Chapter 6

But this Lord Folio haughtily refused to do, and, consequently, being too stout to turn his own pages, the little 32mo could say no more. His proposal, though it tickled a few, found no great favour. It was generally agreed that humour had no place in the discussion of a serious question. Another speaker advocated the retention of the condemned as ornaments of the state, but he was very speedily overruled. Was not that the shallow excuse by which they had hung on for ever so long? No, that was quite worn out.

The main question was further obstructed by many outbursts of individualism. Certain self-contained books wished to be left to themselves, and have no part in the social scheme, unless in the event of a return to monarchy, when, they intimated, they might be eligible for election. This, one could see, was the secret hope of all the speakers; and you would have laughed could you have heard what inflated opinions some of them had of their own importance--especially two or three of the minor poets. Then, again, many sentimental demands, quite unforeseen, added to the general anarchy. Collected editions, which had long groaned in the bondage of an arbitrary relationship, saw an opportunity in the general overturn to break away from their sets and join their natural fellows. Sex was naturally the most unruly element of all. Volumes that had waited edition after edition for each other, yearning across the shelves, felt their time had come at last, and leapt into each other's arms. It was with no avail that a distress minute was passed by The Hundred Thousand Committee (a somewhat unworkable body) that henceforth sex was to be a function exercised absolutely for the good of the state: tattered poets were to be seen wildly proclaiming a different doctrine.

Such eccentric attachments as a volume of _The Essays of Elia_ for Margaret, Duchess of Newcastle, were especially troublesome; while the explosion caused by the accidental contact of that same unruly Elia with a modern reprint of _The Anatomy of Melancholy_, which (he said) he never could tolerate, proved the last straw to the Committee of the Hundred Thousand, who immediately resigned their offices in anger and despair. Thereupon, tenfold chaos once more returning, I thought it time to interfere. The Doctrine of Equality was evidently a failure--among books, at any rate. So I savagely fell to, and threw the books back again into their immemorial places, and the cause of freedom in 'The City of Books' sleeps for another hundred editions.

Only I placed Elia next to the Duchess, because he was a human fellow, and had no theories.

THE PHILOSOPHY OF 'LIMITED EDITIONS'

Why do the heathen so furiously rage against limited issues, large-papers, first editions, and the rest? For there is certainly more to be said for than against them. Broadly speaking, all such 'fads' are worthy of being encouraged, because they maintain, in some measure, the expiring dignity of letters, the mystery of books. Day by day the wonderfulness of life is becoming lost to us. The sanctities of religion are defiled, the 'fairy tales' of science have become commonplaces. Christian mysteries are debased in the streets to the sound of drum and trumpet, and the sensitive ear of the telephone is but a servile drudge 'twixt speculative bacon merchants. And Books!--those miraculous memories of high thoughts and golden moods; those magical shells tremulous with the secrets of the ocean of life; those love-letters that pass from hand to hand of a thousand lovers that never meet; those honeycombs of dreams; those orchards of knowledge; those still-beating hearts of the noble dead; those mysterious signals that beckon along the darksome pathways of the past; voices through which the myriad lispings of the earth find perfect speech; oracles through which its mysteries call like voices in moonlit woods; prisms of beauty; urns stored with all the sweets of all the summers of time; immortal nightingales that sing for ever to the rose of life: Books, Bibles--ah me! what have ye become to-day!

What, indeed, has become of that mystery of the Printed Word, of which Carlyle so movingly wrote? It has gone, it is to be feared, with those Memnonian mornings we sleep through with so determined snore, those ancient mysteries of night we forget beneath the mimic firmament of the music-hall.

Only in the lamplit closet of the bookman, the fanatic of first and fine editions, is it remembered and revered. To him alone of an Americanised, 'pirated-edition' reading world, the book remains the sacred thing it is. Therefore, he would not have it degraded by, so to say, an indiscriminate breeding, such as has also made the children of men cheap and vulgar to each other. We pity the desert rose that is born to unappreciated beauty, the unset gem that glitters on no woman's hand; but what of the book that eats its heart out in the threepenny box, the remainders that are sold ignominiously in job lots by ignorant auctioneers? Have we no feeling for them?

