Chapter 2
In listening attentively, only the brain and ears are needed; but watch the individuals at an entertaining lecture, or in church with a stirring preacher. They are listening with their spines, their shoulders, the muscles of their faces. I do not refer to the look of interest and attention, or to any of the various expressions which are the natural and true reflection of the state of the mind, but to the strained attention which draws the facial muscles, not at all in sympathy with the speaker, but as a consequence of the tense nerves and contracted muscles of the listener. "I do not understand why I have this peculiar sort of asthma every Sunday afternoon," a lady said to me. She was in the habit of hearing, Sunday morning, a preacher, exceedingly interesting, but with a very rapid utterance, and whose mind travelled so fast that the words embodying his thoughts often tumbled over one another. She listened with all her nerves, as well as with those needed, held her breath when he stumbled, to assist him in finding his verbal legs, reflected every action with twice the force the preacher himself gave,--and then wondered why on Sunday afternoon, and at no other time, she had this nervous catching of the breath. She saw as soon as her attention was drawn to the general principles of Nature, how she had disobeyed this one, and why she had trouble on Sunday afternoon. This case is very amusing, even laughable, but it is a fair example of many similar nervous attacks, greater or less; and how easy it is to see that a whole series of these, day after day, doing their work unconsciously to the victim, will sooner or later bring some form of nervous prostration.
The same attitudes and the same effects often attend listening to music. It is a common experience to be completely fagged after two hours of delightful music. There is no exaggeration in saying that we should be _rested_ after a good concert, if it is not too long. And yet so upside-down are we in our ways of living, and, through the mistakes of our ancestors, so accustomed have we become to disobeying Nature's laws, that the general impression seems to be that music cannot be fully enjoyed without a strained attitude of mind and body; whereas, in reality, it is much more exquisitely appreciated and enjoyed in Nature's way. If the nerves are perfectly free, they will catch the rhythm of the music, and so be helped back to the true rhythm of Nature, they will respond to the harmony and melody with all the vibratory power that God gave them, and how can the result be anything else than rest and refreshment,--unless having allowed them to vibrate in one direction too long, we have disobeyed a law in another way.
Our bodies cannot by any possibility be _free,_ so long as they are strained by our own personal effort. So long as our nervous force is misdirected in personal strain, we can no more give full and responsive attention to the music, than a piano can sound the harmonies of a sonata if some one is drawing his hands at the same time backwards and forwards over the strings. But, alas! a contracted personality is so much the order of the day that many of us carry the chronic contractions of years constantly with us, and can no more free ourselves for a concert at a day's or a week's notice, than we can gain freedom to receive all the grand universal truths that are so steadily helpful. It is only by daily patience and thought and care that we can cease to be an obstruction to the best power for giving and receiving.
There are, scattered here and there, people who have not lost the natural way of listening to music,--people who are musicians through and through so that the moment they hear a fine strain they are one with it. Singularly enough the majority of these are fine animals, most perfectly and normally developed in their senses. When the intellect begins to assert itself to any extent, then the nervous strain comes. So noticeable is this, in many cases, that nervous excitement seems often to be from misdirected intellect; and people under the control of their misdirected nervous force often appear wanting in quick intellectual power,--illustrating the law that a stream spreading in all directions over a meadow loses the force that the same amount of water would have if concentrated and flowing in one channel. There are also many cases where the strained nerves bring an abnormal intellectual action. Fortunately for the saving of the nation, there are people who from a physical standpoint live naturally. These are refreshing to see; but they are apt to take life too easily, to have no right care or thought, and to be sublimely selfish.
Another way in which the brain is constantly used is through the eyes. What deadly fatigue comes from time spent in picture galleries! There the strain is necessarily greater than in listening, because all the pictures and all the colors are before us at once, with no appreciable interval between forms and subjects that differ widely. But as the strain is greater, so should the care to relieve it increase. We should not go out too far to meet the pictures, but be quiet, and let the pictures come to us. The fatigue can be prevented if we know when to stop, and pleasure at the time and in the memory afterwards will be surprisingly increased. So is it in watching a landscape from the car window, and in all interests which come from looking. I am not for one instant condemning the _natural_ expression of pleasure, neither do I mean that there should be any apparent nonchalance or want of interest; on the contrary, the real interest and its true expression increase as we learn to shun the shams.
But will not the discovery of all this superfluous tension make one self-conscious? Certainly it will for a time, and it must do so. You must be conscious of a smooch on your face in order to wash it off, and when the face is clean you think no more of it. So you must see an evil before you can shun it. All these physical evils you must be vividly conscious of, and when you are so annoyed as to feel the necessity of moving from under them self-consciousness decreases in equal ratio with the success of your efforts.
