Chapter 4

Hard by the road, where on that little mound The high grass rustles to the passing breeze, The child of Misery rests her head in peace. Pause there in sadness. That unhallowed ground Inshrines what once was Isabel. Sleep on Sleep on, poor Outcast! lovely was thy cheek, And thy mild eye was eloquent to speak The soul of Pity. Pale and woe-begone Soon did thy fair cheek fade, and thine eye weep The tear of anguish for the babe unborn, The helpless heir of Poverty and Scorn. She drank the draught that chill'd her soul to sleep. I pause and wipe the big drop from mine eye, Whilst the proud Levite scowls and passes by.

SONNET VI to a brook near the village of Corston.

As thus I bend me o'er thy babbling stream And watch thy current, Memory's hand pourtrays The faint form'd scenes of the departed days, Like the far forest by the moon's pale beam Dimly descried yet lovely. I have worn Upon thy banks the live-long hour away, When sportive Childhood wantoned thro' the day, Joy'd at the opening splendour of the morn, Or as the twilight darken'd, heaved the sigh Thinking of distant home; as down my cheek At the fond thought slow stealing on, would speak The silent eloquence of the full eye. Dim are the long past days, yet still they please As thy soft sounds half heard, borne on the inconstant breeze.

SONNET VII to the evening rainbow.

Mild arch of promise! on the evening sky Thou shinest fair with many a lovely ray Each in the other melting. Much mine eye Delights to linger on thee; for the day, Changeful and many-weather'd, seem'd to smile Flashing brief splendor thro' its clouds awhile, That deepen'd dark anon and fell in rain: But pleasant is it now to pause, and view Thy various tints of frail and watery hue, And think the storm shall not return again. Such is the smile that Piety bestows On the good man's pale cheek, when he in peace Departing gently from a world of woes, Anticipates the realm where sorrows cease.

SONNET VIII.

With many a weary step, at length I gain Thy summit, Lansdown; and the cool breeze plays, Gratefully round my brow, as hence the gaze Returns to dwell upon the journeyed plain. 'Twas a long way and tedious! to the eye Tho fair the extended vale, and fair to view The falling leaves of many a faded hue, That eddy in the wild gust moaning by. Even so it fared with Life! in discontent Restless thro' Fortune's mingled scenes I went, Yet wept to think they would return no more! But cease fond heart in such sad thoughts to roam, For surely thou ere long shall reach thy home, And pleasant is the way that lies before.

SONNET IX.

Fair is the rising morn when o'er the sky The orient sun expands his roseate ray, And lovely to the Bard's enthusiast eye Fades the meek radiance of departing day; But fairer is the smile of one we love, Than all the scenes in Nature's ample sway. And sweeter than the music of the grove, The voice that bids us welcome. Such delight EDITH! is mine, escaping to thy sight From the hard durance of the empty throng. Too swiftly then towards the silent night Ye Hours of happiness! ye speed along, Whilst I, from all the World's cold cares apart, Pour out the feelings of my burthen'd heart.

SONNET X.

How darkly o'er yon far-off mountain frowns The gather'd tempest! from that lurid cloud The deep-voiced thunders roll, aweful and loud Tho' distant; while upon the misty downs Fast falls in shadowy streaks the pelting rain. I never saw so terrible a storm! Perhaps some way-worn traveller in vain Wraps his torn raiment round his shivering form Cold even as Hope within him! I the while Pause me in sadness tho' the sunbeams smile Cheerily round me. Ah that thus my lot Might be with Peace and Solitude assign'd, Where I might from some little quiet cot, Sigh for the crimes and miseries of mankind!

Sappho.

A MONODRAMA.

Argument.

To leap from the promontory of LEUCADIA was believed by the Greeks to be a remedy for hopeless love, if the self-devoted victim escaped with life. Artemisia lost her life in the dangerous experiment: and Sappho is said thus to have perished, in attempting to cure her passion for Phaon.

SAPPHO

(Scene the promontory of Leucadia.)

This is the spot:--'tis here Tradition says That hopeless Love from this high towering rock Leaps headlong to Oblivion or to Death. Oh 'tis a giddy height! my dizzy head Swims at the precipice--'tis death to fall!