Over-production, in both men and shirts, is the evil of the day. The world has neither enough food, nor enough love, for the young that are born into it. We have more mouths than we can fill, and more books than we can buy. Well, the publisher and collector of limited editions aim, in their small corner, to set a limit to this careless procreation. They are literary Malthusians. The ideal world would be that in which there should be at least one lover for each woman. In the higher life of books the ideal is similar. No book should be brought into the world which is not sure of love and lodging on some comfortable shelf. If writers and publishers only gave a thought to what they are doing when they generate such large families of books, careless as the salmon with its million young, we should have no such sad alms-houses of learning as Booksellers' Row, no such melancholy distress-sales of noble authors as remainder auctions. A good book is beyond price; and it is far easier to under than over sell it. The words of the modern minor poet are as rubies, and what if his sets bring a hundred guineas?--it is more as it should be, than that any sacrilegious hand should fumble them for threepence. It recalls that golden age of which Mr. Dobson has sung, when--

'... a book was still a Book, Where a wistful man might look, Finding something through the whole Beating--like a human soul';

days when for one small gilded manuscript men would willingly exchange broad manors, with pasture--lands, chases, and blowing woodlands; days when kings would send anxious embassies across the sea, burdened with rich gifts to abbot and prior, if haply gold might purchase a single poet's book.

But, says the scoffer, these limited editions and so forth foster the vile passions of competition. Well, and if they do? Is it not meet that men should strive together for such possessions? We compete for the allotments of shares in American-meat companies, we outbid each other for tickets 'to view the Royal procession,' we buffet at the gate of the football field, and enter into many another of the ignoble rivalries of peace; and are not books worth a scrimmage?--books that are all those wonderful things so poetically set forth in a preceding paragraph! Lightly earned, lightly spurned, is the sense, if not the exact phrasing, of an old proverb. There is no telling how we should value many of our possessions if they were more arduously come by: our relatives, our husbands and wives, our presentation poetry from the unpoetical, our invitation-cards to one-man shows in Bond Street, the auto-photographs of great actors, the flatteries of the unimportant, the attentions of the embarrassing: how might we not value all such treasures, if they were, so to say, restricted to a limited issue, and guaranteed 'not to be reprinted'--'plates destroyed and type distributed.'

Indeed, all nature is on the side of limited editions. Make a thing cheap, she cries from every spring hedgerow, and no one values it. When do we find the hawthorn, with its breath sweet as a milch-cow's; or the wild rose, with its exquisite attar and its petals of hollowed pearl--when do we find these decking the tables of the great? or the purple bilberry, or the boot-bright blackberry in the entremets thereof? Think what that 'common dog-rose' would bring in a limited edition! And new milk from the cow, or water from the well! Where would champagne be if those intoxicants were restricted by expensive licence, and sold in gilded bottles? What would you not pay for a ticket to see the moon rise, if nature had not improvidently made it a free entertainment; and who could afford to buy a seat at Covent Garden if Sir Augustus Harris should suddenly become sole impresario of the nightingale?

Yes, 'from scarped cliff and quarried stone,' Nature cries, 'Limit the Edition! Distribute the type!'--though in her capacity as the great publisher she has been all too prodigal of her issues, and ruinously guilty of innumerable remainders. In fact, it is by her warning rather than by her example that we must be guided in this matter. Let us not vulgarise our books, as she has done her stars and flowers. Let us, if need be, make our editions smaller and smaller, our prices increasingly 'prohibitive,' rather than that we should forget the wonder and beauty of printed dream and thought, and treat our books as somewhat less valuable than wayside weeds.

A PLEA FOR THE OLD PLAYGOER

He's a nuisance, of course. But to see only that side of him is to think, as the shepherd boy piped, 'as though' you will 'never grow old.' Does he never appeal to you with any more human significance, a significance tearful and uncomfortably symbolic? Or are you so entirely that tailor's fraction of manhood, the _fin de siècle_ type, that your ninth part does not include a heart and the lachrymal gland?

