Plotinos: Complete Works, v. 2 In Chronological Order, Grouped in Four Periods

Part 7

Chapter 73,939 wordsPublic domain

AS OBJECTS ARE MERELY REFLECTIONS IN A MIRROR, MATTER IS NO MORE AFFECTED BY THEM THAN WOULD BE A MIRROR.

Thus matter is a shapeless image, into which enter, and out of which issue the images of beings. These appear in it precisely because matter has no shape, though they seem to produce something in it, they really produce nothing in it.[57] They have no consistence, strength, nor solidity; as matter has none either, they enter into it without dividing it, as if they would penetrate water, or as shapes might move in emptiness. If the images that appear in matter had the same nature as the objects they represent and from which they emanate, then, if we attribute to the images a little of the power of the objects that project them, we might be right in considering them able to affect matter. But as the things that we see in matter do not have the same nature as the objects of which they are the images, it is not true that matter suffers when receiving them; they are no more than false appearances without any resemblance to what produces them. Feeble and false by themselves, they enter into a thing that is equally false.[58] They must therefore leave it as impassible as a mirror, or water; producing on it no more effect than does a dream on the soul. These comparisons, however, are yet imperfect, because in these cases there is still some resemblance between the images and the objects.

SINCE MATTER CANNOT BE DESTROYED, IT CANNOT BE AFFECTED.

8. (According to Aristotle[59]), it is absolutely necessary that what can be affected must have powers and qualities opposed to the things that approach it, and affect it. Thus, it is the cold that alters the heat of an object, and humidity that alters its dryness, and we say that the substrate is altered, when it ceases being hot, and grows cold; and ceasing to be dry, becomes humid. Another proof of this truth is the destruction of the fire that, by changing, becomes another element. Then we say that it is the fire, but not the matter that has been destroyed. What is affected is therefore that which is destroyed; for it is always a passive modification that occasions destruction. Consequently being destroyed and being affected are inseparable notions. Now it is impossible for matter to be destroyed; for how could it be destroyed, and in what would it change?

OBJECTION THAT MATTER MUST BE PASSIBLE IF ITS QUALITIES CHANGE AS THEY DO.

It may be objected that matter receives heat, cold, and numerous, or even innumerable qualities; it is characterized by them, it possesses them as somehow inherent in its nature, and mingled with each other, as they do not exist in isolated condition. How could nature avoid being affected along with them,[60] serving as it does as a medium for the mutual action of these qualities by their mixture?[61] If matter is to be considered impassible, we shall have to consider it as somehow outside of these qualities. But every quality which is present in a subject cannot be present in it without communicating to it something of itself.

DIFFERENT SENSES OF "PARTICIPATION" WILL ALLOW FOR MATTER TO REMAIN IMPASSIBLE.

9. It must be noticed that the expressions: "such a thing is present to such a thing" and "such a thing is in such other thing" have several meanings. Sometimes one thing improves or deteriorates some other thing by its presence, making it undergo a change; as may be seen in bodies, especially those of living beings. Again, one thing improves or deteriorates another without affecting it; this occurs with the soul, as we have already seen.[62] Again, it is as when one impresses a figure on a piece of wax; the presence of the figure adds nothing to the (nature) of the wax, and its destruction makes it lose nothing. Likewise, light does not change the figure of the object which it enlightens with its rays. A cooled stone participates a little in the nature characteristic of the thing that cools it; but none the less remains stone. What suffering can light inflict on a line or a surface?[63] One might perhaps say that in this case corporeal substance is affected; but how can it suffer (or be affected) by the action of light? Suffering, in fact, is not to enjoy the presence of something, nor to receive something. Mirrors, and, in general, transparent things, do not suffer (or are not affected) by the effect of images that form in them, and they offer a striking example of the truth we are here presenting. Indeed, qualities inhere in matter like simple images, and matter itself is more impassible than a mirror. Heat and cold occur in it without warming or cooling it; for heating and cooling consist in that one quality of the substrate gives place to another. In passing, we might notice that it would not be without interest to examine whether cold is not merely absence of heat. On entering into matter, qualities mostly react on each other only when they are opposite. What action, indeed, could be exercised by a smell on a sweet taste? By a color on a figure? How, in general, could things that belong to one genus act on another? This shows how one quality can give place to another in a same subject, or how one thing can be in another, without its presence causing any modification in the subject for which or in which it is present. Just as a thing is not altered by the first comer, likewise that which is affected and which changes does not receive a passive modification, or change, from any kind of an object. Qualities are affected only by the action of contraries. Things which are simply different cause no change in each other. Those which have no contraries could evidently not be modified by the action of any contrary. That which is affected, therefore, can not be matter; it must be a composite (of form and matter), or something multiple. But that which is isolated or separated from the rest, what is quite simple must remain impassible in respect of all things, and remain as a kind of medium in which other things may act on each other. Likewise, within a house, several objects can shock each other without the house itself or the air within it being affected. It is therefore qualities gathered in matter that act on each other, so far as it belongs to their nature. Matter itself, however, is still far more impassible than the qualities are among each other, when they do not find themselves opposite.

