Part 7

The days passed slowly and meanwhile Ellen made no effort to see her cousin. This Mrs. Tolliver observed with astonishment, setting it down in her hopeful way as proof that the restlessness was passing out of her stormy Ellen; but she did not remark upon it because she feared the mere sound of Lily’s name. There was something about Lily which made even Mrs. Tolliver uneasy; it was impossible to understand this woman who denied the existence of the Town, who could return to it when she chose out of a life which it was whispered was none too respectable, to dominate the townspeople again and again in her own disarming, pleasant fashion. In a vague way Lily stood for that vast land beyond the Mills which held such terror for the soul of the simple woman. It was as if Lily were a menace, as if there could be no peace, no contentment until she had gone back again into that vague and distant world from which she came. And here once more Mrs. Tolliver failed to understand. She did not see that Ellen, for all her stiff-necked pride, was shy and held by the same uncertain fear. It was a fear that Clarence Murdock knew. Somehow it had touched him and changed alike himself and the world about him. It was the fear of naïve souls for one that was perhaps not good but one that was experienced, that moved through life with a sure step, without fear for those things which would have terrified the less courageous. The soul of Mrs. Tolliver was simple. The soul of Clarence was small, and that of Ellen had not begun to grow; until now, save as a bundle of wild desires and feverish unrest, it had not been born.

* * * * *

At length came Christmas day when it was no longer possible for Ellen to avoid her cousin. For seventy years this day had been set aside in the clan composed of the Barrs, the Tollivers and the Shanes as a day given over to feasting, an occasion which brought the most remote members of the great family from every part of the county to the black house among the Mills. But the seventy years had wrought changes. The great house that once raised its bulk, proud and aloof on its hill amid the marsh land, now stood surrounded and blackened by the great mills and factories. Of the family only nine gathered about a table which once had seated forty. The old ones were dying off, slowly; the younger ones had gone away, all save Hattie Tolliver and her children, Irene Shane, and a spinster cousin, the daughter of the Samuel Barr who died after inventing the celebrated and useless perpetual motion machine.

Of the older generation only two remained ... the proud old Julia Shane and her brother-in-law Jacob Barr, the father of Mrs. Tolliver. This old man was an extraordinary character who at eighty still had a powerful stalwart figure and a great rosy face framed in white hair and a white beard which once had been red. In his youth the people of the county had called him The Red Scot and marveled at the superb strength of his great body. There were tales of his having moved his log barn alone and unaided when the men who were to have helped him failed to arrive at the appointed time. When at last they came, so the story ran, they found Jacob Barr mopping his great, handsome face by the side of the windlass and the barn moved a full hundred yards from the spot it once occupied. At eighty he still managed his farm and scorned his daughter’s offer of care. He was the last of the pioneers.

There were times when this grandfather seemed even more remote to Ellen than old Gramp Tolliver in his cell lined with musty books; for the remoteness of Grandpa Barr was the remoteness of one who dwelt in a tower of unbending virtue. In the county he had been the first abolitionist, the first prohibitionist, the first advocate of woman suffrage. He had organized the Underground Railroad which aided slaves to escape to Canada. He was a Presbyterian without sympathy for those who were weak. His wife had died in bearing him child after child. For Gramp Tolliver his scorn was so profound that it was beyond all expression in words. He never spoke of Gramp Tolliver at all.

Jacob Barr was a citizen. He had what people called “backbone,” and Ellen was not his granddaughter for nothing.

* * * * *

There was in this annual dinner a pomp, a circumstance that approached the medieval; it was a rite which symbolized the pride, the greatness of a family which admitted no weakness, no failure, no poverty; the persistence of a family which, because it lived sometimes in dreams when the reality became insupportable, knew no such thing as failure. What one does not admit, does not exist. This one sentence might indeed have stood above the crest of the clan. If Hattie Tolliver knew in her heart that Lily was a feeble reed, she ignored it. In her presence none would have dared to hint at such frailty; for Lily existed within the sacred barrier of the family.

