Pony Tracks

Part 4

Chapter 44,146 wordsPublic domain

The clerk is in the store, with his pink boy’s face, a pencil behind his ear, and a big sombrero, trying to look as though he had lived in these wilds longer than at San Francisco, which he finds an impossible part. He has acquired the language and the disregard of time necessary to one who would sell a real’s worth of cotton cloth to a Mexican.

The forge in the blacksmith’s shop is going, and one puncher is cutting another puncher’s hair in the sunlight; ponies are being lugged in on the end of lariats, and thrown down, tied fast, and left in a convulsive heap, ready to be shod at the disposition of their riders.

On the roof of the house are two or three men looking and pointing to the little black specks on the plain far away, which are the cattle going into the _lagunas_ to drink.

The second _patio_, or the larger one, is entered by a narrow passage, and here you find horses and saddles and punchers coming and going, saddling and unsaddling their horses, and being bucked about or dragged on a rope. In the little doorways to the rooms of the men stand women in calico dresses and blue cotton _rebozos_, while the dogs and pigs lie about, and little brown _vaqueros_ are ripening in the sun. In the rooms you find pottery, stone _metates_ for grinding the corn, a fireplace, a symbol of the Catholic Church, some _serapes_, some rope, and buckskin. The people sit on a mat on the floor, and make cigarettes out of native tobacco and corn-husks, or rolled _tortillas_; they laugh and chat in low tones, and altogether occupy the tiniest mental world, hardly larger than the _patio_, and not venturing beyond the little mud town of Temozachic, forty miles over the hills. Physically the men vacillate between the most intense excitement and a comatose state of idleness, where all is quiet and slothful, in contrast to the mad whirl of the roaring _rodeo_.

In the haciendas of old Mexico one will find the law and custom of the feudal days. All the laws of Mexico are in protection of the land-owner. The master is without restraint, and the man lives dependent on his caprice. The _patron_ of Bavicora, for instance, leases land to a Mexican, and it is one of the arrangements that he shall drive the ranch coach to Chihuahua when it goes. All lessees of land are obliged to follow the _patron_ to war, and, indeed, since the common enemy, the Apache, in these parts is as like to harry the little as the great, it is exactly to his interest to wage the war. Then, too, comes the responsibility of the _patron_ to his people. He must feed them in the famine, he must arbitrate their disputes, and he must lead them at all times. If through improvidence their work-cattle die or give out, he must restock them, so that they may continue the cultivation of the land, all of which is not altogether profitable in a financial way, as we of the North may think, where all business is done on the “hold you responsible, sir,” basis.

The _vaqueros_ make their own saddles and _reatas_; only the iron saddle-rings, the rifles, and the knives come from the _patron_, and where he gets them God alone knows, and the puncher never cares. No doctor attends the sick or disabled, old women’s nursing standing between life and death. The Creator in His providence has arranged it so that simple folks are rarely sick, and a sprained ankle, a bad bruise from a steer’s horn or a pitching horse, are soon remedied by rest and a good constitution. At times instant and awful death overtakes the puncher--a horse in a gopher-hole, a mad steer, a chill with a knife, a blue hole where the .45 went in, a quicksand closing overhead, and a cross on a hill-side are all.

Never is a door closed. Why they were put up I failed to discover. For days I tried faithfully to keep mine shut, but every one coming or going left it open, so that I gave it up in despair. There are only two windows in the ranch of San José de Bavicora, one in our chamber and one in the blacksmith’s shop, both opening into the court. In fact, I found those were the only two windows in the state, outside of the big city. The Mexicans find that their enemies are prone to shoot through these apertures, and so they have accustomed themselves to do without them, which is as it should be, since it removes the temptation.

One night the _patron_ gave a _baile_. The _vaqueros_ all came with their girls, and a string band rendered music with a very dancy swing. I sat in a corner and observed the man who wears the big hat and who throws the rawhide as he cavorted about with his girl, and the way they dug up the dust out of the dirt floor soon put me to coughing. “Candles shed their soft lustre--and tallow” down the backs of our necks, and the band scraped and thrummed away in a most serious manner. One man had a harp, two had primitive fiddles, and one a guitar. One old fiddler was the leader, and as he bowed his head on his instrument I could not keep my eyes off him. He had come from Sonora, and was very old; he looked as though he had had his share of a very rough life; he was never handsome as a boy, I am sure, but the weather and starvation and time had blown him and crumbled him into a ruin which resembled the pre-existing ape from which the races sprang. If he had never committed murder, it was for lack of opportunity; and Sonora is a long travel from Plymouth Rock.

Tom Bailey, the foreman, came round to me, his eyes dancing, and his shock of hair standing up like a Circassian beauty’s, and pointing, he said, “Thar’s a woman who’s prettier than a speckled pup; put your twine on her.” Then, as master of ceremonies, he straightened up and sang out over the fiddles and noise: “Dance, thar, you fellers, or you’ll git the gout.”

