Part 6

No such security is thrown about an artist in America. It is not that the country lacks the standards that Dr. Brownell pleads for; it is that its standards are still those of a primitive and timorous society. The excesses of Comstockery are profoundly symbolical. What they show is the moral certainty of the mob in operation against something that is as incomprehensible to it as the theory of least squares, and what they show even more vividly is the distressing lack of any automatic corrective of that outrage--of any firm and secure body of educated opinion, eager to hear and test all intelligible ideas and sensitively jealous of the right to discuss them freely. When "The Genius" was attacked by the Comstocks, it fell to my lot to seek assistance for Dreiser among the _intelligentsia._ I found them almost unanimously disinclined to lend a hand. A small number permitted themselves to be induced, but the majority held back, and not a few, as I have said, actually offered more or less furtive aid to the Comstocks. I pressed the matter and began to unearth reasons. It was, it appeared, dangerous for a member of the _intelligentsia,_ and particularly for a member of the academic _intelligentsia,_ to array himself against the mob inflamed--against the moral indignation of the sort of folk who devour vice reports and are converted by the Rev. Billy Sunday! If he came forward, he would have to come forward alone. There was no organized support behind him. No instinctive urge of class, no prompting of a great tradition, moved him to speak out for artistic freedom ... England supplied the lack. Over there they have a mob too, and something akin to Comstockery, and a cult of hollow correctness--but they also have a caste that stands above all that sort of thing, and out of that caste came aid for Dreiser.

England is always supplying the lack--England, or France, or Germany, or some other country, but chiefly England. "My market and my reputation," said Prescott in 1838, "rest principally with England." To Poe, a few years later, the United States was "a literary colony of Great Britain." And there has been little change to this day. The English leisure class, says Prof. Dr. Veblen, is "for purposes of reputable usage the upper leisure class of this country." Despite all the current highfalutin about melting pots and national destinies the United States remains almost as much an English colonial possession, intellectually and spiritually, as it was on July 3, 1776. The American social pusher keeps his eye on Mayfair; the American literatus dreams of recognition by the London weeklies; the American don is lifted to bliss by the imprimatur of Oxford or Cambridge; even the American statesman knows how to cringe to Downing Street. Most of the essential policies of Dr. Wilson between 1914 and 1920--when the realistic English, finding him no longer useful, incontinently dismissed him--were, to all intents and purposes, those of a British colonial premier. He went into the Peace Conference willing to yield everything to English interests, and he came home with a treaty that was so extravagantly English that it fell an easy prey to the anti-English minority, ever alert for the makings of a bugaboo to scare the plain people. What lies under all this subservience is simple enough. The American, for all his braggadocio, is quite conscious of his intrinsic inferiority to the Englishman, on all cultural counts. He may put himself first as a man of business, as an adventurer in practical affairs or as a pioneer in the applied arts and sciences, but in all things removed from the mere pursuit of money and physical ease he well understands that he belongs at the second table. Even his recurrent attacks of Anglophobia are no more than Freudian evidences of his inferiority complex. He howls in order to still his inner sense of inequality, as he howls against imaginary enemies in order to convince himself that he is brave and against fabulous despotisms in order to prove that he is free. The Englishman is never deceived by this hocus-pocus. He knows that it is always possible to fetch the rebel back into camp by playing upon his elemental fears and vanities. A few dark threats, a few patronizing speeches, a few Oxford degrees, and the thing is done. More, the English scarcely regard it as hunting in the grand manner; it is a business of subalterns. When, during the early stages of the war, they had occasion to woo the American _intelligentsia,_ what agents did they choose? Did they nominate Thomas Hardy, Joseph Conrad, George Moore and company? Nay, they nominated Conan Doyle, Coningsby Dawson, Alfred Noyes, Ian Hay, Chesterton, Kipling, Zangwill and company. In the choice there was high sagacity and no little oblique humor--as there was a bit later in the appointment of Lord Reading and Sir Auckland Geddes to Washington. The valuation they set upon the _aluminados_ of the Republic was exactly the valuation they were in the habit of setting, at home, upon MM. of the Free Church Federation. They saw the eternal green-grocer beneath the master's gown and mortarboard. Let us look closely and we shall see him, too.

