Poems

Chapter 5

Chapter 54,062 wordsPublic domain

Where the dews and the rains of heaven have their fountain, Like its thunder and its lightning our brave burst on the foe, Up above the clouds on Freedom's Lookout Mountain Raining life-blood like water on the valleys down below. O, green be the laurels that grow, O sweet be the wild-buds that blow, In the dells of the mountain where the brave are lying low.

Light of our hope and crown of our story, Bright as sunlight, pure as starlight shall their deeds of daring glow, While the day and the night out of heaven shed their glory, On Freedom's Lookout Mountain whence they routed Freedom's foe. O, soft be the gales when they go Through the pines on the summit where they blow, Chanting solemn music for the souls that passed below.

FOR ONE OF THE KILLED.

There on the field of battle Lies the young warrior dead: Who shall speak in the soldier's honor? How shall his praise be said?

Cannon, there in the battle, Thundered the soldier's praise, Hark! how the volumed volleys echo Down through the far-off days!

Tears for the grief of a father, For a mother's anguish, tears; But for him that died in his country's battle, Glory and endless years.

THE TWO WIVES.

(TO COLONEL J. G. M., IN MEMORY OF THE EVENT BEFORE ATLANTA.)

I.

The colonel rode by his picket-line In the pleasant morning sun, That glanced from him far off to shine On the crouching rebel picket's gun.

II.

From his command the captain strode Out with a grave salute, And talked with the colonel as he rode;-- The picket levelled his piece to shoot.

III.

The colonel rode and the captain walked,-- The arm of the picket tired; Their faces almost touched as they talked, And, swerved from his aim, the picket fired.

IV.

The captain fell at the horse's feet, Wounded and hurt to death, Calling upon a name that was sweet As God is good, with his dying breath.

V.

And the colonel that leaped from his horse and knelt To close the eyes so dim, A high remorse for God's mercy felt, Knowing the shot was meant for him.

VI.

And he whispered, prayer-like, under his breath, The name of his own young wife: For Love, that had made his friend's peace with Death, Alone could make his with life.

BEREAVED.

The passionate humming-birds cling To the honeysuckles' hearts; In and out at the open window The twittering house-wren darts, And the sun is bright.

June is young, and warm, and sweet; The morning is gay and new; Glimmers yet the grass of the door-yard, Pearl-gray with fragrant dew, And the sun is bright.

From the mill, upon the stream, A busy murmur swells; On to the pasture go the cattle, Lowing, with tinkling bells, And the sun is bright.

She gathers his playthings up, And dreamily puts them by; Children are playing in the meadow, She hears their joyous cry, And the sun is bright.

She sits and clasps her brow, And looks with swollen eyes On the landscape that reels and dances,-- To herself she softly cries, And the sun is bright.

THE SNOW-BIRDS.

The lonesome graveyard lieth, A deep with silent waves Of night-long snow, all white, and billowed Over the hidden graves.

The snow-birds come in the morning, Flocking and fluttering low, And light on the graveyard brambles, And twitter there in the snow.

The Singer, old and weary, Looks out from his narrow room: "Ah, me! but my thoughts are snow-birds, Haunting a graveyard gloom,

"Where all the Past is buried And dead, these many years, Under the drifted whiteness Of frozen falls of tears.

"Poor birds! that know not summer, Nor sun, nor flowèrs fair,-- Only the graveyard brambles, And graves, and winter air!"

VAGARY.

Up and down the dusty street, I hurry with my burning feet; Against my face the wind-waves beat, Fierce from the city-sea of heat. Deep in my heart the vision is, Of meadow grass and meadow trees Blown silver in the summer breeze, And ripe, red, hillside strawberries.

My sense the city tumult fills,-- The tumult that about me reels Of strokes and cries, and feet and wheels. Deep in my dream I list, and, hark! From out the maple's leafy dark, The fluting of the meadow lark!

About the throngéd street I go: There is no face here that I know; Of all that pass me to and fro There is no face here that I know. Deep in my soul's most sacred place, With a sweet pain I look and trace The features of a tender face, All lit with love and girlish grace.

