Chapter 12

As regards Peel's character, it was twice sketched by Disraeli himself. The first occasion was in 1839. The picture he drew at that time was highly complimentary, but as Disraeli was then a loyal supporter of Peel it may perhaps be discarded on the plea advanced by Voltaire that "we can confidently believe only the evil which a party writer tells of his own side and the good which he recognises in his opponents." The second occasion was after Peel's death. It is given by Mr. Monypenny in ii. 306-308, and is too long to quote. Disraeli on this occasion made some few--probably sound--minor criticisms on Peel's style, manner, and disposition. But he manifestly wrote with a strong desire to do justice to his old antagonist's fine qualities. He concluded with a remark which, in the mouth of a Parliamentarian, may probably be considered the highest praise, namely, that Peel was "the greatest Member of Parliament that ever lived." I cannot but think that even those who reject Peel's economic principles may accord to him higher praise than this. They may admit that Peel attained a very high degree of moral elevation when, at the dictate of duty, he separated himself from all--or the greater part--of his former friends, and had the courage, when honestly convinced by Cobden's arguments, to act upon his convictions. Peel's final utterance on this subject was not only one of the most pathetic, but also one of the finest--because one of the most deeply sincere--speeches ever made in Parliament.

I may conclude these remarks by some recollections of a personal character. My father, who died in 1848, was a Peelite and an intimate friend of Sir Robert Peel, who was frequently his guest at Cromer. I used, therefore, in my childhood to hear a good deal of the subjects treated in Mr. Monypenny's brilliant volumes. I well remember--I think it must have been in 1847--being present on one occasion when a relative of my own, who was a broad-acred Nottinghamshire squire, thumped the table and declared his opinion that "Sir Robert Peel ought to be hanged on the highest tree in England." Since that time I have heard a good many statesmen accused of ruining their country, but, so far as my recollection serves me, the denunciations launched against John Bright, Gladstone, and even the present Chancellor of the Exchequer, may be considered as sweetly reasonable by comparison with the language employed about Sir Robert Peel by those who were opposed to his policy.

I was only once brought into personal communication with Disraeli. Happening to call on my old friend, Lord Rowton, in the summer of 1879, when I was about to return to Egypt as Controller-General, he expressed a wish that I should see Lord Beaconsfield, as he then was. The interview was very short; neither has anything Lord Beaconsfield said about Egyptian affairs remained in my memory. But I remember that he appeared much interested to learn whether "there were many pelicans on the banks of the Nile."

The late Sir Mountstuart Grant-Duff was a repository of numerous very amusing _Beaconsfieldiana_.

[Footnote 69: This passage occurs in _Coningsby_, and Mr. Monypenny warns us that "his version of the quarrel between Charles I. and the Parliament is too fanciful to be quite serious; we may believe that he was here consciously paying tribute to the historical caprices of Manners and Smythe."]

[Footnote 70: Mr. Monypenny says in a note that a hostile newspaper gave the following translation of Disraeli's motto: "The impudence of some men sticks at nothing."]

[Footnote 71: What Buffon really wrote was: "Le style est l'homme même."]

[Footnote 72:

Iratusque Chremes tumido delitigat ore; Et tragicus plerumque dolet sermone pedestri Telephus et Peleus.

_Ars Poetica_, 94-96.]

[Footnote 73: _Sir Robert Peel_. Charles Stuart Parker. Vol. iii. 425.]

[Footnote 74: _Sat._ iv, 101.]

[Footnote 75: _Life of Lord Goschen_, Arthur D. Elliot, p. 163.]

IX

RUSSIAN ROMANCE

_"The Spectator," March 15, 1913_

De Vogüé's well-known book, _Le Roman Russe_, was published so long ago as 1886. It is still well worth reading. In the first place, the literary style is altogether admirable. It is the perfection of French prose, and to read the best French prose is always an intellectual treat. In the second place, the author displays in a marked degree that power of wide generalisation which distinguishes the best French writers. Then, again, M. de Vogüé writes with a very thorough knowledge of his subject. He resided for long in Russia. He spoke Russian, and had an intimate acquaintance with Russian literature. He endeavoured to identify himself with Russian aspirations, and, being himself a man of poetic and imaginative temperament, he was able to sympathise with the highly emotional side of the Slav character, whilst, at the same time, he never lost sight of the fact that he was the representative of a civilisation which is superior to that of Russia. He admires the eruptions of that volcanic genius Dostoïevsky, but, with true European instinct, charges him with a want of "mesure"--the Greek Sophrosyne--which he defines as "l'art d'assujettir ses pensées." Moreover, he at times brings a dose of vivacious French wit to temper the gloom of Russian realism. Thus, when he speaks of the Russian writers of romance, who, from 1830 to 1840, "eurent le privilège de faire pleurer les jeunes filles russes," he observes in thorough man-of-the-world fashion, "il faut toujours que quelqu'un fasse pleurer les jeunes filles, mais le génie n'y est pas nécessaire."

