Part 4

Ellen went to the piano and played a Venetian Sketch and To a Waterlily. She and Miss Ogilvie considered such music pap. From choice she would not have played it, but she understood at once that Mr. Murdock would like this music. Indeed he had asked for it. She knew he would like what the people in the Town liked. Mr. Murdock listened with his eyes closed and when she had finished he said, “My, that’s fine.... I like soft, sweet music.”

She was still playing when May and Herman returned bearing the hot chocolate and plates of cakes, followed closely by the simian Jimmy, his mouth stuffed to overflowing. Mr. Murdock still listened, lying back in his chair with closed eyes.

* * * * *

It was Mr. Murdock who outmaneuvered the _gauche_ Herman Biggs and escorted her home. They talked stiffly, walking very close to each other through the pouring rain beneath the Tolliver family umbrella.

On the steps of the porch, Ellen bade him good-night.

“We must meet again before I go away.”

“Certainly,” said Ellen; but in her heart she had resolved against it, for she considered Mr. Murdock slightly boring. It was possible, she could see now, for people to live in a city and still never leave their home towns.

It was like Mr. Seton, thought Ellen. Every two years he went to Europe to visit the Junoform Reinforced Corset branch factory at St. Denis near Paris, but he really never left the Town at all. He carried it with him.

If only she could go to Paris....

6

Mr. Murdock stayed a week longer than he had planned, and before he left he managed to see Ellen not once, but many times. Always May was present, giggling and admiring, though toward the end, under the prodding of a shrewd mother who saw a concealed menace in the situation, she betrayed a slight and refreshing coldness toward her friend. Before he left, Ellen called him Mr. Murdock no longer, but Clarence.

In the weeks that followed she received from him two post cards, one a colored picture of lower New York photographed from Brooklyn Bridge against the sunset and the other a view of the Reservoir at Forty-Second street which, he wrote, had been demolished a little while before. On them he recalled her promise to let him know when she came to New York. May, however, received a dozen post cards and a half-dozen letters, so his correspondence with Ellen must have signified nothing at all. Certainly it did not excite her deeply.

“Clarence writes me,” said May one day, “that you are going to New York. Why didn’t you tell me?... I should think you’d tell your best friend a thing like that.”

And Ellen slipped into a cloud of evasions. “I may have told him that,” she replied airily. “I don’t know how he could have found out.... It was a secret, I haven’t mentioned it to any-one.” And she made a number of vague excuses, which seemed neither logical nor founded upon fact. It was as if she considered May too stupid to understand such things or thought her too unimportant to consider at all.

“It’s funny,” said May, “that you’d tell such a thing to a stranger like Clarence....” For a moment the suspicions planted in her complacent mind by an aspiring mother stirred with life and raised their heads. But she succumbed again quickly to the domination of her companion and thrust an arm about Ellen’s waist.

“It’s only because I’m interested,” she said. “I know that you’re going to be great and famous some day.... We’re all going to be proud of you.”

At which Ellen sniffed, not without an air of scorn, as if she cared not a fig whether the Town was proud of her or not.

At home, however, May received another warning from her mother. “Mr. Murdock,” said the plump Mrs. Seton, “is not a young man to be passed up lightly.... There aren’t many like him.... He suits your father to a T, and he would fit in fine at the factory. Your father needs some one like that to help him out, until Jimmy is big enough to take hold.... Don’t trust Ellen too far.... She’s too quiet to be trusted.”

At which May only laughed. “Why, Ellen wouldn’t think of marrying him,” she said, “she won’t marry anybody in this town.... It isn’t likely she’ll ever marry ... at least for a long time. Besides, she doesn’t think he’s good enough.”

