Chapter 1

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PERCY BYSSHE SHELLEY

AS A

PHILOSOPHER AND REFORMER.

BY

CHARLES SOTHERAN.

_INCLUDING AN ORIGINAL SONNET_

BY

CHARLES W. FREDERICKSON

TOGETHER WITH

A PORTRAIT OF SHELLEY AND A VIEW OF HIS TOMB.

"Let us See the Truth, whatever that may be."--_Shelley_, 1822.

_NEW YORK_.

CHARLES P. SOMERBY, 139 EIGHTH STREET.

1876.

Entered, according to Act of Congress, in the year 1876,

by Charles Sotheran,

In the Office of the Librarian of Congress, at Washington.

* * * * *

TO

CHARLES WILLIAM FREDERICKSON,

OF NEW YORK.

DEAR FRIEND:

As in ancient times, none were allowed participation in the Higher Mysteries, without having proved their fitness for the reception of esoteric truth, so in these days only those seem to be permitted to breathe the hidden essence in Shelley, who have realized the acute phases of spiritality. Among the few who have enjoyed these bi-fold gifts, none have had more fortuitous experience than yourself, to whom I now take the liberty of dedicating this volume.

Yours fraternally,

CHARLES SOTHERAN.

_December_, 1875.

* * * * *

"To see the sun shining on its bright grass, and hear the whispering of the wind among the leaves of the trees, which have overgrown the tomb of Cestius, and the soil which is stirring in the sun-warm earth, and to mark the tombs, mostly of women and young children, who, buried there, we might, if we were to die, desire a sleep they seem to sleep."--SHELLEY.

To the Memory

OF

PERCY BYSSHE SHELLEY,

BY

CHARLES W. FREDERICKSON.

Amid the ruins of majestic Rome, That told the story of its countless years, I stood, and wondered by the silent dust Of the "Eternal Child." Oh, Shelley! To me it was not given to know thy face, Save through the mirrored pages of thy works; Those whisper'd words of wood and wave, are to mine ears, Sweet as the music of ocean's roar, that breaks on sheltered shores. Thy sterner words of Justice, Love and Truth, Will to the struggling soul a beacon prove, And barrier against the waves of tyranny and craft. Then rest, "_Cor Cordium_," and though thy life Was brief in point of years, its memory will outlive The column'd monuments around thy tomb.

* * * * *

NEW YORK, _Nov_. 25, 1875.

MY DEAR SOTHERAN:--

The copy of the lines on our Beloved-Poet, which you requested, are entirely at your service--make what use of them you please.

Yours, sincerely,

C.W. FREDERICKSON.

PERCY BYSSHE SHELLEY, AS A PHILOSOPHER AND REFORMER.

A PAPER READ BEFORE THE NEW YORK LIBERAL CLUB, ON FRIDAY, AUGUST 6TH, 1875.

"Let us see the Truth, whatever that may be."--SHELLEY, 1822.

_Mr. Vice-President and Members of the Liberal Club_:

"The Blood of the Martyr is the Seed of the Church." Persecution ever fails in accomplishing its desired ends, and as a rule lays the foundations broad and deep for the triumph of the objects of and principles inculcated by the persecuted.

Driven from their homes by fanatical tyranny, not permitted to worship as they thought fit, a band of noble and earnest, yet on some points mistaken men, were, a little over two hundred and fifty years ago, landed on this continent from the good ship "Mayflower." The "Pilgrim Fathers" were, in their native land, refused liberty of conscience and freedom of discussion; their apparent loss was our gain, for if it had not been for that despotism, and the corresponding re-action, which made those stern old zealots give to others many of the inalienable rights of liberty denied to themselves, you and I could not to-night perhaps be allowed to meet face to face, without fear, to discuss metaphysical and social questions in their broadest aspects, without the civil or theological powers intervening to close our mouths.

"Fragile in health and frame; of the purest habits in morals; full of devoted generosity and universal kindness; glowing with ardor to attain wisdom; resolved at every personal sacrifice to do right; burning with a desire for affection and sympathy," a boy-under-graduate of Oxford, described as of tall, delicate, and fragile figure, with large and lively eyes, with expressive, beautiful and feminine features, with head covered with long, brown hair, of gracefulness and simplicity of manner, the heir to a title and the representation of one of the most ancient English families, which numbered Sir Philip Sidney on its roll of illustrious names, just sixty-four years ago, and in this nineteenth century, for no licentiousness, violence, or dishonor, but, for his refusal to criminate himself or inculpate friends, was, without trial, expelled by learned divines from his university for writing an argumentative thesis, which, if it had been the work of some Greek philosopher, would have been hailed by his judges as a fine specimen of profound analytical abstruseness--for that expulsion are we the debtors to theological charity and tolerance for "Queen Mab."