When Taine had finished his great history of the Revolution, he sent it forth to the world with the remark that the only general conclusion at which a profound study of the facts had enabled him to arrive was that the true comprehension, and therefore, _a fortiori_, the government of human beings, and especially of Frenchmen, was an extremely difficult matter. Those who have lived longest in the East are the first to testify to the fact that, to the Western mind, the Oriental habit of thought is well-nigh incomprehensible. The European may do his best to understand, but he cannot cast off his love of symmetry any more than he can change his skin, and unless he can become asymmetrical he can never hope to attune his reason in perfect accordance to the Oriental key. Similarly, it is impossible to rise from a perusal of De Vogüé's book without a strong feeling of the incomprehensibility of the Russians.

What, in fact, are these puzzling Russians? They are certainly not Europeans. They possess none of the mental equipoise of the Teutons, neither do they appear to possess that logical faculty which, in spite of many wayward outbursts of passion, generally enables the Latin races in the end to cast off idealism when it tends to lapse altogether from sanity; or perhaps it would be more correct to say that, having by association acquired some portion of that Western faculty, the Russians misapply it. They seem to be impelled by a variety of causes--such as climatic and economic influences, a long course of misgovernment, Byzantinism in religion, and an inherited leaning to Oriental mysticism--to distort their reasoning powers, and far from using them, as was the case with the pre-eminently sane Greek genius, to temper the excesses of the imagination, to employ them rather as an oestrus to lash the imaginative faculties to a state verging on madness.

If the Russians are not Europeans, neither are they thorough Asiatics. It may well be, as De Vogüé says, that they have preserved the idiom and even the features of their original Aryan ancestors to a greater extent than has been the case with other Aryan nations who finally settled farther West, and that this is a fact of which many Russians boast. But, for all that, they have been inoculated with far too strong a dose of Western culture, religion, and habits of thought to display the apathy or submit to the fatalism which characterises the conduct of the true Eastern.

If, therefore, the Russians are neither Europeans nor Asiatics, what are they? Manifestly their geographical position and other attendant circumstances have, from an ethnological point of view, rendered them a hybrid race, whose national development will display the most startling anomalies and contradictions, in which the theory and practice derived from the original Oriental stock will be constantly struggling for mastery with an Occidental aftergrowth. From the earliest days there have been two types of Russian reformers, viz. on the one hand, those who wished that the country should be developed on Eastern lines, and, on the other, those who looked to Western civilisation for guidance. De Vogüé says that from the accession of Peter the Great to the death of the Emperor Nicolas--that is to say, for a period of a hundred and fifty years--the government of Russia may be likened to a ship, of which the captain and the principal officers were persistently endeavouring to steer towards the West, while at the same time the whole of the crew were trimming the sails in order to catch any breeze which would bear the vessel Eastward. It can be no matter for surprise that this strange medley should have produced results which are bewildering even to Russians themselves and well-nigh incomprehensible to foreigners. One of their poets has said:

On ne comprend pas la Russie avec la raison, On ne peut que croire à la Russie.

One of the most singular incidents of Russian development on which De Vogüé has fastened, and which induced him to write this book, has been the predominant influence exercised on Russian thought and action by novels. Writers of romance have indeed at times exercised no inconsiderable amount of influence elsewhere than in Russia. Mrs. Beecher Stowe's epoch-making novel, _Uncle Tom's Cabin_, certainly contributed towards the abolition of slavery in the United States. Dickens gave a powerful impetus to the reform of our law-courts and our Poor Law. Moreover, even in free England, political writers have at times resorted to allegory in order to promulgate their ideas. Swift's Brobdingnagians and Lilliputians furnish a case in point. In France, Voltaire called fictitious Chinamen, Bulgarians, and Avars into existence in order to satirise the proceedings of his own countrymen. But the effect produced by these writings may be classed as trivial compared to that exercised by the great writers of Russian romance. In the works of men like Tourguenef and Dostoïevsky the Russian people appear to have recognised, for the first time, that their real condition was truthfully depicted, and that their inchoate aspirations had found sympathetic expression. "Dans le roman, et là seulement," De Vogüé says, "on trouvera l'histoire de Russie depuis un demi-siècle."

Such being the case, it becomes of interest to form a correct judgment on the character and careers of the men whom the Russians have very generally regarded as the true interpreters of their domestic facts, and whom large numbers of them have accepted as their political pilots.