You suspect him at once as you squeeze past his legs to your stall, for he cannot quite conceal the hissing twinge of gout; and you are hardly seated ere you are quite sure that a long night of living for others is before you.

'You hardly would think it, perhaps,' he begins, 'but I saw Charles Young play the part--yes, in 1824.'

If you are young and innocent, you think--'What an interesting old gentleman!' and you have vague ideas of pumping him for reminiscences to turn into copy. Poor boy, you soon find that there is no need of pumping on your part. He is entirely self-acting, and the wells of his autobiography are as deep as the foundations of the world.

If you are more experienced, you make a quick frantic effort to escape; you try to nip the bud of his talk with a frosty 'Indeed!' and edge away, calling upon your programme to cover you. You never so much as turn the sixteenth part of an eye in his direction, for even as the oyster-man, should the poor mollusc heave the faintest sigh, is inside with his knife in the twinkling of a star; even as a beetle has but to think of moving its tiniest leg for the bird to swoop upon him,--even so will the least muscular interest in your neighbour give you bound hand and foot into his power.

But really and truly escape is hopeless. You are beyond the reach of any salvage agency whatsoever. Better make up your mind to be absolutely rude or absolutely kind: and the man who can find in his heart to be the former must have meeting eyebrows, and will sooner or later be found canonised in wax at Madame Tussaud's. To be the latter, however, is by no means easy. It is one of the most poignant forms of self-sacrifice attained by the race. In that, at least, you have some wintry consolation; and the imaginative vignette of yourself wearing the martyr's crown is a pretty piece of sacred art.

If you wished to make a bag of old playgoers, or meditated a sort of Bartholomew's Eve, a revival of _Hamlet_ would, of course, be the occasion you would select for your purpose: for the old playgoer, so to speak, collects Hamlets. At a first night of _Hamlet_ every sixth stall-holder is a Dr. Doran up to date, his mind a portfolio of old prints.

That is why a perambulation of the stalls is as perilous as to pick one's way through hot ploughshares. You can hardly hope always to pass through unscathed. You are as sure some night to find yourself seated beside him, as you will some day be called to serve on the jury. And then--

'O limèd soul, that, struggling to be free, Art more engaged!'

However, 'sudden the worst turns best to the brave,' and 'there is much music' in this old fellow if only you have the humanity to listen.

To begin with, he has probably a distinguished face, with a bunch of vigorous curly hair, white as hawthorn. He has a manner, too. Suppose you try and enter into his soul for a moment. It does us good to get outside ourselves for a while, and this old man's soul is a palace of memory. Those lines that, may be, have been familiar to you for sixteen years, have been familiar to him for sixty. That is why he knows them off so well, why he repeats them under his breath--Look at his face!--like a Methodist praying, anticipating the actor in all the fine speeches. Do look at his face! How it shines, as the golden passages come treading along. How his head moves in an ecstasy of remembrance, in which there is a whole world of tears. How he half turns to you with a wistful appeal to feel what he is feeling: an appeal that might kindle a clod. It is the old wine laughing to itself within the old bottle.

And, one thing you will notice, it is the poetry that moves him: the great metaphor, the sonorous cadence, the honeysuckle fancy. He belongs to an age that had an instinct for beauty, and loved style--an age that, in the words of a modern wit, had not grown all nose with intellect, an age that went to the theatre to dream, not to dissect.

For you there may be here and there a flower of remembrance stuck within the leaves of the play, but for him it is stained through with the sweets of sixty springs. His youth lies buried within it like a thousand violets.

Practically he is Death at the play. To you there is but one ghost in _Hamlet_, to him there are fifty, and they all dance like shadows behind 'the new Hamlet,' and even sit about the stalls.

