Peter Paragon: A Tale of Youth

Part 5

Chapter 53,954 wordsPublic domain

That evening Peter, muffled in a heavy coat, rode for hours upon the omnibuses. His first excursion, in the early evening, presented the workers of London pouring home. The perpetual roar and motion of this multitude soothed Peter, and gradually crushed in him all sense of personal loss. He began to feel how small was his drop of sorrow. At a crossing of many streets he saw a man knocked down by a horse. The hum and drift of London hardly paused. The man was quickly lifted into a cab and hurried away. Many passengers in the waiting omnibuses on the pavement were unaware that anything had happened. The incident profoundly affected Peter. In this great torrent of lives it seemed that the mischance of one was of no importance.

Late at night he stood in the bitter cold outside one of the theatres. The doors were suddenly flung open, and the street was broken up with jostling cabs and a babel of shouting and whistling. Delicately dressed women waited on the pavement or were whirled away in magnificent, shining cars. Peter caught some of their conversation: fragments of new plans for meeting, small anxieties as to whether some trivial pleasure would be quite perfect, comments on the play they had seen--wisps of talk reflecting beautiful, proud lives.

In a few moments the street was silent again. The wretched loafers who had swarmed about the doors, thrusting forward their services, vanished as swiftly as they had appeared.

For the next few days Peter tramped London from end to end. He realised its bitter contrasts and brutal energy. He lived only with his Oxford books and with this growing vision of modern life superficially inspected. He began to think. He did not look for any of the men he knew, but brooded and watched alone.

From his window in the morning he saw the workers pass--girl-clerks and respectable young men, afterwards the solicitors; and, passing through the gates in front of him, men with shining hats, keen-faced and seeming full of prosperous respectability. A man with one arm sold papers from a stand at the corner. Several times, as the day passed, a pale and urgent youth would fly down the street on a bicycle, dropping a parcel of papers beside the man with one arm. Peter traced these bicycles one day to a giant building where the papers were printed.

Peter read in the middle part of the morning. For lunch he went East into the City or West into the Strand. In the East he lunched beside men of commerce--men who ate squarely and comfortably from the joint or grill. West he lunched with clerks and people from the shops, with actors and journalists, publishers and secretaries.

In the afternoon Peter sometimes walked into the region of parks and great houses. He saw the shops and the women. Bond Street particularly fascinated him. Somehow it seemed just the right place for the insolent and idle people who at night flashed beside him in silk and fur. One afternoon he went at random from far West to far East, touching extremes, and once he went by boat to Greenwich, curiously passing the busy and wonderful docks. He knew also the limitless drab regions to the north and west--cracks between London and the better suburbs.

Gradually the monster took outline and lived in his brain. He watched the lesser people passing from their work and followed them to villas in Hammersmith or Streatham. The shiny hats be tracked to Kensington; the furred women in Bond Street to some near terrace or square.

All that Peter saw, or filled in for himself, though it took shape in his mind, did not yet drive him into an attitude. He was interested. The sleeping wretches on the Embankment; men who stopped him for pence, women who stole about the streets by night, were all part of this vivid and varied life he was learning to know. It was not yet called to account. It was just observed.

But the train was laid for an intellectual explosion. London waited to be branded as a city of slaves, with beggary in the streets and surfeit in men's houses.

He went one evening to a theatre. A popular musical comedy was running into a second edition. Peter had never before visited a theatre since as a boy he had seen the plays of Shakespeare presented by a travelling company at home.

He watched the people from an upper part of the house. The women attracted him most. They were more easily placed than the men. He could better imagine their lives. Their faces and clothes and manners were more eloquent of position and character. Peter was amazed at the diversity of the stalls--substantial dames, platitudes in flesh and blood, whom he instinctively matched with the men who lunched solidly to the east of Fleet Street; women, beside them, who breathed ineffable distinction; vivacious young girls bright with pleasure and health; women, beside them, boldly putting a final touch to an elaborate complexion. Other parts of the house were more of a kind. The balcony beneath him presented a solid front of formal linen and dresses in the mean of fashion. Topping all, in the gallery, was a dark array of people, notably drab in the electric blaze.

Except from the conversation of his Oxford friends Peter was quite unprepared for the entertainment that followed. At first it merely bewildered him. The perfunctory sex pantomime between the principal players; recurring afflictions of the chorus into curious movements; the mechanical embracing and caressing; the perpetual erotic innuendo--this was all so unintelligible and strange, so entirely outside all that Peter felt and knew about life, that his imagination hesitated to receive it. Gradually, however, there stole into his brain a mild disgust.