The first point to be noted about them is that they are all, for the most part, ultra-realists; but apparently we may search their writings in vain for the cheerfulness which at times illumines the pages of their English, or the light-hearted vivacity which sparkles in the pages of their French counterparts. In Dostoïevsky's powerfully written _Crime and Punishment_ all is gloom and horror; the hero of the tale is a madman and a murderer. To a foreigner these authors seem to present the picture of a society oppressed with an all-pervading sense of the misery of existence, and with the impossibility of finding any means by which that misery can be alleviated. In many instances, their lives--and still more their deaths--were as sad and depressing as their thoughts. Several of their most noted authors died violent deaths. At thirty-seven years of age the poet Pouchkine was killed in a duel, Lermontof met the same fate at the age of twenty-six. Griboïédof was assassinated at the age of thirty-four. But the most tragic history is that of Dostoïevsky, albeit he lived to a green old age, and eventually died a natural death. In 1849, he was connected with some political society, but he does not appear, even at that time, to have been a violent politician. Nevertheless, he and his companions, after being kept for several months in close confinement, were condemned to death. They were brought to the place of execution, but at the last moment, when the soldiers were about to fire, their sentences were commuted to exile. Dostoïevsky remained for some years in Siberia, but was eventually allowed to return to Russia. The inhuman cruelty to which he had been subject naturally dominated his mind and inspired his pen for the remainder of his days.

De Vogüé deals almost exclusively with the writings of Pouchkine, Gogol, Dostoïevsky, Tourguenef, who was the inventor of the word Nihilism, and the mystic Tolstoy, who was the principal apostle of the doctrine. All these, with the possible exception of Tourguenef, had one characteristic in common. Their intellects were in a state of unstable equilibrium. As poets, they could excite the enthusiasm of the masses, but as political guides they were mere Jack-o'-Lanterns, leading to the deadly swamp of despair. Dostoïevsky was in some respects the most interesting and also the most typical of the group. De Vogüé met him in his old age, and the account he gives of his appearance is most graphic. His history could be read in his face.

On y lisait mieux que dans le livre, les souvenirs de la maison des morts, les longues habitudes d'effroi, de méfiance et de martyre. Les paupières, les lèvres, toutes les fibres de cette face tremblaient de tics nerveux. Quand il s'animait de colère sur une idée, on eût juré qu'on avait déjà vu cette tête sur les banes d'une cour criminelle, ou parmi les vagabonds qui mendient aux portes des prisons. A d'autres moments, elle avait la mansuétude triste des vieux saints sur les images slavonnes.

And here is what De Vogüé says of the writings of this semi-lunatic man of genius:

Psychologue incomparable, dès qu'il étudie des âmes noires ou blessées, dramaturge habile, mais borné aux scènes d'effroi et de pitié.... Selon qu'on est plus touché par tel ou tel excès de son talent, on peut l'appeler avec justice un philosophe, un apôtre, un aliéné, le consolateur des affligés ou le bourreau des esprits tranquilles, le Jérémie de bagne ou le Shakespeare de la maison des fous; toutes ces appellations seront méritées; prise isolément, aucune ne sera suffisante.

There is manifestly much which is deeply interesting, and also much which is really lovable in the Russian national character. It must, however, be singularly mournful and unpleasant to pass through life burdened with the reflection that it would have been better not to have been born, albeit such sentiments are not altogether inconsistent with the power of deriving a certain amount of enjoyment from living. It was that pleasure-loving old cynic, Madame du Deffand, who said: "Il n'y a qu'un seul malheur, celui d'être né." Nevertheless, the avowed joyousness bred by the laughing tides and purple skies of Greece is certainly more conducive to human happiness, though at times even Greeks, such as Theognis and Palladas, lapsed into a morbid pessimism comparable to that of Tolstoy. Metrodorus, however, more fully represented the true Greek spirit when he sang, "All things are good in life" (πάντα γὰρ ἐσθλὰ βίῳ). The Roman pagan, Juvenal, gave a fairly satisfactory answer to the question, "Nil ergo optabunt homines?" whilst the Christian holds out hopes of that compensation in the next world for the afflictions of the present, which the sombre and despondent Russian philosopher, determined that we shall not find enjoyment in either world, denies to his morose and grief-stricken followers.

X

THE WRITING OF HISTORY[76]

_"The Spectator," April 26, 1913_

What are the purposes of history, and in what spirit should it be written? Such, in effect, are the questions which Mr. Gooch propounds in this very interesting volume. He wisely abstains from giving any dogmatic answers to these questions, but in a work which shows manifest signs of great erudition and far-reaching research he ranges over the whole field of European and American literature, and gives us a very complete summary both of how, as a matter of fact, history has been written, and of the spirit in which the leading historians of the nineteenth century have approached their task.