If your love be with you, forbear to press her hand in the love-scenes, or, at least, don't let the old man see you: because he used to punctuate those very passages he is muttering in just the same way--sixty years ago, when she whose angel face he will kiss no more, unless it be in the heavenly fields, sat like a flower at his side. Poor old fellow, can you be selfish to him? Can you say, 'These tedious old fools!' Fool thyself, this night shall thy youth be required of thee.

You might think of this next time you drop across the old playgoer. It was natural in Hamlet to swear at Polonius--who, you will remember, was an old playgoer himself--but, being a gentleman, it was natural in him, too, to recall the first player with, 'Follow that lord; but look you mock him not!'

THE MEASURE OF A MAN

I sometimes grow melancholy with the thought that, though I wear trousers and shave once a day, I am not, properly speaking, a Man. Surely it is from no failure of goodwill, no lack of prayerful striving towards that noble estate: for if there is one spectacle in this moving phantasmagoria of life that I love to carry within my eye, it is the figure of a true man. The mere idea of a true man stirs one's heart like a trumpet. Therefore, this doubt I am confiding is all the more dreary. Naturally, I feel it most keenly in the company of my fellows, each one of whom seems to carry the victorious badge of manhood, as though to cry shame upon me. They make me shrink into myself, make me feel that I am but an impostor in their midst. Indeed, in that sensitiveness of mine you have the starting-point of my unmanliness. Look at that noble fellow there. He is six-foot odd in his stockings, straight, stalwart, and confident. His face is broad and strong, his close-cropped head is firm and proud on his shoulders--firm and proud as a young bull's. It is a head made, indeed, rather to butt than to think with; it is visited with no effeminacy of thought or dream. It has another striking quality: it is hardly distinguishable from any other head in the room--for I am in an assemblage of true men all, a glorious herd of young John Bulls. All have the same strong jaws, the same powerful low foreheads. Noble fellows! Any one of them could send me to eternity with the wind of his fist.

And, most of all, is their manhood brought home to me, with a sickening sense of inferiority, in their voices. What a leonine authority in the roar of their opinions! Their words strike the air firm as the tread of lions. They are not teased with fine distinctions, possibilities of misconception, or the perils of afterthought. Their talk is of the absolute, their opinions wear the primary colours, and dream not of 'art shades.' Never have they been wrong in their lives, never shall they be wrong in the time to come. Never have they been known to conjecture that another may, after all, be wiser than they, handsomer, stronger, or more fortunate. They would kill a man rather than admit a mistake. Noble fellows! And I? Do you wonder that I blush in my corner as I gaze upon them, strive to smooth my hair into the appearance of a manly flatness, strive to set my face hard and feign it knowing, strive to elevate my voice to the dogmatic note, strive to cast out from my mind all those evil spirits of proportion?

Can it be possible that any one of my readers has ever been in a like case? Is there hope for us, my brother? You have, I perceive, a fine, expressive, sensitive countenance. That is, indeed, against you in this race for manhood. It is true that Apollo passed for a man--but that was long ago, and not in Britain. You have a pleasant, sympathetic voice. An excellent thing in _woman_. But you, my friend,--break it, I beseech you. Coarsen it with raw spirits and rawer opinions; and set that face of thine with hog's bristles, plant a shoe-brush on thy upper lip, and send thy head to the turner of billiard balls. Else come not nigh me, for, 'fore Heaven, I love a man!

Sometimes, however, I am inclined to a more comfortable consideration of this great question--for it is one of my weaknesses to be positive on few matters. But to-day I taunted my soul with its unmanliness till it rose in rebellion against me. 'Poor-spirited creature,' I said, 'where is thy valour? When a fool has struck thee I have seen thee pass on without a word, not so much as a momentary knitting of thy fist When ignorance has waxed proud, and put thee to the mock, thou hast sat meek, and uttered never a word. It must needs be thou art pigeon-livered and lack gall! There is not in thee the swagger, the rustle, the braggadocio of a true swashbuckler manhood. Out on thee!'

And my soul took the blows in patience.