On Christmas day, the guests arrived in a procession ... first Grandpa Barr, rugged, handsome, defiant of his years, yet yielding through bitter necessity to the stout stick of cherry wood which he carried; Mrs. Tolliver, large, powerful, vigorous in a shabby astrakhan jacket, a beaver tippet and a small hat covered with ostrich plumes slightly frayed by age; Charles Tolliver, gentle, handsome, pleasant in his neat and faintly threadbare clothes; Ellen, stiff-necked, awkward, yet somehow handsome and overpowering and, last of all, the two brothers, Fergus, gentle, charming like his father and Robert, stocky and for all the world like the fierce, blue-eyed old Scot with his cherry stick. A vigorous family. And in the midst marched Mrs. Tolliver, erect and with a strange dignity, her plumes nodding a little as if she were a field marshal surrounded by a glorious army.

But Gramp Tolliver was nowhere to be seen. He had been left behind to have his Christmas meal alone in the room walled in by books. Gramp Tolliver, who never worked, who had wrought nothing in this world, was a disgrace which one did not air in public. He took his place among the things which one did not admit.

Before the wrought iron portico of Shane’s Castle, the little family defiled across the blackened snow to the heavy door. Mrs. Tolliver pulled the bell as Hennery, the black servant, drove off the sleigh drawn by horses which the Tollivers had for their keep since the latest débâcle in family fortunes. Ellen, trembling a little, perhaps at the thought of the cousin who awaited her inside the long, beautiful drawing-room, perhaps at the fear of the thing she had to ask of Lily, stood leaning against the iron railing, gazing out across the furnaces that flamed even on Christmas day below the eminence of the dying park.

Inside the house there was a distant tinkle and the door swung open presently to reveal Sarah, the mulatto housekeeper, and behind her a long hallway, hung with silver mounted mirrors and a chandelier of crystal that reflected its dull light against the long, polished stairway. For in the Flats, where the Mills reigned, the darkness was so great that lights burned even at midday in Shane’s Castle.

Once inside, there was the rustle of descending coats. Before the mirror Mrs. Tolliver frizzed her hair and Ellen patted the newborn pompadour. Beneath her coat she wore a starched white shirtwaist and a skirt of blue voile, with a tight belt and a contrivance known as a chatelaine dangling and jingling at one side. The Town called her well-dressed. It marveled that she could afford such clothes, although it knew well enough that they came from Hattie Tolliver’s sewing machine. Yet she was ridiculous and in the next moment she knew it.

For as she turned there moved toward her out of the old drawing-room, that glittered softly in the reflected light of the candles upon mirror and bits of crystal and silver, the figure of Lily, whom she had not seen in seven years. Her cousin wore a gown of black stuff, exquisitely cut by the hand of some artist in the establishment of Worth, a gown which came from the other side of the earth, from a street known to every corner of the world. Her fine bronze hair she wore drawn back over her ears in a knot at the back of her beautiful head; about her throat close against the soft skin hung a string of pearls. As she moved there came from her the faint scent of mimosa, which smote the quivering nostrils of Ellen as some force strange and exotic yet almost recognizable. It was a perfume which she was never able to forget and one which so long as she lived exerted upon her a curious softening power. Years afterward as she passed the flower carts behind the Madeleine or moved along the Corniche above the unreal terraces of Nice the faint scent of mimosa still had the power of making her suddenly sad, even wistful ... and those were the years when she had conquered the world, when she was hard.

Now she only trembled a little and offered her hand awkwardly to the smiling cousin.

“Well,” said Lily, “and now, Ellen, you’re a woman. To think of it! When I last saw you, you were a little girl with pigtails.”

Her voice carried that thin trace of accent which Clarence had noticed. Somehow it made her strangeness, her glamour, overpowering; and thus it strengthened the very barrier which to Ellen seemed so impossible ever to pass. In that moment there rushed through the confused brain of the awkward girl a multitude of thoughts, but out of them only one emerged clearly defined. “Ah, if I could be like that, I would not care what people thought of me! To be so free, so certain, so gracious, to overcome every one so easily!”