In an adjoining room there was a very heavy jug of strong-water, and thither the men repaired to pick up, so that as the night wore on their brains began to whirl after their legs, and they whooped at times in a way to put one’s nerves on edge. The band scraped the harder and the dance waxed fast, the spurs clinked, and _bang, bang, bang_ went the Winchester rifles in the _patio_, while the chorus “Viva el patron” rang around the room--the Old Guard was in action.

We sat in our room one evening when in filed the _vaqueros_ and asked to be allowed to sing for the _patron_. They sat on my bed and on the floor, while we occupied the other; they had their hats in their hands, and their black, dreamy eyes were diverted as though overcome by the magnificence of the apartment. They hemmed and coughed, until finally one man, who was evidently the leader, pulled himself together and began, in a high falsetto, to sing; after two or three words the rest caught on, and they got through the line, when they stopped; thus was one leading and the others following to the end of the line. It was strange, wild music--a sort of general impression of a boys’ choir with a wild discordance, each man giving up his soul as he felt moved. The refrain always ended, for want of breath, in a low, expiring howl, leaving the audience in suspense; but quickly they get at it again, and the rise of the tenor chorus continues. The songs are largely about love and women and doves and flowers, in all of which nonsense punchers take only a perfunctory interest in real life.

These are the amusements--although the puncher is always roping for practice, and everything is fair game for his skill; hence dogs, pigs, and men have become as expert in dodging the rope as the _vaqueros_ are in throwing it. A mounted man, in passing, will always throw his rope at one sitting in a doorway, and then try to get away before he can retaliate by jerking his own rope over his head. I have seen a man repair to the roof and watch a doorway through which he expected some comrade to pass shortly, and watch for an hour to be ready to drop his noose about his shoulders.

The ranch fare is very limited, and at intervals men are sent to bring back a steer from the water-holes, which is dragged to the front door and there slaughtered. A day of feasting ensues, and the doorways and the gutter-pipes and the corral fences are festooned with the beef left to dry in the sun.

There is the serious side of the life. The Apache is an evil which Mexicans have come to regard as they do the meteoric hail, the lightning, the drought, and any other horror not to be averted. They quarrel between themselves over land and stock, and there are a great many men out in the mountains who are proscribed by the government. Indeed, while we journeyed on the road and were stopping one night in a little mud town, we were startled by a fusillade of shots, and in the morning were informed that two men had been killed the night before, and various others wounded. At another time a Mexican, with his followers, had invaded our apartment and expressed a disposition to kill Jack, but he found Jack was willing to play his game, and gave up the enterprise. On the ranch the men had discovered some dead stock which had been killed with a knife. Men were detailed to roam the country in search of fresh trails of these cattle-killers. I asked the foreman what would happen in case they found a trail which could be followed, and he said, “Why, we would follow it until we came up, and then kill them.” If a man is to “hold down” a big ranch in Northern Mexico he has got to be “all man,” because it is “a man’s job,” as Mr. Bailey, of Los Ojos, said--and he knows.

Jack himself is the motive force of the enterprise, and he disturbs the quiet of this waste of sunshine by his presence for about six months in the year. With his strong spirit, the embodiment of generations of pioneers, he faces the Apache, the marauder, the financial risks. He spurs his listless people on to toil, he permeates every detail, he storms, and greater men than he have sworn like troopers under less provocation than he has at times; but he has snatched from the wolf and the Indian the fair land of Bavicora, to make it fruitful to his generation.

There lies the hacienda San José de Bavicora, gray and silent on the great plain, with the mountain standing guard against intruders, and over it the great blue dome of the sky, untroubled by clouds, except little flecks of vapor which stand, lost in immensity, burning bright like opals, as though discouraged from seeking the mountains or the sea whence they came. The marvellous color of the country beckons to the painter; its simple, natural life entrances the blond barbarian, with his fevered brain; and the gaudy _vaquero_ and his trappings and his pony are the actors on this noble stage. But one must be appreciative of it all, or he will find a week of rail and a week of stage and a week of horseback all too far for one to travel to see a shadow across the moon.

A RODEO AT LOS OJOS

The sun beat down on the dry grass, and the punchers were squatting about in groups in front of the straggling log and _adobe_ buildings which constituted the outlying ranch of Los Ojos.

Mr. Johnnie Bell, the _capitan_ in charge, was walking about in his heavy _chaparras_, a slouch hat, and a white “biled” shirt. He was chewing his long yellow mustache, and gazing across the great plain of Bavicora with set and squinting eyes. He passed us and repassed us, still gazing out, and in his long Texas drawl said, “Thar’s them San Miguel fellers.”

I looked, but I could not see any San Miguel fellows in the wide expanse of land.