Some spell is on me, for I seem A memory of the past, a dream Of happiness remembered dim, Unto myself that walk the street Scathed with the city's noontide heat, With puzzled brain and burning feet.

FEUERBILDER.

The children sit by the fireside With their little faces in bloom; And behind, the lily-pale mother, Looking out of the gloom,

Flushes in cheek and forehead With a light and sudden start; But the father sits there silent, From the firelight apart.

"Now, what dost thou see in the embers? Tell it to me, my child," Whispers the lily-pale mother To her daughter sweet and mild.

"O, I see a sky and a moon In the coals and ashes there, And under, two are walking In a garden of flowers so fair.

"A lady gay, and her lover, Talking with low-voiced words, Not to waken the dreaming flowers And the sleepy little birds."

Back in the gloom the mother Shrinks with a sudden sigh. "Now, what dost thou see in the embers?" Cries the father to the boy.

"O, I see a wedding-procession Go in at the church's door,-- Ladies in silk and knights in steel,-- A hundred of them, and more.

"The bride's face is as white as a lily, And the groom's head is white as snow; And without, with plumes and tapers, A funeral paces slow."

Loudly then laughed the father, And shouted again for cheer, And called to the drowsy housemaid To fetch him a pipe and beer.

AVERY.

[NIAGARA, 1853.]

I.

All night long they heard in the houses beside the shore, Heard, or seemed to hear, through the multitudinous roar, Out of the hell of the rapids as 'twere a lost soul's cries,-- Heard and could not believe; and the morning mocked their eyes, Showing, where wildest and fiercest the waters leaped up and ran Raving round him and past, the visage of a man Clinging, or seeming to cling, to the trunk of a tree that, caught Fast in the rocks below, scarce out of the surges raught. Was it a life, could it be, to yon slender hope that clung? Shrill, above all the tumult the answering terror rung.

II.

Under the weltering rapids a boat from the bridge is drowned, Over the rocks the lines of another are tangled and wound; And the long, fateful hours of the morning have wasted soon, As it had been in some blessed trance, and now it is noon. Hurry, now with the raft! But O, build it strong and stanch, And to the lines and treacherous rocks look well as you launch! Over the foamy tops of the waves, and their foam-sprent sides, Over the hidden reefs, and through the embattled tides, Onward rushes the raft, with many a lurch and leap,-- Lord! if it strike him loose from the hold he scarce can keep!

No! through all peril unharmed, it reaches him harmless at last, And to its proven strength he lashes his weakness fast. Now, for the shore! But steady, steady, my men, and slow; Taut, now, the quivering lines; now slack; and so, let her go! Thronging the shores around stand the pitying multitude; Wan as his own are their looks, and a nightmare seems to brood Heavy upon them, and heavy the silence hangs on all, Save for the rapids' plunge, and the thunder of the fall. But on a sudden thrills from the people still and pale, Chorussing his unheard despair, a desperate wail: Caught on a lurking point of rock it sways and swings, Sport of the pitiless waters, the raft to which he clings.

III.

All the long afternoon it idly swings and sways; And on the shore the crowd lifts up its hands and prays: Lifts to heaven and wrings the hands so helpless to save, Prays for the mercy of God on him whom the rock and the wave Battle for, fettered betwixt them, and who, amidst their strife, Struggles to help his helpers, and fights so hard for his life,-- Tugging at rope and at reef, while men weep and women swoon. Priceless second by second, so wastes the afternoon, And it is sunset now; and another boat and the last Down to him from the bridge through the rapids has safely passed.

IV.

Wild through the crowd comes flying a man that nothing can stay, Maddening against the gate that is locked athwart his way. "No! we keep the bridge for them that can help him. You, Tell us, who are you?" "His brother!" "God help you both! Pass through." Wild, with wide arms of imploring he calls aloud to him, Unto the face of his brother, scarce seen in the distance dim; But in the roar of the rapids his fluttering words are lost As in a wind of autumn the leaves of autumn are tossed. And from the bridge he sees his brother sever the rope Holding him to the raft, and rise secure in his hope; Sees all as in a dream the terrible pageantry,-- Populous shores, the woods, the sky, the birds flying free; Sees, then, the form,--that, spent with effort and fasting and fear, Flings itself feebly and fails of the boat that is lying so near,-- Caught in the long-baffled clutch of the rapids, and rolled and hurled Headlong on to the cataract's brink, and out of the world.