For all Lily’s warmth the talk was not easy between them. Yet for the first time it seemed to Ellen that the door stood open a little way. It was as if already she looked out upon the world.

* * * * *

And then Lily turned away to speak to the others, smiling, disarming them, even Grandpa Barr, who in the isolation of his virtue glared secretly at her from beneath his shaggy brows, suspecting her as that which was too pleasant to be good.

And Ellen, with a wildly beating heart, turned to gaunt Aunt Julia Shane, who, leaning on her ebony stick and dressed all in black with amethysts, shook her hand harshly and disapproved of her pompadour.

“It is a silly thing the way girls disfigure themselves nowadays,” she said. But Ellen did not mind.

The old woman was handsome in a fierce, cold fashion and had the Barr nose, slightly curved, and intolerably proud, which had appeared again in this awkward great-niece of hers.

Then there was Irene to greet.... Aunt Julia Shane’s other daughter, given to charity and good works, thin, anemic, slightly withered, so different from the radiant, selfish Lily. Irene Ellen ignored, because Irene stood for a life which, it seemed to Ellen, it was best to forget. And beyond Irene there was the horse-faced Eva Barr, daughter of the perpetual motion machine, a terrifying spinster of forty-five who regarded Lily as obscene and spoke of Ellen as a “chit.” Both of them she hated passionately for their freedom, because to her it was a thing forever lost. She, like Miss Ogilvie, had been trapped by another tradition. It was too late now....

In the dark lovely room, all these figures passed before Ellen, but of them all, she saw only Lily who stood now before the fire of cannel coal beneath the glowing Venice painted by Mr. Turner. She was like the picture, and shared its warmth, its graciousness, its unreal, extravagant beauty.

Ellen in her dark corner savagely bit her lip. She would escape some day and herself see Venice. Lily should help her. Every one should help her. And into her handsome young face, beneath the absurd, ratted pompadour, there stole a look of determination so fierce that Irene, seeing it, was frightened, and old Julia Shane, seeing it, exulted in the spirit of this great-niece of hers.

13

In another part of the Town far on the Hill above the Flats, the Setons and their guest sat down to Christmas dinner at an hour somewhat earlier than that kept at Shane’s Castle, for Harvey Seton, in the manner of many men who have made their own success, created social laws for himself, as if in some way he could thus place himself above the rules. Certainly he could not have brought himself to follow the fashions set by Shane’s Castle. He was, he said, a simple man and hoped to remain so until he died.

The shadow of this unspoken defiance appeared to cloud the cheer of Christmas Day at the Setons. There was in the air a certain conscious tension, a vague uneasiness which manifested itself in a dozen ways ... in the unflinching frown of the father, in the extreme politeness of the mother, in the nervous and concentrated giggles of May herself. The most uneasy of them all was the guest himself. Alone of all the group the simian Jimmy appeared to enjoy himself; and in this there was nothing strange or unusual, for it was an atmosphere in which he flourished and one to which he was highly sensitized. With the sharpness of a sickly, precocious nature, he understood that the air about him was heavy with foreboding. He knew that it required but a spark to precipitate a crisis with all the suddenness of an explosion. He waited now, joyful, expectant, watching the others with an impish satisfaction.

There was in the dampish atmosphere of the room an odor of unwonted richness ... the smell of a roast goose, strange and exotic in this household. But Christmas was a season which caused even Harvey Seton to unbend a little. It was the only occasion when the Christianity of the man was tempered even for an instant by anything faintly suggestive of warmth. His manner as he carved was touched, despite the thinness of the slices which fell from the breast of the bird, by a majestic air, which suggested more than ever his likeness to a grotesque Gothic saint; (he might have been one of those early fathers who battled and gave up their lives for some minute point of dogma.)

As he stood whetting the knife coldly against the steel, a sense of awe penetrated slowly one by one the hearts of those about the table ... all save Jimmy. With his small pointed head barely visible above the table’s edge, he waited. And presently, as if he could restrain his impatience no longer, he banged his knife sharply against the edge of his plate.