Finally there was a ballet. Its principal feature was a stocking dance. Eight young women appeared in underclothing, and eight of their total sixteen legs were clad in eight black stockings--the odd stockings being evenly divided. The first part of the ballet consisted in eight black stockings being drawn upon the eight legs which were bare. The second part of the ballet consisted in removing eight original black stockings from the legs adjacent. The ballet was performed to music intended to seduct, and the girls crooned an _obligato_ to the words, "Wouldn't you like to assist us?"

Peter flushed into astonishment and anger. He felt as if a strange hand had suddenly drawn the curtain from the most secret corner of his being. He felt as though he had been publicly stripped. He drew himself tightly back into his seat.

The curtain dropped, and the lights went up for an interval. People in the stalls talked and smiled. No flutter of misgiving troubled the marble breasts of the great ladies. Men looked as before into the eyes of their women. Nothing, it seemed, had happened.

Peter was amazed--his brain on fire with vague phrases of contempt. His fingers shook in a passion of wrath as he gathered up his hat and coat.

Missing his way, he went into the bar. It was crowded with white-fronted men, their hats set rakishly back, discussing with freedom and energy the quality of the entertainment. Nothing of what Peter had seen or felt seemed to have touched them. Suddenly Peter was greeted:

"Hullo, Paragon!"

The Hon. Freddie Dundoon was a Gamaliel man--one for whom Peter and the college generally had much contempt, an amiable fool, of good blood, but, as sometimes happens, of no manners or intelligence.

Peter muttered a greeting and passed on. But he was not so easily to get away. Dundoon caught him by the arm.

"You're not going?" he protested.

"Yes, I am," said Peter, turning away his head. He did not like people who breathed into his face.

"Stuff. Come and have a brandy and soda."

"No, thanks."

"What's the hurry?"

Peter stood in bitter patience, too exasperated to speak.

"Won't you really have a drink?" Dundoon persisted.

"No, thanks," Peter wearily repeated.

"Come home and see the mater. She's your sort. Books and all that."

"Many thanks," said Peter more politely. "I'm afraid I can't."

"Sorry you won't stop. I'd take you to Miss Beryl. Third stocking from the right."

"Curse you. Let me get out of this."

Peter wrenched his arm rudely away. He blundered into a pendulous fat man in the door, and turned to apologise. Dundoon was still looking after him, his jaw fallen in a vacant surprise.

Peter thankfully breathed the cold pure air of the street. He walked at random. He tried to collect himself, to discover why he had felt so bitterly ashamed, so furiously angry. His young flesh was in arms. He had seen a travesty of something he felt was, in its reality, great and clean. His senses rebelled against the mockery to which they had been invited. Sex was coming to the full in Peter. It waited in his blood and brain. He was conscious in himself of a sleeping power, and conscious that evening of an attempt to degrade it. He shrank instinctively.

Men at Gamaliel had called him a Puritan. He chafed at the term, feeling in himself no hostility or distrust of life. It was the sly, mechanical travesty of these things, peeping out of their talk, which offended him. To-night he had seen this travesty offered to a great audience of men and women. Brooding on a secret which had painted the butterfly and tuned the note of an English bird, he had seen it to-night, for the first time, as a punctual gluttony. Impatiently he probed into the roots of his anger. It was not sex which thus had frightened him, but its prostitution in the retinue of formal silliness.

The audience he found incredible. Either the entertainment meant nothing at all or it was hideously profane. But the witnesses, whose diversity of class, sex, age, and habit he had so enviously noted before the curtain rose, seemed to see nothing at all. Mentally he made an exception of the man from Gamaliel. He at any rate seemed to have a scale of intelligible values--a scale whereby the third stocking from the right could be accurately placed.

Peter had walked for about an hour. He had wandered in a circle and found himself again outside the theatre he had left. The people were streaming on to the pavement, unaffectedly happy after an evening of formal fun--men and women who had been held in the grip of life, or who stood, as Peter stood, upon the threshold, yet who apparently did not object to witness a parody of their great adventure in a ballet of black stockings. He watched the street noisily emptying as the audience scattered. Soon he stood lonely and still, tired of the puzzle, his anger exhausted.

A hand was slipped gently under his arm. He looked into a pretty childish face, and realised that the woman was addressing him.

"You are waiting?" she suggested.

Peter stared at her for a moment--not realising. She met him with a professional smile, her eyes filmy with a challenge, demurely evading him. He understood, and shrank rudely away from her, with a quick return of his anger. He saw in her face an effort to steel herself against his impulsive recoil. He felt the repercussion of her shame.

But it passed. Her mouth hardened. She took her hand from his arm, and mocking him with a light apology, slipped quietly away.

Peter moved impetuously forward. He felt a warm friendliness for the woman in whom he had read a secret agony. For the first time that evening he had come into touch with a fellow. She, too, felt something of what was troubling him. His gesture of sympathy was not perceived. He watched her dwindling down the street, and started to follow her. She was allied with him against a world which had conspired to degrade them.