Mrs. Seton snorted angrily and put down the Ladies’ Home Journal. “Good enough for her ...! Who is she to be so choosey?... Why, the Tollivers can’t pay their bills.... They’re just out of bankruptcy.... Good enough for her ...! If she ever gets as fine and upstanding a young man as Mr. Murdock ... a man so industrious and hardworking and well-behaved, she can thank her stars....” For a moment Mrs. Seton paused to recover her breath, greatly dissipated by this indignant outburst. That Ellen should scorn Mr. Clarence Murdock was not a thing to be borne lightly. Then she continued, “And this talk about going to New York.... How’s she going to get to New York? Who’s to put up the money, I’d like to know? Old Julia Shane, I suppose.... It’s not likely the old woman would part with a cent even if she could.”

It was, in the Seton family, a cherished fiction that Julia Shane was stricken by an overwhelming poverty: it was a fiction that increased the confidence of a fortune founded upon reinforced corsets.

“Julia Shane!” continued the ambitious mother, “Julia Shane! What’s she got to be proud about?... With a daughter as fast and loose as Lily?... I suppose she’s proud of living in that filthy old house in the midst of the Flats.”

And so the ashes of the feud between the Setons and the Barr-Shane-Tolliver clan, lighted accidentally by the chance appearance of the guiltless and model Mr. Murdock, showed signs of flaming up again after a peace of twenty years.

7

The Christmas holidays arrived; the Tollivers sold the last of their horses, and went on showing brave and indifferent faces to the world. Ellen, going her secret way, awaited the arrival of her cousin Lily, still certain that Lily would have a solution. She no longer argued with her mother. Instead she took refuge in silence and if she spoke at all it was in a docile and pleasant fashion. She permitted herself to be petted and admired, so that Mrs. Tolliver in the eternal optimism of her nature believed that Ellen had forgotten or out-grown her restlessness, and was content.

But the girl spent hours at her piano, playing wildly, as if the sound of her music in some way eased the fierce restlessness of her spirit. At times she attacked a polonaise with such violence and fire that the spangled notes soared through the air and penetrated even the stillness of Gramp Tolliver’s solitary chamber. At such moments the old man paused in his reading, permitted his book to slip to the floor and sat in his rocking chair motionless, listening with his lean old head cocked a little on one side, a wild and dancing light in his eye. For hours at a time he listened thus, muttering occasionally to himself.

(That granddaughter of his had something which none of them suspected, something that was rare and precious in this world.) When the music at last died away, losing itself in the maze of walls which shut him into exile, it was his habit to sink back with a clucking sound and begin to rock, gently at first and then more and more savagely, until at last he became submerged by the stream of shrewd, malicious thoughts which swept through his old brain.

“She’s got something none of them understand.... And I’m the only one who knows it. But they’ll kill it in her. They’ll pull her down until she’s on the level with the rest of them. I know.... I know.... Haven’t I heard Liszt himself, in Paris in the heyday of his fame? And Rubinstein? They’ll destroy her if they can with all their little tricks and deceits.... Mean they are, meaner than dirt, trying to drag her down to the rest of them.... The girl doesn’t know it herself.... How good she is no one has ever told her.... She doesn’t know the power that’s in her. They’ll never let her free. They’ll clip her wings. They’ve clipped the wings of greater ones....”

And then with a cascade of wicked chuckles the old man settled back to his reading. “They’ve never clipped my wings. They can’t because I don’t live in their world. They can’t come close enough to catch me. They can’t fly high enough....”

And slowly the rocking decreased in violence until at last the chair became quite still and the skinny arm reached down to recover the heavy book. Belowstairs the last echoes of the turbulent music died away until the silence was broken only by the distant cries of children playing in the streets and the faint muttering of the old man....

“It’s best that she doesn’t know.... It wouldn’t help her ... only make her miserable ... only give them a chance to tear her to pieces, nerve by nerve....”