The essence of a self-reliant and autonomous culture is an unshakable egoism. It must not only regard itself as the peer of any other culture; it must regard itself as the superior of any other. You will find this indomitable pride in the culture of any truly first-rate nation: France, Germany or England. But you will not find it in the so-called culture of America. Here the decadent Anglo-Saxon majority still looks obediently and a bit wistfully toward the motherland. No good American ever seriously questions an English judgment on an æsthetic question, or even on an ethical, philosophical or political question. There is, in fact, seldom any rational reason why he should: it is almost always more mature, more tolerant, more intelligent than any judgment hatched at home. Behind it lies a settled scheme of things, a stable point of view, the authority of a free intellectual aristocracy, the pride of tradition and of power. The English are sure-footed, well-informed, persuasive. It is beyond their imagination that any one should seriously challenge them. In this over-grown and oafish colony there is no such sureness. The American always secretly envies the Englishman, even when he professes to flout him. The Englishman never envies the American.

The extraordinary colonist, moved to give utterance to the ideas bubbling within him, is thus vastly handicapped, for he must submit them to the test of a culture that, in the last analysis, is never quite his own culture, despite its dominance. Looking within himself, he finds that he is different, that he diverges from the English standard, that he is authentically American--and to be authentically American is to be officially inferior. He thus faces dismay at the very start: support is lacking when he needs it most. In the motherland--in any motherland, in any wholly autonomous nation--there is a class of men like himself, devoted to translating the higher manifestations of the national spirit into ideas--men differing enormously among themselves, but still united in common cause against the lethargy and credulity of the mass. But in a colony that class, if it exists at all, lacks coherence and certainty; its authority is not only disputed by the inertia and suspiciousness of the lower orders, but also by the superior authority overseas; it is timorous and fearful of challenge. Thus it affords no protection to an individual of assertive originality, and he is forced to go as a suppliant to a quarter in which nothing is his by right, but everything must go by favor--in brief to a quarter where his very application must needs be regarded as an admission of his inferiority. The burden of proof upon him is thus made double. Obviously, he must be a man of very strong personality to surmount such obstacles triumphantly. Such strong men, of course, sometimes appear in a colony, but they always stand alone; their worst opposition is at home. For a colonial of less vigorous soul the battle is almost hopeless. Either he submits to subordination and so wears docilely the inferior badge of a praiseworthy and tolerated colonist, or he deserts the minority for the far more hospitable and confident majority, and so becomes a mere mob-artist.

Examples readily suggest themselves. I give you Poe and Whitman as men strong enough to weather the adverse wind. The salient thing about each of these men was this: that his impulse to self-expression, the force of his "obscure, inner necessity," was so powerful that it carried him beyond all ordinary ambitions and prudences--in other words, that the ego functioned so heroically that it quite disregarded the temporal welfare of the individual. Neither Poe nor Whitman made the slightest concession to what was the predominant English taste, the prevailing English authority, of his time. And neither yielded in the slightest to the maudlin echoes of English notions that passed for ideas in the United States; in neither will you find any recognizable reflection of the things that Americans were saying and doing all about them. Even Whitman, preaching democracy, preached a democracy that not one actual democrat in a hundred thousand could so much as imagine. What happened? _Imprimis,_ English authority, at the start, dismissed them loftily; they were, at best, simply rare freaks from the colonies. Secondly, American stupidity, falling into step, came near overlooking them altogether. The accident that maintained them was an accident of personality and environment. They happened to be men accustomed to social isolation and of the most meager wants, and it was thus difficult to deter them by neglect and punishment. So they stuck to their guns--and presently they were "discovered," as the phrase is, by men of a culture wholly foreign to them and perhaps incomprehensible to them, and thereafter, by slow stages, they began to win a slow and reluctant recognition in England (at first only from rebels and iconoclasts), and finally even in America. That either, without French prompting, would have come to his present estate I doubt very much. And in support of that doubt I cite again the fact that Poe's high talents as a critic, not having interested the French, have never got their deserts either in England or at home.

It is lesser men that we chiefly have to deal with in this world, and it is among lesser men that the lack of a confident intellectual viewpoint in America makes itself most evident. Examples are numerous and obvious. On the one hand, we have Fenimore Cooper first making a cringing bow for English favor, and then, on being kicked out, joining the mob against sense; he wrote books so bad that even the Americans of 1830 admired them. On the other hand, we nave Henry James, a deserter made by despair; one so depressed by the tacky company at the American first table that he preferred to sit at the second table of the English. The impulse was, and is common; it was only the forthright act that distinguished him. And in the middle ground, showing both seductions plainly, there is Mark Twain--at one moment striving his hardest for the English _imprimatur,_ and childishly delighted by every favorable gesture; at the next, returning to the native mob as its premier clown-monkey-shining at banquets, cavorting in the newspapers, shrinking poltroonishly from his own ideas, obscenely eager to give no offense. A much greater artist than either Poe or Whitman, so I devoutly believe, but a good deal lower as a man. The ultimate passion was not there; the decent householder always pulled the ear of the dreamer. His fate has irony in it. In England they patronize him: he is, for an American, not so bad. In America, appalled by his occasional ascents to honesty, his stray impulses to be wholly himself, the dunderheads return him to arm's length, his old place, and one of the most eminent of them, writing in the New York _Times,_ argues piously that it is impossible to imagine him actually believing the commonplace heresies he put into "What Is Man?"