Then he saw she was no longer alone. She stood talking with a man upon the pavement. Her companion hailed a cab, and they drove away together, passing Peter where he had paused, transfixed with a pain at his heart.

Was it jealousy? Peter flung out his hands at the stars; tears of impotent rage came into his eyes. The pain he endured was impersonal jealousy for a creature desecrated. He was jealous not for the woman whose soul for a moment he had touched, but for life itself profaned.

XIV

All that night, with his window wide to the cold air, Peter pondered the life of London. Early next day, his head confused with grasping at ideas whereby intellectually to express his disgust, he went into the streets.

He walked into a broad Western thoroughfare famous for cheap books. Embedded among the more substantial warehouses was an open stall which Peter had frequently noticed. The books in this shop were always new, always cheap, very strangely assorted, and mostly by people of whom Peter had never heard. There were plays, pamphlets, studies in economy and hygiene, in mysticism and the suffrage, trade-unionism and lyric poetry, Wagner and sanitation. Peter looked curiously at an inscription in gold lettering above the door: "The Bomb Shop."

The keeper of the stall came forward as Peter lingered. He was tall, with disordered hair, neatly dressed in tweeds. He looked at Peter in a friendly way--obviously accessible.

"You are reading the inscription?" he said politely.

"What does it mean?" Peter asked.

"Have you looked at any of the books?"

"They seemed to be mixed."

"They are in one way all alike."

"How is that?"

"Explosive."

The keeper of the stall looked curiously at Peter, and began to like his ingenuous face.

"Come into the shop," he said, and led the way into its recesses.

"This is not an ordinary shop," he explained, as Peter began to read some titles. "I am a specialist."

"What is your subject?" Peter formally inquired.

"Revolution. Every book in this establishment is a revolutionary book. All my books are written by authors who know that the world is wrong, and that they can put it right."

"Who know that the world is wrong?" Peter echoed.

"That's the idea."

"I know that the world is wrong," said Peter wearily. "I want to know the reason."

"It's a question of temperament," said the bookman. "Some like to think it is a matter of diet or hygiene. Here is the physiological, medical, and health section. Some think it is a question of beauty and ugliness. The art section is to your right. Or perhaps you are an economist?"

Peter, who had not yet compassed irony, looked curiously at his new friend.

"Seriously?" he said at last, and paused irresolutely.

"You want me to be serious?"

"I've been in London for five days. Last night I was at a theatre. Then a woman spoke to me in the street. I don't understand it."

"What don't you understand?"

"I don't understand anything."

The bookman began to be interested.

"Have you any money?" he briefly inquired.

Peter pulled out a bundle of notes. "Are these any good?" he asked.

The bookman looked at the notes, and at Peter with added interest.

"This is remarkable," he decided. "You seem to be in good health, and you carry paper money about with you as if it were rejected manuscript. Yet you want to know what's wrong with the world. Have you read anything?"

"I have read Aristotle's _Ethics_, Grote's _History of Greece_, and Kant's _Critique of Pure Reason_. I'm a Gamaliel man," said Peter.

The bookman's eyes were dancing.

"Can you spend five pounds at this shop?"

"Yes," said Peter dubiously.

"Very well. I'll make you up a parcel. You shall know what is wrong with the world. You will find that most of the violent toxins from which we suffer are matched with anti-toxins equally violent. This man, for instance," said the bookman, reaching down a volume, "explains that liberty is the cause of all our misfortunes."

He began to put together a heap of books on the counter.

"Nevertheless," he continued, adding a volume to the heap, "a too rigid system of State control is equally to blame. Here, on the other hand, is a book which tells us that London is unhappy because the sex energy of its inhabitants is suppressed and discouraged. Here, again, is a book--_Physical Nirvana_--which condemns sex energy as the root of all human misery. You tell me that last night a woman spoke to you in the street. Here is a writer who explains that she is a consequence of long hours and low wages. But she is equally well explained by her own self-indulgence and love of pleasure."

He broke off, the books having by this time grown to a pile.

"There is a lot to read," said Peter.

"It seems a lot," the bookman reassured him. "But these modern people are easy thinkers."

Peter looked suspiciously at the bookman. "You don't take these books very seriously yourself."

"But I've read them," said the bookman. "You'd better read them too. It's wise to begin by knowing what people are writing and thinking. It saves time. Read these books, and burn them--most of them, at any rate."

Peter left the shop wondering why he had wasted five pounds. He drifted towards Trafalgar Square and met a demonstration of trade-unionists with flying banners and a brass band that played a feeble song for the people. He followed them into the square, and joined a crowd which collected about the foot of the Monument.