Again the persistent rocking until at last the room grew dark, and the old man rose in response to a loud knock on the door of the stairs, stirred himself and lighted an oil lamp so that he might find his way to the tray of food that Mrs. Tolliver thrust in at the door of his cell. There was no gas in this room beneath the roof; Gramp Tolliver had been an expense for too many years. It would have cost twenty dollars to fit his room with gas lights. And in ten years he had produced nothing save the scraps of paper covered with bird track handwriting that were stowed away in the pigeonholes of the desk.

* * * * *

In those days there came to Grandpa Tolliver, more by some obscure instinct than by any communication with those outside his cell, the certainty that his granddaughter’s behavior was a source of irritation to the people of the Town. True, he occasionally overheard from the kitchen below snatches of reproachful conversation which drifted upward by way of the ventilator ... strange remarks which appeared to come out of the blue, yet when pieced together they provided a coherent story. Reproaches of sulkiness, of silence, of secrecy, cast by a mother, who desired nothing so much as confidences, against a daughter who was incapable of anything but secrecy. They were an ill-matched pair. This the old man understood, with a sort of wicked satisfaction, because the things which in Ellen were incomprehensible to her mother were the things which had come down to the girl from himself. It was another mark in the long score between Grandpa Tolliver and his daughter-in-law; another, in which nature herself took a hand, in the long battle between two fiercely antagonistic temperaments.

He could not have known that the people in the Town likewise had reproaches for Ellen. He could not have known that they said it was her duty to begin giving music lessons in order to prop up the fortunes of a proud and bankrupt family. Yet in his unearthly way, he did know; and in some vague way he was pleased. Even in his isolation so impregnable, so defiant, his heart was warmed by the thought of an ally. The enemy was driving Ellen, a neutral, into his camp; and into his icy heart there came drop by drop a warm trickle of unaccustomed sympathy. Not that Gramp Tolliver planned active aid; that would have been too much to expect, for Gramp Tolliver had discovered half a century earlier the idiocy of mixing in the affairs of other people.

Instead he chuckled and read in triumph and vindication The Decline and Fall.

8

On the morning of the third day before Christmas, Clarence Murdock, bearing a neat handbag packed with those things which he would need during a journey of three weeks through the middle-western country, turned his back on the Babylon Arms and made his way toward the railway station and the transcontinental express. Behind him he left the two young men whom, in the fashion of bachelors who have migrated without root or connection from the provinces into a great city, he had picked up as companions somewhere amid the flotsam and jetsam of Manhattan life. They had come to him separately, each drawn perhaps in his own way by the smug neatness which marked the life and character of Clarence. Yet the two men were in no way alike. Their difference was manifested in the very reasons for their attachment to Clarence. The one, an adventurous boisterous soul, had fastened upon Clarence because Clarence had a talent for keeping things in order, a perfect genius indeed for pigeonholing the very emotions of his own life. Out of the mighty chaos which was the essence of the wholehearted Homer Bunce, there emerged a pathetic need for order and comfort; and this Clarence supplied to superb satisfaction. Even the books and pillows of their tiny apartment were kept in scrupulous order. Disorder made Clarence nervous.

Mr. Wyck, on the other hand, had found strength in Clarence, a thing which Bunce himself never even thought of finding in the orderly depths of Clarence’s soul. For Mr. Wyck’s family was old and Mr. Wyck himself lacked vitality. There was in the lower Manhattan in those days a street named for the Wycks, a street renamed long since, in the hasty fashion of a great city, for a Tammany politician. His family was so old (as age went in New York) that there remained only himself and two spinster aunts who lived at Yonkers. It was this antiquity of blood which the pale Mr. Wyck counted upon as the very rod and staff of his existence. At his first meeting with Clarence, at an annual outing on Staten Island of the employees of the Superba Electrical Company, Inc., Mr. Wyck had sensed in Clarence a certain un-American and shameful respect for an old family name, the strange yearning in a man with no tradition for a name which carried with it memories, even though they were very distant and virtually obsolete, of coaches and country estates. They _were_ distant, for seventy years had gone the way of eternity since there had been money in the Wyck family, and the descendant of the patroons, the last of the Wycks, now followed his fortune as a clerk in the accounting department of the Superba Electrical Company, Inc.