The effect was instantaneous. It brought from the harassed mother a sharp scream and a violent slap on the wrist.

“Don’t do that again or you’ll be sent to bed without any goose!”

But Jimmy, knowing his safety, only grinned and varied the method of torture by scratching the fork against the cold surface of the plate so that it produced a dreadful whining sound.

* * * * *

There were, to be sure, reasons for this strange condition of nerves. Since the night when Clarence arrived out of the blizzard, things had not progressed. Indeed, it appeared that, on the contrary, they were moving backwards. By now, everything should have been settled, and yet nothing was done; there had been no declaration, no hint. The wooer remained wary, suspicious; and the consciousness of his failure penetrated even the sluggish workings of May’s brain and hurt her pride. Mrs. Seton it baffled. She was conscious that some event, some obstacle, some peril which she was unable to divine had raised itself during these past few days full in the middle of her path.

“My,” said May presently, “it’s much warmer. I expect it’s the January thaw.”

Then the silence descended and again there was only the whine of Jimmy’s fork and the metallic click of the carving knife against the plated dish which bore the goose.

As for Clarence, he managed to conceal that wavering sense of uncertainty and terror which had assailed him with increasing force as the visit progressed. It was a terror which, strangely enough, centered itself in the father, for Clarence, in his chivalrous fashion, regarded women as creatures whom one could put aside. Never having been assailed, he had no fear of them. But the face of the Methodist elder, slightly green and intensely forbidding, filled him with uneasiness. When the corset manufacturer turned to address him, the fishy eyes accused him of unspeakable things.

In all those days in the dampish house there had been no mention of the encounter aboard the transcontinental express. If Lily Shane had been a light woman with whom (Heaven forbid!) Clarence had spent the night, he could have been no more silent concerning the adventure. Somehow he understood that the very name of Lily Shane had no place in the household of the Setons. And the longer he kept silent, the more glamorous and wicked the secret had become, until now it had attained the proportions of a monstrous thing. Each time the Elder looked at him the offense increased a degree or two in magnitude.

Yet in the end he betrayed himself. Perhaps it was the strained silence, perhaps the unbearable whine of Jimmy’s fork against the cold plate. In any case there came a moment when even Clarence could bear the strained silence no longer. He knew that something must be said. What he chose to say was calamitous and no sooner had the words passed his lips than he knew his error.

He said, “Do you know a woman called Lily Shane? I met her on the train.”

It was purely an effort at conversation; he knew well enough that they knew her, but the effect was terrific. Mr. Seton’s carving halted in mid-air. The mouth of Mrs. Seton went down at the corners. May giggled nervously and Jimmy, sensing triumph, raised himself until he displayed several inches of skinny neck above the table’s edge.

“Yes,” said Mr. Seton in a hollow voice, “we know about her. She is not a good woman.” What he said was mild enough, yet it carried overtones of the unspeakable, of bacchanalian orgies, of debauchery. And the mother, seeing her chance, took it.

“She is not nice, you know. There are things about her....” She would have gone on but a look from her husband halted her. It was a look which said, “We do not discuss such women before May and Mr. Murdock.” So Mrs. Seton coughed and suppressed her revelations. Instead she made a conversational step aside. “I suppose she looks old and worn now. A woman leading that sort of life always pays in the end.”

At this point Clarence, like a plumed knight, went to the defense of the damozel. “No, I wouldn’t say that. She seemed quite young and beautiful.” And then as if he had gone too far, he added mildly, “Of course, I don’t know her well.”

“It’s better to avoid women like her,” rejoined the father. “Take a word of advice from an older man. Women like that can ruin men ... just by talking to them. They are creatures of the Devil.”

Somewhere within the mind of Clarence a great light broke, and he saw everything clearly. He understood then that all the visit differed from his expectations not because the Setons had changed but because he had encountered Lily Shane.... She lay at the root of the trouble. Yes, women like her were powerful. There was no denying it.

