Category: Plays/Films/Dramas

Playwrights on playmaking

The Principles of Playmaking French Dramatists of the 19th Century Pen and Ink, Essays on subjects of more or less importance Aspects of Fiction, and other Essays The Historical Novel, and other Essays Parts of Speech, Essays on English The Development of the Drama Inquiries a...

Chapters

1. Part 1

The Principles of Playmaking French Dramatists of the 19th Century Pen and Ink, Essays on subjects of more or less importance Aspects of Fiction, and other Essays The Historical...

2. Part 2

As criticism has to find its material in the work of the creators it is not surprizing that the masters of the craft have appeared during periods of abundant creation or shortly...

3. Part 3

Every dramatist is of necessity subdued to what he works for—the playgoers of his own generation in his own country. Their approval it is that he has to win first of all; and if...

4. Part 4

She pointed out that in Paris the people who go to the moving-pictures to gaze at an empty and external panorama are also the people who flock to the state-subventioned theaters...

5. Part 5

If American audiences are younger than they were, then they are not so rich in knowledge of the world, not so ripe in judgment. If they are also more largely feminine, then they...

6. Part 6

The great dramatists, whose works we analyze reverently in the study, were all of them, in their own time, successful playwrights, stimulated now and again by association with t...

7. Part 7

As he was an artist in construction, an expert in stage-craft as this had been conditioned by the circumstances of the Tudor playhouse, he could not very well fail to be annoyed...

8. Part 8

Once and once only did Thackeray make a serious effort to appear before the public as a playwright. In 1854 after he had established his fame by ‘Vanity Fair’ and consolidated i...

9. Part 9

It is right and wholesome to have these light comedies and entertaining shows; and I shouldn’t wish to see them diminished. But none of us is _always_ in the comedy spirit; we h...

10. Part 10

The publication of Henry James’s Letters must have drawn the attention of many readers to the fact that James took an interest in the drama as an art second only to his interest...

11. Part 11

When we consider the antics indulged in by actors of the custard-pie comedies which make many of us guffaw violently as they succeed one another on the screen and when we analyz...

12. Part 12

This may not be witty, and it may even not be humorous, but it was funny. It provoked incessant laughter in its progress to its apex, which was greeted with uncontrollable roars...

13. Part 13

The organization of the theater in England under Elizabeth and in France under Louis the Fourteenth was not approved by many of the subjects of these monarchs; and the better we...

14. Part 14

In consequence of all these causes the possible profits of a lucky playwright are now as abundant as those of the lucky novelist, and on occasion even more so. One play in every...

15. Part 15

And in the same burlesque when John Smith is tied down and about to be put to death, Pocahontas rushes in, crying, “For my husband I scream!” Whereupon the endangered hero raise...

16. Part 16

Even fifty years ago, when Edwin Booth opened the stately theater he had built for himself, there arose a loud outcry against the mediocrity of his company, an outcry which rank...