Plays, written by Sir John Vanbrugh, volume the second

Part 24

Chapter 241,690 wordsPublic domain

_Methinks I hear some powder'd Critics say, "Damn it! this Wife Reform'd has spoil'd the play! The coxcomb should have drawn her more in fashion, } Have gratify'd her softer inclination, } Have tipt her a gallant, and clinch'd the provocation." } But there our Bard stopt short: for 'twere uncivil T' have made a modern ~Belle~ all o'er a Devil! He hop'd, in honour of the sex, the age Would bear one mended woman----on the stage._

_From whence, you see by common sense's rules, Wives might be govern'd, were not husbands fools. Whate'er by Nature dames are prone to do, They seldom stray but when they govern you. When the wild wife perceives her deary tame, No wonder then she plays him all the game. But men of sense meet rarely that disaster; Women take pride, where merit is their master: Nay, she that with a weak man wisely lives, Will seem t' obey the due commands he gives! Happy obedience is no more a wonder, When men are men, and keep them kindly under. But modern consorts are such high-bred creatures, They think a husband's power degrades their features; That nothing more proclaims a reigning beauty, Than that she never was reproach'd with duty; And that the greatest blessing Heav'n e'er sent, Is in a spouse, incurious and content. To give such dames a diff'rent cast of thought, By calling home the mind, these scenes were wrought. If with a hand too rude, the task is done, We hope the scheme by Lady ~Grace~ laid down, Will all such freedom with the sex atone. That virtue there unsoil'd, by modish art, Throw out attractions for a ~Manly~'s heart._

_You, you, then Ladies, whose unquestion'd lives Give you the foremost fame of happy wives, Protect, for its attempt, this helpless play; Nor leave it to the vulgar taste a prey; Appear the frequent champions of its cause, Direct the crowd and give yourselves applause._

_Sung by Mrs. ~=Cibber=~, in the Fourth Act._

The Words by =Mr. Carey=.

Oh, I'll have a husband! ay, marry; For why should I longer tarry, For why should I longer tarry Than other brisk girls have done? For if I stay, 'till I grow gray, They'll call me old maid, and fusty old jade; So I'll no longer tarry; But I'll have a husband, ay, marry, If money can buy me one.

My mother she says I'm too coming; And still in my ears she is drumming, And still in my ears she is drumming, That I such vain thoughts shou'd shun. My sisters they cry, oh fy! and oh fy! But yet I can see they're as coming as me; So let me have husbands in plenty: I'd rather have twenty times twenty, Than die an old maid undone.

_Sung by Mrs. ~=Cibber=~, in the Fifth Act._

The Words by =Mr. Carey=.

I.

What tho' they call me country lass, I read it plainly in my glass, That for a Dutchess I might pass: Oh, could I see the day! Would fortune but attend my call, At park, at play, at ring and ball, I'd brave the proudest of them all, With a _stand by----clear the way_.

II.

Surrounded by a crowd of beaux, With smart toupees, and powder'd clothes, At rivals I'll turn up my nose; Oh, could I see the day! I'll dart such glances from these eyes, Shall make some Lord or Duke my prize; And then, oh! how I'll tyrannise, With _stand by----clear the way_.

III.

Oh! then for ev'ry new delight, For equipage and diamonds bright, _Quadrille_, and plays, and balls all night; Oh! could I see the day! Of love and joy I'd take my fill, The tedious hours of life to kill, In ev'ry thing I'd have my will, With a _stand by----clear the way_.

FINIS.

+PLAYS+, _printed for_ =T. Lowndes=, at 6d. each.