BOPEEP: A PASTORAL.

"O, to what uses shall we put The wildweed flower that simply blows? And is there any moral shut Within the bosom of the rose?"

TENNYSON.

I.

She lies upon the soft, enamoured grass, I' the wooing shelter of an apple-tree, And at her feet the trancéd brook is glass, And in the blossoms over her the bee Hangs charméd of his sordid industry; For love of her the light wind will not pass.

II.

Her golden hair, blown over her red lips, That seem two rose-leaves softly breathed apart, Athwart her rounded throat like sunshine slips; Her small hand, resting on her beating heart, The crook that tells her peaceful shepherd-art Scarce keeps with light and tremulous finger-tips.

III.

She is as fair as any shepherdess That ever was in mask or Christmas scene: Bright silver spangles hath she on her dress, And of her red-heeled shoes appears the sheen; And she hath ribbons of such blue or green As best suits pastoral people's comeliness.

IV.

She sleeps, and it is in the month of May, And the whole land is full of the delight Of music and sweet scents; and all the day The sun is gold; the moon is pearl all night, And like a paradise the world is bright, And like a young girl's hopes the world is gay.

V.

So waned the hours; and while her beauteous sleep Was blest with many a happy dream of Love, Untended still, her silly, vagrant sheep Afar from that young shepherdess did rove, Along the vales and through the gossip grove, O'er daisied meads and up the thymy steep.

VI.

Then (for it happens oft when harm is nigh, Our dreams grow haggard till at last we wake) She thought that from the little runnel by There crept upon a sudden forth a snake, And stung her hand, and fled into the brake; Whereat she sprang up with a bitter cry,

VII.

And wildly over all that place did look, And could not spy her ingrate, wanton flock,-- Not there among tall grasses by the brook, Not there behind the mossy-bearded rock; And pitiless Echo answered with a mock When she did sorrow that she was forsook.

VIII.

Alas! the scattered sheep might not be found, And long and loud that gentle maid did weep, Till in her blurréd sight the hills went round, And, circling far, field, wood, and stream did sweep; And on the ground the miserable Bopeep Fell and forgot her troubles in a swound.

IX.

When she awoke, the sun long time had set, And all the land was sleeping in the moon, And all the flowers with dim, sad dews were wet, As they had wept to see her in that swoon. It was about the night's low-breathing noon; Only the larger stars were waking yet.

X.

Bopeep, the fair and hapless shepherdess, Rose from her swooning in a sore dismay, And tried to smooth her damp and rumpled dress, That showed in truth a grievous disarray; Then where the brook the wan moon's mirror lay, She laved her eyes, and curled each golden tress.

XI.

And looking to her ribbons, if they were As ribbons of a shepherdess should be, She took the hat that she was wont to wear (Bedecked it was with ribbons flying free As ever man in opera might see), And set it on her curls of yellow hair.

XII.

"And I will go and seek my sheep," she said, "Through every distant land until I die; But when they bring me hither, cold and dead, Let me beneath these apple-blossoms lie, With this dear, faithful, lovely runnel nigh, Here, where my cru--cru--cruel sheep have fed."

XIII.

Thus sorrow and despair make bold Bopeep, And forth she springs, and hurries on her way: Across the lurking rivulet she can leap, No sombre forest shall her quest delay, No crooked vale her eager steps bewray: What dreadeth she that seeketh her lost sheep?

XIV.

By many a pond, where timorous water-birds, With clattering cries and throbbing wings, arose, By many a pasture, where the soft-eyed herds Looked shadow-huge in their unmoved repose, Long through the lonesome night that sad one goes And fills the solitude with wailing words;

XV.

So that the little field-mouse dreams of harm, Snuggled away from harm beneath the weeds; The violet, sleeping on the clover's arm, Wakes, and is cold with thoughts of dreadful deeds; The pensive people of the water-reeds Hark with a mute and dolorous alarm.

XVI.