On the rock of this respect for tradition, Wyck had fastened his hope. At length, he discovered in Clarence a man who was impressed; and the self-respect of Mr. Wyck, for all the insignificance of his world, increased in direct proportion with the awe produced in Clarence Murdock by the awful sound of the name Wyck.

* * * * *

Thus the three had come together, living in a fashion contented enough, in a tiny apartment filled with beaded portières bought at a Seventh Avenue emporium and leather cushions decorated with pyrographic Indian heads by loving sisters and aunts. Yet a spirit of unrest hovered over the place, an uneasiness which none save Mr. Wyck discerned with any degree of clarity. He alone knew that the day would come when, one after the other with fatal precision, his two companions would find their present mode of life unendurable. In turn each was certain to choose, from among the hordes of girls that swarmed the streets of New York, a mate. Only the gods knew who these two women might be or where they were at that moment. There was only one certainty, and that Mr. Wyck, with the sensitiveness of an effeminate man of low vitality, admitted to himself. Clarence and Bunce would marry, Bunce no doubt for love because his animal spirits were high, Clarence perhaps because he would be trapped by the glamour of a tradition.

Oh, Mr. Wyck understood this. It troubled him in the moments when he was left in solitude. It disturbed his digestion of the greasy meals which he ate alone each day in some hole-in-the-wall restaurant far downtown near the offices of the Superba Electrical Company, Inc. It was impossible that he should ever marry. Women had never interested him; the very idea filled him with a faint disgust. He would not only be left alone in the world; he would no longer possess even Clarence who respected his name. He knew that any woman was stronger than himself.

* * * * *

The Babylon Arms raised its twelve stories in one of the Eighties just east of Riverside Drive. Among the brownstone fronts of the early part of this century its gaunt sides gave it an overpowering appearance of height, loneliness, even grandeur. In those days great apartments were rare in that part of New York, and the Babylon Arms stood as a solitary outpost of the army of apartment houses which since have ranged their extravagant bulks in a solid face along the North River and eastward to the Park. The Babylon Arms is still there, rather shabby and _démodé_, a belle of the early nineteen hundreds, out of fashion, overpainted, with electric bulbs fitted into gas brackets and the once somber red walls of its hallways painted over in grotesque imitation of the more ostentatious marble of its newer sisters. But its pride is gone. It stands jostled now and a little battered, like the bedizened women who came in from the streets to flit through its gloomy corridors. It is shabby genteel, like the two old ladies who live in the parlor bed-room of the first floor. It is jolly and good-natured, like the clerk and his family who climb the two flights of worn stairs above the point where the antiquated elevator rocks uncertainly to its final stop. It is comic, respectable, quaint, vulgar, tragic, common and happy ... all these things; and so after a fashion, in the way of old houses, it is like life itself.

But it was new and elegant in the early nineteen hundreds. The Babylon Arms! It was a name known throughout the growing Upper West Side! It was the first of the skyscraping apartment houses. And among the pioneer cliff dwellers were Clarence Murdock and two companions who shared among them the expenses of the apartment two floors above where the elevator jolted uncertainly to a final stop. It was not so expensive--living two floors above the elevator; and the name “Babylon Arms” looked impressive, even a little flamboyant, on one’s card. To Bunce the name signified opulence, a certain grandiose triumph of success; to Clarence it meant that people would say, “Ah, the Babylon Arms! He must have a good background to live there!” To Mr. Wyck, it meant simply that he was keeping up one of the traditions of his name; yet there were times too when he was a little ashamed of the Babylon Arms as an institution touched by vulgarity.

