Chapter 1

Produced by Lewis Jones

Edward Thomas (1917) _Poems_

POEMS BY EDWARD THOMAS

POEMS

BY

EDWARD THOMAS

("EDWARD EASTAWAY")

LONDON SELWYN & BLOUNT

1917

First printed, Oct., 1917. Reprinted, Nov., 1917. " Dec., 1917.

TO

ROBERT FROST

CONTENTS

THE TRUMPET THE SIGN-POST TEARS TWO PEWITS THE MANOR FARM THE OWL SWEDES WILL YOU COME? As THE TEAM'S HEAD-BRASS THAW INTERVAL LIKE THE TOUCH OF RAIN THE PATH THE COMBE IF I SHOULD EVER BY CHANCE WHAT SHALL I GIVE? IF I WERE TO OWN AND YOU, HELEN WHEN FIRST HEAD AND BOTTLE AFTER YOU SPEAK SOWING WHEN WE TWO WALKED IN MEMORIAM FIFTY FAGGOTS WOMEN HE LIKED EARLY ONE MORNING CHERRY TREES IT RAINS THE HUXTER A GENTLEMAN THE BRIDGE LOB BRIGHT CLOUDS THE CLOUDS THAT ARE SO LIGHT SOME EYES CONDEMN MAY 23 THE GLORY MELANCHOLY ADLESTROP THE GREEN ROADS THE MILL-POND IT WAS UPON TALL NETTLES HAYMAKING HOW AT ONCE GONE, GONE AGAIN THE SUN USED TO SHINE OCTOBER THE LONG SMALL ROOM LIBERTY NOVEMBER THE SHEILING THE GALLOWS BIRDS' NESTS RAIN "HOME" THERE'S NOTHING LIKE THE SUN WHEN HE SHOULD LAUGH AN OLD SONG THE PENNY WHISTLE LIGHTS OUT COCK-CROW WORDS

THE TRUMPET

RISE up, rise up, And, as the trumpet blowing Chases the dreams of men, As the dawn glowing The stars that left unlit The land and water, Rise up and scatter The dew that covers The print of last night's lovers-- Scatter it, scatter it!

While you are listening To the clear horn, Forget, men, everything On this earth newborn, Except that it is lovelier Than any mysteries. Open your eyes to the air That has washed the eyes of the stars Through all the dewy night: Up with the light, To the old wars; Arise, arise!

THE SIGN-POST

THE dim sea glints chill. The white sun is shy. And the skeleton weeds and the never-dry, Rough, long grasses keep white with frost At the hilltop by the finger-post; The smoke of the traveller's-joy is puffed Over hawthorn berry and hazel tuft.

I read the sign. Which way shall I go? A voice says: You would not have doubted so At twenty. Another voice gentle with scorn Says: At twenty you wished you had never been born.

One hazel lost a leaf of gold From a tuft at the tip, when the first voice told The other he wished to know what 'twould be To be sixty by this same post. "You shall see," He laughed--and I had to join his laughter-- "You shall see; but either before or after, Whatever happens, it must befall, A mouthful of earth to remedy all Regrets and wishes shall freely be given; And if there be a flaw in that heaven 'Twill be freedom to wish, and your wish may be To be here or anywhere talking to me, No matter what the weather, on earth, At any age between death and birth,-- To see what day or night can be, The sun and the frost, the land and the sea, Summer, Autumn, Winter, Spring,-- With a poor man of any sort, down to a king, Standing upright out in the air Wondering where he shall journey, O where?"

TEARS

IT seems I have no tears left. They should have fallen-- Their ghosts, if tears have ghosts, did fall--that day When twenty hounds streamed by me, not yet combed out But still all equals in their rage of gladness Upon the scent, made one, like a great dragon In Blooming Meadow that bends towards the sun And once bore hops: and on that other day When I stepped out from the double-shadowed Tower Into an April morning, stirring and sweet And warm. Strange solitude was there and silence. A mightier charm than any in the Tower Possessed the courtyard. They were changing guard Soldiers in line, young English countrymen, Fair-haired and ruddy, in white tunics. Drums And fifes were playing "The British Grenadiers". The men, the music piercing that solitude And silence, told me truths I had not dreamed And have forgotten since their beauty passed.