Lie still, thou coward heart! this is no time To shake with thy strong throbs the frame convuls'd. To die,--to be at rest--oh pleasant thought! Perchance to leap and live; the soul all still, And the wild tempest of the passions husht In one deep calm; the heart, no more diseas'd By the quick ague fits of hope and fear, Quietly cold! Presiding Powers look down! In vain to you I pour'd my earnest prayers, In vain I sung your praises: chiefly thou VENUS! ungrateful Goddess, whom my lyre Hymn'd with such full devotion! Lesbian groves, Witness how often at the languid hour Of summer twilight, to the melting song Ye gave your choral echoes! Grecian Maids Who hear with downcast look and flushing cheek That lay of love bear witness! and ye Youths, Who hang enraptur'd on the empassion'd strain Gazing with eloquent eye, even till the heart Sinks in the deep delirium! and ye too Shall witness, unborn Ages! to that song Of warmest zeal; ah witness ye, how hard, Her fate who hymn'd the votive hymn in vain! Ungrateful Goddess! I have hung my lute In yonder holy pile: my hand no more Shall wake the melodies that fail'd to move The heart of Phaon--yet when Rumour tells How from Leucadia Sappho hurl'd her down A self-devoted victim--he may melt Too late in pity, obstinate to love.

Oh haunt his midnight dreams, black NEMESIS! Whom,[1] self-conceiving in the inmost depths Of CHAOS, blackest NIGHT long-labouring bore, When the stern DESTINIES, her elder brood. And shapeless DEATH, from that more monstrous birth Leapt shuddering! haunt his slumbers, Nemesis, Scorch with the fires of Phlegethon his heart, Till helpless, hopeless, heaven-abandon'd wretch He too shall seek beneath the unfathom'd deep To hide him from thy fury.

How the sea Far distant glitters as the sun-beams smile, And gayly wanton o'er its heaving breast Phoebus shines forth, nor wears one cloud to mourn His votary's sorrows! God of Day shine on-- By Man despis'd, forsaken by the Gods, I supplicate no more.

How many a day, O pleasant Lesbos! in thy secret streams Delighted have I plung'd, from the hot sun Screen'd by the o'er-arching groves delightful shade, And pillowed on the waters: now the waves Shall chill me to repose.

Tremendous height! Scarce to the brink will these rebellious limbs Support me. Hark! how the rude deep below Roars round the rugged base, as if it called Its long-reluctant victim! I will come. One leap, and all is over! The deep rest Of Death, or tranquil Apathy's dead calm Welcome alike to me. Away vain fears! Phaon is cold, and why should Sappho live? Phaon is cold, or with some fairer one-- Thought worse than death!

(She throws herself from the precipice.)

[Footnote A: [Greek (transliterated)]: Ou tini choimaetheisa thea teche NUTH erezennae. HESIOD]

ODE

(Written on the FIRST of DECEMBER, 1793.)

Tho' now no more the musing ear Delights to listen to the breeze That lingers o'er the green wood shade, I love thee Winter! well.

Sweet are the harmonies of Spring, Sweet is the summer's evening gale, Pleasant the autumnal winds that shake The many-colour'd grove.

And pleasant to the sober'd soul The silence of the wintry scene, When Nature shrouds her in her trance

Not undelightful now to roam The wild heath sparkling on the sight; Not undelightful now to pace The forest's ample rounds;

And see the spangled branches shine, And mark the moss of many a hue That varies the old tree's brown bark, Or o'er the grey stone spreads.

The cluster'd berries claim the eye O'er the bright hollies gay green leaves, The ivy round the leafless oak Clasps its full foliage close.

So VIRTUE diffident of strength Clings to RELIGION'S firmer aid, And by RELIGION'S aid upheld Endures calamity.

Nor void of beauties now the spring, Whose waters hid from summer sun Have sooth'd the thirsty pilgrim's ear With more than melody.

The green moss shines with icey glare, The long grass bends its spear-like form, And lovely is the silvery scene When faint the sunbeams smile.

Reflection too may love the hour When Nature, hid in Winter's grave, No more expands the bursting bud Or bids the flowret bloom.

For Nature soon in Spring's best charms Shall rise reviv'd from Winter's grave. Again expand the bursting bud, And bid the flowret bloom.

Written on SUNDAY MORNING.

