conclusion that the ancients knew as little of colour or chiaroscuro as they did of perspective, and as little of spiritual expression as they did of landscape-painting. What do I care for the birds pecking at Zeuxis’s grapes, or Zeuxis himself trying to draw back Parrhasius’s curtain? Imitative art is the lowest trickery. There are twenty men in England now capable of the same sleight of hand; and yet these are recorded as the very highest triumphs of ancient art by the only men who have handed down to us any record of it.’
‘It may be so; or again, it may not. But do not fancy, Claude, that classic sculpture has finished its work on earth. You know that it has taught you what Gothic art could never teach,—the ideal of physical health and strength. Believe that it exists, and will exist, to remind the puny town-dweller of the existence of that ideal; to say to the artisan, every time he looks upon a statue—such God intended you to be; such you may be; such your class will be, in some future healthy state of civilization, when Sanitary Reform and Social Science shall be accepted and carried out as primary duties of a government toward the nation.
‘Surely, classic sculpture remains, as a witness of the primæval paradise; a witness that man and woman were created at first healthy, and strong, and fair, and innocent; just as classic literature remains for a witness that the heathen of old were taught of God; that we have something to learn of them, summed up in that now obsolete word “virtue”—true and wholesome manhood, which we are likely to forget, and are forgetting daily, under the enervating shadow of popular superstitions. {287} And till we have learnt that, may Greek books still form the basis of our liberal education, and may Greek statues, or even English attempts to copy them, fill public halls and private houses. This generation may not understand their divine and eternal significance; but a future generation, doubt it not, will spell it out right well.’
Claude and I went forth along the cliffs of a park, which, though not of the largest, is certainly of the loveliest in England,—perhaps unique, from that abrupt contact of the richest inland scenery with the open sea, which is its distinctive feature. As we wandered along the edge of the cliff, beneath us on our left lay wooded valleys, lawns spotted with deer, stately timber trees, oak and beech, birch and alder, growing as full and round-headed as if they had been buried in some Shropshire valley fifty miles inland, instead of having the Atlantic breezes all the winter long sweeping past a few hundred feet above their still seclusion. Glens of forest wound away into the high inner land, with silver burns sparkling here and there under their deep shadows; while from the lawns beneath, the ground sloped rapidly upwards towards us, to stop short in a sheer wall of cliff, over which the deer were leaning to crop the shoots of ivy, where the slipping of a stone would have sent them 400 feet perpendicular into the sea. On our right, from our very feet, the sea spread out to the horizon; a single falcon was wheeling about the ledges below; a single cormorant was fishing in the breakers, diving and rising again like some tiny water-beetle;
‘The murmuring surge That on the unnumbered pebbles idly chafed Could not be heard so high.’
The only sound beside the rustle of the fern before the startled deer was the soft mysterious treble of the wind as it swept over the face of the cliff beneath us; but the cool air was confined to the hill-tops round beneath, from within a short distance of the shore, the sea was shrouded in soft summer haze. The far Atlantic lay like an ocean of white wool, out of which the Hartland Cliffs and the highest point of Lundy just showed their black peaks. Here and there the western sun caught one white bank of mist after another, and tinged them with glowing gold; while nearer us long silvery zigzag tide-lines, which we could have fancied the tracks of water-fairies, wandered away under the smoky grey-brown shadows of the fog, and seemed to vanish hundreds of miles off into the void of space, so completely was all notion of size or distance destroyed by the soft gradations of the mist. Suddenly, as we stood watching, a breeze from the eastward dived into the basin of the bay, swept the clouds out, packed them together, rolled them over each other, and hurled them into the air miles high in one Cordillera of snowy mountains, sailing slowly out into the Atlantic; and behold, instead of the chaos of mist, the whole amphitheatre of cliffs, with their gay green woods and spots of bright red marl and cold black ironstone, and the gleaming white sands of Braunton, and the hills of Exmoor bathed in sunshine, so near and clear we almost fancied we could see the pink heather-hue upon them; and the bay one vast rainbow, ten miles of flame-colour and purple, emerald and ultramarine, flecked with a thousand spots of flying snow. No one knows what gigantic effects of colour even our temperate zone can show, till they have been in Devonshire and Cornwall; and last, but not least, in Ireland—the Emerald Isle, in truth. No stay-at-home knows the colour of the sea till he has seen the West of England; and no one, either stay-at-home or traveller, I suspect, knows what the colour of a green field can be till he has seen it among the magic smiles and tears of an Irish summer shower in county Down.
Down we wandered from our height through ‘trim walks and alleys green,’ where the arbutus and gumcistus fringed the cliffs, and through the deep glades of the park, towards the delicious little cove which bounds it.—A deep crack in the wooded hills, an old mill half buried in rocks and flowers, a stream tinkling on from one rock-basin to another towards the beach, a sandy lawn gay with sea-side flowers over which wild boys and bare-footed girls were driving their ponies with panniers full of sand, and as they rattled back to the beach for a fresh load, standing upright on the backs of their steeds, with one foot in each pannier, at full trot over rocks and stones where a landsman would find it difficult to walk on his own legs.
Enraptured with the place and people, Claude pulled out his sketch-book and sat down.
‘What extraordinary rocks!’ said he, at length. ‘How different from those Cyclopean blocks and walls along the Exmoor cliffs are these rich purple and olive ironstone layers, with their sharp serrated lines and polished slabs, set up on edge, snapped, bent double, twisted into serpentine curves, every sheet of cliff scored with sharp parallel lines at some fresh fantastic angle!’