Chapter 7

The quenched-out torch, the lonely cypress-gloom, The little dust stored in the narrow urn, The gentle ΧΑΙΡΕ of the Attic tomb,— Were not these better far than to return To my old fitful restless malady, Or spend my days within the voiceless cave of misery?

Nay! for perchance that poppy-crownèd god Is like the watcher by a sick man’s bed Who talks of sleep but gives it not; his rod Hath lost its virtue, and, when all is said, Death is too rude, too obvious a key To solve one single secret in a life’s philosophy.

And Love! that noble madness, whose august And inextinguishable might can slay The soul with honeyed drugs,—alas! I must From such sweet ruin play the runaway, Although too constant memory never can Forget the archèd splendour of those brows Olympian

Which for a little season made my youth So soft a swoon of exquisite indolence That all the chiding of more prudent Truth Seemed the thin voice of jealousy,—O hence Thou huntress deadlier than Artemis! Go seek some other quarry! for of thy too perilous bliss.

My lips have drunk enough,—no more, no more,— Though Love himself should turn his gilded prow Back to the troubled waters of this shore Where I am wrecked and stranded, even now The chariot wheels of passion sweep too near, Hence! Hence! I pass unto a life more barren, more austere.

More barren—ay, those arms will never lean Down through the trellised vines and draw my soul In sweet reluctance through the tangled green; Some other head must wear that aureole, For I am hers who loves not any man Whose white and stainless bosom bears the sign Gorgonian.

Let Venus go and chuck her dainty page, And kiss his mouth, and toss his curly hair, With net and spear and hunting equipage Let young Adonis to his tryst repair, But me her fond and subtle-fashioned spell Delights no more, though I could win her dearest citadel.

Ay, though I were that laughing shepherd boy Who from Mount Ida saw the little cloud Pass over Tenedos and lofty Troy And knew the coming of the Queen, and bowed In wonder at her feet, not for the sake Of a new Helen would I bid her hand the apple take.

Then rise supreme Athena argent-limbed! And, if my lips be musicless, inspire At least my life: was not thy glory hymned By One who gave to thee his sword and lyre Like Æschylos at well-fought Marathon, And died to show that Milton’s England still could bear a son!

And yet I cannot tread the Portico And live without desire, fear and pain, Or nurture that wise calm which long ago The grave Athenian master taught to men, Self-poised, self-centred, and self-comforted, To watch the world’s vain phantasies go by with unbowed head.

Alas! that serene brow, those eloquent lips, Those eyes that mirrored all eternity, Rest in their own Colonos, an eclipse Hath come on Wisdom, and Mnemosyne Is childless; in the night which she had made For lofty secure flight Athena’s owl itself hath strayed.

Nor much with Science do I care to climb, Although by strange and subtle witchery She drew the moon from heaven: the Muse Time Unrolls her gorgeous-coloured tapestry To no less eager eyes; often indeed In the great epic of Polymnia’s scroll I love to read

How Asia sent her myriad hosts to war Against a little town, and panoplied In gilded mail with jewelled scimitar, White-shielded, purple-crested, rode the Mede Between the waving poplars and the sea Which men call Artemisium, till he saw Thermopylæ

Its steep ravine spanned by a narrow wall, And on the nearer side a little brood Of careless lions holding festival! And stood amazèd at such hardihood, And pitched his tent upon the reedy shore, And stayed two days to wonder, and then crept at midnight o’er

Some unfrequented height, and coming down The autumn forests treacherously slew What Sparta held most dear and was the crown Of far Eurotas, and passed on, nor knew How God had staked an evil net for him In the small bay at Salamis,—and yet, the page grows dim,

Its cadenced Greek delights me not, I feel With such a goodly time too out of tune To love it much: for like the Dial’s wheel That from its blinded darkness strikes the noon Yet never sees the sun, so do my eyes Restlessly follow that which from my cheated vision flies.

O for one grand unselfish simple life To teach us what is Wisdom! speak ye hills Of lone Helvellyn, for this note of strife Shunned your untroubled crags and crystal rills, Where is that Spirit which living blamelessly Yet dared to kiss the smitten mouth of his own century!

