Chapter 2

In so far as one may see turning points in a tangle of yarn, or count dewdrops on a morning cobweb, I may say that a few evenings with my friend J---- were the decisive vibration that moved one more minor poet toward the privilege and penalty of Parnassus. One cannot nicely decipher such fragile causes and effects. It was a year later before the matter became serious enough to enforce abandoning library copies of Keats and buying an edition of my own. And this, too, may have been not unconnected with the gracious influence of the other sex as exhibited in a neighbouring athenæum; and was accompanied by a gruesome spate of florid lyrics: some (happily) secret, and some exposed with needless hardihood in a college magazine. The world, which has looked leniently upon many poetical minorities, regards such frenzies with tolerant charity and forgetfulness. But the wretch concerned may be pardoned for looking back in a mood of lingering enlargement. As Sir Philip Sidney put it, "Self-love is better than any gilding to make that seem gorgeous wherein ourselves be parties."

* * * * *

There is a vast deal of nonsense written and uttered about poetry. In an age when verses are more noisily and fluently circulated than ever before, it might seem absurd to plead in the Muse's defence. Yet poetry and the things poets love are pitifully weak to-day. In essence, poetry is the love of life--not mere brutish tenacity of sensation, but a passion for all the honesties that make life free and generous and clean. For two thousand years poets have mocked and taunted the cruelties and follies of men, but to what purpose? Wordsworth said: "In spite of difference of soil and climate, of language and manners, of laws and customs, in spite of things silently gone out of mind, and things violently destroyed, the Poet binds together by passion and knowledge the vast empire of human society, as it is spread over the whole earth, and over all time." Sometimes it seems as though "things violently destroyed," and the people who destroy them, are too strong for the poets. Where, now, do we see any cohesive binding together of humanity? Are we nearer these things than when Wordsworth and Coleridge walked and talked on the Quantock Hills or on that immortal road "between Porlock and Linton"? Hardy writes "The Dynasts," Joseph Conrad writes his great preface to "The Nigger of the _Narcissus_," but do the destroyers hear them? Have you read again, since the War, Gulliver's "Voyage to the Houyhnhnms," or Herman Melville's "Moby Dick"? These men wrote, whether in verse or prose, in the true spirit of poets; and Swift's satire, which the text-book writers all tell you is so gross and savage as to suggest the author's approaching madness, seems tender and suave by comparison with what we know to-day.

Poetry is the log of man's fugitive castaway soul upon a doomed and derelict planet. The minds of all men plod the same rough roads of sense; and in spite of much knavery, all win at times "an ampler ether, a diviner air." The great poets, our masters, speak out of that clean freshness of perception. We hear their voices--

I there before thee, in the country that well thou knowest, Already arrived am inhaling the odorous air.

So it is not vain, perhaps, to try clumsily to tell how this delicious uneasiness first captured the spirit of one who, if not a poet, is at least a lover of poetry. Thus he first looked beyond the sunset; stood, if not on Parnassus, tiptoe upon a little hill. And overhead a great wind was blowing.

THE OLD RELIABLE

"Express train stalled in a snowdrift," said one. "The irascible old white-haired gentleman in the Pullman smoker; the good-natured travelling salesman; the wistful young widow in the day coach, with her six-year-old blue-eyed little daughter. A coal-black Pullman porter who braves the shrieking gale to bring in a tree from the copse along the track. Red-headed brakeman (kiddies of his own at home), frostbitten by standing all night between the couplings, holding parts of broken steampipe together so the Pullman car will keep warm. Young widow and her child, of course, sleeping in the Pullman; white-haired old gentleman vacates his berth in their favour. Good-natured travelling salesman up all night, making cigar-band decorations for the Tree, which is all ready in the dining car in the morning----"

* * * * *

"Old English inn on a desolate moor," said another. "Bright fire of coals in the coffee room, sporting prints, yellow old newspaper cutting framed on the mantelpiece describing gruesome murder committed in the house in 1760. Terrible night of storm--sleet tingling on the panes; crimson curtains fluttering in the draught; roads crusted with ice; savoury fumes of roast goose, plum pudding, and brandy. Pretty chambermaid in evident anxiety about something; guest tries to kiss her in the corridor; she's too distrait to give the matter proper attention. She has heard faint agonized cries above the howling of the gale----"

* * * * *

"I like the sound of hymns," ventured a third. "Frosty vestibule of fashionable church, rolling thunders of the organ, fringes of icicles silvered by moonlight, poor old Salvation Army Santa Claus shivering outside and tinkling his pathetic little bell. Humane note: those scarlet Christmas robes of the Army not nearly as warm as they look. Hard-hearted vestryman, member of old Knickerbocker family, always wears white margins on his vest, suddenly touched by compassion, empties the collection plate into Santa's bucket. Santa hurries off to the S.A. headquarters crying 'The little ones will bless you for this.' Vestryman accused of having pocketed the collection, dreadful scandal, too proud to admit what he had done with it----"