A Bramule, by Dr. Trapp Adventures of half an hour Albion and Albanius, by Dryden Alchymist, by Ben Jonson Alcibiades, by Otway All for Love, by Dryden Ambitious Step-mother, by Rowe Amboyna, by Dryden Amphitryon, by Dryden Anatomist, by Ravenscroft Anna Bullen, by Bankes As you like It, by Shakespeare Artful Husband, by Taverner Athaliah, by Mr. Duncomb Aurengzebe, by Dryden

Bartholomew fair, by Ben Jonson Basset Table, by Centlivre Beaux Stratagem, by Farquhar Beggars Opera, by Gay Biter, by Rowe Bold Stroke for a Wife British Enchanters, by Lansdown Busiris, by Dr. Young Busy Body, by Centlivre

Caius Marius, by Otway Careless Husband, by Cibber Cataline, by Ben Jonson Cato, by Addison Chances, by D. Buckingham Chaplet, by Mr. Mendez Cleomenes, by Dryden Cobler of Preston Comedy of Errors, by Shakespeare Conscious Lovers, by Cibber Committee, by Sir R. Howard Confederacy, by Vanbrugh Conscious Lovers, by Steele Constant Couple, by Farquhar Contrivances, by Cary Country Lasses, by C. Johnson Country Wife, by Wycherly Cymbelyne, altered by Mr. Garrick

Damon and Phillida, by Mr. Dibden Devil of a Wife Devil to Pay, by Coffey Distressed Mother, by Amb. Phillips Don Carlos, by Otway Double Dealer, by Congreve Double Gallant, by Cibber Dragon of Wantley Drummer, by Addison Duke and no Duke, by Sir A. Cockain Duke of Guise, by Dryden

Earl of Essex, by Bankes Every Man in his Humour

Fair Penitent, by Rowe Fair Quaker of Deal, by C. Shadwell False Friend Fatal Secret, by Theobald Flora, or Hob in the well Fox, by Ben Jonson Friendship in Fashion, by Otway Funeral, by Sir R. Steele

Gamester, by Mrs. Centlivre Gentle Shepherd George Barnwell, by Lillo Gloriania Greenwich Park

Hamlet, by Shakespeare Henry IV. 2 parts, by ditto Henry V. by ditto Henry VI. 3 parts, by ditto Henry VIII. by ditto Henry V. by Aaron Hill Honest Yorkshireman

Jane Gray, by Rowe Jane Shore, by Rowe Inconstant, by Farquhar

King John, by Shakespeare King Lear, by ditto King Lear, by Tate

Limberham, by Dryden Love for Love, by Congreve Love in a Mist Love in a Tub, by Etherege Love makes a Man, by C. Cibber Loves last Shift, by ditto Lying Lover, by Steele

Macbeth, by Shakespeare Man of Mode, by Etherege Mariamne, by Fenton Measure for Measure, by Shakespeare Merchant of Venice, by Shakespeare Mistake, by Vanbrugh Mourning Bride, by Congreve Much ado about Nothing Mustapha by Lord Orrery

Nonjuror, by C. Cibber

Oedipus, by Dryden Old Batchelor, by Congreve Oroonoko, by Southern Orphan, by Otway Othello, by Shakespeare

Perjured Husband Perolla and Isidora, by C. Cibber Phædra and Hippolitus, by Smith Pilgrim, by Beaumont and Fletcher Polly, by Mr. Gay Prophetess, by Beaumont Provok'd Husband, by C. Cibber Provok'd Wife, by Vanbrugh

Recruiting Officer, by Farquhar Refusal, by Cibber Rehearsal, by D. of Bucks Relapse, by Vanbrugh Revenge, by Dr. Younge Richard III. by C. Cibber Rival Fools, by Cibber Rival Ladies, by Dryden Rival Queens, by Lee Romeo and Juliet, altered by Mr. Garrick Royal Merchant, by Beaumont Rule a Wife and have a Wife

School Boy, by Cibber Scornful Lady, by Beaumont and Fletcher She would and she would not, by Cibber She would if she could, by Etherege Siege of Damascus, by Hughes Silent Woman, by B. Jonson Sir Courtly Nice, by Crown Sir Harry Wildair, by Farquhar Sir Martin Mar-all, by Dryden Sir Walter Raleigh, by Dr. Sewell 'Squire of Alsatia, by T. Shadwell Stage Coach, by Farquhar State of Innocence, by Dryden Strollers Suspicious Husband, by Dr. Hoadley