IF FORM BE UNCHANGEABLE, SO IS MATTER.

10. If matter could be affected, it would have to preserve some of the affection, retaining either the affection itself, or remain in a state different from the one in which it was before it was affected. But when one quality appears after another quality, it is no longer matter that receives it, but matter as determined by a quality. If even this quality should evanesce, though leaving some trace of itself by the action it has exercised, the substrate will still more be altered; proceeding thus it will come to be something entirely different from pure matter, it will be something multiple by its forms and by its manners of existence. It will no longer be the common receptacle of all things, since it will contain an obstacle to many things that could happen to it; matter would no longer subsist within it, and would no longer be incorruptible. Now if, by definition, matter always remains what it was since its origin, namely "matter," then, if we insist that it be altered, it is evident that matter no longer remains such. Moreover, if everything that is altered must remain unchanged in kind, so as not to be changed in itself, though changed in accidents; in one word, if that which is changed must be permanent, and if that which is permanent be not that which is affected, we come to a dilemma; either matter is altered, and abandons its nature; or it does not abandon its nature, and is not changed. If we say that matter is changed, but not in so far as it is matter, it will, to begin with, be impossible to state in what it is changed; and further, we would thereby be forced to insist it was not changed. Indeed, just as other things, which are forms, cannot be changed in their "being" (or, nature), because it is this very unalterability which constitutes their "being" (or, nature), likewise, as the "being" (or, nature) of matter is to exist in so far as it is matter, it cannot be altered in so far as it is matter, and it must necessarily be permanent in this respect. Therefore if form be unalterable, matter must be equally unalterable.

MATTER PARTICIPATES IN THE INTELLIGIBLE ONLY BY APPEARANCE.

11. This was no doubt the thought present to Plato when[64] he rightly said, "These imitations of the eternal beings which enter into matter, and which issue therefrom." Not without good reason did he employ the terms "enter" and "issue"; he wanted us carefully to scrutinize the manner in which matter participates in ideas. When Plato thus tries to clear up how matter participates in ideas, his object is to show, not how ideas enter into matter, as before so many have believed, but their condition within it. Doubtless, it does seem astonishing that matter remains impassible in respect to the ideas that are present therein, while the things that enter in it are affected by each other. We nevertheless have to acknowledge that the things which enter into matter expel their predecessors, and that it is only the composite that is affected. Nevertheless it is not every kind of composite that is affected, but only that composite that happens to need the thing that was introduced or expelled, so that its constitution becomes defective by the absence of that (quality), or more complete by its presence. Nothing is added to the nature of matter, however, by the introduction of anything; the presence of that thing does not make matter what it is, and matter loses nothing by its absence; matter remains what it was since its origin. To be ornamented is to the interest of something that admits of order or ornament; it can receive that ornament without being changed, when it only puts it on, so to speak. But if this ornament penetrate into it as something that forms part of its nature, it then cannot receive it without being altered, without ceasing to be what it was before, as for instance, ceasing to be ugly; without, by that very fact, changing; without, for instance, becoming beautiful, though ugly before. Therefore if matter become beautiful, though before ugly, it ceases to be what it was before; namely, ugly; so that on being adorned it loses its nature, so much the more as it was ugly only accidentally. Being ugly enough to be ugliness itself, it could not participate in beauty; being bad enough to be badness itself, it could not participate in goodness. Therefore matter participates in the ideas without being affected; and consequently, this participation must operate in another manner; and, for instance, consist in appearance.[65] This kind of participation solves the problem we had set ourselves; it enables us to understand how, while being evil, matter can aspire to the Good without ceasing to be what it was, in spite of its participation in the Good. Indeed if this participation operate in a manner such that matter remains without alteration, as we say, and if it always continue to be what it was, there is no reason to be surprised if, though being evil, it can participate in the Good; it does not swerve from its manner of existence. On one hand, as for her, this participation is unavoidable, it participates as long as it endures; on the other hand, as matter continues to be what it is, by virtue of the kind of participation which does not interfere with its nature, it undergoes no alteration on the part of the principle which gives it something; it always remains as bad as it was, because its nature persists. If matter really participated in the Good, if matter were really modified thereby, its nature would no longer be evil. Therefore, the statement that matter is evil is true enough if it be considered to imply that it is impassible in respect to Good; and this really amounts to saying that it is entirely impassible.