As Clarence on the third day before Christmas closed the door behind him on the bead portières and burnt leather cushions, he left Bunce singing lustily as he rubbed his great healthy body in the chilly air of the bathroom, and Mr. Wyck, still lying in bed, his thin, slightly yellow nose peeping above the blankets against the hour when it would be painfully necessary for him to rise. As the door closed, Bunce’s rendition of “I’m afraid to go home in the dark” was interrupted for an instant while he shouted after Clarence, “Look out now and don’t come home married to that fat, pretty Seton girl!”

At the shout Clarence hastened away, shocked a little by the vulgarity of Bunce. As for Mr. Wyck the words struck terror into his heart. He saw the breaking up of his home. He saw himself, a timid, frightened little man, lost once more among the obscenities of a cheap boarding house.

9

A number of things made necessary this trip of Clarence; there were the usual customers to be visited; the new equipment of the Junoform Corset Factory was in need of inspection, and finally there was an engagement to spend Christmas and several days of the holiday season as the guest of the Seton family; and this he looked upon with relief because life in hotels had come to weary him inexpressibly. He longed for a home, with a wife who would put by his slippers for him and sit by his fireside. The prospect of one dreary hotel after another burdened his soul; so the acceptance of Mr. Seton’s invitation had been even colored by a subdued enthusiasm.

It was, after all, ambition which had betrayed him into city life and the wretched, fly-by-night existence of a drummer. He was ambitious to be wealthy, to be admired, to be honored in a community.

There were times, but these were rare and isolated moments, when his ambitions rose for an instant beyond even these things, times when, in an ecstasy of intoxication, they soared dizzily among the pinnacles of hope far beyond the reach of one whose place in the structure of life was clearly somewhere in the foundations. It was then that he caught for an instant glimpses of a life in which he saw himself not only wealthy and respectable but distinguished and glamorous, one whose character captured the imagination, who gave himself and his life to the great world.

All this was perhaps not clearly thought out in his mind; yet he sensed its presence a little way beyond his reach as a small boy searches in the darkness of a jam closet for something which he knows is there but cannot see.

In these lurid, almost ecstatic moments, he saw his future wife not so much in the rôle of a domestic paragon, as a brilliant and beautiful creature, fit to walk through the avenues of the great world by the side of a clever and worldly man. To be sure, such things were never mentioned to fellow-drummers, yet they were there, shut up in his heart, quiet save for rare moments. His companions in the smoking car may have had their secrets too. It is impossible to say. If such secrets existed, they were too well hidden beneath their suspicions of each other.

* * * * *

It was in one of his placid, normal moods that he boarded the train for the west. He took off his brown overcoat with the half-belt at the back, his brown fedora hat, adjusted his eyeglasses, and settled himself in his chair. At the moment he permitted his thoughts to hover about the picture of May Seton, pale, blonde, good-natured and pretty in her plump way. There was nothing in the least carnal in these thoughts, for he was a young man who might have served as a model for those institutions which concern themselves with the morals of young men and preach the doctrine that complete purity of mind is possible by sheer perseverance alone. He was innocent of women. He had worked hard and had no time for them. Indeed the very thought of them in that way gave him a faintly squeamish feeling. He was one of those in whom desire follows in the wake of timid experience, who cannot in the beginning conceive passion otherwise than abstractly. So now he conceived May Seton more as an idea, a sort of stepping stone to comfort and warmth, than as a woman to be desired. That he might be a sensual man had never occurred to him.

As the train moved across the Jersey Flats he fell to considering his prospects as a son-in-law of Harvey Seton and the certainty of an interest in the Junoform Reinforced Corset Company, a thing already hinted at by his suppositions mother-in-law. He thought of the Town. He pictured, quite clearly and placidly, a small and pleasant house surrounded by shrubs and trees, a comfortable front porch. He even pictured Mrs. May Seton Murdock in a rocking chair, far more attractive than she was in the flesh, darning his socks. In fact, he saw his future bounded on four sides by Junoform Reinforced Corsets, by May Seton, by the Town and by hard work. It was this placid and uneventful path that his feet were to follow.