Speak ye Rydalian laurels! where is he Whose gentle head ye sheltered, that pure soul Whose gracious days of uncrowned majesty Through lowliest conduct touched the lofty goal Where love and duty mingle! Him at least The most high Laws were glad of, he had sat at Wisdom’s feast;

But we are Learning’s changelings, know by rote The clarion watchword of each Grecian school And follow none, the flawless sword which smote The pagan Hydra is an effete tool Which we ourselves have blunted, what man now Shall scale the august ancient heights and to old Reverence bow?

One such indeed I saw, but, Ichabod! Gone is that last dear son of Italy, Who being man died for the sake of God, And whose unrisen bones sleep peacefully, O guard him, guard him well, my Giotto’s tower, Thou marble lily of the lily town! let not the lour

Of the rude tempest vex his slumber, or The Arno with its tawny troubled gold O’er-leap its marge, no mightier conqueror Clomb the high Capitol in the days of old When Rome was indeed Rome, for Liberty Walked like a bride beside him, at which sight pale Mystery

Fled shrieking to her farthest sombrest cell With an old man who grabbled rusty keys, Fled shuddering, for that immemorial knell With which oblivion buries dynasties Swept like a wounded eagle on the blast, As to the holy heart of Rome the great triumvir passed.

He knew the holiest heart and heights of Rome, He drave the base wolf from the lion’s lair, And now lies dead by that empyreal dome Which overtops Valdarno hung in air By Brunelleschi—O Melpomene Breathe through thy melancholy pipe thy sweetest threnody!

Breathe through the tragic stops such melodies That Joy’s self may grow jealous, and the Nine Forget awhile their discreet emperies, Mourning for him who on Rome’s lordliest shrine Lit for men’s lives the light of Marathon, And bare to sun-forgotten fields the fire of the sun!

O guard him, guard him well, my Giotto’s tower! Let some young Florentine each eventide Bring coronals of that enchanted flower Which the dim woods of Vallombrosa hide, And deck the marble tomb wherein he lies Whose soul is as some mighty orb unseen of mortal eyes;

Some mighty orb whose cycled wanderings, Being tempest-driven to the farthest rim Where Chaos meets Creation and the wings Of the eternal chanting Cherubim Are pavilioned on Nothing, passed away Into a moonless void,—and yet, though he is dust and clay,

He is not dead, the immemorial Fates Forbid it, and the closing shears refrain. Lift up your heads ye everlasting gates! Ye argent clarions, sound a loftier strain For the vile thing he hated lurks within Its sombre house, alone with God and memories of sin.

Still what avails it that she sought her cave That murderous mother of red harlotries? At Munich on the marble architrave The Grecian boys die smiling, but the seas Which wash Ægina fret in loneliness Not mirroring their beauty; so our lives grow colourless

For lack of our ideals, if one star Flame torch-like in the heavens the unjust Swift daylight kills it, and no trump of war Can wake to passionate voice the silent dust Which was Mazzini once! rich Niobe For all her stony sorrows hath her sons; but Italy,

What Easter Day shall make her children rise, Who were not Gods yet suffered? what sure feet Shall find their grave-clothes folded? what clear eyes Shall see them bodily? O it were meet To roll the stone from off the sepulchre And kiss the bleeding roses of their wounds, in love of her,

Our Italy! our mother visible! Most blessed among nations and most sad, For whose dear sake the young Calabrian fell That day at Aspromonte and was glad That in an age when God was bought and sold One man could die for Liberty! but we, burnt out and cold,

See Honour smitten on the cheek and gyves Bind the sweet feet of Mercy: Poverty Creeps through our sunless lanes and with sharp knives Cuts the warm throats of children stealthily, And no word said:—O we are wretched men Unworthy of our great inheritance! where is the pen

Of austere Milton? where the mighty sword Which slew its master righteously? the years Have lost their ancient leader, and no word Breaks from the voiceless tripod on our ears: While as a ruined mother in some spasm Bears a base child and loathes it, so our best enthusiasm

Genders unlawful children, Anarchy Freedom’s own Judas, the vile prodigal Licence who steals the gold of Liberty And yet has nothing, Ignorance the real One Fraticide since Cain, Envy the asp That stings itself to anguish, Avarice whose palsied grasp

Is in its extent stiffened, moneyed Greed For whose dull appetite men waste away Amid the whirr of wheels and are the seed Of things which slay their sower, these each day Sees rife in England, and the gentle feet Of Beauty tread no more the stones of each unlovely street.