SENSE-OBJECTS ARE UNREAL AND ARE CHIEFLY MADE UP OF APPEARANCE.

12. Plato[66] agreed with this, and being persuaded that, by participation, matter does not receive form and shape, as would some substrate that should constitute a composite of things intimately united by their transformation, their mixture, and their common affections; in order to demonstrate the opposite, namely, that matter remains impassible while receiving forms, invented a most apposite illustration of a participation that operates without anything being affected (namely, that engravers, before using dies on the soft wax, clean them carefully). Almost any other kind of illustration would fail to explain how the substrate can remain the same in the presence of forms. While trying to achieve his purpose, Plato has raised many questions; he has besides applied himself to demonstrate that sense-objects are devoid of reality, and that a large part of their hypostatic substance is constituted by appearance. Plato demonstrates the permanence and identity of matter by showing that it is by the figures with which it is endued that matter affects animated bodies, without itself suffering any of their affections. He wishes to convince us that in being endued with these figures, matter undergoes neither affection nor alteration. Indeed, in the bodies that successively assume different figures, we may, relying on analogy, call the change of figures an alteration; but since matter has neither figure nor existence,[67] how could we, even by analogy, call the presence of a figure an alteration? The only sure way of avoiding a misunderstanding in expression is to say that the substrate possesses nothing in the manner it is usually supposed to possess it. How then could it possess the things it contains, unless as a figure? Plato's illustration means that matter is impassible, and that it contains the apparent presence of images which are not really present therein.

PLATO'S FIGURATIVE LANGUAGE MIGHT LEAD TO ERRORS ABOUT HIS REAL OPINIONS.

We must still further preliminarily insist on the impassibility of matter; for by using the usual terms we might be misled into wrongly thinking that matter could be affected. Thus Plato speaks[68] of matter being set on fire, being wetted, and so forth, as if it received the shapes of air or water. However, Plato modifies the statement that "matter receives the shapes of air and water" by the statement that matter "is set on fire and wetted," and he demonstrates that by receiving these shapes it nevertheless has none of its own, and that forms do not more than enter into it. This expression "matter is set on fire" must not be taken literally; it means only that matter becomes fire. Now to become fire is not the same thing as being set on fire; to be set on fire can achieve no more than what is different from fire, than what can be affected; for that which itself is a part of fire could not be set on fire. To insist on the opposite would amount to saying that metal itself formed a statue, or that fire itself spread into matter and set it on fire. The theory that a ("seminal) reason" had approached matter, forces us to question how this reason could have set matter on fire. The theory that a figure had approached matter would imply that that which is set on fire is already composed of two things (matter and a figure), and that these two entities form a single one. Although these two things would form a single one, they would not affect each other, and would act only on other entities. Nor would they even in this case act jointly; for one would effect no more than to hinder the other from avoiding (form). The theory that when the body is divided matter also must be divided, would have to answer the question, How could matter on being divided, escape the affection undergone by the composite (of form and matter)? On such a theory, one might even assert that matter was destroyed, and ask, Since the body is destroyed, why should not matter also be destroyed? What is affected and divided must be a quantity or magnitude. What is not a magnitude cannot experience the same modifications as a body. Therefore those who consider matter affectible would be forced to call it a body.

MATTER AS THE ETERNAL LOCATION OR RESIDENCE OF GENERATION.