And the fond hearts of all the turtle-doves Are broken in compassion of her woe, And every tender little bird that loves Feels in his breast a sympathetic throe; And flowers are sad wherever she may go, And hoarse with sighs the waterfalls and groves.

XVII.

The pale moon droppeth low; star after star Grows faint and slumbers in the gray of dawn; And still she lingers not, but hurries far, Till in a dreary wilderness withdrawn Through tangled woods she lorn and lost moves on, Where griffins dire and dreadful dragons are.

XVIII.

Her ribbons all are dripping with the dew, Her red-heeled shoes are torn, and stained with mire, Her tender arms the angry sharpness rue Of many a scraggy thorn and envious brier; And poor Bopeep, with no sweet pity nigh her, Wrings her small hands, and knows not what to do.

XIX.

And on that crude and rugged ground she sinks, And soon her seeking had been ended there, But through the trees a fearful glimmer shrinks, And of a hermit's dwelling she is 'ware: At the dull pane a dull-eyed taper blinks, Drowsed with long vigils and the morning air.

XX.

Thither she trembling moves, and at the door Falls down, and cannot either speak or stir: The hermit comes,--with no white beard before, Nor coat of skins, nor cap of shaggy fur: It was a comely youth that lifted her, And to his hearth, and to his breakfast, bore.

XXI.

Arrayed he was in princeliest attire, And of as goodly presence sooth was he As any little maiden might admire, Or any king-beholding cat might see "My poor Bopeep," he sigheth piteously, "Rest here, and warm you at a hermit's fire."

XXII.

She looked so beautiful, there, mute and white, He kissed her on the lips and on the eyes (The most a prince could do in such a plight); But chiefly gazed on her in still surprise, And when he saw her lily eyelids rise, For him the whole world had no fairer sight.

XXIII.

"Rude is my fare: a bit of venison steak, A dish of honey and a glass of wine, With clean white bread, is the poor feast I make. Be served, I pray: I think this flask is fine," He said. "Hard is this hermit life of mine: This day I will its weariness forsake."

XXIV.

And then he told her how it chanced that he, King Cole's son, in that forest held his court, And the sole reason that there seemed to be Was, he was being hermit there for sport; But he confessed the life was not his forte, And therewith both laughed out right jollily.

XXV.

And sly Bopeep forgot her sheep again In gay discourse with that engaging youth: Love hath such sovran remedies for pain! But then he was a handsome prince, in truth, And both were young, and both were silly, sooth, And everything to Love but love seems vain.

XXVI.

They took them down the silver-claspéd book That this young anchorite's predecessor kept,-- A holy seer,--and through it they did look; Sometimes their idle eyes together crept, Sometimes their lips; but still the leaves they swept, Until they found a shepherd's pictured crook.

XXVII.

And underneath was writ it should befall On such a day, in such a month and year, A maiden fair, a young prince brave and tall, By such a chance should come together here. They were the people, that was very clear: "O love," the prince said, "let us read it all!"

XXVIII.

And thus the hermit's prophecy ran on: Though she her lost sheep wist not where to find, Yet should she bid her weary care begone, And banish every doubt from her sweet mind: They, with their little snow-white tails behind, Homeward would go, if they were left alone.

XXIX.

They closed the book, and in her happy eyes The prince read truth and love forevermore,-- Better than any hermit's prophecies! They passed together from the cavern's door; Embraced, they turned to look at it once more, And over it beheld the glad sun rise,

XXX.

That streamed before them aisles of dusk and gold Under the song-swept arches of the wood, And forth they went, tranced in each other's hold, Down through that rare and luminous solitude, Their happy hearts enchanted in the mood Of morning, and of May, and romance old.

XXXI.

Sometimes the saucy leaves would kiss her cheeks, And he must kiss their wanton kiss away; To die beneath her feet the wood-flower seeks, The quivering aspen feels a fine dismay, And many a scented blossom on the spray In odorous sighs its passionate longing speaks.

XXXII.

And forth they went down to that stately stream, Bowed over by the ghostly sycamores (Awearily, as if some heavy dream Held them in languor), but whose opulent shores With pearléd shells and dusts of precious ores Were tremulous brilliance in the morning beam;

XXXIII.