What even Cromwell spared is desecrated By weed and worm, left to the stormy play Of wind and beating snow, or renovated By more destructful hands: Time’s worst decay Will wreathe its ruins with some loveliness, But these new Vandals can but make a rain-proof barrenness.

Where is that Art which bade the Angels sing Through Lincoln’s lofty choir, till the air Seems from such marble harmonies to ring With sweeter song than common lips can dare To draw from actual reed? ah! where is now The cunning hand which made the flowering hawthorn branches bow

For Southwell’s arch, and carved the House of One Who loved the lilies of the field with all Our dearest English flowers? the same sun Rises for us: the seasons natural Weave the same tapestry of green and grey: The unchanged hills are with us: but that Spirit hath passed away.

And yet perchance it may be better so, For Tyranny is an incestuous Queen, Murder her brother is her bedfellow, And the Plague chambers with her: in obscene And bloody paths her treacherous feet are set; Better the empty desert and a soul inviolate!

For gentle brotherhood, the harmony Of living in the healthful air, the swift Clean beauty of strong limbs when men are free And women chaste, these are the things which lift Our souls up more than even Agnolo’s Gaunt blinded Sibyl poring o’er the scroll of human woes,

Or Titian’s little maiden on the stair White as her own sweet lily and as tall, Or Mona Lisa smiling through her hair,— Ah! somehow life is bigger after all Than any painted angel, could we see The God that is within us! The old Greek serenity

Which curbs the passion of that level line Of marble youths, who with untroubled eyes And chastened limbs ride round Athena’s shrine And mirror her divine economies, And balanced symmetry of what in man Would else wage ceaseless warfare,—this at least within the span

Between our mother’s kisses and the grave Might so inform our lives, that we could win Such mighty empires that from her cave Temptation would grow hoarse, and pallid Sin Would walk ashamed of his adulteries, And Passion creep from out the House of Lust with startled eyes.

To make the body and the spirit one With all right things, till no thing live in vain From morn to noon, but in sweet unison With every pulse of flesh and throb of brain The soul in flawless essence high enthroned, Against all outer vain attack invincibly bastioned,

Mark with serene impartiality The strife of things, and yet be comforted, Knowing that by the chain causality All separate existences are wed Into one supreme whole, whose utterance Is joy, or holier praise! ah! surely this were governance

Of Life in most august omnipresence, Through which the rational intellect would find In passion its expression, and mere sense, Ignoble else, lend fire to the mind, And being joined with it in harmony More mystical than that which binds the stars planetary,

Strike from their several tones one octave chord Whose cadence being measureless would fly Through all the circling spheres, then to its Lord Return refreshed with its new empery And more exultant power,—this indeed Could we but reach it were to find the last, the perfect creed.

Ah! it was easy when the world was young To keep one’s life free and inviolate, From our sad lips another song is rung, By our own hands our heads are desecrate, Wanderers in drear exile, and dispossessed Of what should be our own, we can but feed on wild unrest.

Somehow the grace, the bloom of things has flown, And of all men we are most wretched who Must live each other’s lives and not our own For very pity’s sake and then undo All that we lived for—it was otherwise When soul and body seemed to blend in mystic symphonies.

But we have left those gentle haunts to pass With weary feet to the new Calvary, Where we behold, as one who in a glass Sees his own face, self-slain Humanity, And in the dumb reproach of that sad gaze Learn what an awful phantom the red hand of man can raise.

O smitten mouth! O forehead crowned with thorn! O chalice of all common miseries! Thou for our sakes that loved thee not hast borne An agony of endless centuries, And we were vain and ignorant nor knew That when we stabbed thy heart it was our own real hearts we slew.