“Hyar, crawl some horses, and we’ll go out and meet ’em,” continued Mr. Bell; and, suiting the action, we mounted our horses and followed him. After a time I made out tiny specks in the atmospheric wave which rises from the heated land, and in half an hour could plainly make out a cavalcade of horsemen. Presently breaking into a gallop, which movement was imitated by the other party, we bore down upon each other, and only stopped when near enough to shake hands, the half-wild ponies darting about and rearing under the excitement. Greetings were exchanged in Spanish, and the peculiar shoulder tap, or abbreviated embrace, was indulged in. Doubtless a part of our outfit was as strange to Governor Terraza’s men--for he is the _patron_ of San Miguel--as they were to us.

My imagination had never before pictured anything so wild as these leather-clad _vaqueros_. As they removed their hats to greet Jack, their unkempt locks blew over their faces, back off their foreheads, in the greatest disorder. They were clad in terra-cotta buckskin, elaborately trimmed with white leather, and around their lower legs wore heavy cowhide as a sort of legging. They were fully armed, and with their jingling spurs, their flapping ropes and buckskin strings, and with their gay _serapes_ tied behind their saddles, they were as impressive a cavalcade of desert-scamperers as it has been my fortune to see. Slowly we rode back to the corrals, where they dismounted.

Shortly, and unobserved by us until at hand, we heard the clatter of hoofs, and, leaving in their wake a cloud of dust, a dozen punchers from another outfit bore down upon us as we stood under the _ramada_ of the ranch-house, and pulling up with a jerk, which threw the ponies on their haunches, the men dismounted and approached, to be welcomed by the master of the _rodeo_.

A few short orders were given, and three mounted men started down to the springs, and, after charging about, we could see that they had roped a steer, which they led, bawling and resisting, to the ranch, where it was quickly thrown and slaughtered. Turning it on its back, after the manner of the old buffalo-hunters, it was quickly disrobed and cut up into hundreds of small pieces, which is the method practised by the Mexican butchers, and distributed to the men.

In Mexico it is the custom for the man who gives the “round-up” to supply fresh beef to the visiting cow-men; and on this occasion it seemed that the pigs, chickens, and dogs were also embraced in the bounty of the _patron_, for I noticed one piece which hung immediately in front of my quarters had two chickens roosting on the top of it, and a pig and a dog tugging vigorously at the bottom.

The horse herds were moved in from the _llano_ and rounded up in the corral, from which the punchers selected their mounts by roping, and as the sun was westering they disappeared, in obedience to orders, to all points of the compass. The men took positions back in the hills and far out on the plain; there, building a little fire, they cook their beef, and, enveloped in their _serapes_, spend the night. At early dawn they converge on the ranch, driving before them such stock as they may.

In the morning we could see from the ranch-house a great semicircle of gray on the yellow plains. It was the thousands of cattle coming to the _rodeo_. In an hour more we could plainly see the cattle, and behind them the _vaqueros_ dashing about, waving their _serapes_. Gradually they converged on the _rodeo_ ground, and, enveloped in a great cloud of dust and with hollow bellowings, like the low pedals of a great organ, they begin to mill, or turn about a common centre, until gradually quieted by the enveloping cloud of horsemen. The _patron_ and the captains of the neighboring ranches, after an exchange of long-winded Spanish formalities, and accompanied by ourselves, rode slowly from the ranch to the herd, and, entering it, passed through and through and around in solemn procession. The cattle part before the horsemen, and the dust rises so as to obscure to unaccustomed eyes all but the silhouettes of the moving thousands. This is an important function in a cow country, since it enables the owners or their men to estimate what numbers of the stock belong to them, to observe the brands, and to inquire as to the condition of the animals and the numbers of calves and “mavericks” and to settle any dispute which may arise therefrom.

All controversy, if there be any, having been adjusted, a part of the punchers move slowly into the herd, while the rest patrol the outside, and hold it. Then a movement soon begins. You see a figure dash at about full speed through an apparently impenetrable mass of cattle; the stock becomes uneasy and moves about, gradually beginning the milling process, but the men select the cattle bearing their brand, and course them through the herd; all becomes confusion, and the cattle simply seek to escape from the ever-recurring horsemen. Here one sees the matchless horsemanship of the punchers. Their little ponies, trained to the business, respond to the slightest pressure. The cattle make every attempt to escape, dodging in and out and crowding among their kind; but right on their quarter, gradually forcing them to the edge of the herd, keeps the puncher, until finally, as a last effort, the cow and the calf rush through the supporting line, when, after a terrific race, she is turned into another herd, and is called “the cut.”