Where waited them, beside the lustrous sand, A silk-winged shallop, sleeping on the flood; And smoothly wafted from the hither strand, Across the calm, broad stream they lightly rode, Under them still the silver fishes stood; The eager lilies, on the other land,

XXXIV.

Beckonéd them; but where the castle shone With diamonded turrets and a wall Of gold-embedded pearl and costly stone, Their vision to its peerless splendor thrall The maiden fair, the young prince brave and tall, Thither with light, unlingering feet pressed on.

XXXV.

A gallant train to meet this loving pair, In silk and steel, moves from the castle door, And up the broad and ringing castle stair They go with gleeful minstrelsy before, And "Hail our prince and princess evermore!" From all the happy throng is greeting there.

XXXVI.

And in the hall the prince's sire, King Cole, Sitting with crown and royal ermine on, His fiddlers three behind with pipe and bowl, Rises and moves to lift his kneeling son, Greeting his bride with kisses many a one, And tears and laughter from his jolly soul;

XXXVII.

Then both his children to a window leads That over daisied pasture-land looks out, And shows Bopeep where her lost flock wide feeds, And every frolic lambkin leaps about. She hears Boy-Blue, that lazy shepherd, shout, Slow pausing from his pipe of mellow reeds;

XXXVIII.

And, turning, peers into her prince's eyes; Then, caught and clasped against her prince's heart, Upon her breath her answer wordless dies, And leaves her gratitude to sweeter art,-- To lips from which the bloom shall never part, To looks wherein the summer never dies!

WHILE SHE SANG.

I.

She sang, and I heard the singing, Far out of the wretched past, Of meadow-larks in the meadow, In a breathing of the blast.

Cold through the clouds of sunset The thin red sunlight shone, Staining the gloom of the woodland Where I walked and dreamed alone;

And glinting with chilly splendor The meadow under the hill, Where the lingering larks were lurking In the sere grass hid and still.

Out they burst with their singing, Their singing so loud and gay; They made in the heart of October A sudden ghastly May,

That faded and ceased with their singing. The thin red sunlight paled, And through the boughs above me The wind of evening wailed;--

Wailed, and the light of evening Out of the heaven died; And from the marsh by the river The lonesome killdee cried.

II.

The song is done, but a phantom Of music haunts the chords, That thrill with its subtile presence, And grieve for the dying words.

And in the years that are perished, Far back in the wretched past, I see on the May-green meadows The white snow falling fast;--

Falling, and falling, and falling, As still and cold as death, On the bloom of the odorous orchard, On the small, meek flowers beneath;

On the roofs of the village-houses, On the long, silent street, Where its plumes are soiled and broken Under the passing feet;

On the green crest of the woodland, On the cornfields far apart; On the cowering birds in the gable, And on my desolate heart.

A POET.

From wells where Truth in secret lay He saw the midnight stars by day.

"O marvellous gift!" the many cried, "O cruel gift!" his voice replied.

The stars were far, and cold, and high, That glimmered in the noonday sky;

He yearned toward the sun in vain, That warmed the lives of other men.

CONVENTION.

He falters on the threshold, She lingers on the stair: Can it be that was his footstep? Can it be that she is there?

Without is tender yearning, And tender love is within; They can hear each other's heart-beats, But a wooden door is between.

THE POET'S FRIENDS.

The robin sings in the elm; The cattle stand beneath, Sedate and grave, with great brown eyes And fragrant meadow-breath.

They listen to the flattered bird, The wise-looking, stupid things; And they never understand a word Of all the robin sings.

NO LOVE LOST.

A ROMANCE OF TRAVEL.

1862. BERTHA--_Writing from Venice_.

I.

On your heart I feign myself fallen--ah, heavier burden, Darling, of sorrow and pain than ever shall rest there! I take you Into these friendless arms of mine, that you cannot escape me; Closer and closer I fold you, and tell you all, and you listen Just as you used at home, and you let my sobs and my silence Speak, when the words will not come--and you understand and forgive me. --Ah! no, no! but I write, with the wretched bravado of distance, What you must read unmoved by the pity too far for entreaty.

II.