The talk came easily enough now. Mrs. Seton, following her instincts, saw an opportunity to destroy the single menace which she fancied stood between her and her success. “She is a cousin, you know, of Ellen ... that Tolliver girl. They all have bad blood in ’em.”

But she had taken a false turning and, though she never knew it, her implications were in their effect fatal. Without understanding it she brought into the room both Ellen and her cousin Lily Shane, and Clarence saw them there, aloof and proud, more clearly than he had ever seen them in the flesh. He saw in them the same qualities, the assurance, the subtle, bedeviling recklessness, the outward indifference that concealed beneath it things undreamed of.

And then May giggled, nervously, as if she were smirking at the veiled improprieties which her mother kept concealed. The sound was more terrible than the scraping of the fork against the cold plate, for suddenly May stood revealed, and Clarence, in the nicety of his soul, was horrified.

* * * * *

“I couldn’t tell you the whole story,” continued Mrs. Seton. “Perhaps Mr. Seton could. I think you ought to know.”

But the thoughts of Clarence had wandered away from the little group, away from the goose and cranberry sauce on his plate. Indeed they had wandered a long way, for they were centered now on the great black house he had seen for an instant high above the flames of the furnaces, so distant, so unattainable. In his mind he had created a picture of the house, of what sort of a dinner must be in progress within its sooty, decaying walls. It was a picture, to be sure, far more magnificent than the reality and therefore more fatal to his happiness. The old ambitions began to stir once more, ponderously and terribly.

And far away he heard May saying, “She doesn’t stay much in the Town. She thinks it isn’t good enough for her.” And then following the cue of so bad a campaigner as her mother, “Neither does Ellen. They’re both stuck up. They think there’s nothing good enough for them in the Town.”

“You’d think,” rejoined Mrs. Seton, “to see Ellen in her homemade clothes that she was a princess!”

A fierce resentment, bordering upon savagery, colored her voice. In the course of the conversation the fat, complacent woman became transformed into a spiteful, witch-like creature. And in the brain of Clarence there echoed a soft voice which said, “_Ah, the Setons! To be sure, I know who they are but I don’t know them_,” dismissing them all quite easily, without resentment, without savagery, even without thought, forgetting in the next moment their very existence.

And then the lightning struck.

The shrill voice of Jimmy, impatient of results, suddenly cut the dampish air like a knife. “I know what it is! She’s had a baby and she was never married!... She’s had a baby and she was never married!”

14

Dusk had already fallen and the black servants had placed silver candlesticks among the wreckage of the Christmas feast before the first chair was drawn back with a scraping sound in the paneled dining room of Shane’s Castle.

Throughout the long dinner, Ellen sat silent and somewhat abashed, eating little, hearing nothing, not even the family talk which each year followed the same course, rambling backward into reminiscences of the Civil War and of Grandpa Barr’s adventure to the Gold Coast in the Forties. Even when the old man, lost in a torrent of sweeping memories, described with flashing blue eyes and the resonant voice of youth the jungle tapestries of Panama and a terrible shipwreck off the Cocos Islands, Ellen did not raise her head. It was not these things which interested her; they were too far away and she was still too young, too egoistic, to understand the burning romance that lay in them.

It was only Lily who interested her, and with Lily she had been able to make no progress. Her cousin was placed opposite her, between Charles Tolliver and his son Fergus; and between these two Lily divided her attention, save in those moments when the stentorian tones of the Red Old Scot drowned all conversation. Even the boy she addressed with as much charm and as much interest as if he had been the most fascinating of men; and Fergus, young though he was, had been affected. His clear blue eyes, half-hidden by dark lashes, glowed with a naïve pleasure. Ellen, watching the pair, understood suddenly that this brother, so fascinated by the woman beside him, would one day escape as Lily had escaped. It was easy for him; it was easy for any man. For a girl to escape was a different matter. Yet, sitting there wrapped in despair, she planned how she might help him if she were the first to make her way into the world.