Whenever the brain alone is used in thinking, or in receiving and taking note of impressions through either of the senses, new power comes as we gain freedom from all misdirected force, and with muscles in repose leave the brain to quietly do its work without useless strain of any kind. It is of course evident that this freedom cannot be gained without, first, a consciousness of its necessity. The perfect freedom, however, when reached, means freedom from self-consciousness as well as from the strain which made self-consciousness for a time essential.
VI.
THE BRAIN IN ITS DIRECTION OF THE BODY
WE come now to the brain and its direction of other parts of the body.
What tremendous and unnecessary force is used in talking,--from the aimless motion of the hands, the shoulders, the feet, the entire body, to a certain rigidity of carriage, which tells as powerfully in the wear and tear of the nervous system as superfluous motion. It is a curious discovery when we find often how we are holding our shoulders in place, and in the wrong place. A woman receiving a visitor not only talks all over herself, but reflects the visitor's talking all over, and so at the end of the visit is doubly fatigued. "It tires me so to see people" is heard often, not only from those who are under the full influence of "Americanitis," but from many who are simply hovering about its borders. "Of course it tires you to see people, you see them with, so much superfluous effort," can almost without exception be a true answer. A very little simple teaching will free a woman from that unnecessary fatigue. If she is sensible, once having had her attention brought and made keenly alive to the fact that she talks all over, she will through constant correction gain the power of talking as Nature meant she should, with her vocal apparatus only, and with such easy motions as may be needed to illustrate her words. In this change, so far from losing animation, she gains it, and gains true expressive power; for all unnecessary motion of the body in talking simply raises a dust, so to speak, and really blurs the true thought of the mind and feeling of the heart.
The American voice--especially the female voice--is a target which has been hit hard many times, and very justly. A ladies' luncheon can often be truly and aptly compared to a poultry-yard, the shrill cackle being even more unpleasant than that of a large concourse of hens. If we had once become truly appreciative of the natural mellow tones possible to every woman, these shrill voices would no more be tolerated than a fashionable luncheon would be served in the kitchen.
A beautiful voice has been compared to corn, oil, and wine. We lack almost entirely the corn and the oil; and the wine in our voices is far more inclined to the sharp, unpleasant taste of very poor currant wine, than to the rich, spicy flavor of fine wine from the grape. It is not in the province of this book to consider the physiology of the voice, which would be necessary in order to show clearly how its natural laws are constantly disobeyed. We can now speak of it only with regard to the tension which is the immediate cause of the trouble. The effort to propel the voice from the throat, and use force in those most delicate muscles when it should come from the stronger muscles of the diaphragm, is like trying to make one man do the work of ten; the result must eventually be the utter collapse of the one man from over-activity, and loss of power in the ten men because of muscles unused. Clergyman's sore throat is almost always explainable in this way; and there are many laymen with constant trouble in the throat from no cause except the misuse of its muscles in talking. "The old philosopher said the seat of the soul was in the diaphragm. However that may be, the word begins there, soul and body; but you squeeze the life out of it in your throat, and so your words are born dead!" was the most expressive exclamation of an able trainer of the voice.
Few of us feel that we can take the time or exercise the care for the proper training of our voices; and such training is not made a prominent feature, as it should be, in all American schools. Indeed, if it were, we would have to begin with the teachers; for the typical teacher's voice, especially in our public schools, coming from unnecessary nervous strain is something frightful. In a large school-room a teacher can be heard, and more impressively heard, in common conversational tones; for then it is her mind that is felt more than her body. But the teacher's voice mounts the scale of shrillness and force just in proportion as her nervous fatigue increases; and often a true enthusiasm expresses itself--or, more correctly, hides itself--in a sharp, loud voice, when it would be far more effective in its power with the pupils if the voice were kept quiet. If we cannot give time or money to the best development of our voices, we can grow sensitive to the shrill, unpleasant tones, and by a constant preaching of "lower your voices," "speak more quietly," from the teacher to herself, and then to her pupils, from mother to child, and from every woman to her own voice, the standard American voice would change, greatly to the national advantage.
I never shall forget the restful pleasure of hearing a teacher call the roll in a large schoolroom as quietly as she would speak to a child in a closet, and every girl answering in the same soft and pleasant way. The effect even of that daily roll-call could not have been small in its counteracting influence on the shrill American tone.