* * * * *

"Christmas Eve in the Ambrose Channel," cried a fourth. "A blizzard blowing. The pilot boat, sheathed with ice, wallowing in the teeth of the blinding storm, beats her way up to the lee of the great liner. The pilot, suddenly taken ill, lies gasping on the sofa of the tiny cabin. Impossible for him to take the great liner into port; 2,000 passengers eager to get home for Christmas. But who is this gallant little figure darting up the rope ladder with fluttering skirts? The pilot's fourteen-year-old daughter. '_I_ will take the _Nausea_ to her berth! I've spent all my life in the Bay, and know every inch of the channel.' Rough quartermaster weeps as she takes the wheel from his hands. 'Be easy in your mind, Captain,' she says; 'but before the customs men come aboard tell me one thing--have you got that bottle of Scotch for my Daddy?'"

* * * * *

"Big New York department store," insisted the fifth. "Beautiful dark-haired salesgirl at the silk stocking counter. Her slender form trembles with fatigue, but she greets all customers with brave, sweet courtesy. Awful crush, every one buying silk stockings. Kindly floorwalker, sees she is overtaxed, suggests she leave early. Dark girl refuses; says she must be faithful to the Christmas spirit; moreover, she daren't face the evening battle on the subway. Handsome man comes to the counter to buy. Suddenly a scream, a thud, horrified outcries. Hold back the crowd! Call a physician! No good; handsome man, dead, murdered. Dark-haired girl, still holding the fatal hat-pin, taken in custody, crying hysterically 'When he gave me his name, I couldn't help it. He's the one who has caused all the trouble!' Floorwalker reverently covers the body with a cloth, then looks at the name on the sales slip. 'Gosh,' he cries, aghast, 'it's Coles Phillips!'"

* * * * *

The gathering broke up, and the five men strolled out into the blazing August sunshine. The sultry glow of midsummer beat down upon them, but their thoughts were far away. They were five popular authors comparing notes on the stories they were writing for the Christmas magazines.

IN MEMORIAM FRANCIS BARTON GUMMERE

I often wonder what inward pangs of laughter or despair he may have felt as he sat behind the old desk in Chase Hall and watched us file in, year after year! Callow, juvenile, ignorant, and cocksure--grotesquely confident of our own manly fulness of worldly _savoir_--an absurd rabble of youths, miserable flint-heads indeed for such a steel! We were the most unpromising of all material for the scholar's eye; comfortable, untroubled middle-class lads most of us, to whom study was neither a privilege nor a passion, but only a sober and decent way of growing old enough to enter business.

We did not realize how accurately--and perhaps a trifle grimly--the strong, friendly face behind the desk was searching us and sizing us up. He knew us for what we were--a group of nice boys, too sleek, too cheerfully secure, to show the ambition of the true student. There was among us no specimen of the lean and dogged crusader of learning that kindles the eye of the master: no fanatical Scot, such as rejoices the Oxford or Cambridge don; no liquid-orbed and hawk-faced Hebrew with flushed cheek bones, such as sets the pace in the class-rooms of our large universities. No: we were a hopelessly mediocre, well-fed, satisfied, and characteristically Quakerish lot. As far as the battle for learning goes, we were pacifists--conscientious objectors.

It is doubtful whether any really great scholar ever gave the best years of his life to so meagrely equipped a succession of youngsters! I say this candidly, and it is well it should be said, for it makes apparent the true genius of Doctor Gummere's great gift. He turned this following of humble plodders into lovers and zealots of the great regions of English letters. There was something knightly about him--he, the great scholar, who would never stoop to scoff at the humblest of us. It might have been thought that his shining gifts were wasted in a small country college, where not one in fifty of his pupils could follow him into the enchanted lands of the imagination where he was fancy-free. But it was not so. One may meet man after man, old pupils of his, who have gone on into the homely drudging rounds of business, the law, journalism--men whose faces will light up with affection and remembrance when Doctor Gummere's name is mentioned. We may have forgotten much of our Chaucer, our Milton, our Ballads--though I am sure we have none of us forgotten the deep and thrilling vivacity of his voice reciting:

O where hae ye been, Lord Randal, my son? O where hae ye been, my handsome young man? I hae been to the wild wood; mither, make my bed soon, For I'm weary wi' hunting and fain wald lie doun.

But what we learned from him lay in the very charm of his personality. It was a spell that no one in his class-room could escape. It shone from his sparkling eye; it spoke in his irresistible humour; it moved in every line of that well-loved face, in his characteristic gesture of leaning forward and tilting his head a little to one side as he listened, patiently, to whatever juvenile surmises we stammered to express. It was the true learning of which his favourite Sir Philip Sidney said:

This purifying of wit, this enriching of memory, enabling of judgment, and enlarging of conceit, which commonly we call learning, under what name soever it come forth or to what immediate end soever it be directed, the final end is to lead and draw us to as high a perfection as our degenerate souls, made worse by their clay lodgings, can be capable of.