One who finds pleasure in action can here see the most surprising manifestations of it. A huge bull, wild with fright, breaks from the herd, with lowered head and whitened eye, and goes charging off indifferent to what or whom he may encounter, with the little pony pattering in his wake. The cattle run at times with nearly the intensity of action of a deer, and whip and spur are applied mercilessly to the little horse. The process of “tailing” is indulged in, although it is a dangerous practice for the man, and reprehensible from its brutality to the cattle. A man will pursue a bull at top speed, will reach over and grasp the tail of the animal, bring it to his saddle, throw his right leg over the tail, and swing his horse suddenly to the left, which throws the bull rolling over and over. That this method has its value I have seen in the case of pursuing “mavericks,” where an unsuccessful throw was made with the rope, and the animal was about to enter the thick timber; it would be impossible to coil the rope again, and an escape would follow but for the wonderful dexterity of these men in this accomplishment. The little calves become separated from their mothers, and go bleating about; their mothers respond by bellows, until pandemonium seems to reign. The dust is blinding, and the puncher becomes grimy and soiled; the horses lather; and in the excitement the desperate men do deeds which convince you of their faith that “a man can’t die till his time comes.” At times a bull is found so skilled in these contests that he cannot be displaced from the herd; it is then necessary to rope him and drag him to the point desired; and I noticed punchers ride behind recalcitrant bulls and, reaching over, spur them. I also saw two men throw simultaneously for an immense creature, when, to my great astonishment, he turned tail over head and rolled on the ground. They had both sat back on their ropes together.

The whole scene was inspiring to a degree, and well merited Mr. Yorick’s observation that “it is the sport of kings; the image of war, with twenty-five per cent. of its danger.”

Fresh horses are saddled from time to time, but before high noon the work is done, and the various “cut-offs” are herded in different directions. By this time the dust had risen until lost in the sky above, and as the various bands of cowboys rode slowly back to the ranch, I observed their demoralized condition. The economy _per force_ of the Mexican people prompts them to put no more cotton into a shirt than is absolutely necessary, with the consequence that, in these cases, their shirts had pulled out from their belts and their _serapes_, and were flapping in the wind; their mustaches and their hair were perfectly solid with dust, and one could not tell a bay horse from a black.

Now come the cigarettes and the broiling of beef. The bosses were invited to sit at our table, and as the work of cutting and branding had yet to be done, no time was taken for ablutions. Opposite me sat a certain individual who, as he engulfed his food, presented a grimy waste of visage only broken by the rolling of his eyes and the snapping of his teeth.

We then proceeded to the corrals, which were made in stockaded form from gnarled and many-shaped posts set on an end. The cows and calves were bunched on one side in fearful expectancy. A fire was built just outside of the bars, and the branding-irons set on. Into the corrals went the punchers, with their ropes coiled in their hands. Selecting their victims, they threw their ropes, and, after pulling and tugging, a bull calf would come out of the bunch, whereat two men would set upon him and “rastle” him to the ground. It is a strange mixture of humor and pathos, this mutilation of calves--humorous when the calf throws the man, and pathetic when the man throws the calf. Occasionally an old cow takes an unusual interest in her offspring, and charges boldly into their midst. Those men who cannot escape soon enough throw dust in her eyes, or put their hats over her horns. And in this case there were some big steers which had been “cut out” for purposes of work at the plough and turned in with the young stock; one old grizzled veteran manifested an interest in the proceedings, and walked boldly from the bunch, with his head in the air and bellowing; a wild scurry ensued, and hats and _serapes_ were thrown to confuse him. But over all this the punchers only laugh, and go at it again. In corral roping they try to catch the calf by the front feet, and in this they become so expert that they rarely miss. As I sat on the fence, one of the foremen, in play, threw and caught my legs as they dangled.

When the work is done and the cattle are again turned into the herd, the men repair to the _casa_ and indulge in games and pranks. We had shooting-matches and hundred-yard dashes; but I think no records were broken, since punchers on foot are odd fish. They walk as though they expected every moment to sit down. Their knees work outward, and they have a decided “hitch” in their gait; but once let them get a foot in a stirrup and a grasp on the horn of the saddle, and a dynamite cartridge alone could expel them from their seat. When loping over the plain the puncher is the epitome of equine grace, and if he desires to look behind him he simply shifts his whole body to one side and lets the horse go as he pleases. In the pursuit of cattle at a _rodeo_ he leans forward in his saddle, and with his arms elevated to his shoulders he “plugs” in his spurs and makes his pony fairly sail. While going at this tremendous speed he turns his pony almost in his stride, and no matter how a bull may twist and swerve about, he is at his tail as true as a magnet to the pole. The Mexican punchers all use the “ring bit,” and it is a fearful contrivance. Their saddle-trees are very short, and as straight and quite as shapeless as a “saw-buck pack-saddle.” The horn is as big as a dinner plate, and taken altogether it is inferior to the California tree. It is very hard on horses’ backs, and not at all comfortable for a rider who is not accustomed to it.