TWO PEWITS

UNDER the after-sunset sky Two pewits sport and cry, More white than is the moon on high Riding the dark surge silently; More black than earth. Their cry Is the one sound under the sky. They alone move, now low, now high, And merrily they cry To the mischievous Spring sky, Plunging earthward, tossing high, Over the ghost who wonders why So merrily they cry and fly, Nor choose 'twixt earth and sky, While the moon's quarter silently Rides, and earth rests as silently.

THE MANOR FARM

THE rock-like mud unfroze a little and rills Ran and sparkled down each side of the road Under the catkins wagging in the hedge. But earth would have her sleep out, spite of the sun; Nor did I value that thin gilding beam More than a pretty February thing Till I came down to the old Manor Farm, And church and yew-tree opposite, in age Its equals and in size. The church and yew And farmhouse slept in a Sunday silentness. The air raised not a straw. The steep farm roof, With tiles duskily glowing, entertained The mid-day sun; and up and down the roof White pigeons nestled. There was no sound but one. Three cart-horses were looking over a gate Drowsily through their forelocks, swishing their tails Against a fly, a solitary fly.

The Winter's cheek flushed as if he had drained Spring, Summer, and Autumn at a draught And smiled quietly. But 'twas not Winter-- Rather a season of bliss unchangeable Awakened from farm and church where it had lain Safe under tile and thatch for ages since This England, Old already, was called Merry.

THE OWL

DOWNHILL I came, hungry, and yet not starved; Cold, yet had heat within me that was proof Against the North wind; tired, yet so that rest Had seemed the sweetest thing under a roof.

Then at the inn I had food, fire, and rest, Knowing how hungry, cold, and tired was I. All of the night was quite barred out except An owl's cry, a most melancholy cry

Shaken out long and clear upon the hill, No merry note, nor cause of merriment, But one telling me plain what I escaped And others could not, that night, as in I went.

And salted was my food, and my repose, Salted and sobered, too, by the bird's voice Speaking for all who lay under the stars, Soldiers and poor, unable to rejoice.

SWEDES

THEY have taken the gable from the roof of clay On the long swede pile. They have let in the sun To the white and gold and purple of curled fronds Unsunned. It is a sight more tender-gorgeous At the wood-corner where Winter moans and drips Than when, in the Valley of the Tombs of Kings, A boy crawls down into a Pharaoh's tomb And, first of Christian men, beholds the mummy, God and monkey, chariot and throne and vase, Blue pottery, alabaster, and gold.

But dreamless long-dead Amen-hotep lies. This is a dream of Winter, sweet as Spring.

WILL YOU COME?

WILL you come? Will you come? Will you ride So late At my side? O, will you come?

Will you come? Will you come If the night Has a moon, Full and bright? O, will you come?

Would you come? Would you come If the noon Gave light, Not the moon? Beautiful, would you come?

Would you have come? Would you have come Without scorning, Had it been Still morning? Beloved, would you have come?

If you come Haste and come. Owls have cried: It grows dark To ride. Beloved, beautiful, come.

AS THE TEAM'S HEAD-BRASS

As the team's head-brass flashed out on the turn The lovers disappeared into the wood. I sat among the boughs of the fallen elm That strewed an angle of the fallow, and Watched the plough narrowing a yellow square Of charlock. Every time the horses turned Instead of treading me down, the ploughman leaned Upon the handles to say or ask a word, About the weather, next about the war. Scraping the share he faced towards the wood, And screwed along the furrow till the brass flashed Once more.

The blizzard felled the elm whose crest I sat in, by a woodpecker's round hole, The ploughman said. "When will they take it away?" "When the war's over." So the talk began-- One minute and an interval of ten, A minute more and the same interval. "Have you been out?" "No." "And don't want to, perhaps?" "If I could only come back again, I should. I could spare an arm. I shouldn't want to lose A leg. If I should lose my head, why, so, I should want nothing more. . . . Have many gone From here?" "Yes." "Many lost?" "Yes: good few. Only two teams work on the farm this year. One of my mates is dead. The second day In France they killed him. It was back in March, The very night of the blizzard, too. Now if He had stayed here we should have moved the tree." "And I should not have sat here. Everything Would have been different. For it would have been Another world." "Ay, and a better, though If we could see all all might seem good." Then The lovers came out of the wood again: The horses started and for the last time I watched the clods crumble and topple over After the ploughshare and the stumbling team.

THAW

OVER the land freckled with snow half-thawed The speculating rooks at their nests cawed And saw from elm-tops, delicate as flower of grass, What we below could not see, Winter pass.

INTERVAL

GONE the wild day: A wilder night Coming makes way For brief twilight.