Indeed, just to listen to him was a purifying of wit, an enriching of memory, an enabling of judgment, an enlarging of imagination. He gave us "so sweet a prospect into the way as will entice any man to enter into it."

He moved among all human contacts with unerring grace. He was never the teacher, always the comrade. It was his way to pretend that we knew far more than we did; so with perfect courtesy and gravity, he would ask our opinion on some matter of which we knew next to nothing; and we knew it was only his exquisiteness of good manners that impelled the habit; and we knew he knew the laughableness of it; yet we adored him for it. He always suited his strength to our weakness; would tell us things almost with an air of apology for seeming to know more than we; pretending that we doubtless had known it all along, but it had just slipped our memory. Marvellously he set us on our secret honour to do justice to this rare courtesy. To fail him in some task he had set became, in our boyish minds, the one thing most abhorrent in dealing with such a man--a discourtesy. He was a man of the rarest and most delicate breeding, the finest and truest gentleman we had known. Had he been nothing else, how much we would have learnt from that alone.

What a range, what a grasp, there was in his glowing, various mind! How open it was on all sides, how it teemed with interests, how different from the scholar of silly traditional belief! We used to believe that he could have taught us history, science, economics, philosophy--almost anything; and so indeed he did. He taught us to go adventuring among masterpieces on our own account, which is the most any teacher can do. Luckiest of all were those who, on one pretext or another, found their way to his fireside of an evening. To sit entranced, smoking one of his cigars,[*] to hear him talk of Stevenson, Meredith, or Hardy--(his favourites among the moderns) to marvel anew at the infinite scope and vivacity of his learning--this was to live on the very doorsill of enchantment. Homeward we would go, crunching across the snow to where Barclay crowns the slope with her evening blaze of lights, one glimpse nearer some realization of the magical colours and tissues of the human mind, the rich perplexity and many-sided glamour of life.

[* It was characteristic of him that he usually smoked _Robin Hood_, that admirable 5-cent cigar, because the name, and the picture of an outlaw on the band, reminded him of the 14th century Ballads he knew by heart.]

It is strange (as one reviews all the memories of that good friend and master) to think that there is now a new generation beginning at Haverford that will never know his spell. There is a heavy debt on his old pupils. He made life so much richer and more interesting for us. Even if we never explored for ourselves the fields of literature toward which he pointed, his radiant individuality remains in our hearts as a true exemplar of what scholarship can mean. We can never tell all that he meant to us. Gropingly we turn to little pictures in memory. We see him crossing Cope Field in the green and gold of spring mornings, on his way to class. We see him sitting on the verandah steps of his home on sunny afternoons, full of gay and eager talk on a thousand diverse topics. He little knew, I think, how we hung upon his words. I can think of no more genuine tribute than this: that in my own class--which was a notoriously cynical and scoffish band of young sophisters--when any question of religious doubt or dogma arose for discussion among some midnight group, someone was sure to say, "I wish I knew what Doctor Gummere thought about it!" We felt instinctively that what he thought would have been convincing enough for us.

He was a truly great man. A greater man than we deserved, and there is a heavy burden upon us to justify the life that he gave to our little college. He has passed into the quiet and lovely tradition that surrounds and nourishes that place we all love so well. Little by little she grows, drawing strength and beauty from human lives around her, confirming herself in honour and remembrance. The teacher is justified by his scholars. Doctor Gummere might have gone elsewhere, surrounded by a greater and more ambitiously documented band of pupils. He whom we knew as the greatest man we had ever seen, moved little outside the world of learning. He gave himself to us, and we are the custodians of his memory.

Every man who loved our vanished friend must know with what realization of shamed incapacity one lays down the tributary pen. He was so strong, so full of laughter and grace, so truly a man, his long vacation still seems a dream, and we feel that somewhere on the well-beloved campus we shall meet him and feel that friendly hand. In thinking of him I am always reminded of that fine old poem of Sir Henry Wotton, a teacher himself, the provost of Eton, whose life has been so charmingly written by another Haverfordian--(Logan Pearsall Smith).

THE CHARACTER OF A HAPPY LIFE

How happy is he born and taught That serveth not another's will; Whose armour is his honest thought, And simple truth his utmost skill!

