Category: Essays, Letters & Speeches

Principle in Art, Etc.

Produced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The Internet Archive)

Chapters

1. Part 1

Produced by Chris Curnow, Chuck Greif and the Online Distributed Proofreading Team at http://www.pgdp.net (This file was produced from images generously made available by The In...

2. Part 2

What is called “common sense” is much more nearly allied to genius, or true intellect, than either talent, which is the outcome of the discursive reason, or learning, which is t...

3. Part 3

Without pretending to be able to trace this principle of rest to more than a very limited distance, and in a very few examples, I think it is worth notice in a time when art gen...

4. Part 4

To a soundly trained mind there is no surer sign of shallowness and of interior corruption than that habitual predominance of form over formative energy, of splendour of languag...

5. Part 5

The whole of after-life depends very much upon how life’s transient transfiguration in youth by love is subsequently regarded; and the greatest of all the functions of the poet...

6. Part 6

It appears that there still exists a good deal of writing by and concerning Shelley which it has not been deemed expedient to publish. A footnote, for instance, assures us that...

7. Part 7

Mr. Swinburne’s metrical practice should be criticised with respect; for he has an unquestionably fine ear, and has ransacked the literature of all times in order to discover an...

8. Part 8

Things, it is said, are best known by comparison with their opposites; and, if so, surely Crabbe must be best illustrated by Shelley and Shelley by Crabbe. Shelley was an atheis...

9. Part 9

In Old English architecture this variety is a very real though accidental beauty. It has the double charm of intensifying the primary expression of domesticity by the very sense...

10. Part 10

As the architrave expresses simple weight, and the frieze weight depending, so the cornice is weight impending. The great projection of this massive member beyond the face of th...

11. Part 11

Before proceeding to consider the Norman and Moresque styles, a word should be said about that portion of Gothic decoration which does not directly help the main effect of aspir...

12. Part 12

Science has already come very generally to mean, not that which may be known, but only such knowledge as every animal with faculties a little above those of an ant or a beaver c...