Where the firm soaked road Mounts and is lost In the high beech-wood It shines almost.

The beeches keep A stormy rest, Breathing deep Of wind from the west.

The wood is black, With a misty steam. Above, the cloud pack Breaks for one gleam.

But the woodman's cot By the ivied trees Awakens not To light or breeze.

It smokes aloft Unwavering: It hunches soft Under storm's wing.

It has no care For gleam or gloom: It stays there While I shall roam,

Die, and forget The hill of trees, The gleam, the wet, This roaring peace.

LIKE THE TOUCH OF RAIN

LIKE the touch of rain she was On a man's flesh and hair and eyes When the joy of walking thus Has taken him by surprise:

With the love of the storm he burns, He sings, he laughs, well I know how, But forgets when he returns As I shall not forget her "Go now."

Those two words shut a door Between me and the blessed rain That was never shut before And will not open again.

THE PATH

RUNNING along a bank, a parapet That saves from the precipitous wood below The level road, there is a path. It serves Children for looking down the long smooth steep, Between the legs of beech and yew, to where A fallen tree checks the sight: while men and women Content themselves with the road and what they see Over the bank, and what the children tell. The path, winding like silver, trickles on, Bordered and even invaded by thinnest moss That tries to cover roots and crumbling chalk With gold, olive, and emerald, but in vain. The children wear it. They have flattened the bank On top, and silvered it between the moss With the current of their feet, year after year. But the road is houseless, and leads not to school. To see a child is rare there, and the eye Has but the road, the wood that overhangs And underyawns it, and the path that looks As if it led on to some legendary Or fancied place where men have wished to go And stay; till, sudden, it ends where the wood ends.

THE COMBE

THE Combe was ever dark, ancient and dark. Its mouth is stopped with bramble, thorn, and briar; And no one scrambles over the sliding chalk By beech and yew and perishing juniper Down the half precipices of its sides, with roots And rabbit holes for steps. The sun of Winter, The moon of Summer, and all the singing birds Except the missel-thrush that loves juniper, Are quite shut out. But far more ancient and dark The Combe looks since they killed the badger there, Dug him out and gave him to the hounds, That most ancient Briton of English beasts.

IF I SHOULD EVER BY CHANCE

IF I should ever by chance grow rich I'll buy Codham, Cockridden, and Childerditch, Roses, Pyrgo, and Lapwater, And let them all to my elder daughter. The rent I shall ask of her will be only Each year's first violets, white and lonely, The first primroses and orchises-- She must find them before I do, that is. But if she finds a blossom on furze Without rent they shall all for ever be hers, Codham, Cockridden, and Childerditch, Roses, Pyrgo and Lapwater,-- I shall give them all to my elder daughter.

WHAT SHALL I GIVE?

WHAT shall I give my daughter the younger More than will keep her from cold and hunger? I shall not give her anything. If she shared South Weald and Havering, Their acres, the two brooks running between, Paine's Brook and Weald Brook, With pewit, woodpecker, swan, and rook, She would be no richer than the queen Who once on a time sat in Havering Bower Alone, with the shadows, pleasure and power. She could do no more with Samarcand, Or the mountains of a mountain land And its far white house above cottages Like Venus above the Pleiades. Her small hands I would not cumber With so many acres and their lumber, But leave her Steep and her own world And her spectacled self with hair uncurled, Wanting a thousand little things That time without contentment brings.

IF I WERE TO OWN

IF I were to own this countryside As far as a man in a day could ride, And the Tyes were mine for giving or letting,-- Wingle Tye and Margaretting Tye,--and Skreens, Gooshays, and Cockerells, Shellow, Rochetts, Bandish, and Pickerells, Marlins, Lambkins, and Lillyputs, Their copses, ponds, roads, and ruts, Fields where plough-horses steam and plovers Fling and whimper, hedges that lovers Love, and orchards, shrubberies, walls Where the sun untroubled by north wind falls, And single trees where the thrush sings well His proverbs untranslatable, I would give them all to my son If he would let me any one For a song, a blackbird's song, at dawn. He should have no more, till on my lawn Never a one was left, because I Had shot them to put them into a pie,-- His Essex blackbirds, every one, And I was left old and alone.

Then unless I could pay, for rent, a song As sweet as a blackbird's, and as long-- No more--he should have the house, not I: Margaretting or Wingle Tye, Or it might be Skreens, Gooshays, or Cockerells, Shellow, Rochetts, Bandish, or Pickerells, Martins, Lambkins, or Lillyputs, Should be his till the cart tracks had no ruts.