Being ourselves the sowers and the seeds, The night that covers and the lights that fade, The spear that pierces and the side that bleeds, The lips betraying and the life betrayed; The deep hath calm: the moon hath rest: but we Lords of the natural world are yet our own dread enemy.

Is this the end of all that primal force Which, in its changes being still the same, From eyeless Chaos cleft its upward course, Through ravenous seas and whirling rocks and flame, Till the suns met in heaven and began Their cycles, and the morning stars sang, and the Word was Man!

Nay, nay, we are but crucified, and though The bloody sweat falls from our brows like rain Loosen the nails—we shall come down I know, Staunch the red wounds—we shall be whole again, No need have we of hyssop-laden rod, That which is purely human, that is godlike, that is God.

FLOWER OF LOVE

ΓΛΥΚΥΠΙΚΡΟΣ ΕΡΩΣ

SWEET, I blame you not, for mine the fault was, had I not been made of common clay I had climbed the higher heights unclimbed yet, seen the fuller air, the larger day.

From the wildness of my wasted passion I had struck a better, clearer song, Lit some lighter light of freer freedom, battled with some Hydra-headed wrong.

Had my lips been smitten into music by the kisses that but made them bleed, You had walked with Bice and the angels on that verdant and enamelled mead.

I had trod the road which Dante treading saw the suns of seven circles shine, Ay! perchance had seen the heavens opening, as they opened to the Florentine.

And the mighty nations would have crowned me, who am crownless now and without name, And some orient dawn had found me kneeling on the threshold of the House of Fame.

I had sat within that marble circle where the oldest bard is as the young, And the pipe is ever dropping honey, and the lyre’s strings are ever strung.

Keats had lifted up his hymeneal curls from out the poppy-seeded wine, With ambrosial mouth had kissed my forehead, clasped the hand of noble love in mine.

And at springtide, when the apple-blossoms brush the burnished bosom of the dove, Two young lovers lying in an orchard would have read the story of our love.

Would have read the legend of my passion, known the bitter secret of my heart, Kissed as we have kissed, but never parted as we two are fated now to part.

For the crimson flower of our life is eaten by the cankerworm of truth, And no hand can gather up the fallen withered petals of the rose of youth.

Yet I am not sorry that I loved you—ah! what else had I a boy to do,— For the hungry teeth of time devour, and the silent-footed years pursue.

Rudderless, we drift athwart a tempest, and when once the storm of youth is past, Without lyre, without lute or chorus, Death the silent pilot comes at last.

And within the grave there is no pleasure, for the blindworm battens on the root, And Desire shudders into ashes, and the tree of Passion bears no fruit.

Ah! what else had I to do but love you, God’s own mother was less dear to me, And less dear the Cytheræan rising like an argent lily from the sea.

I have made my choice, have lived my poems, and, though youth is gone in wasted days, I have found the lover’s crown of myrtle better than the poet’s crown of bays.

UNCOLLECTED POEMS

FROM SPRING DAYS TO WINTER

(FOR MUSIC)

IN the glad springtime when leaves were green, O merrily the throstle sings! I sought, amid the tangled sheen, Love whom mine eyes had never seen, O the glad dove has golden wings!

Between the blossoms red and white, O merrily the throstle sings! My love first came into my sight, O perfect vision of delight, O the glad dove has golden wings!

The yellow apples glowed like fire, O merrily the throstle sings! O Love too great for lip or lyre, Blown rose of love and of desire, O the glad dove has golden wings!

But now with snow the tree is grey, Ah, sadly now the throstle sings! My love is dead: ah! well-a-day, See at her silent feet I lay A dove with broken wings! Ah, Love! ah, Love! that thou wert slain— Fond Dove, fond Dove return again!

TRISTITÆ

_Αἴλινον_, _αἴλινον εἰπέ_, _τὸ δ’ εὖ νικάτω_

O WELL for him who lives at ease With garnered gold in wide domain, Nor heeds the splashing of the rain, The crashing down of forest trees.

