Chapter 2

I would the day might come, so waited for, So patiently besought, When I, returning, should fill up once more Thy desolated thought;

And fill thy loneliness that lies apart In still, persistent pain. Shall I content thee, O thou broken heart, As the tide comes again,

And brims the little sea-shore lakes, and sets Seaweeds afloat, and fills The silent pools, rivers and rivulets Among the inland hills?

SONG

My Fair, no beauty of thine will last Save in my love's eternity. Thy smiles, that light thee fitfully, Are lost for ever--their moment past-- Except the few thou givest to me.

Thy sweet words vanish day by day, As all breath of mortality; Thy laughter, done, must cease to be, And all thy dear tones pass away, Except the few that sing to me.

Hide then within my heart, oh, hide All thou art loth should go from thee. Be kinder to thyself and me. My cupful from this river's tide Shall never reach the long sad sea.

SONNET--IN FEBRUARY

Rich meanings of the prophet-Spring adorn, Unseen, this colourless sky of folded showers, And folded winds; no blossom in the bowers. A poet's face asleep is this grey morn.

Now in the midst of the old world forlorn A mystic child is set in these still hours. I keep this time, even before the flowers, Sacred to all the young and the unborn;

To all the miles and miles of unsprung wheat, And to the Spring waiting beyond the portal, And to the future of my own young art,

And, among all these things, to you, my sweet, My friend, to your calm face and the immortal Child tarrying all your life-time in your heart.

SAN LORENZO GIUSTINIANI'S MOTHER

I had not seen my son's dear face (He chose the cloister by God's grace) Since it had come to full flower-time. I hardly guessed at its perfect prime, That folded flower of his dear face.

Mine eyes were veiled by mists of tears When on a day in many years One of his Order came. I thrilled, Facing, I thought, that face fulfilled. I doubted, for my mists of tears.

His blessing be with me for ever! My hope and doubt were hard to sever. --That altered face, those holy weeds. I filled his wallet and kissed his beads, And lost his echoing feet for ever.

If to my son my alms were given I know not, and I wait for Heaven. He did not plead for child of mine, But for another Child divine, And unto Him it was surely given.

There is One alone who cannot change; Dreams are we, shadows, visions strange; And all I give is given to One. I might mistake my dearest son, But never the Son who cannot change.

SONNET--THE LOVE OF NARCISSUS

Like him who met his own eyes in the river, The poet trembles at his own long gaze That meets him through the changing nights and days From out great Nature; all her waters quiver With his fair image facing him for ever; The music that he listens to betrays His own heart to his ears; by trackless ways His wild thoughts tend to him in long endeavour.

His dreams are far among the silent hills; His vague voice calls him from the darkened plain With winds at night; strange recognition thrills His lonely heart with piercing love and pain; He knows his sweet mirth in the mountain rills, His weary tears that touch him with the rain.

TO A LOST MELODY

Thou art not dead, O sweet lost melody, Sung beyond memory, When golden to the winds this world of ours Waved wild with boundless flowers; Sung in some past when wildernesses were,-- Not dead, not dead, lost air! Yet in the ages long where lurkest thou, And what soul knows thee now? Wert thou not given to sweeten every wind From that o'erburdened mind That bore thee through the young world, and that tongue By which thou first wert sung? Was not the holy choir the endless dome, And nature all thy home? Did not the warm gale clasp thee to his breast. Lulling thy storms to rest? And is the June air laden with thee now, Passing the summer-bough? And is the dawn-wind on a lonely sea Balmy with thoughts of thee? To rock on daybreak winds dost thou rejoice, As first on his strong voice Whose radiant morning soul did give thee birth, Gave thee to heaven and earth? Or did each bird win one dear note of thee To pipe eternally? Art thou the secret of the small field-flowers Nodding thy time for hours, --Blown by the happy winds from hill to hill, And such a secret still? Or wert thou rapt awhile to other spheres To gladden tenderer ears? Doth music's soul contain thee, precious air, Sleepest thou clasped there, Until a time shall come for thee to start Into some unborn heart? Then wilt thou as the clouds of ages roll, Thou migratory soul, Amid a different, wilder, wilderness --In crowds that throng and press, Revive thy blessed cadences forgotten In some soul new-begotten? Oh, wilt thou ever tire of thy long rest On nature's silent breast? And wilt thou leave thy rainbow showers, to bear A part in human care? --Forsake thy boundless silence to make choice Of some pathetic voice? --Forsake thy stars, thy suns, thy moons, thy skies For man's desiring sighs?