AND YOU, HELEN

AND you, Helen, what should I give you? So many things I would give you Had I an infinite great store Offered me and I stood before To choose. I would give you youth, All kinds of loveliness and truth, A clear eye as good as mine, Lands, waters, flowers, wine, As many children as your heart Might wish for, a far better art Than mine can be, all you have lost Upon the travelling waters tossed, Or given to me. If I could choose Freely in that great treasure-house Anything from any shelf, I would give you back yourself, And power to discriminate What you want and want it not too late, Many fair days free from care And heart to enjoy both foul and fair, And myself, too, if I could find Where it lay hidden and it proved kind.

WHEN FIRST

WHEN first I came here I had hope, Hope for I knew not what. Fast beat My heart at sight of the tall slope Or grass and yews, as if my feet

Only by scaling its steps of chalk Would see something no other hill Ever disclosed. And now I walk Down it the last time. Never will

My heart beat so again at sight Of any hill although as fair And loftier. For infinite The change, late unperceived, this year,

The twelfth, suddenly, shows me plain. Hope now,--not health, nor cheerfulness, Since they can come and go again, As often one brief hour witnesses,--

Just hope has gone for ever. Perhaps I may love other hills yet more Than this: the future and the maps Hide something I was waiting for.

One thing I know, that love with chance And use and time and necessity Will grow, and louder the heart's dance At parting than at meeting be.

HEAD AND BOTTLE

THE downs will lose the sun, white alyssum Lose the bees' hum; But head and bottle tilted back in the cart Will never part Till I am cold as midnight and all my hours Are beeless flowers. He neither sees, nor hears, nor smells, nor thinks, But only drinks, Quiet in the yard where tree trunks do not lie More quietly.

AFTER YOU SPEAK

AFTER you speak And what you meant Is plain, My eyes Meet yours that mean-- With your cheeks and hair-- Something more wise, More dark, And far different. Even so the lark Loves dust And nestles in it The minute Before he must Soar in lone flight So far, Like a black star He seems-- A mote Of singing dust Afloat Above, That dreams And sheds no light. I know your lust Is love.

SOWING

IT was a perfect day For sowing; just As sweet and dry was the ground As tobacco-dust.

I tasted deep the hour Between the far Owl's chuckling first soft cry And the first star.

A long stretched hour it was; Nothing undone Remained; the early seeds All safely sown.

And now, hark at the rain, Windless and light, Half a kiss, half a tear, Saying good-night.

WHEN WE TWO WALKED

WHEN we two walked in Lent We imagined that happiness Was something different And this was something less.

But happy were we to hide Our happiness, not as they were Who acted in their pride Juno and Jupiter:

For the Gods in their jealousy Murdered that wife and man, And we that were wise live free To recall our happiness then.

IN MEMORIAM (Easter, 1915)

THE flowers left thick at nightfall in the wood This Eastertide call into mind the men, Now far from home, who, with their sweethearts, should Have gathered them and will do never again.

FIFTY FAGGOTS

THERE they stand, on their ends, the fifty faggots That once were underwood of hazel and ash In Jenny Pinks's Copse. Now, by the hedge Close packed, they make a thicket fancy alone Can creep through with the mouse and wren. Next Spring A blackbird or a robin will nest there, Accustomed to them, thinking they will remain Whatever is for ever to a bird: This Spring it is too late; the swift has come. 'Twas a hot day for carrying them up: Better they will never warm me, though they must Light several Winters' fires. Before they are done The war will have ended, many other things Have ended, maybe, that I can no more Foresee or more control than robin and wren.

WOMEN HE LIKED

WOMEN he liked, did shovel-bearded Bob, Old Farmer Hayward of the Heath, but he Loved horses. He himself was like a cob, And leather-coloured. Also he loved a tree.

For the life in them he loved most living things, But a tree chiefly. All along the lane He planted elms where now the stormcock sings That travellers hear from the slow-climbing train.

Till then the track had never had a name For all its thicket and the nightingales That should have earned it. No one was to blame. To name a thing beloved man sometimes fails.

Many years since, Bob Hayward died, and now None passes there because the mist and the rain Out of the elms have turned the lane to slough And gloom, the name alone survives, Bob's Lane.

EARLY ONE MORNING

EARLY one morning in May I set out, And nobody I knew was about. I'm bound away for ever, Away somewhere, away for ever.