Excommunicated by a mercenary and abject priesthood, cast off by a savage father, the admirer of that gloomy theology founded by the murderer of Michael Servetus, and charged by his jealous brother writers as one of the founders of a Satanic School, for neither immorality of life nor breach of the parental relation, but for heterodoxy to an expiring system of dogmatism, and for acting on and asserting the right of man to think and judge for himself, a father was to have two children torn from him, in the sacred name of law and justice, by the principal adviser of a dying madman, "Defender of the Faith, by Law Established," and by us despised as the self-willed tyrant, who lost America and poured out human blood like water to gratify his lust of power. By that Lord Chancellor whose cold, impassive statue has a place in Westminster Abbey, where Byron's was refused admittance, and whose memory, when that stone has crumbled into dust, will live as one who furnished an example for execrable tyranny over the parental tie, and that Lord Eldon whom an outraged father curses in imperishable verse:

"By thy most impious hell, and all its terrors; By all the grief, the madness and the guilt Of thine impostures, which must be _their_ errors, That sand on which thy crumbling power is built;

* * * * *

By all the hate which checks a father's love; By all the scorn which kills a father's care; By those most impious hands that dared remove Nature's high bounds--by thee, and by despair.

"Yes, the despair which bids a father groan, And cry, 'my children are no longer mine. The blood within those veins may be mine own, But, tyrant, their polluted souls are thine.'

"I curse thee, though I hate thee not. O slave! If thou could'st quench the earth consuming hell Of which thou art a demon, on thy grave This curse should be a blessing. Fare thee well."

Sad as it is to contemplate any human being in his agony making use of such language to another; and however much we may sympathize with the poet, yet we cannot but have inwardly a feeling of rejoicing; for, if it had not been for this unheard of villainy, we should probably never have had the other magnificent poetry and prose of Percy Bysshe Shelley composed during his self-imposed ostracism, and which furnish such glorious thoughts for the philosopher, and keen trenchant weapons for the reformer.

Have any of my hearers ever stood, in the calm of a summer evening, in Shelley's native land, listening to the lovely warble of the nightingale, making earth joyful with its unpremeditated strains, and the woods re-echo with its melody? Or gazed upwards with anxious ken towards the skylark careering in the "blue ether," far above this sublunary sphere of gross, sensual earth, there straining after immortality, and

"Like a poet hidden, In the light of thought, Singing hymns unbidden, Till the world is wrought To sympathy with hopes and fears, it heeded not,"

pouring out such bursts of song as to make one almost worship and credit the fables, taught in childhood at our mothers' knees, of the angelic symphonies of heavenly choirs. Such was the poetry of Shelley; and as the music of the nightingale or the skylark is far exceeding in excellence that of the other members of the feathered kingdom, so does Shelley rank as a poet far above all other poets, making even the poet of nature, the great Wordsworth himself, confess that Shelley was indeed the master of harmonious verse in our modern literature. It is broadly laid down in the Marvinian theory that all poets are insane. I would much like to break a lance with the learned Professor of Psychology and Medical Jurisprudence; but as the overthrow of this dogma does not come within the scope of my essay, I would suggest to those who may have been influenced by that paper to read Shelley's "Defence of Poetry." I shall quote two extracts therefrom, each pertinent to my subject. The first describes the function of the poet:

"But poets, or those who imagine and express this indestructible order, are not only the authors of language and of music, of the dance, and architecture, and statuary, and painting; they are the institutors of laws, and the founders of civil society, and the inventors of the arts of life, and the teachers, who draw into a certain propinquity with the beautiful and the true, that partial apprehension of the agencies of the invisible world, which is called religion."

The other is in extension of the same idea, and concludes the essay:

"Poets are the hierophants of an unapprehended inspiration; the mirrors of the gigantic shadows which futurity casts upon the present; the words which express what they understand not; the trumpets which sing to battle and feel not what they inspire; the influence which is moved not, but moves. Poets are the unacknowledged legislators of the world."

I have no hesitation in saying that for treating Shelley as a philosopher, I shall be attacked with great "positivism" by the disciples[A] of manufacturers of bran-new Brummagen philosophies dug out of Aristotelian and other depths to which are added new thoughts, not their own. The reason which David Masson offers in his "Recent British Philosophy" for placing Alfred Tennyson among the same class is equally applicable now:

[Footnote A: If Diogenes or Socrates, leaving High Olympus and sweet converse with the immortals, were to condescend to visit New York some Friday evening. I am sadly afraid they would be astounded at many of their would-be brothers in philosophy. On seeing the travestie of ancient academies and groves where the schools used to congregate, the dialogues consisting of bald atheism under sheep's clothing to trap the unwary, and termed "The _Religion_ of Humanity," of abuse and personality in lieu of argument, of buffoonery called wit, of airing pet hobbies alien to the subject instead of disputating, of shouting vulgar claptrap instead of rhetoric, etc.--I sadly fear these stout old Greeks, having power for the nonce, would, throwing philosophy to the dogs in a moment of paroxysmal indignation, despite physiognomies trained to resemble their own, have these fellows casked up in tubs without lanterns, but with the appropriate "snuffers," fit emblems of their faiths, and dropped far outside Sandy Hook. A proper finale to the vapid utterance made by one of these gentry that all "Reformers should be annihilated," Imagine Plato or Epicurus offering such a suggestion. O tempora! O mores!]