SONNET--THE POET TO NATURE

I have no secrets from thee, lyre sublime, My lyre whereof I make my melody. I sing one way like the west wind through thee, With my whole heart, and hear thy sweet strings chime.

But thou, who soundest in my tune and rhyme, Hast tones I wake not, in thy land and sea, Loveliness not for me, secrets from me, Thoughts for another, and another time.

And as, the west wind passed, the south wind alters His intimate sweet things, his hues of noon, The voices of his waves, sound of his pine,

The meanings of his lost heart,--this thought falters In my short song--'Another bard shall tune Thee, my one Lyre, to other songs than mine.'

THE POET TO HIS CHILDHOOD

In my thought I see you stand with a path on either hand, --Hills that look into the sun, and there a river'd meadow-land. And your lost voice with the things that it decreed across me thrills, When you thought, and chose the hills.

'If it prove a life of pain, greater have I judged the gain. With a singing soul for music's sake, I climb and meet the rain, And I choose, whilst I am calm, my thought and labouring to be Unconsoled by sympathy.'

But how dared you use me so? For you bring my ripe years low To your child's whim and a destiny your child-soul could not know. And that small voice legislating I revolt against, with tears. But you mark not, through the years.

'To the mountain leads my way. If the plains are green to-day, These my barren hills are flushing faintly, strangely, in the May, With the presence of the Spring amongst the smallest flowers that grow.' But the summer in the snow?

Do you know, who are so bold, how in sooth the rule will hold, Settled by a wayward child's ideal at some ten years old? --How the human arms you slip from, thoughts and love you stay not for, Will not open to you more?

You were rash then, little child, for the skies with storms are wild, And you faced the dim horizon with its whirl of mists, and smiled, Climbed a little higher, lonelier, in the solitary sun, To feel how the winds came on.

But your sunny silence there, solitude so light to bear, Will become a long dumb world up in the colder sadder air, And the little mournful lonelinesses in the little hills Wider wilderness fulfils.

And if e'er you should come down to the village or the town, With the cold rain for your garland, and the wind for your renown, You will stand upon the thresholds with a face or dumb desire, Nor be known by any fire.

It is memory that shrinks. You were all too brave, methinks, Climbing solitudes of flowering cistus and the thin wild pinks, Musing, setting to a haunting air in one vague reverie All the life that was to be.

With a smile do I complain in the safety of the pain, Knowing that my feet can never quit their solitudes again; But regret may turn with longing to that one hour's choice you had, When the silence broodeth sad.

I rebel _not_, child gone by, but obey you wonderingly, For you knew not, young rash speaker, all you spoke, and now will I, With the life, and all the loneliness revealed that you thought fit, Sing the Amen, knowing it.

SONNET

A poet of one mood in all my lays, Ranging all life to sing one only love, Like a west wind across the world I move, Sweeping my harp of floods mine own wild ways.

The countries change, but not the west-wind days Which are my songs. My soft skies shine above, And on all seas the colours of a dove, And on all fields a flash of silver greys.

I make the whole world answer to my art And sweet monotonous meanings. In your ears I change not ever, bearing, for my part, One thought that is the treasure of my years, A small cloud full of rain upon my heart And in mine arms, clasped, like a child in tears.

AN UNMARKED FESTIVAL

There's a feast undated yet: Both our true lives hold it fast,-- The first day we ever met. What a great day came and passed! --Unknown then, but known at last.