13. They would further have to explain in what sense they say that matter seeks to elude form. How can it be said to seek to elude the stones and the solid objects which contain it? For it would be irrational to say that it seeks to elude form at certain times, but not at others. If matter seeks to elude form voluntarily, why does it not elude form continuously? If necessity keep matter (within form), there can be no moment when it would not inhere in some form or other. The reason why matter is not always contained by the same form must not be sought for within matter, but in the forms that matter receives. In what sense then could it be said that matter eludes form? Does it always and essentially elude form? This would amount to saying that matter, never ceasing being itself, has form without ever having it. Otherwise, the statement would be meaningless.[69] (Plato) says that matter is the "nurse and residence of generation." If then matter be the nurse and residence of generation, it is evidently distinct from the latter. Only that which can be affected is within the domain of generation. Now as matter, being the nurse and residence of generation, exists before the latter, it must also exist before any alteration. Therefore to say that matter is the nurse and residence of generation is tantamount to saying that matter is impassible. The same meaning attaches to such other statements as that matter is that in which begotten things appear, and from which they issue,[70] that matter is the (eternal) location, and place (of all generation).[71]

MATTER AS LOCATION OF FORMS REMAINS IMPASSIBLE.

When Plato, rightfully, calls matter "the location of forms," he is not thereby attributing any passion to matter; he only indicates that matters go on in a different manner. How? Since matter, however, by its nature, cannot be any of the beings, and as it must flee from the "being" of all beings, and be entirely different from them--for ("seminal) reasons" are genuine beings--it must necessarily preserve its nature by virtue of this very difference. It must not only contain all beings, but also not appropriate what is their image; for this is that by which matter differs from all beings. Otherwise, if the images that fill a mirror were not transient, and if the mirror remained invisible, evidently we would believe that the things the mirror presents to us existed really. If then there be something in a mirror, that is that which sense-forms are in matter. If in a mirror there be nothing but appearance, then there is nothing in matter but appearance, recognizing that this appearance is the cause of the existence of beings, an existence in which the things that exist always really participate, and in which the things which do not really exist do not participate; for they could not be in the condition where they would be if they existed without the existence of existence in itself.

THE MYTH OF POVERTY AND ABUNDANCE.

14. What! Would nothing exist (in the sense-world) if matter did not exist? Nothing! It is as with a mirror; remove it, and the images disappear. Indeed, that which by its nature is destined to exist in something else could not exist in that thing; now the nature of every image is to exist in something else. If the image were an emanation of the causes themselves, it could exist without being in anything else; but as these causes reside in themselves, so that their image may reflect itself elsewhere, there must be something else destined to serve as location for that which does not really enter into it; something which by its presence, its audacity, its solicitations, and by its indigence, should as it were forcibly obtain (what it desires), but which is deceived because it does not really obtain anything; so that it preserves its indigence, and continues to solicitate (satisfaction[72]). As soon as Poverty exists, it ceaselessly "begs," as a (well-known Platonic) myth tells us;[97] that shows clearly enough that it is naturally denuded of all good. It does not ask to obtain all that the giver possesses; it is satisfied with the possession of some of it, thus revealing to us how much the images that appear in matter are different from real beings. Even the very name of Poverty, which is given to matter, indicates that it is insatiable. When Poverty is said to unite with Abundance, we do not mean that it unites with Existence or Fulness, but with a work of wonderful skill, namely, a thing that is nothing but specious appearance.[74],[98]

THE MIRACLE IS THAT MATTER PARTICIPATES IN EXISTENCE WITHOUT PARTICIPATING IN IT.

It is indeed impossible that that which is outside of existence should be completely deprived of it; for the nature of existence is to produce beings. On the other hand, absolute nonentity cannot mingle with existence. The result is something miraculous: matter participates in existence without really participating in it, and by approaching to it obtains something, though by its nature matter cannot unite with existence. It therefore reflects what it receives from an alien nature as echo reflects sound in places that are symmetrical and continuous. That is how things that do not reside in matter seem to reside in it, and to come from it.

GENERATION ILLUSTRATED BY LIGHTING FIRE BY REFRACTION.

If matter participated in the existence of genuine beings and received them within itself, as might easily be thought, that which would enter into it would penetrate deeply into matter; but evidently matter is not penetrated thereby, remaining unreceptive of any of it. On the contrary, matter arrests their "procession," as echo arrests and reflects sound-waves, matter being only the "residence" (or, "jar" or vase) of the things that enter within it, and there mingle with each other. Everything takes place there as in the case of persons who, wishing to light fire from the rays of the sun, should place in front of these rays polished jars filled with water, so that the flame, arrested by the obstacles met within, should not be able to penetrate, and should concentrate on their outside. That is how matter becomes the cause of generation; that is how things occur within it.

THE RELATION OF MATTER TO REASON ILLUSTRATED BY THAT OF OPINION AND IMAGINATION.