"To those who are too strongly possessed with our common habit of classifying writers into kinds, as historians, poets, scientific and speculative writers, and so on, it may seem strange to include Mr. Tennyson in this list. But as I have advisedly referred to Wordsworth as one of the representatives and powers of British philosophy in the age immediately past, so I advisedly named Tennyson as succeeding him in the same character. Though it is not power of speculative reason alone that constitutes a poet, is it not felt that the worth of a poet essentially is measured by the depth and amount of his speculative reason? Even popularly, do we not speak of every great poet as the exponent of the spirit of his age? What else can this mean than that the philosophy of his age, its spirit and heart in relation to all the great elemental problems, find expression in his verse? Hence I ought to include other poets in this list, and more particularly Mr. Browning and Mrs. Browning, and the late Mr. Clough. But let the mention of Mr. Tennyson suggest such other names, and stand as a sufficient protest against our absurd habit of omitting such in a connection like the present. As if, forsooth, when a writer passed into verse, he were to be abandoned as utterly out of calculable relationship to all on this side of the boundary, and no account were to be taken of his thoughts and doings, except in a kind of curious appendix at the end of the general register? What if philosophy, at a certain extreme range, and of a certain kind, tends of necessity to pass into poesy, and can hardly help being passionate and metrical? If so, might not the omission of poets, purely as being such, from a conspectus of the speculative writers of any time, lead to erroneous conclusions, by giving an undue prominence in the estimate of all such philosophizing as could most easily, by its nature, refrain from passionate or poetic expression? Thus, would philosophy, or one kind of philosophy in comparison with another, have seemed to had been in such a diminished condition in Britain about the year 1830, if critics had been in the habit of counting Wordsworth in the philosophic list as well as Coleridge, Mackintosh, Bentham, and James Mill? Was there not more of what you might call Spinozaism in Wordsworth than even in Coleridge, who spoke more of Spinoza? But that hardly needs all this justification, so far as Mr. Tennyson is concerned, of our reckoning _him_ in the present list. He that would exclude In "Memoriam" (1850) and "Maud" (1855) from the conspectus of the philosophical literature of our time, has yet to learn what philosophy is. Whatever else "In Memoriam" may be, it is a manual for many of the latest hints and questions in British Metaphysics."

The soi-disant philosophers and classifiers of the sciences and arts who will not permit such poets as Shelley and Tennyson to be put in the category of philosophers, remind one very forcibly of the passage in Macbeth: "The earth has bubbles, as the water has, and these are of them!"

As a poet and not as a poet, as an acknowledged legislator for the race, as a philosopher, (a searcher after, or lover of wisdom) and as a political and social reformer, it is my intention to treat Shelley this evening, and having finished my prefatory remarks, will now regard him in those attributes which peculiarly should enshrine him in your hearts and mine.

The philosophical theories of advanced thinkers are always tinged with the reflex of that which called them forth, or impeded them in their development, consequently social bondage and the "anarch custom" being always present to Shelley, the great idea ever uppermost to him was that true happiness is only attainable in perfect freedom: the atrocious system of fagging, now almost extinct in the English Public Schools and the tyrannical venality of ushers, deeply impressed themselves on the mind of Shelley, and he tells us, in the beautiful lines to his wife, of the remembrance of his endeavors to overthrow these abominations having failed, of flying from "the harsh and grating strife of tyrants and of foes" and of the high and noble resolves which inspired him:

"And then I clasp'd my hands, and look'd around; But none were near to mock my streaming eyes, Which pour'd their warm drops on the sunny ground. So, without shame, I spake: 'I will be wise, And just, and free, and mild, if in me lies Such power; for I grow weary to behold The selfish and the strong still tyrannize Without reproach or check.' I then controll'd My tears; my heart grew calm; and I was meek and bold.

"And from that hour did I, with earnest thought, Heap knowledge from forbidden mines of lore; Yet nothing that my tyrants knew or taught, I cared to learn; but from that secret store Wrought linked armor for my soul, before It might walk forth, to war among mankind. Thus, power and hope were strengthen'd more and more Within me, till there came upon my mind A sense of loneliness, a thirst with which I pined."