Watch two people in an argument, as the excitement increases the voice rises. In such a case one of the best and surest ways to govern your temper is to lower your voice. Indeed the nervous system and the voice are in such exquisite sympathy that they constantly act and react on each other. It is always easier to relax superfluous tension after lowering the voice.
"Take the bone and flesh sound from your voice" is a simple and interesting direction. It means do not push so hard with your body and so interfere with the expression of your soul. Thumping on a piano, or hard scraping on a violin, will keep all possible expression from the music, and in just the same proportion will unnecessary physical force hide the soul in a voice. Indeed with the voice--because the instrument is finer--the contrast between Nature's way and man's perversion is far greater.
One of the first cares with a nervous invalid, or with any one who suffers at all from overstrained nerves, should be for a quiet, mellow voice. It is not an invariable truth that women with poorly balanced nerves have shrill, strained voices. There is also a rigid tone in a nervously low voice, which, though not unpleasant to the general ear, is expressive to one who is in the habit of noticing nervous people, and is much more difficult to relax than the high pitched voices. There is also a forced calm which is tremendous in its nervous strain, the more so as its owner takes pride in what she considers remarkable self-control.
Another common cause of fatigue with women is the useless strain in sewing. "I get so tired in the back of my neck" is a frequent complaint. "It is because you sew with the back of your neck" is generally the correct explanation. And it is because you sew with the muscles of your waist that they feel so strangely fatigued, and the same with the muscles of your legs or your chest. Wherever the tired feeling comes it is because of unnatural and officious tension, which, as soon as the woman becomes sensible of it, can be stopped entirely by taking two or three minutes now and then to let go of these wrongly sympathetic muscles and so teach them to mind their own business, and sew with only the muscles that are needed. A very simple cause of over-fatigue in sewing is the cramped, strained position of the lungs; this can be prevented without even stopping in the work, by taking long, quiet, easy breaths. Here there must be _no exertion whatever_ in the chest muscles. The lungs must seem to expand from the pressure of the air alone, as independently as a rubber ball will expand when external pressure is removed, and they must be allowed to expel the air with the same independence. In this way the growth of breathing power will be slow, but it will be sure and delightfully restful. Frequent, full, quiet breaths might be the means of relief to many sufferers, if only they would take the trouble to practise them faithfully,--a very slight effort compared with the result which will surely ensue. And so it is with the fatigue from sewing. I fear I do not exaggerate, when I say that in nine cases out of ten a woman would rather sew with a pain in her neck than stop for the few moments it would take to relax it and teach it truer habits, so that in the end the pain might be avoided entirely. Then, when the inevitable nervous exhaustion follows, and all the kindred troubles that grow out of it she pities herself and is pitied by others, and wonders why God thought best to afflict her with suffering and illness. "Thought best!" God never thought best to give any one pain. He made His laws, and they are wholesome and perfect and true, and if we disobey them we must suffer the consequences! I knock my head hard against a stone and then wonder why God thought best to give me the headache. There would be as much sense in that as there is in much of the so-called Christian resignation to be found in the world to-day. To be sure there are inherited illnesses and pains, physical and mental, but the laws are so made that the compensation of clear-sightedness and power for use gained by working our way rightly out of all inheritances and suffering brought by others, fully equalizes any apparent loss.
In writing there is much unnecessary nervous fatigue. The same cramped attitude of the lungs that accompanies sewing can be counteracted in the same way, although in neither case should a cramped attitude be allowed at all Still the relief of a long breath is always helpful and even necessary where one must sit in one position for any length of time. Almost any even moderately nervous man or woman will hold a pen as if some unseen force were trying to pull it away, and will write with firmly set jaw, contracted throat, and a powerful tension in the muscles of the tongue, or whatever happens to be the most officious part of this especial individual community. To swing the pendulum to another extreme seems not to enter people's minds when trying to find a happy medium. Writer's paralysis, or even the ache that comes from holding the hand so long in a more or less cramped attitude, is easily obviated by stopping once in an hour or half hour, stretching the fingers wide and letting the muscles slowly relax of their own accord. Repeat this half-a-dozen times, and after each exercise try to hold the pen or pencil with natural lightness; it will not take many days to change the habit of tension to one of ease, although if you are a steady writer the stretching exercise will always be necessary, but much less often than at first.
In lifting a heavyweight, as in nursing the sick, the relief is immediate from all straining in the back, by pressing hard with the feet on the floor and _thinking_ the power of lifting in the legs. There is true economy of nervous force here, and a sensitive spine is freed from a burden of strain which might undoubtedly be the origin of nervous prostration. I have made nurses practise lifting, while impressing the fact forcibly upon them by repetition before they lift, and during the process of raising a body and lowering it, that they must use entirely the muscles of the legs. When once their minds have full comprehension of the new way, the surprise with which they discover the comparative ease of lifting is very pleasant. The whole secret in this and all similar efforts is to use muscular instead of nervous force. Direct with the directing power; work with the working power.