Go thou and seek the House of Prayer! I to the Woodlands wend, and there In lovely Nature see the GOD OF LOVE. The swelling organ's peal Wakes not my soul to zeal, Like the wild music of the wind-swept grove. The gorgeous altar and the mystic vest Rouse not such ardor in my breast, As where the noon-tide beam Flash'd from the broken stream, Quick vibrates on the dazzled sight; Or where the cloud-suspended rain Sweeps in shadows o'er the plain; Or when reclining on the clift's huge height I mark the billows burst in silver light.

Go thou and seek the House of Prayer! I to the Woodlands shall repair, Feed with all Natures charms mine eyes, And hear all Natures melodies. The primrose bank shall there dispense Faint fragrance to the awaken'd sense, The morning beams that life and joy impart Shall with their influence warm my heart. And the full tear that down my cheek will steal, Shall speak the prayer of praise I feel!

Go thou and seek the House of Prayer! I to the woodlands bend my way And meet RELIGION there. She needs not haunt the high-arch'd dome to pray Where storied windows dim the doubtful day: With LIBERTY she loves to rove. Wide o'er the heathy hill or cowslip'd dale; Or seek the shelter of the embowering grove, Sweet are these scenes to her, and when the night Pours in the north her silver streams of light, She woos Reflexion in the silent gloom, And ponders on the world to come.

ON THE DEATH Of a Favourite Old SPANIEL.

And they have drown'd thee then at last! poor Phillis! The burthen of old age was heavy on thee. And yet thou should'st have lived! what tho' thine eye Was dim, and watch'd no more with eager joy The wonted call that on thy dull sense sunk With fruitless repetition, the warm Sun Would still have cheer'd thy slumber, thou didst love To lick the hand that fed thee, and tho' past Youth's active season, even Life itself Was comfort. Poor old friend! most earnestly Would I have pleaded for thee: thou hadst been Still the companion of my childish sports, And, as I roam'd o'er Avon's woody clifts, From many a day-dream has thy short quick bark Recall'd my wandering soul. I have beguil'd Often the melancholy hours at school, Sour'd by some little tyrant, with the thought Of distant home, and I remember'd then Thy faithful fondness: for not mean the joy, Returning at the pleasant holydays, I felt from thy dumb welcome. Pensively Sometimes have I remark'd thy slow decay, Feeling myself changed too, and musing much On many a sad vicissitude of Life! Ah poor companion! when thou followedst last Thy master's parting footsteps to the gate That clos'd for ever on him, thou didst lose Thy truest friend, and none was left to plead For the old age of brute fidelity! But fare thee well! mine is no narrow creed, And HE who gave thee being did not frame The mystery of life to be the sport Of merciless man! there is another world For all that live and move--a better one! Where the proud bipeds, who would fain confine INFINITE GOODNESS to the little bounds Of their own charity, may envy thee!

To CONTEMPLATION.

[Greek (transliterated): Kai pagas fileoimi ton enguthen aechon achthein, A terpei psopheoisa ton agrikon, thchi tarassei.

MOSCHOS.]

Faint gleams the evening radiance thro' the sky, The sober twilight dimly darkens round; In short quick circles the shrill bat flits by, And the slow vapour curls along the ground.

Now the pleas'd eye from yon lone cottage sees On the green mead the smoke long-shadowing play; The Red-breast on the blossom'd spray Warbles wild her latest lay, And sleeps along the dale the silent breeze. Calm CONTEMPLATION,'tis thy favorite hour! Come fill my bosom, tranquillizing Power.

Meek Power! I view thee on the calmy shore When Ocean stills his waves to rest; Or when slow-moving on the surge's hoar Meet with deep hollow roar And whiten o'er his breast; For lo! the Moon with softer radiance gleams, And lovelier heave the billows in her beams.

When the low gales of evening moan along, I love with thee to feel the calm cool breeze, And roam the pathless forest wilds among, Listening the mellow murmur of the trees Full-foliaged as they lift their arms on high And wave their shadowy heads in wildest melody.

Or lead me where amid the tranquil vale The broken stream flows on in silver light, And I will linger where the gale O'er the bank of violets sighs, Listening to hear its soften'd sounds arise; And hearken the dull beetle's drowsy flight, And watch the horn-eyed snail Creep o'er his long moon-glittering trail, And mark where radiant thro' the night Moves in the grass-green hedge the glow-worms living light.