11

_Epilogue_

I have described the disease. Let me say at once that I have no remedy to offer. I simply set down a few ideas, throw out a few hints, attempt a few modest inquiries into causes. Perhaps my argument often turns upon itself: the field is weed-grown and paths are hard to follow. It may be that insurmountable natural obstacles stand in the way of the development of a distinctively American culture, grounded upon a truly egoistic nationalism and supported by a native aristocracy. After all, there is no categorical imperative that ordains it. In such matters, when the conditions are right, nature often arranges a division of labor. A nation shut in by racial and linguistic isolation--a Sweden, a Holland or a France--is forced into autonomy by sheer necessity; if it is to have any intellectual life at all it must develop its own. But that is not our case. There is England to hold up the torch for us, as France holds it up for Belgium, and Spain for Latin America, and Germany for Switzerland. It is our function, as the younger and less confident partner, to do the simpler, rougher parts of the joint labor--to develop the virtues of the more elemental orders of men: industry, piety, docility, endurance, assiduity and ingenuity in practical affairs--the wood-hewing and water-drawing of the race. It seems to me that we do all this very well; in these things we are better than the English. But when it comes to those larger and more difficult activities which concern only the superior minority, and are, in essence, no more than products of its efforts to _demonstrate_ its superiority--when it comes to the higher varieties of speculation and self-expression, to the fine arts and the game of ideas--then we fall into a bad second place. Where we stand, intellectually, is where the English non-conformists stand; like them, we are marked by a fear of ideas as disturbing and corrupting. Our art is imitative and timorous. Our political theory is hopelessly sophomoric and superficial; even English Toryism and Russian Bolshevism are infinitely more profound and penetrating. And of the two philosophical systems that we have produced, one is so banal that it is now imbedded in the New Thought, and the other is so shallow that there is nothing in it either to puzzle or to outrage a school-marm.

Nevertheless, hope will not down, and now and then it is supported by something rather more real than mere desire. One observes an under-current of revolt, small but vigorous, and sometimes it exerts its force, not only against the superficial banality but also against the fundamental flabbiness, the intrinsic childishness of the Puritan _Anschauung._ The remedy for that childishness is skepticism, and already skepticism shows itself: in the iconoclastic political realism of Harold Stearns, Waldo Frank and company, in the groping questions of Dreiser, Cabell and Anderson, in the operatic rebellions of the Village. True imagination, I often think, is no more than a function of this skepticism. It is the dull man who is always sure, and the sure man who is always dull. The more a man dreams, the less he believes. A great literature is thus chiefly the product of doubting and inquiring minds in revolt against the immovable certainties of the nation. Shakespeare, at a time of rising democratic feeling in England, flung the whole force of his genius against democracy. Cervantes, at a time when all Spain was romantic, made a headlong attack upon romance. Goethe, with Germany groping toward nationalism, threw his influences on the side of internationalism. The central trouble with America is conformity, timorousness, lack of enterprise and audacity. A nation of third-rate men, a land offering hospitality only to fourth-rate artists. In Elizabethan England they would have bawled for democracy, in the Spain of Cervantes they would have yelled for chivalry, and in the Germany of Goethe they would have wept and beat their breasts for the Fatherland. To-day, as in the day of Emerson, they set the tune.... But into the singing there occasionally enters a discordant note. On some dim to-morrow, perhaps, perchance, peradventure, they may be challenged.