There was no wind to trouble the weathercocks. I had burnt my letters and darned my socks.

No one knew I was going away, I thought myself I should come back some day.

I heard the brook through the town gardens run. O sweet was the mud turned to dust by the sun.

A gate banged in a fence and banged in my head. "A fine morning, sir." a shepherd said.

I could not return from my liberty, To my youth and my love and my misery.

The past is the only dead thing that smells sweet, The only sweet thing that is not also fleet. I'm bound away for ever, Away somewhere, away for ever.

THE CHERRY TREES

THE cherry trees bend over and are shedding On the old road where all that passed are dead, Their petals, strewing the grass as for a wedding This early May morn when there is none to wed.

IT RAINS

IT rains, and nothing stirs within the fence Anywhere through the orchard's untrodden, dense Forest of parsley. The great diamonds Of rain on the grassblades there is none to break, Or the fallen petals further down to shake.

And I am nearly as happy as possible To search the wilderness in vain though well, To think of two walking, kissing there, Drenched, yet forgetting the kisses of the rain: Sad, too, to think that never, never again,

Unless alone, so happy shall I walk In the rain. When I turn away, on its fine stalk Twilight has fined to naught, the parsley flower Figures, suspended still and ghostly white, The past hovering as it revisits the light.

THE HUXTER

HE has a hump like an ape on his back; He has of money a plentiful lack; And but for a gay coat of double his girth There is not a plainer thing on the earth This fine May morning.

But the huxter has a bottle of beer; He drives a cart and his wife sits near Who does not heed his lack or his hump; And they laugh as down the lane they bump This fine May morning.

A GENTLEMAN

"HE has robbed two clubs. The judge at Salisbury Can't give him more than he undoubtedly Deserves. The scoundrel! Look at his photograph! A lady-killer! Hanging's too good by half For such as he." So said the stranger, one With crimes yet undiscovered or undone. But at the inn the Gipsy dame began: "Now he was what I call a gentleman. He went along with Carrie, and when she Had a baby he paid up so readily His half a crown. Just like him. A crown'd have been More like him. For I never knew him mean. Oh! but he was such a nice gentleman. Oh! Last time we met he said if me and Joe Was anywhere near we must be sure and call. He put his arms around our Amos all As if he were his own son. I pray God Save him from justice! Nicer man never trod."

THE BRIDGE

I HAVE come a long way to-day: On a strange bridge alone, Remembering friends, old friends, I rest, without smile or moan, As they remember me without smile or moan.

All are behind, the kind And the unkind too, no more To-night than a dream. The stream Runs softly yet drowns the Past, The dark-lit stream has drowned the Future and the Past.

No traveller has rest more blest Than this moment brief between Two lives, when the Night's first lights And shades hide what has never been, Things goodlier, lovelier, dearer, than will be or have been.

LOB

AT hawthorn-time in Wiltshire travelling In search of something chance would never bring, An old man's face, by life and weather cut And coloured,--rough, brown, sweet as any nut,-- A land face, sea-blue-eyed,--hung in my mind When I had left him many a mile behind. All he said was: "Nobody can't stop 'ee. It's A footpath, right enough. You see those bits Of mounds--that's where they opened up the barrows Sixty years since, while I was scaring sparrows. They thought as there was something to find there, But couldn't find it, by digging, anywhere."

To turn back then and seek him, where was the use? There were three Manningfords,--Abbots, Bohun, and Bruce: And whether Alton, not Manningford, it was, My memory could not decide, because There was both Alton Barnes and Alton Priors. All had their churches, graveyards, farms, and byres, Lurking to one side up the paths and lanes, Seldom well seen except by aeroplanes; And when bells rang, or pigs squealed, or cocks crowed, Then only heard. Ages ago the road Approached. The people stood and looked and turned, Nor asked it to come nearer, nor yet learned To move out there and dwell in all men's dust. And yet withal they shot the weathercock, just Because 'twas he crowed out of tune, they said: So now the copper weathercock is dead. If they had reaped their dandelions and sold Them fairly, they could have afforded gold.

Many years passed, and I went back again Among those villages, and looked for men Who might have known my ancient. He himself Had long been dead or laid upon the shelf, I thought. One man I asked about him roared At my description: "'Tis old Bottlesford He means, Bill." But another said: "Of course, It was Jack Button up at the White Horse. He's dead, sir, these three years." This lasted till A girl proposed Walker of Walker's Hill, "Old Adam Walker. Adam's Point you'll see Marked on the maps."