And we met: You knew not me, Mistress of your joys and fears; Held my hands that held the key Of the treasure of your years, Of the fountain of your tears.

For you knew not it was I, And I knew not it was you. We have learnt, as days went by. But a flower struck root and grew Underground, and no one knew.

Days of days! Unmarked it rose, In whose hours we were to meet; And forgotten passed. Who knows, Was earth cold or sunny, Sweet, At the coming of your feet?

One mere day, we thought; the measure Of such days the year fulfils. Now, how dearly would we treasure Something from its fields, its rills, And its memorable hills;

--But one leaf of oak or lime, Or one blossom from its bowers No one gathered at the time. Oh, to keep that day of ours By one relic of its flowers!

SONNET--THE NEOPHYTE

Who knows what days I answer for to-day: Giving the bud I give the flower. I bow This yet unfaded and a faded brow; Bending these knees and feeble knees, I pray.

Thoughts yet unripe in me I bend one way, Give one repose to pain I know not now, One leaven to joy that comes, I guess not how. I dedicate my fields when Spring is grey.

Oh, rash! (I smile) to pledge my hidden wheat. I fold to-day at altars far apart Hands trembling with what toils? In their retreat I seal my love to-be, my folded art. I light the tapers at my head and feet, And lay the crucifix on this silent heart.

SONNET--SPRING ON THE ALBAN HILLS

O'er the Campagna it is dim warm weather; The Spring comes with a full heart silently, And many thoughts; a faint flash of the sea Divides two mists; straight falls the falling feather.

With wild Spring meanings hill and plain together Grow pale, or just flush with a dust of flowers. Rome in the ages, dimmed with all her towers, Floats in the midst, a little cloud at tether.

I fain would put my hands about thy face, Thou with thy thoughts, who art another Spring, And draw thee to me like a mournful child.

Thou lookest on me from another place; I touch not this day's secret, nor the thing That in the silence makes thy sweet eyes wild.

SONG OF THE NIGHT AT DAYBREAK

All my stars forsake me, And the dawn-winds shake me. Where shall I betake me?

Whither shall I run Till the set of sun, Till the day be done?

To the mountain-mine, To the boughs o' the pine, To the blind man's eyne,

To a brow that is Bowed upon the knees, Sick with memories.

SONNET--TO A DAISY

Slight as thou art, thou art enough to hide, Like all created things, secrets from me, And stand a barrier to eternity. And I, how can I praise thee well and wide?

From where I dwell--upon the hither side? Thou little veil for so great mystery, When shall I penetrate all things and thee, And then look back? For this I must abide,

Till thou shalt grow and fold and be unfurled Literally between me and the world. Then I shall drink from in beneath a spring,

And from a poet's side shall read his book. O daisy mine, what will it be to look From God's side even of such a simple thing?

SONNET--TO ONE POEM IN A SILENT TIME

Who looked for thee, thou little song of mine? This winter of a silent poet's heart Is suddenly sweet with thee, but what thou art, Mid-winter flower, I would I could divine.

Art thou a last one, orphan of thy line? Did the dead summer's last warmth foster thee? Or is Spring folded up unguessed in me, And stirring out of sight,--and thou the sign?

Where shall I look--backwards or to the morrow For others of thy fragrance, secret child? Who knows if last things or if first things claim thee?

--Whether thou be the last smile of my sorrow, Or else a joy too sweet, a joy too wild? How, my December violet, shall I name thee?

FUTURE POETRY

No new delights to our desire The singers of the past can yield. I lift mine eyes to hill and field, And see in them your yet dumb lyre, Poets unborn and unrevealed.

Singers to come, what thoughts will start To song? what words of yours be sent Through man's soul, and with earth be blent? These worlds of nature and the heart Await you like an instrument.

Who knows what musical flocks of words Upon these pine-tree tops will light, And crown these towers in circling flight And cross these seas like summer birds, And give a voice to the day and night?

Something of you already is ours; Some mystic part of you belongs To us whose dreams your future throngs, Who look on hills, and trees, and flowers, Which will mean so much in your songs.