The fruits born of this seed are discernible in every line of his works. While having all reverence for his college companions, Aristotle, Aeschylus, and Demosthenes, his mind instinctively turns towards the deemed heretical works of the later French philosophers, D'Holbach, Condillac, La Place, Rousseau, the encyclopaedists, and other members of that school. His intellect he furbishes with stores of logic and of chemistry, in which his greatest love was to experimentalize; of botany and astronomy, in which he was more than a mere adept; from Hume, too, whose essay on "Miracles," wrong as it is in the main on many important points, was one of the alphas of his creed--and with deep draughts from his great instructor, Plato, of whom he always spoke with the greatest adoration, as, for instance, in the preface to the Symposium:

"Plato is eminently the greatest among the Greek philosophers; and from, or rather perhaps through him and his master, Socrates, have proceeded those emanations of moral and metaphysical knowledge, on which a long series and an incalculable variety of popular superstitions have sheltered their absurdities from the slow contempt of mankind."

It is desirable to call attention to the great minds from whom the student of the early part of this century could only cull his knowledge--he had no Spencer and no Mill, at whose feet to sit--he had in science none of the conclusions of Darwin, of Huxley, of Tyndall, of Murchison, of Lyell, to refer to, and yet I think, that the careful reader will, like myself, find prefigured in Shelley's works much of that of which the world is in full possession to-day, and which the mystical Occultists, Rosicrucians, and Cabalists have now, and have ever had, conjoined to a mysterious command over the active hidden material and spiritual powers in the infinite domain of nature.

The idea of the _Supreme Power_ or _God_, as emanating from Shelley, is one of the most sublime to be found in the pages of metaphysical learning at the command of ordinary mortals. By many it may be considered only a vague pantheism; yet, rightly regarded in a reconciliative spirit, it is of such an universal character as to harmonize with not only Deism, Theism and Polytheism, but even Atheistical Materialism. Listen to the following, which I select out of numerous examples, as a finger-post for others who seek the living springs of undefiled truth, as in Shelley:

"Whosoever is free from the contamination of luxury and license may go forth to the fields and to the woods, inhaling joyous renovation from the breath of Spring, and catching from the odors and sounds of autumn some diviner mood of sweetest sadness, which improves the softened heart. Whosoever is no deceiver and destroyer of his fellow-men--no liar, no flatterer, no murderer--may walk among his species, deriving, from the communion with all which they contain of beautiful or majestic, some intercourse with the Universal God. Whosoever has maintained with his own heart the strictest correspondence of confidence, who dares to examine and to estimate every imagination which suggests itself to his mind--whosoever is that which he designs to _become_, and only aspires to that which the divinity of his own nature shall consider and approve--he has already seen God."

Can any one cavil with these beautiful expressions, this outpouring of genius? If such there be, his heart and understanding must be sadly warped, any appeal would be in vain, for him the Veil of Isis could never be lifted. After a careful study of Shelley's works I can find nothing to warrant the execration formerly levelled at his head, not even in the "Refutation of Deism," that remarkable argument in the Socratic style between Eusebes and Theosophus in which, as in all his prose works, is displayed keen discernment, logical acuteness, and close analytical reasoning not surpassed by the greatest philosophers--most certainly his notions of God were not in unison with the current theological ideas, and it was this daring rebellion against the popular faith, the chief support of custom which caused all the trouble. If ever he attempted to show the non-existence of Deity, his negation was solely directed against the gross human notions of a creative power, and _ergo_ a succession of finite creative powers _ad infinitum_, or a Personal God who has only been acknowledged in the popular teachings as an autocratic tyrant, and as Shelley puts it in his own language:

"A venerable old man, seated on a throne of clouds, his breast the theatre of various passions, analogous to those of humanity, his will changeable and uncertain as that of an earthly king."

Not to be compared with the far different eternal and infinite.

"Spirit of Nature! all sufficing power, Necessity! thou mother of the world! Unlike the God of human error, thou Requirest no prayers or praises, the caprice Of man's weak will belongs no more to thee Than do the changeful passions of his breast To thy unvarying harmony."

And by this doctrine of necessity here apostrophised our philosopher instructs us in a lengthy statement of great clearness:

"We are taught that there is neither good nor evil in the universe, otherwise than as the events to which we apply these epithets have relation to our own peculiar mode of being. Still less than with the hypothesis of a personal God, will the doctrine of necessity accord with the belief of a future state of punishment. God made man such as he is, and then damned him for being so; for to say that God was the author of all good, and man the author of all evil, is to say that one man made a straight line and a crooked one, and another man made the incongruity."

For you to better understand the exact position in which Shelley placed himself, it is elsewhere thus admirably expressed: