Plashers Mead: A Novel

Part 25

Chapter 254,210 wordsPublic domain

Pauline's birthday morning was cloudless, and Guy, though to himself he was inclined to blame the action as weak, went to church and knelt beside her. Then afterwards there was the scene of breakfast on the lawn that already, with only this first repetition, wore for him an immemorial air, so that he could no longer imagine a May Day that was not thus inaugurated. The presentation of his poems in proof had not a bit less wonderful effect than he had hoped, for Pauline could never finish turning over the pages and loving the ludicrously tumble-down binding.

"Oh, it's so touching! I wish they could all be bound like this. And how I adore Richard's paper-knife."

The four lovers disappeared after breakfast to enjoy the flashing May Day, and Monica, left alone with her mother, looked a little sad, she, the only one of those three lovely daughters of the Rectory still undisturbed by the demands of the invading world.

May that year was like the fabled Spring of poets; and Guy and Pauline were left free to enjoy the passionate and merry month as perhaps never before had they enjoyed any season, not even that dreamed-away fortnight at Ladingford last year. They had ceased for a while with the engagement of Richard and Margaret to be the central figures of the Rectory, whether for blame or commendation, and, desiring nothing better than to be left without interference, they were lost in apple-blossom to every-day existence. Guy, with the prospect of his poems appearing in the Autumn, felt that he was justified in forgetting responsibilities and, having weathered the financial crisis of the March quarter, he had now nothing to worry him until Midsummer. That was the date he had fixed upon in his mind as suitable for making a determined attempt upon London. He had planned to shut up Plashers Mead and to take a small room in Chelsea, whence he would conquer in a few months the material obstacles that prevented their marriage. The poems, now that they were in print, seemed a less certain talisman to fame; but they would serve their purpose, indeed they had served their purpose already, for this long-secluded time would surely counterbalance the too easy victories of journalism. He would surely by now have lost that spruce Oxford cleverness, and might fairly expect to earn his living with dignity. The least success would justify his getting married, and Pauline would enjoy two years spent high in some London attic within the sound of chirping sparrows and the distant whispers of humanity. They would perhaps be able to afford to fly for magic weeks to Plashers Mead, pastoral interludes in that crowded life which lay ahead. How everything had resolved itself latterly, and how the gift of glorious May should be accepted as the intimate and dearest benefaction to their love! He and Pauline were together from earliest morn to the last minute of these rich and shadowy eves. They wreathed their boat with boughs of apple-blossom and went farther up the river than they had ever gone. The cuckoo was still in tune, and still the kingcups gilded all that hollow land; there was not yet the lush growth of weeds and reeds that indolent June would use to delay their dreaming progress; and still all the trees and all the hedges danced with that first sharp green of Spring, that cold and careless green of Spring.

Then when the hawthorn came into prodigal bloom, and all the rolling country broke in endless waves of blossom, Pauline in her muslin dress seemed like an airy joy sustained by all these multitudinous petals, dancing upon this flowery tide, this sweet foam of May.

"My flower, my sweet, are you indeed mortal?" he whispered.

The texture of her sleeve against his was less tangible than the light breeze that puffed idly from the south to where they sat enraptured upon the damasked English grass. Apple-blossom powdered her lap and starred her light-brown hair, and around them like a Circean perfume drowning the actual world hung the odorous thickets of hawthorn.

The month glided along until the time of ragged-robins came round again, and as if these flowers were positively of ill omen to Guy and Pauline, Mrs. Grey suddenly took it into her head again that they were seeing too much of each other.

"I said you could see Pauline every day," she told Guy. "But I did not say all day."

"But I shall be going away soon," he said; "and it seems a pity to lose any of this lovely month."

"I'm sure I'm right ... and I did not know you had really decided to go away.... I'm sure, yes, I'm positive I'm right.... Why don't you be more like Margaret and Richard?... They aren't together all day long ... no, not all day."

"But Pauline is so different from Margaret," Guy argued.

"Yes, I know ... that's the reason ... she is too impulsive.... Yes, it's much better not to be together all the time.... I'm glad you've settled to go to London ... then perhaps you can be married next year...."

A rule came into force again, and Guy began to feel the old exasperation against the curb upon youth's leisure. Rather unjustly he blamed Margaret, because he felt that the spectacle of her sedate affection made his for Pauline appear too wild, and Pauline herself beside Margaret seem completely distraught with love.

It pleased Guy rather, and yet in a way it rather annoyed him, that Michael Fane should choose this moment to announce his intention of spending some time at Plashers Mead. Perhaps a little of the doubt was visible in his welcome, because Michael asked rather anxiously if he were intruding upon the May idyll; Guy laughed off the slight awkwardness and asked why Michael had not yet managed to get married. They talked about the evils of procrastination, but Guy could not at all see that Michael had much to complain of in a postponement of merely two months. His friend, however, was evidently rather upset, and he could not resist expatiating a little on his own grief with what Guy thought was the petulance of the too fortunate man. The warm May nights lulled them both, and they used to pass pleasant evenings leaning over the stream while the bats and fern-owls flew across the face of the decrescent moon; yet for Guy all the beauty of the season was more than ever endowed with intolerable fugacity.

Pauline with Michael's arrival began to be moody again; would take no kind of interest in Michael's engagement; would only begin to see again the endless delays that hung so heavily round their marriage. Michael was not at all in the way, for he spent all the time writing to his lady-love, of whom he had told Guy really nothing; or he would sit in the lengthening grass of the orchard and read books of poetry, the pages of which used to wink with lucid reflection caught from the leaves of the fruit-trees overhead.

Guy looked over his shoulder and saw that he was reading "The Statue and the Bust":

So weeks grew months, years; gleam by gleam The glory dropped from their youth and love, And both perceived they had dreamed a dream;

"That poem haunts me," exclaimed Guy, with a shudder.

Where is the use of the lip's red charm, The heaven of hair, the pride of the brow, And the blood that blues the inside arm--

Unless we turn, as the soul knows how, The earthly gift to an end divine?

"And yet I can't stop reading it," he sighed.

How do their spirits pass, I wonder, Nights and days in the narrow room?

Still, I suppose, they sit and ponder What a gift life was, ages ago, Six steps out of the chapel yonder.

On this Summer morning the words wrote themselves in fire across his brain.

"They light the way to dusty death," he sputtered, over and over again, when he had left Browning to Michael and flung himself face downward in the orchard grass.

In despair of what a havoc time was making of their youth and their love, that very afternoon he begged Pauline to meet him again now in these dark nights of early Summer, now when soon he would be going away from her.

"Going away?" she echoed in alarm. "I suppose that's the result of your friend's visit."

Guy, however, was not going to surrender again, and he insisted that when a month had passed he would indeed be gone from Plashers Mead. It was nothing to do with Michael Fane; it was solely his own determination to put an end to his unprofitable dalliance.

"But your poems? I thought that when your poems were published everything would be all right."

"Oh, my poems," he scoffed. "They're valueless!"

"Guy!"

"They're mere decoration. They are trifles."

"I don't understand you."

"I care for nothing but to be married to you. For nothing, do you hear? Pauline, everything is to be subordinate to that. I would even write and beg my father to take me as a junior usher at Fox Hall for that. We must be married soon. I can't bear to see Richard and Margaret sailing along so calmly and quietly towards happiness."

In the end he persuaded her to make all sorts of opportunities to meet him when no one else knew they were together. Even once most recklessly on a warm and moonless night of May's languorous decline to June, he took her in the canoe far away up the river; and when they floated home dawn was already glistening on the banks and on the prow of their ghostly canoe. Through bird-song and rosy vapors she fled from him to her silent room, while he stood in a trance and counted each dewy footstep that with silver traceries marked her flight across the lawn.

ANOTHER SUMMER

JUNE

Michael Fane stayed on into June, and the fancy came to Pauline that he knew of these meetings with Guy at night. It enraged her with jealousy to think that he might have been taken into Guy's confidence so far, and the prejudice against him grew more violent every day. She already had enough regrets for having given way to Guy's persuasion, and the memory of that last return at dawn to her cool, reproachful room haunted her more bitterly when she thought of its no longer being a secret. The knowledge that Guy was soon going to leave Plashers Mead was another torment, for though in a way she was glad of his wanting to make the determined effort, she could not help connecting the resolve with his friend's visit, and in consequence of this her one desire was to upset the plan. The sight of Richard and Margaret progressing equably towards their marriage early in August also made her jealous, and she began unreasonably to ascribe to her sister an attitude of superiority that she allowed to gall her; and whenever Richard was praised by any of the family she could never help feeling now that the praise covered or implied a corresponding disparagement of Guy. With Monica she nearly quarreled over religion, for though in her heart it occupied the old Supreme place, her escapades at night, by the tacit leave they seemed to give Guy to presume that religion no longer counted as her chief resource, had led her for the first time to make herself appear outwardly indifferent. In fact, she now dreaded going to church, because she felt that if she once surrendered to the holy influence she would suffer again all the remorse of the Winter, that now by desperate deferment she was able for a little while to avoid. On top of all this vexation of soul she was angry with Guy because he seemed unable to realize that they were both walking on the edge of an abyss, and that all this abandonment of themselves to the joy of the fugitive season was a vain attempt to cheat fate. At such an hour she was naturally jealous that a friend's private affairs should occupy so much of Guy's attention, when he himself was walking blindly towards the doom of their love that now sometimes in flashes of horrible clarity she beheld at hand. Guy, however, persisted in trying to force Michael upon her; the jealousy such attempts fostered made her more passionate when she was alone with him, and this, as all the while she dreadfully foresaw, heaped up the reckoning that her conscience would presently have to pay.

One afternoon she and Margaret and Monica went to tea at Plashers Mead, when to her sharp annoyance she found herself next to Guy's friend. She made up her mind at the beginning of the conversation that he was criticizing her, and, feeling shy and awkward, she could only reply to him in gasps and monosyllables and blushes. He seemed to her the coldest person she had ever known; he seemed utterly without emotion or sympathy; he must surely be the worst friend imaginable for Guy. He took no interest in anything, apparently; and then suddenly he definitely revealed himself as the cause of Guy's ambition to conquer London.

"I think Guy ought to go away from here," he was saying. "I told him when he first took this house that he would be apt to dream away all his time here. You must make him give it up, Miss Grey. He's such an extraordinarily brilliant person that it would be terrible if he let himself do nothing in the end. Of course, he's been lucky to meet you, and that's kept him alive, but now he ought to go to London. He really ought."

Pauline hated herself for the way in which she was gasping out her monosyllabic agreement with all this; but she did not feel able to argue with Michael Fane. He disconcerted her by his air of severe judgment, and however hard she tried she could not contradict him. Then suddenly in a rage with herself and with him, she began to talk nonsense at the top of her voice, rattling on until her sisters looked up at her in surprise, while Michael, evidently embarrassed, scarcely answered. At last the uncomfortable visit came to an end, and as she walked back with Guy, while the others went in front, she began to inveigh against the friend more fiercely than ever.

"My dear, I can't think why you have him to stay with you. He hates your being engaged to me...."

"Oh, nonsense!" Guy interrupted, rather crossly.

"He does, he does; and he hates your staying down here. He says Plashers Mead is ruining you, and that you ought to go to London. Now, you see, I know why you want to go there."

"Really, Pauline, you're talking nonsense. I'm going to London because I'm positive that your father and mother both think I ought to go. And I'm positive myself that I ought to go. I've been wrong to stay here all this time. I've done nothing to help forward our marriage. Look how nervous and ... how nervous and overwrought you've become. It's all my fault."

"How I hate that friend of yours!"

Guy looked up in astonishment at the fervor of her tone.

"And how he hates me," she went on.

"Oh, really, my dear child, you are ridiculous," Guy exclaimed, petulantly. "Are you going to take up this attitude towards all my friends? You're simply horridly jealous, that's the whole matter."

Pauline did not quarrel now, because she thought it might gratify Michael Fane to see the discord he had created, but she treasured up her anger and knew that, when later she and Guy were alone, she would say whatever hard things now rested unsaid. Next morning Guy asked her if she would be very cross to hear that he was going to town for a night.

"With your friend?" she asked.

He nodded, and she turned away from him clouded blue eyes.

"It _is_ unfair of you to hate Michael," he pleaded. "I told him you thought he was cold, and he said at once, 'Do tell her I'm not cold, and say how lovely I think her.' He said you were very lovely and strange ... a fairy's child."

Still Pauline would not turn her head.

"I told him that you were indeed a fairy's child," Guy went on, "and I told him how sometimes I felt I should go off my head with the responsibility your happiness was to me. For indeed, Pauline, it is, it is a responsibility."

She felt she must yield when Guy spoke like that, but then, unfortunately, he began to talk about his friend again, and sullen jealousy returned.

"Listen, Pauline, I'm going up to town because Michael wants me to see this girl he is going to marry. He was rather pathetic about her. It seems that ... well ... it's a sort of misalliance, and his people are angry about it, and really I must be loyal and go up to town and help him with ... well ... you see, really all his friends have been unsympathetic about her."

"I expect they've every right to be," said Pauline.

"I do think you're unreasonable. I'm only going away for a night."

"Oh, go, go, go!" she cried, and, pulling herself free of his caress, she left him by the margin of the stream disconsolate and perplexed.

Pauline, when Guy had gone to London with his friend, began to fret herself with the fear that he would not come back, and she was very remorseful at the thought that if he did not she would be responsible. She half expected to get a letter next day to tell her of his determination to remain in town for good, and when no letter came she exaggerated still more all her fears and longed to send him a telegram to ask if he had arrived safely, railing at herself for having let him leave her without knowing where he was going to stay. By the following afternoon all the jealousy of Michael had been swallowed up in a passionate desire for Guy's return, and when about three o'clock she saw him coming through the wicket in the high gray wall her heart beat fast with relief. She said not a word about Guy's journey, nor did she even ask if his friend had come back with him. She cared for nothing but to show by her tenderness how penitent she was for that yesterday which had torn such a rent in the perfection of their love. Guy was visibly much relieved to find that her jealous fit had passed away, and when she asked for an account of his journey he gave it to her most eagerly.

"Yesterday was rather tragic," he said. "We went to see this Lily Haden to whom Michael had engaged himself, and ... well ... it's impossible to explain to you what happened, but it was all very horrible and rather like a scene in a French play. Anyhow, Michael is cured of that fancy, and now he talks of going out of England and even of becoming a monk. These extraordinary religious fads that succeed violent emotion of an utterly different kind! Personally I don't think the monkish phase will survive the disillusionment that's just as much bound to happen in religion as it was bound to happen over that girl."

"What was she like?" Pauline asked, resolving to appear interested in Michael.

"I never saw her," said Guy. "The tragedy took place 'off' in the Aristotelian manner."

"Oh, Guy, don't use such long words."

"Dear little thing, I wish you wouldn't ask any more about this girl. She is something quite outside your imagination; though I could make of her behavior such a splendid lesson for you, when you think you have behaved dreadfully in escaping from your room for an hour or two of moonlight. Poor Michael! he's as scrupulous as you are, and it's rather ironical that you and he shouldn't get on. Puritans, both of you! Now there's another friend of mine, Maurice Avery, whom you'd probably like very much, and yet he isn't worth Michael's little finger."

"Did you see him yesterday?"

"Yes, we went round to his studio in Grosvenor Road. Oh, my dear, such a glorious room, looking out over the river right into the face of the young moon coming up over Lambeth. A jolly old Georgian house. And at the back another long, low window looking out over a sea of roofs to the sunset behind the new Roman cathedral. There were lots of people there, and a man was playing that Brahms sonata your mother likes so much. Pauline, you and I simply must go and live in Chelsea or Westminster, and we can come back to Plashers Mead after the most amazing adventures. You would be such a rose on a London window-sill, or would you then be a tuft of London Pride, all blushes and bravery?"

"Bravery! Why I'm frightened to death by the idea of going to live in London! Oh, Guy, I'm frightened of anything that will break into our life here."

"But, dearest, we can't stay at Wychford for ever doing nothing. Read 'The Statue and the Bust' if you want to understand the dread that lies cold on my heart sometimes. Think how already nearly twenty months have gone by since we met, and still we are in the same position. We know each other better, and we are more in love than ever, but you have all sorts of worries at the back of your mind, and I have all sorts of ambitions not yet fulfilled. Michael has at last managed to make a complete ass of himself, but what have I done?"

"Your poems ... your poems," she murmured, despairingly. "Are your poems really no use? Oh, Guy, that seems such a cruel thing to believe."

Guy talked airily of what much more wonderful things he was going to write, and when he asked Pauline to meet him this very midnight on the river she had to consent, because in the thought that he appeared to be drifting out of reach of her love she felt half distraught and would have sacrificed anything to keep him by her.

The June evening seemed of a sad, uniform green, for the blossom of the trees was departed and the borders were not yet marching in Midsummer array. There was always a sadness about these evenings of early June, a sadness, and sometimes a threat when the wind blew loudly among the young foliage. Those gusty eves were almost preferable to this protracted and luminous melancholy in which the sinking crescent of the moon hung scarcely more bright than ivory. The pensive beauty was too much for Pauline, who wished that she could shut out the obstinate day and read by candle-light such a book as _Alice in Wonderland_ until it was time to go to bed. Her white fastness, rose-bloomed by sunset as she dressed for dinner, reproached her intention of abandoning its shelter to-night, and she determined that this should really be the last escapade. There was no harm in what she had done, of course, as Guy assured her, and yet there was harm in behaving so traitorously towards that narrow white bed, towards pious, wide-eyed Saint Ursula and Tobit's companionable angel.

The languor of the evening was heavy upon all the family; Monica was the only one who had the energy to go to her instrument. She played Chopin, and the austerity of her method made the ballads and the nocturnes more dangerously sweet. Gradually the melodies lulled most of Pauline's fears and charmed her to look forward eagerly to the velvet midnight when she with Guy beside her would float deep into such caressing glooms. After Monica had played them all into drowsiness, Pauline had to wait until the last sound had died away in the house and the illumination of the last window had faded from the bodeful night that was stroking her window with invitation to come forth.

Twelve o'clock clanged from the belfry, and Pauline opened her bedroom door to listen. She had put on her white frieze coat, for although the night was warm, the wearing of such outdoor garb gave a queer kind of propriety to the whole business, and at the far end of the long corridor she saw herself in the dim candle-light mirrored like a ghost in the Venetian glass. From the heart of the house the cuckoo calling midnight a minute or two late made her draw back in alarm, and not merely in alarm, but also rather sentimentally, as if by her action she were going to offend that innocent bird of childhood. She wondered why to-night she felt so sensitive beforehand, since usually the regret had followed her action; but promising herself that to-night should indeed be the last time she would ever take this risk, she crept on tip-toe down the stairs.