I wonder, like the maid who found, And knelt to lift, the lyre supreme Of Orpheus from the Thracian stream. She dreams on its sealed past profound; On a deep future sealed I dream.

She bears it in her wanderings Within her arms, and has not pressed Her unskilled fingers, but her breast Upon those silent sacred strings; I, too, clasp mystic strings at rest.

For I, i' the world of lands and seas, The sky of wind and rain and fire, And in man's world of long desire-- In all that is yet dumb in these-- Have found a more mysterious lyre.

THE POET SINGS TO HER POET

THE MOON TO THE SUN

As the full moon shining there To the sun that lighteth her Am I unto thee for ever, O my secret glory-giver! O my light, I am dark but fair, Black but fair.

Shine, Earth loves thee! And then shine And be loved through thoughts of mine. All thy secrets that I treasure I translate them at my pleasure. I am crowned with glory of thine. Thine, not thine.

I make pensive thy delight, And thy strong gold silver-white. Though all beauty of nine thou makest, Yet to earth which thou forsakest I have made thee fair all night, Day all night.

A POET'S SONNET

If I should quit thee, sacrifice, forswear, To what, my art, shall I give thee in keeping? To the long winds of heaven? Shall these come sweeping My songs forgone against my face and hair?

Or shall the mountain streams my lost joys bear, My past poetic pain in the rain be weeping? No, I shall live a poet waking, sleeping, And I shall die a poet unaware.

From me, my art, thou canst not pass away; And I, a singer though I cease to sing, Shall own thee without joy in thee or woe.

Through my indifferent words of every day, Scattered and all unlinked the rhymes shall ring And make my poem; and I shall not know.

THE MODERN POET

A SONG OF DERIVATIONS

I come from nothing; but from where Come the undying thoughts I bear? Down, through long links of death and birth, From the past poets of the earth. My immortality is there.

I am like the blossom of an hour. But long, long vanished sun and shower Awoke my breath i' the young world's air. I track the past back everywhere Through seed and flower and seed and flower.

Or I am like a stream that flows Full of the cold springs that arose In morning lands, in distant hills; And down the plain my channel fills With melting of forgotten snows.

Voices, I have not heard, possessed My own fresh songs; my thoughts are blessed With relics of the far unknown. And mixed with memories not my own The sweet streams throng into my breast.

Before this life began to be, The happy songs that wake in me Woke long ago and far apart. Heavily on this little heart Presses this immortality.

AFTER A PARTING

Farewell has long been said; I have forgone thee; I never name thee even. But how shall I learn virtues and yet shun thee? For thou art so near Heaven That heavenward meditations pause upon thee.

Thou dost beset the path to every shrine; My trembling thoughts discern Thy goodness in the good for which I pine; And if I turn from but one sin, I turn Unto a smile of thine.

How shall I thrust thee apart Since all my growth tends to thee night and day-- To thee faith, hope, and art? Swift are the currents setting all one way; They draw my life, my life, out of my heart.

RENOUNCEMENT

I must not think of thee; and, tired yet strong, I shun the thought that lurks in all delight-- The thought of thee--and in the blue Heaven's height, And in the sweetest passage of a song.

Oh, just beyond the fairest thoughts that throng This breast, the thought of thee waits, hidden yet bright; But it must never, never come in sight; I must stop short of thee the whole day long.

But when sleep comes to close each difficult day, When night gives pause to the long watch I keep, And all my bonds I needs must loose apart,

Must doff my will as raiment laid away,-- With the first dream that comes with the first sleep I run, I run, I am gathered to thy heart.

VENI CREATOR

So humble things Thou hast borne for us, O God, Left'st Thou a path of lowliness untrod? Yes, one, till now; another Olive-Garden. For we endure the tender pain of pardon,-- One with another we forbear. Give heed, Look at the mournful world Thou hast decreed. The time has come. At last we hapless men Know all our haplessness all through. Come, then, Endure undreamed humility: Lord of Heaven, Come to our ignorant hearts and be forgiven.