VII.
THE DIRECTION OF THE BODY IN LOCOMOTION
LIFTING brings us to the use of the entire body, which is considered simply in the most common of all its movements,--that of walking.
The rhythm of a perfect walk is not only delightful, but restful; so that having once gained a natural walk there is no pleasanter way to rest from brain fatigue than by means of this muscle fatigue. And yet we are constantly contradicting and interfering with Nature in walking. Women--perhaps partly owing to their unfortunate style of dress--seem to hold themselves together as if fearing that having once given their muscles free play, they would fall to pieces entirely. Rather than move easily forward, and for fear they might tumble to pieces, they shake their shoulders and hips from side to side, hold their arms perfectly rigid from the shoulders down, and instead of the easy, natural swing that the motion of walking would give the arms, they go forward and back with no regularity, but are in a chronic state of jerk. The very force used in holding an arm as stiff as the ordinary woman holds it, would be enough to give her an extra mile in every five-mile walk. Then again, the muscles of the throat must help, and more than anywhere else is force unnecessarily expended in the waist muscles. They can be very soon felt, pushing with all their might--and it is not a small might--officiously trying to assist in the action of the legs; whereas if they would only let go, mind their own business, and let the legs swing easily as if from the shoulders, they might reflect the rhythmic motion, and gain in a true freedom and power. Of course all this waste of force comes from nervous strain and is nervous strain, and a long walk in the open air, when so much of the new life gained is wrongly expended, does not begin to do the good work that might be accomplished. To walk with your muscles and not use superfluous nervous force is the first thing to be learned, and after or at the same time to direct your muscles as Nature meant they should be directed,--indeed we might almost say to let Nature direct them herself, without our interference. Hurry with your muscles and not with your nerves. This tells especially in hurrying for a train, where the nervous anxiety in the fear of losing it wakes all possible unnecessary tension and often impedes the motion instead of assisting it. The same law applies here that was mentioned before with regard to the carriage,--only instead of being quiet and letting the carriage take you, be quiet and let your walking machine do its work. So in all hurrying, and the warning can hardly be given too many times, we must use our nerves only as transmitters--calm, well-balanced transmitters--that our muscles may be more efficient and more able servants.
The same mistakes of unnecessary tension will be found in running, and, indeed, in all bodily motion, where the machine is not trained to do its work with only the nerves and muscles needed for the purpose. We shall have opportunity to consider these motions in a new light when we come to the directions for gaining a power of natural motion; now we are dealing only with mistakes.
VIII.
NERVOUS STRAIN IN PAIN AND SICKNESS
THERE is no way in which superfluous and dangerous tension is so rapidly increased as in the bearing of pain. The general impression seems to be that one should brace up to a pain; and very great strength of will is often shown in the effort made and the success achieved in bearing severe pain by means of this bracing process. But alas, the reaction after the pain is over--that alone would show the very sad misuse which had been made of a strong will. Not that there need be no reaction; but it follows naturally that the more strain brought to bear upon the nervous system in endurance, the greater must be the reaction when the load is lifted. Indeed, so well is this known in the medical profession, that it is a surgical axiom that the patient who most completely controls his expression of pain will be the greatest sufferer from the subsequent reaction. While there is so much pain to be endured in this world, a study of how best to bear it certainly is not out of place, especially when decided practical effects can be quickly shown as the result of such study. So prevalent is the idea that a pain is better borne by clinching the fists and tightening all other muscles in the body correspondingly, that I know the possibility of a better or more natural mode of endurance will be laughed at by many, and others will say, "That is all very well for those who can relax to a pain,--let them gain from it, I cannot; it is natural for me to set my teeth and bear it." There is a distinct difference between what is natural to us and natural to Nature, although the first term is of course misused.
Pain comes from an abnormal state of some part of the nervous system. The more the nerves are strained to bear pain, the more sensitive they become; and of course those affected immediately feel most keenly the increased sensitiveness, and so the pain grows worse. Reverse that action, and through the force of our own inhibitory power let a new pain be a reminder to us to _let go,_ instead of to hold on, and by decreasing the strain we decrease the possibility of more pain. Whatever reaction may follow pain then, will be reaction from the pain itself, not from the abnormal tension which has been held for the purpose of bearing it.