Mr. Bryce, himself one of the most eminent of modern historians, recently laid down the main principle which, in his opinion, should guide his fellow-craftsmen. "Truth," he said, "and truth only is our aim." The maxim is one which would probably be unreservedly accepted in theory by the most ardent propagandist who has ever used history as a vehicle for the dissemination of his own views on political, economic, or social questions. For so fallible is human nature that the proclivities of the individual can rarely be entirely submerged by the judicial impartiality of the historian. It is impossible to peruse Mr. Gooch's work without being struck by the fact that, amongst the greatest writers of history, bias--often unconscious bias--has been the rule, and the total absence of preconceived opinions the exception. Generally speaking, the subjective spirit has prevailed amongst historians in all ages. The danger of following the scent of analogies--not infrequently somewhat strained analogies--between the present and the past is comparatively less imminent in cases where some huge upheaval, such as the French Revolution, has inaugurated an entirely new epoch, accompanied by the introduction of fresh ideals and habits of thought. It is, as Macaulay has somewhere observed, a more serious stumbling-block in the path of a writer who deals with the history of a country like England, which has through long centuries preserved its historical continuity. Hallam and Macaulay viewed history through Whig, and Alison through Tory spectacles. Neither has the remoteness of the events described proved any adequate safeguard against the introduction of bias born of contemporary circumstances. Mitford, who composed his history of Greece during the stormy times of the French Revolution, thought it compatible with his duty as an historian to strike a blow at Whigs and Jacobins. Grote's sympathy with the democracy of Athens was unquestionably to some extent the outcome of the views which he entertained of events passing under his own eyes at Westminster. Mommsen, by inaugurating the publication of the Corpus of Latin Inscriptions, has earned the eternal gratitude of scholarly posterity, but Mr. Gooch very truly remarks that his historical work is tainted with the "strident partisanship" of a keen politician and journalist. Truth, as the old Greek adage says, is indeed the fellow-citizen of the gods; but if the standard of historical truth be rated too high, and if the authority of all who have not strictly complied with that standard is to be discarded on the ground that they stand convicted of partiality, we should be left with little to instruct subsequent ages beyond the dry records of men such as the laborious, the useful, though somewhat over-credulous Clinton, or the learned but arid Marquardt, whose "massive scholarship" Mr. Gooch dismisses somewhat summarily in a single line. Such writers are not historians, but rather compilers of records, upon the foundations of which others can build history.

Under the process we have assumed, Droysen, Sybel, and Treitschke would have to be cast down from their pedestals. They were the political schoolmasters of Germany during a period of profound national discouragement. They used history in order to stir their countrymen to action, but "if the supreme aim of history is to discover truth and to interpret the movement of humanity, they have no claim to a place in the first class." Patriotism, as the Portuguese historian, Herculano da Carvalho, said, is "a bad counsellor for historians"; albeit, few have had the courage to discard patriotic considerations altogether, as was the case with the Swiss Kopp, who wrote a history of his country "from which Gessler and Tell disappeared," and in which "the familiar anecdotes of Austrian tyranny and cruelty were dismissed as legends."

Philosophic historians, who have endeavoured to bend facts into conformity with some special theory of their own, would fare little better than those who have been ardent politicians. Sainte-Beuve, after reading Guizot's sweeping and lofty generalisations, declared that they were far too logical to be true, and forthwith "took down from his shelves a volume of De Retz to remind him how history was really made." Second-or third-rate historians, such as Lamartine, who, according to Dumas, "raised history to the level of the novel," or the vitriolic Lanfrey, who was a mere pamphleteer, would, of course, be consigned--and very rightly consigned--to utter oblivion. The notorious inaccuracy of Thiers and the avowed hero-worship of Masson alike preclude their admissibility into the select circle of trustworthy and veracious historians. It is even questionable whether one of the most objectively minded of French writers, the illustrious Taine, would gain admission. His work, he himself declared, "was nothing but pure or applied psychology," and psychology is apt to clash with the facts of history. Scherer described Taine, somewhat unjustly, as "a pessimist in a passion," whilst the critical and conscientious Aulard declared that his work was "virtually useless for the purposes of history." Mr. Gooch classes Sorel's work as "incomparably higher" than that of Taine. Montalembert is an extreme case of a French historian who adopted thoroughly unsound historical methods. Clearly, as Mr. Gooch says, "the author of the famous battle-cry, 'We are the sons of the Crusades, and we will never yield to the sons of Voltaire,' was not the man for objective study."

The fate of some of the most distinguished American and British historians would be even more calamitous than that of their Continental brethren. If the touchstone of impartiality were applied, Prescott might perhaps pass unscathed through the trial. But few will deny that Motley wrote his very attractive histories at a white heat of Republican and anti-Catholic fervour. He, as also Bancroft, are classed by Mr. Gooch amongst those who "made their histories the vehicles of political and religious propaganda." Washington Irving's claim to rank in the first class of historians may be dismissed on other grounds. "He had no taste for research," and merely presented to the world "a poet's appreciation" of historical events.