The speeches raised a sleeping echo in Peter's brain, a forgotten ecstasy of devotion to his father's cause. The speaker harshly and crudely denounced the luxury of the rich as founded upon the indigence of the poor, dwelling on just those brutal contrasts of London which had already touched Peter. The speaker's bitter eloquence moved him, but the narrow vulgarity of his attack was disconcerting. Peter was sure that life was not explained by the simple villainy of a few rich people.

He walked away from the crowd towards Westminster, trying to realise as an ordered whole his distracting vision of London. The dignity of Whitehall was mocked in his memory by eight black stockings, by the provoking eyes of the man at the bookshop, by the fleeting shame of a strange woman who had spoken to him in the street.

Peter thought again of his father and of the books they had read. His father had rightly rebelled. All was not well. On the other hand, Peter got no help from his father's books. They had prepared in him a revolutionary temper; but they were clearly not pertinent to anything Peter had seen. They dealt with battles that were won already--problems that had passed. Priests and Kings, Liberty and Toleration, Fraternity and Equality--all these things were historical.

Early that evening, with his window open to the noises of London, he began to struggle through the wilderness of modern revolutionary literature. Book after book he flung violently away. His quick mind rejected the slovenly thought of the lesser quacks.

At last he came upon a book of plays and prefaces by an author whose name was vaguely familiar--a name which had penetrated to Oxford. Peter began to read.

Here at last was--or seemed to be--the real thing. Soon his wits were leaping in pursuit of the most active brain in Europe--a brain, too, which dealt directly with the thronging puzzles of to-day. Peter exulted in the clean logic of this writer--the first writer he had met who wrote of the modern world.

Peter's excitement became almost painful as he found passages directly bearing upon things he had himself observed, giving them coherence, stripping away pretence. Peter, vaguely aware that life was imperfect, his mind new-stored with pictures that distressed and puzzled him, now came into touch with a keen destructive intelligence which brought society tumbling about his ears in searching analysis, impudent and rapid wit, in a rush of buoyant analogy and vivid sense--an intelligence, moreover, with a great gift of literary expression, at the same time eloquent and familiar. It seemed as if the writer were himself present in the room, talking personally to the reader.

Peter hunted from the pile of books all of this author he could find, and sat far into the night, breaking from mood to mood. Many times he audibly laughed as he caught a new glimpse of the human comedy. In turn he was angry, triumphant, and deeply pitiful. Above all, he was aware in himself of a pleasure entirely new--a pleasure in life intellectually viewed. He felt he would never again be the same after his contact with the delicate machinery of this modern mind. Once or twice he shut the book he was reading and lay back in his chair. His brain was now alive. It went forward independently, darting upon a hundred problems, ideas, and questions, things he had felt and seen.

He even began to criticise and to differ from the author whose book had shocked his brain into life. Peter had only needed the spur; and now he answered, passing in review the whole pageant of things respectable and accepted. His young intellect frisked and gambolled in the Parliament and the Churches; stripping Gamaliel; exploding categories; brandishing its fist in the noses of all reverend names, institutions, and systems; triumphantly yelling as the firm and ancient world cracked and tumbled.

Tired at last, he shut the last of many volumes and went to bed, not without a look of contempt towards the corner whither his Oxford studies had previously been hurled. His brain shouted with laughter in despite of his learned University. Derisively he shut his eyes, too weary to be quite sure whether he precisely knew what he was deriding.

He woke late in the morning, the winter sun shining brilliantly into his room. Revolutionary literature lay to right and left--the small grey volumes which had precipitated his intellectual catastrophe quietly conspicuous in a small heap by themselves. Peter walked to the window and looked into the street. It was altogether the same, with men of law in shining hats passing under the archway opposite into their quiet demesne. London stood solidly as before. Peter looked a little dubiously at the grey books. They, too, apparently were real.

XV

Peter was at home for a day before returning to Oxford. Hamingburgh seemed to have grown very small and quiet. He felt in coming back a loss of energy. In London he had seemed at the heart of a hundred questions. He had watched the London crowds with intimacy. They were very real. He lost this reality in the quiet streets of Hamingburgh. Life ceased to ask urgently for an explanation.

He noted on his way from the station that people were moving into Miranda's empty house. But it hardly seemed to matter.

Peter enjoyed one happy evening with his mother, and left for Oxford.

But Oxford had disappeared. Where was the beautiful city--offering illimitable knowledge, sure wisdom, lovely authority? Peter had come into touch with life. He had craved to find order and beauty in the pageant of London. Now, in the stones of Oxford, he saw only the frozen ideas of a vanished age--serene accomplishment whose finality exasperated him. He looked from his window across the shaven green of a perfect lawn to the chapel tower. The hour chiming in quarters from a dozen bells marked off yet another small distance between Oxford and the living day. His disillusion of the previous term was now openly confessed and examined.