II. ROOSEVELT: AN AUTOPSY

One thinks of Dr. Woodrow Wilson's biography of George Washington as of one of the strangest of all the world's books. Washington: the first, and perhaps also the last American gentleman. Wilson: the self-bamboozled Presbyterian, the right-thinker, the great moral statesman, the perfect model of the Christian cad. It is as if the Rev. Dr. Billy Sunday should do a biography of Charles Darwin--almost as if Dr. Wilson himself should dedicate his senility to a life of the Chevalier Bayard, or the Cid, or Christ.... But such phenomena, of course, are not actually rare in the republic; here everything happens that is forbidden by the probabilities and the decencies. The chief native critic of beautiful letters, for a whole generation, was a Baptist clergyman; he was succeeded by a literary Wall Street man, who gave way, in turn, to a soviet of ninth-rate pedagogues; this very curious apostolic succession I have already discussed. The dean of the music critics, even to-day, is a translator of grand opera libretti, and probably one of the worst that ever lived. Return, now, to political biography. Who can think of anything in American literature comparable to Morley's life of Gladstone, or Trevelyan's life of Macaulay, or Carlyle's Frederick, or even Winston Churchill's life of his father? I dredge my memory hopelessly; only William Graham Sumner's study of Andrew Jackson emerges--an extraordinarily astute and careful piece of work by one of the two most underestimated Americans of his generation, the other being Daniel Coit Gilman. But where is the first-rate biography of Washington--sound, fair, penetrating, honest, done by a man capable of comprehending the English gentry of the eighteenth century? And how long must we wait for adequate treatises upon Jefferson, Hamilton, Sam Adams, Aaron Burr, Henry Clay, Calhoun, Webster, Sumner, Grant, Sherman, Lee?

Even Lincoln is yet to be got vividly between the covers of a book. The Nicolay-Hay work is quite impossible; it is not a biography, but simply a huge storehouse of biographical raw materials; whoever can read it can also read the official Records of the Rebellion. All the other standard lives of old Abe--for instance, those of Lamon, Herndon and Weil, Stoddard, Morse and Miss Tarbell--fail still worse; when they are not grossly preachy and disingenuous they are trivial. So far as I can make out, no genuinely scientific study of the man has ever been attempted. The amazing conflict of testimony about him remains a conflict; the most elemental facts are yet to be established; he grows vaguer and more fabulous as year follows year. One would think that, by this time, the question of his religious views (to take one example) ought to be settled, but apparently it is not, for no longer than a year ago there came a reverend author, Dr. William E. Barton, with a whole volume upon the subject, and I was as much in the dark after reading it as I had been before I opened it. All previous biographers, it appeared by this author's evidence, had either dodged the problem, or lied. The official doctrine, in this as in other departments, is obviously quite unsound. One hears in the Sunday-schools that Abe was an austere and pious fellow, constantly taking the name of God in whispers, just as one reads in the school history-books that he was a shining idealist, holding all his vast powers by the magic of an inner and ineffable virtue. Imagine a man getting on in American politics, interesting and enchanting the boobery, sawing off the horns of other politicians, elbowing his way through primaries and conventions, by the magic of virtue! As well talk of fetching the mob by hawking exact and arctic justice! Abe, in fact, must have been a fellow highly skilled at the great democratic art of gum-shoeing. I like to think of him as one who defeated such politicians as Stanton, Douglas and Sumner with their own weapons--deftly leading them into ambuscades, boldly pulling their noses, magnificently ham-stringing and horn-swoggling them--in brief, as a politician of extraordinary talents, who loved the game for its own sake, and had the measure of the crowd. His official portraits, both in prose and in daguerreotype, show him wearing the mien of a man about to be hanged; one never sees him smiling. Nevertheless, one hears that, until he emerged from Illinois, they always put the women, children and clergy to bed when he got a few gourds of corn aboard, and it is a matter of unescapable record that his career in the State Legislature was indistinguishable from that of a Tammany Nietzsche.

But, as I say, it is hopeless to look for the real man in the biographies of him: they are all full of distortion, chiefly pious and sentimental. The defect runs through the whole of American political biography, and even through the whole of American history. Nearly all our professional historians are poor men holding college posts, and they are ten times more cruelly beset by the ruling politico-plutocratic-social oligarchy than ever the Prussian professors were by the Hohenzollerns. Let them diverge in the slightest from what is the current official doctrine, and they are turned out of their chairs with a ceremony suitable for the expulsion of a drunken valet. During the recent war a herd of two thousand and five hundred such miserable slaves was organized by Dr. Creel to lie for their country, and they at once fell upon the congenial task of rewriting American history to make it accord with the ideas of H. P. Davison, Admiral Sims, Nicholas Murray Butler, the Astors, Barney Baruch and Lord Northcliffe. It was a committee of this herd that solemnly pledged the honor of American scholarship to the authenticity of the celebrated Sisson documents....