'Hast thou any courage hid in any crevice of thee?' I continued my taunt. And suddenly my soul answered with a firm quiet voice: 'Try me!'

Then said I, 'Coward as thou art, fearful of thy precious skin, darest thou strike a blow for the weak against his oppressor, darest thou meet the strong tyrant in the way?'

And thereon I was startled, for my soul suddenly sprang up within me, and, lo! it neighed like a war-horse for the battle.

'Ah!' I continued, 'but couldst thou fight against the enemy of thy land? Surely thy valour would melt at the clash of swords and the voice of the drum?'

And the answer of my soul was like the march of armed men.

Then said I softly, for I was touched by this unwonted valour of my soul, 'Soul! wouldst thou die for thy friend?'

And the voice of my soul came sweet as the sound of bells at evening. It seemed, indeed, as though it could dream of naught sweeter than to die for one's friend.

This colloquy of inner and outer set me further reflecting. Can it be that this manhood is, after all, rather a quality of the spirit than of the body; that it is to be sought rather in the stout heart than in the strong arm; that big words and ready blows may, like a display of bunting, betoken no true loyalty, and be but the gaudy sign to a sorry inn? Dr. Watts, it may be remembered, declared the mind to be the standard of the man. As he was the author of a book on 'The Human Mind,' envious persons may meanly conceive that his statement was but a subtly-disguised advertisement of his literary wares.

'Were I so tall to reach the Pole, Or grasp the ocean in my span, I must be measured by my soul: The mind's the standard of the man.'

The fact of Dr. Watts being also a man of low stature does not affect the truth or untruth of this fine verse, which may serve to comfort many. One may assume that it was Jack, and not the giant, whom we would need to describe as the true man of the two; and one seems to have heard of some 'fine,' 'manly' fellows, darlings of the football field and the American bar, whose actions somehow have not altogether justified those epithets, or, at any rate, certain readings of them. Theirs is a manhood, one fancies, that is given to shine more at race-meetings and in hotel parlours than at home--revealed to the barmaid, and strangely hidden from the wife, who, indeed, has less opportunities for perceiving it.

This kind of manhood is, perhaps, rather a fashion than a personal quality: a way of carrying the stick, of wearing, or not wearing, the hair; it resides in the twirl of the moustache, or the cut of the trouser; you must seek it in the quality of the boot and the shape of the hat rather than in the actions of the wearer.

Take that matter of the hair. When next the street-boy sorrowfully exclaims on your passing that 'it's no wonder the barbers all 'list for soldiers,' or some puny idiot at your club--a lilliputian model of popular 'manhood'--sniggers to his friend behind his coffee as you come in: call to mind pictures of certain brave 'tailed men' of old, at the winking of whose eyelid your tiny club 'man' would have expired on the instant. Threaten him with a Viking. Show him in a vision a band of blue-eyed pirates, with their wild hair flying in the breeze, as they sternly hasten across the Northern Sea. Summon Godiva's lord, 'his beard a yard before him, and his hair a yard behind.' Call up the brave picture of Rupert's love-locked Cavaliers, as their glittering column hurls like a bolt of heaven to the charge, or Nelson's pig-tailed sailors in Trafalgar's Bay. But, before you have gone half-way through your panorama, that club-mannikin will have hastily departed, leaving his coffee half-drunk, and you shall find him airing his manhood in the security of the billiard-room.

Yes, for us who are denied the admiration of the billiard-marker; denied the devotion of the barmaid (with charming paradox so-called); for us who make poor braggarts, and often prefer to surrender rather than to elbow for our rights; for us who deliver our opinions with mean-spirited diffidence, and are men of quiet voices and ways: for us there is hope. It may be that to love one's neighbour is also a part of manhood, to suffer quietly for another as true a piece of bravery as to fell him for a careless word; it may be that purity, constancy, and reverence are as sure criteria of manhood as their opposites. It may be, I say; but be certain that a strong beard, a harsh voice, and a bull-dog physiognomy are surer still.

THE BLESSEDNESS OF WOMAN