O well for him who ne’er hath known The travail of the hungry years, A father grey with grief and tears, A mother weeping all alone.

But well for him whose foot hath trod The weary road of toil and strife, Yet from the sorrows of his life. Builds ladders to be nearer God.

THE TRUE KNOWLEDGE

. . . _ἀναyκαίως δ’ ἔχει_ _Βίον θερίζειν ὥστε κάρπιμον στάχυν_, _καὶ τὸν yὲν εἶναι τὸν δὲ yή_.

THOU knowest all; I seek in vain What lands to till or sow with seed— The land is black with briar and weed, Nor cares for falling tears or rain.

Thou knowest all; I sit and wait With blinded eyes and hands that fail, Till the last lifting of the veil And the first opening of the gate.

Thou knowest all; I cannot see. I trust I shall not live in vain, I know that we shall meet again In some divine eternity.

IMPRESSIONS

I LE JARDIN

THE lily’s withered chalice falls Around its rod of dusty gold, And from the beech-trees on the wold The last wood-pigeon coos and calls.

The gaudy leonine sunflower Hangs black and barren on its stalk, And down the windy garden walk The dead leaves scatter,—hour by hour.

Pale privet-petals white as milk Are blown into a snowy mass: The roses lie upon the grass Like little shreds of crimson silk.

II LA MER

A WHITE mist drifts across the shrouds, A wild moon in this wintry sky Gleams like an angry lion’s eye Out of a mane of tawny clouds.

The muffled steersman at the wheel Is but a shadow in the gloom;— And in the throbbing engine-room Leap the long rods of polished steel.

The shattered storm has left its trace Upon this huge and heaving dome, For the thin threads of yellow foam Float on the waves like ravelled lace.

UNDER THE BALCONY

O BEAUTIFUL star with the crimson mouth! O moon with the brows of gold! Rise up, rise up, from the odorous south! And light for my love her way, Lest her little feet should stray On the windy hill and the wold! O beautiful star with the crimson mouth! O moon with the brows of gold!

O ship that shakes on the desolate sea! O ship with the wet, white sail! Put in, put in, to the port to me! For my love and I would go To the land where the daffodils blow In the heart of a violet dale! O ship that shakes on the desolate sea! O ship with the wet, white sail!

O rapturous bird with the low, sweet note! O bird that sits on the spray! Sing on, sing on, from your soft brown throat! And my love in her little bed Will listen, and lift her head From the pillow, and come my way! O rapturous bird with the low, sweet note! O bird that sits on the spray!

O blossom that hangs in the tremulous air! O blossom with lips of snow! Come down, come down, for my love to wear! You will die on her head in a crown, You will die in a fold of her gown, To her little light heart you will go! O blossom that hangs in the tremulous air! O blossom with lips of snow!

THE HARLOT’S HOUSE

WE caught the tread of dancing feet, We loitered down the moonlit street, And stopped beneath the harlot’s house.

Inside, above the din and fray, We heard the loud musicians play The ‘Treues Liebes Herz’ of Strauss.

Like strange mechanical grotesques, Making fantastic arabesques, The shadows raced across the blind.

We watched the ghostly dancers spin To sound of horn and violin, Like black leaves wheeling in the wind.

Like wire-pulled automatons, Slim silhouetted skeletons Went sidling through the slow quadrille,

Then took each other by the hand, And danced a stately saraband; Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed A phantom lover to her breast, Sometimes they seemed to try to sing.

Sometimes a horrible marionette Came out, and smoked its cigarette Upon the steps like a live thing.

Then, turning to my love, I said, ‘The dead are dancing with the dead, The dust is whirling with the dust.’

But she—she heard the violin, And left my side, and entered in: Love passed into the house of lust.

Then suddenly the tune went false, The dancers wearied of the waltz, The shadows ceased to wheel and whirl.

And down the long and silent street, The dawn, with silver-sandalled feet, Crept like a frightened girl.

LE JARDIN DES TUILERIES

THIS winter air is keen and cold, And keen and cold this winter sun, But round my chair the children run Like little things of dancing gold.