Category: Plays/Films/Dramas

Plays : Second Series

The scene is a well-lighted, and large, oak-panelled hall, with an air of being lived in, and a broad, oak staircase. The dining-room, drawing-room, billiard-room, all open into it; and under the staircase a door leads to the servants' quarters. In a huge fireplace a log fire...

Chapters

13. Chapter 13

A Court of Justice, on a foggy October afternoon crowded with barristers, solicitors, reporters, ushers, and jurymen. Sitting in the large, solid dock is FALDER, with a warder o...

17. Chapter 17

The scene is again COKESON'S room, at a few minutes to ten of a March morning, two years later. The doors are all open. SWEEDLE, now blessed with a sprouting moustache, is getti...

4. Chapter 4

It is five o'clock of the same day. The scene is the smoking-room, with walls of Leander red, covered by old steeplechase and hunting prints. Armchairs encircle a high ferulered...

3. Chapter 3

The scene is LADY CHESHIRE's morning room, at ten o'clock on the following day. It is a pretty room, with white panelled walls; and chrysanthemums and carmine lilies in bowls. A...

12. Chapter 12

The scene is the managing clerk's room, at the offices of James and Walter How, on a July morning. The room is old fashioned, furnished with well-worn mahogany and leather, and...

2. Chapter 2

DOT. Don't shut me up, mother! [To JOAN.] Are you in love with John? [JOAN turns hurriedly to the fire.] Would you be going to marry him if you were not?

14. Chapter 14

A prison. A plainly furnished room, with two large barred windows, overlooking the prisoners' exercise yard, where men, in yellow clothes marked with arrows, and yellow brimless...

15. Chapter 15

Part of the ground corridor of the prison. The walls are coloured with greenish distemper up to a stripe of deeper green about the height of a man's shoulder, and above this lin...

7. Chapter 7

The dark scene again becomes glamorous. SEELCHEN is seen with her hand stretched out towards the Piazza of a little town, with a plane tree on one side, a wall on the other, and...

6. Chapter 6

The scene is slowly illumined as by dawn. SEELCHEN is still lying on the window seat. She sits up, freeing her face and hands from the blankets, changing the swathings of deep s...

1. Chapter 1

The scene is a well-lighted, and large, oak-panelled hall, with an air of being lived in, and a broad, oak staircase. The dining-room, drawing-room, billiard-room, all open into...

5. Chapter 5

It is just after sunset of an August evening. The scene is a room in a mountain hut, furnished only with a table, benches. and a low broad window seat. Through this window three...

8. Chapter 8

The scene slowly brightens with the misty flush of dawn. SEELCHEN stands on a green alp, with all around, nothing but blue sky. A slip of a crescent moon is lying on her back. O...

16. Chapter 16

FALDER's cell, a whitewashed space thirteen feet broad by seven deep, and nine feet high, with a rounded ceiling. The floor is of shiny blackened bricks. The barred window of op...

10. Chapter 10

Then as the blackness lifts, in the dim light of the false dawn filtering through the window of the mountain hut. LAMOND and FELSMAN are seen standing beside SEELCHEN looking do...

9. Chapter 9

Then a faint glow stealing up, lights the snowy head of THE GREAT HORN, and streams forth on SEELCHEN. To either aide of that path of light, like shadows. THE COW HORN and THE W...

11. Chapter 11

James How MR. SYDNEY VALENTINE Walter How MR. CHARLES MAUDE Cokeson MR. EDMUND GWENN Falder MR. DENNIS EADIE The Office-boy MR. GEORGE HERSEE The Detective MR. LESLIE CARTER The...