Whose passions not his masters are; Whose soul is still prepared for death Not tied unto the world by care Of public fame or private breath;

Who envies none that chance doth raise, Nor vice; who never understood How deepest wounds are given by praise; Nor rules of state, but rules of good;

Who hath his life from rumours freed; Whose conscience is his strong retreat; Whose state can neither flatterers feed, Nor ruin make oppressors great;

Who God doth late and early pray More of His grace than gifts to lend; And entertains the harmless day With a well-chosen book or friend;

This man is freed from servile bands Of hope to rise or fear to fall: Lord of himself, though not of lands, And having nothing, yet hath all.

Such was the Happy Man as Sir Henry Wotton described him. Such, I think, was the life of our friend. I think it must have been a happy life, for he gave so much happiness to others.

ADVENTURES AT LUNCH TIME

This window by which we sit is really very trying to our spirit. On a clear fluid blue day the sunlight pours over the cliffs and craggy coves and angles of the great buildings round St. Paul's churchyard. We can see the temptation of being a cubist painter as we study all those intersecting planes of light and shadow. Across the way, on Fulton Street, above the girl in a green hat who is just now ingurgitating a phial of orangeade, there are six different roof levels, rising like steps toward the gold lightning bolts of the statue on top of the Telephone and Telegraph Building. Each of these planes carries its own particular impact of light or shadow. The sunshine seems to flow like an impalpable cataract over the top of the Hudson Terminal, breaking and shining in a hundred splashes and pools of brightness among the stone channels below. Far down the course of Church Street we can see the top floors of the Whitehall Building. We think of the little gilt ball that darts and dances so merrily in the fountain jet in front of that building. We think of the merry mercators of the Whitehall Club sitting at lunch on the cool summit of that great edifice. We think of the view as seen from there, the olive-coloured gleam of the water, the ships and tugs speckled about the harbour. And, looking down, we can see a peaceful gentleman sitting on a bench in St. Paul's graveyard, reading a book. We think seriously of writing a note, "_What are you reading?_" and weighting it with an inkwell and hurling it down to him. This window continually draws our mind outward and sets us speculating, when we ought to be answering letters or making inquiries of coal dealers as to whether there is any chance of getting a supply for next winter.

* * * * *

On such a day, having in mind that we ought to write another chapter of our book "How to Spend Three Hours at Lunch Time," we issued forth with Endymion to seek refreshment. It was a noontide to stir even the most carefully fettered bourgeois to impulses of escapade and foray. What should we do? At first we had some thought of showing to Endymion the delightful subterranean passage that leads from the cathedral grottoes of the Woolworth Building to the City Hall subway station, but we decided we could not bear to leave the sunlight. So we chose a path at random and found ourselves at the corner of Beekman and Gold streets.

Now our intention was to make tracks toward Hanover Square and there to consider the world as viewed over the profile of a slab of cheesecake; but on viewing the agreeable old house at the corner of Gold Street--"The Old Beekman, Erected 1827," once called the Old Beekman Halfway House, but now the Old Beekman Luncheonette--no hungry man in his senses could pass without tarrying. A flavour of comely and respectable romance was apparent in this pleasant place, with its neat and tight-waisted white curtains in the upstairs windows and an outdoor stairway leading up to the second floor. Inside, at a table in a cool, dark corner, we dealt with hot dogs and cloudy cider in a manner beyond criticism. The name Luncheonette does this fine tavern serious injustice: there is nothing of the feminine or the soda fountain about it: it is robust, and we could see by the assured bearing of some well-satisfied habitués that it is an old landmark in that section.

But the brisk air and tempting serenity of the day made it seem emphatically an occasion for two lunches, and we passed on, along Pearl Street, in the bright checkerboard of sunbeams that slip through the trestles of the "L." It was cheerful to see that the same old Spanish cafés are still there, though we were a little disappointed to see that one of them has moved from its old-time quarters, where that fine brass-bound stairway led up from the street, to a new and gaudy palace on the other side. We also admired the famous and fascinating camp outfitting shop at 208 Pearl Street, which apparently calls itself WESTMINSTER ABBEY: but that is not the name of the shop but of the proprietor. We have been told that Mr. Abbey's father christened him so, intending him to enter the church. In the neighbourhood of Cliff and Pearl streets we browsed about enjoying the odd and savoury smells. There are all sorts of aromas in that part of the city, coffee and spices, drugs, leather, soap, and cigars. There was one very sweet, pervasive, and subtle smell, a caressing harmony for the nostril, which we pursued up and down various byways. Here it would quicken and grow almost strong enough for identification; then again it would become faint and hardly discernible. It had a rich, sweet oily tang, but we were at a loss to name it. We finally concluded that it was the bouquet of an "odourless disinfectant" that seemed to have its headquarters near by. In one place some bales of dried and withered roots were being loaded on a truck: they gave off a faint savour, which was familiar but baffling. On inquiry, these were sarsaparilla. Endymion was pleased with a sign on a doorway: "_Crude drugs and spices and essential oils._" This, he said, was a perfect Miltonic line.