Thee meekest Power! I love to meet, As oft with even solitary pace The scatter'd Abbeys hallowed rounds I trace And listen to the echoings of my feet. Or on the half demolished tomb, Whole warning texts anticipate my doom: Mark the clear orb of night Cast thro' the storying glass a faintly-varied light.

Nor will I not in some more gloomy hour Invoke with fearless awe thine holier power, Wandering beneath the sainted pile When the blast moans along the darksome aisle, And clattering patters all around The midnight shower with dreary sound.

But sweeter 'tis to wander wild By melancholy dreams beguil'd, While the summer moon's pale ray Faintly guides me on my way To the lone romantic glen Far from all the haunts of men, Where no noise of uproar rude Breaks the calm of solitude. But soothing Silence sleeps in all Save the neighbouring waterfall, Whose hoarse waters falling near Load with hollow sounds the ear, And with down-dasht torrent white Gleam hoary thro' the shades of night.

Thus wandering silent on and slow I'll nurse Reflection's sacred woe, And muse upon the perish'd day When Hope would weave her visions gay, Ere FANCY chill'd by adverse fate Left sad REALITY my mate.

O CONTEMPLATION! when to Memory's eyes The visions of the long-past days arise, Thy holy power imparts the best relief, And the calm'd Spirit loves the joy of grief.

To HORROR.

[GREEK (transliterated): Tin gar potaeisomai tan chai schuliches tromeonti Erchomenan nechuon ana t'aeria, chai melan aima. Theocritos]

Dark HORROR, hear my call! Stern Genius hear from thy retreat On some old sepulchre's moss-cankered seat, Beneath the Abbey's ivied wall That trembles o'er its shade; Where wrapt in midnight gloom, alone, Thou lovest to lie and hear The roar of waters near, And listen to the deep dull groan Of some perturbed sprite Borne fitful on the heavy gales of night.

Or whether o'er some wide waste hill Thou mark'st the traveller stray, Bewilder'd on his lonely way, When, loud and keen and chill, The evening winds of winter blow Drifting deep the dismal snow.

Or if thou followest now on Greenland's shore, With all thy terrors, on the lonely way Of some wrecked mariner, when to the roar Of herded bears the floating ice-hills round Pour their deep echoing sound, And by the dim drear Boreal light Givest half his dangers to the wretches sight.

Or if thy fury form, When o'er the midnight deep The dark-wing'd tempests sweep Watches from some high cliff the encreasing storm, Listening with strange delight As the black billows to the thunder rave When by the lightnings light Thou seest the tall ship sink beneath the wave.

Dark HORROR! bear me where the field of fight Scatters contagion on the tainted gale, When to the Moon's faint beam, On many a carcase shine the dews of night And a dead silence stills the vale Save when at times is heard the glutted Raven's scream.

Where some wreck'd army from the Conquerors might Speed their disastrous flight, With thee fierce Genius! let me trace their way, And hear at times the deep heart-groan Of some poor sufferer left to die alone, His sore wounds smarting with the winds of night; And we will pause, where, on the wild, The [1] Mother to her frozen breast, On the heap'd snows reclining clasps her child And with him sleeps, chill'd to eternal rest!

Black HORROR! speed we to the bed of Death, Where he whose murderous power afar Blasts with the myriad plagues of war, Struggles with his last breath, Then to his wildly-starting eyes The phantoms of the murder'd rise, Then on his frenzied ear Their groans for vengeance and the Demon's yell In one heart-maddening chorus swell. Cold on his brow convulsing stands the dew, And night eternal darkens on his view.

HORROR! I call thee yet once more! Bear me to that accursed shore Where round the stake the impaled Negro writhes. Assume thy sacred terrors then! dispense The blasting gales of Pestilence! Arouse the race of Afric! holy Power, Lead them to vengeance! and in that dread hour When Ruin rages wide I will behold and smile by MERCY'S side.