Tamerlane, by Rowe Tempest, by Shakespeare Tender Husband, by Steele Theodosius or the Force of Love Timon of Athens, by Shakespeare Titus and Berenice, with the Cheats of Scapin, by Otway Twelfth Night, by Shakespeare Twin Rivals, by Farquhar Two Gentlemen of Verona

Venice Preserved, by Otway Ulysses, by Rowe

Way of the World, by Congreve What d'ye call it? by Gay Wife to let Wife's Relief, or Husband's Cure Wild Gallant, by Dryden Wit without Money Woman's a Riddle Wonder, a Woman keeps a Secret, by Centlivre

Zara, with the interlude, by A. Hill, Esq.

Arden of Feversham, 1s.

Douglas, 1s.

Eastward Hoe, 1s.

Gentleman Dancing Master, 1s.

Love in a Wood, 1s.

Perkin Warbeck, 1s. Plague of Riches, French and English, 1s. Plain Dealer, 1s.

Siege of Aquileia, 1s.

=Tragedies= and =Comedies=, in Octavo, at 1s. 6d. each.

Achilles, an opera, by Gay Alzuma, by A. Murphy Azlira, by A. Hill, Esq. Art and Nature, by the Rev. Mr. Miller Arminus Athelstan, by Dr. Brown Athelwould, by A. Hill, Esq.

Barbarossa, by Dr. Brown Beggars Opera, with Music, by Gay Beggars Opera songs, for Harpsichord, Violin, or German flute, 4to Bond Man Brothers, by Cumberland

Cælia, or perjured Lover, by C. Johnson Cornish 'Squire, by Sir J. Vanbrugh Coriolanus, altered Cymbeline, by Hawkins

Dissembled Wanton, by Mr. Welsted Distressed Wife, by Gay Double Dealer, printed by Baskerville Double Falsehood; or Distressed Lovers, by Shakespeare Double Mistake, by Mrs. Griffyths Douglas, by Mr. Home

Elfrid, or the fair Inconstant, by A. Hill, Esq. Eurydice, by Mallet

False Delicacy, by Mr. Kelly Fashionable Lover Fatal Vision, by A. Hill Foundling, by Mr. Moore

Gamester, by Mr. Moore Gil Blas, by Mr. Moore Good natur'd Man Guardian outwitted, by Dr. Arne

Henry VIII. by Mr. Grove, with cuts Humours of Oxford, by Mr. Miller

Jealous Wife, by G. Colman, Esq. Independent Patriot, by F. Lynch, Esq. Insolvent, by A. Hill Jovial Crew, with the music

King Charles I. by Havard

Love for Love, printed by Baskerville Love in a Riddle, with music Love in a Village, by Mr. Bickerstaff Lover, by Mr. The. Cibber

Mahomet, altered by D. Garrick, Esq. Maid of the Mill, by Mr. Bickerstaff Man of Taste, by Mr. Miller Methodist Midas, by K. O'Hara, Esq. Minor, by Mr. Foote Miser, by Fielding Modern Husband Modish Couple, by C. Bodens, Esq. Momus turned Fabulist Mother-in-Law, by Mr. Miller Mourning Bride, printed by Baskerville Mustapha, by Mr. Mallet

No one's Enemy but his Own, by Mr. Murphy

TRANSCRIBER'S NOTES

Note The Confederacy does not begin with a title page for the play.

Silently corrected simple spelling, grammar, and typographical errors.

Retained anachronistic and non-standard spellings as printed.

Enclosed italics font in _underscores_.

Enclosed unitalicized font in ~tildes~.

Enclosed unitalicized small cap font in =equals=.

Enclosed letter-spaced characters in +plus signs+.