[Footnote 1: I extract the following picture of consummate horror, from the notes to a Poem written in twelve syllable verse upon the campaign of 1794 and 1795; it was during the retreat to Deventer. "We could not proceed a hundred yards without perceiving the dead bodies of men, women, children and horses in every direction. One scene made an impression upon my memory which time will never be able to efface. Near another cart we perceived a stout looking man, and a beautiful young woman with an infant, about seven months old, at the breast, all three frozen and dead. The mother had most certainly expired in the act of suckling her child, as with one breast exposed, she lay upon the drifted snow, the milk to all appearance in a stream drawn from the nipple by the babe, and instantly congealed. The infant seemed as if its lips had but just then been disengaged, and it reposed its little head upon the mother's bosom, with, an overflow of milk, frozen as it trickled from the mouth; their countenances were perfectly composed and fresh, resembling those of persons in a sound and tranquil slumber."]

The SOLDIER'S WIFE.

DACTYLICS.

Weary way-wanderer languid and sick at heart Travelling painfully over the rugged road, Wild-visag'd Wanderer! ah for thy heavy chance!

Sorely thy little one drags by thee bare-footed, Cold is the baby that hangs at thy bending back Meagre and livid and screaming its wretchedness.

[1] Woe-begone mother, half anger, half agony, As over thy shoulder thou lookest to hush the babe, Bleakly the blinding snow beats in thy hagged face.

Thy husband will never return from the war again, Cold is thy hopeless heart even as Charity-- Cold are thy famish'd babes--God help thee, widow'd One!

[Footnote 1: This stanza was supplied by S.T. COLERIDGE.]

The WIDOW.

SAPPHICs.

Cold was the night wind, drifting fast the snows fell, Wide were the downs and shelterless and naked, When a poor Wanderer struggled on her journey Weary and way-sore.

Drear were the downs, more dreary her reflexions; Cold was the night wind, colder was her bosom! She had no home, the world was all before her, She had no shelter.

Fast o'er the bleak heath rattling drove a chariot, "Pity me!" feebly cried the poor night wanderer. "Pity me Strangers! lest with cold and hunger Here I should perish.

"Once I had friends,--but they have all forsook me! "Once I had parents,--they are now in Heaven! "I had a home once--I had once a husband-- "Pity me Strangers!

"I had a home once--I had once a husband-- "I am a Widow poor and broken-hearted!" Loud blew the wind, unheard was her complaining. On drove the chariot.

On the cold snows she laid her down to rest her; She heard a horseman, "pity me!" she groan'd out; Loud blew the wind, unheard was her complaining, On went the horseman.

Worn out with anguish, toil and cold and hunger, Down sunk the Wanderer, sleep had seiz'd her senses; There, did the Traveller find her in the morning, GOD had releast her.

To the CHAPEL BELL.

"Lo I, the man who erst the Muse did ask Her deepest notes to swell the Patriot's meeds, Am now enforst a far unfitter task For cap and gown to leave my minstrel weeds," For yon dull noise that tinkles on the air Bids me lay by the lyre and go to morning prayer.

Oh how I hate the sound! it is the Knell, That still a requiem tolls to Comfort's hour; And loth am I, at Superstition's bell, To quit or Morpheus or the Muses bower. Better to lie and dose, than gape amain, Hearing still mumbled o'er, the same eternal strain.

Thou tedious herald of more tedious prayers Say hast thou ever summoned from his rest, One being awakening to religious awe? Or rous'd one pious transport in the breast? Or rather, do not all reluctant creep To linger out the hour, in listlessness or sleep?

I love the bell, that calls the poor to pray Chiming from village church its chearful sound, When the sun smiles on Labour's holy day, And all the rustic train are gathered round, Each deftly dizen'd in his Sunday's best And pleas'd to hail the day of piety and rest.

Or when, dim-shadowing o'er the face of day, The mantling mists of even-tide rise slow, As thro' the forest gloom I wend my way, The minster curfew's sullen roar I know; I pause and love its solemn toll to hear, As made by distance soft, it dies upon the ear.

Nor not to me the unfrequent midnight knell Tolls sternly harmonizing; on mine ear As the deep death-fraught sounds long lingering dwell Sick to the heart of Love and Hope and Fear Soul-jaundiced, I do loathe Life's upland steep And with strange envy muse the dead man's dreamless sleep.

But thou, memorial of monastic gall! What Fancy sad or lightsome hast thou given? Thy vision-scaring sounds alone recall The prayer that trembles on a yawn to heaven; And this Dean's gape, and that Dean's nosal tone, And Roman rites retain'd, tho' Roman faith be flown.

The RACE of BANQUO.