Passages from the French and Italian Notebooks, Complete
Chapter 18
We arrived at Spoleto before noon, and while our dejeuner was being prepared, looked down from the window of the inn into the narrow street beneath, which, from the throng of people in it, I judged to be the principal one: priests, papal soldiers, women with no bonnets on their heads; peasants in breeches and mushroom hats; maids and matrons, drawing water at a fountain; idlers, smoking on a bench under the window; a talk, a bustle, but no genuine activity. After lunch we walked out to see the lions of Spoleto, and found our way up a steep and narrow street that led us to the city gate, at which, it is traditionally said, Hannibal sought to force an entrance, after the battle of Thrasymene, and was repulsed. The gateway has a double arch, on the inner one of which is a tablet, recording the above tradition as an unquestioned historical fact. From the gateway we went in search of the Duomo, or cathedral, and were kindly directed thither by an officer, who was descending into the town from the citadel, which is an old castle, now converted into a prison. The cathedral seemed small, and did not much interest us, either by the Gothic front or its modernized interior. We saw nothing else in Spoleto, but went back to the inn and resumed our journey, emerging from the city into the classic valley of the Clitumnus, which we did not view under the best of auspices, because it was overcast, and the wind as chill as if it had the cast in it. The valley, though fertile, and smilingly picturesque, perhaps, is not such as I should wish to celebrate, either in prose or poetry. It is of such breadth and extent, that its frame of mountains and ridgy hills hardly serve to shut it in sufficiently, and the spectator thinks of a boundless plain, rather than of a secluded vale. After passing Le Vene, we came to the little temple which Byron describes, and which has been supposed to be the one immortalized by Pliny. It is very small, and stands on a declivity that falls immediately from the road, right upon which rises the pediment of the temple, while the columns of the other front find sufficient height to develop themselves in the lower ground. A little farther down than the base of the edifice we saw the Clitumnus, so recently from its source in the marble rock, that it was still as pure as a child's heart, and as transparent as truth itself. It looked airier than nothing, because it had not substance enough to brighten, and it was clearer than the atmosphere. I remember nothing else of the valley of Clitumnus, except that the beggars in this region of proverbial fertility are wellnigh profane in the urgency of their petitions; they absolutely fall down on their knees as you approach, in the same attitude as if they were praying to their Maker, and beseech you for alms with a fervency which I am afraid they seldom use before an altar or shrine. Being denied, they ran hastily beside the carriage, but got nothing, and finally gave over.
I am so very tired and sleepy that I mean to mention nothing else to-night, except the city of Trevi, which, on the approach from Spoleto, seems completely to cover a high, peaked hill, from its pyramidal tip to its base. It was the strangest situation in which to build a town, where, I should suppose, no horse can climb, and whence no inhabitant would think of descending into the world, after the approach of age should begin to stiffen his joints. On looking back on this most picturesque of towns (which the road, of course, did not enter, as evidently no road could), I saw that the highest part of the hill was quite covered with a crown of edifices, terminating in a church-tower; while a part of the northern side was apparently too steep for building; and a cataract of houses flowed down the western and southern slopes. There seemed to be palaces, churches, everything that a city should have; but my eyes are heavy, and I can write no more about them, only that I suppose the summit of the hill was artificially tenured, so as to prevent its crumbling down, and enable it to support the platform of edifices which crowns it.
May 27th.--We reached Foligno in good season yesterday afternoon. Our inn seemed ancient; and, under the same roof, on one side of the entrance, was the stable, and on the other the coach-house. The house is built round a narrow court, with a well of water at bottom, and an opening in the roof at top, whence the staircases are lighted that wind round the sides of the court, up to the highest story. Our dining-room and bedrooms were in the latter region, and were all paved with brick, and without carpets; and the characteristic of the whole was all exceeding plainness and antique clumsiness of fitting up. We found ourselves sufficiently comfortable, however; and, as has been the case throughout our journey, had a very fair and well-cooked dinner. It shows, as perhaps I have already remarked, that it is still possible to live well in Italy, at no great expense, and that the high prices charged to the forestieri at Rome and elsewhere are artificial, and ought to be abated. . . . .
The day had darkened since morning, and was now ominous of rain; but as soon as we were established, we sallied out to see whatever was worth looking at. A beggar-boy, with one leg, followed us, without asking for anything, apparently only for the pleasure of our company, though he kept at too great a distance for conversation, and indeed did not attempt to speak.
We went first to the cathedral, which has a Gothic front, and a modernized interior, stuccoed and whitewashed, looking as neat as a New England meeting-house, and very mean, after our familiarity with the gorgeous churches in other cities. There were some pictures in the chapels, but, I believe, all modern, and I do not remember a single one of them. Next we went, without any guide, to a church attached to a convent of Dominican monks, with a Gothic exterior, and two hideous pictures of Death,--the skeleton leaning on his scythe, one on each side of the door. This church, likewise, was whitewashed, but we understood that it had been originally frescoed all over, and by famous hands; but these pictures, having become much injured, they were all obliterated, as we saw,--all, that is to say, except a few specimens of the best preserved, which were spared to show the world what the whole had been. I thanked my stars that the obliteration of the rest had taken place before our visit; for if anything is dreary and calculated to make the beholder utterly miserable, it is a faded fresco, with spots of the white plaster dotted over it.
Our one-legged boy had followed us into the church and stood near the door till he saw us ready to come out, when he hurried on before us, and waited a little way off to see whither we should go. We still went on at random, taking the first turn that offered itself, and soon came to another old church,--that of St. Mary within the Walls,--into which we entered, and found it whitewashed, like the other two. This was especially fortunate, for the doorkeeper informed us that, two years ago, the whole church (except, I suppose, the roof, which is of timber) had been covered with frescos by Pinturicchio, all of which had been ruthlessly obliterated, except a very few fragments. These he proceeded to show us; poor, dim ghosts of what may once have been beautiful,--now so far gone towards nothingness that I was hardly sure whether I saw a glimmering of the design or not. By the by, it was not Pinturicchio, as I have written above, but Giotto, assisted, I believe, by Cimabue, who painted these frescos. Our one-legged attendant had followed us also into this church, and again hastened out of it before us; and still we heard the dot of his crutch upon the pavement, as we passed from street to street. By and by a sickly looking man met us, and begged for "qualche cosa"; but the boy shouted to him, "Niente!" whether intimating that we would give him nothing, or that he himself had a prior claim to all our charity, I cannot tell. However, the beggar-man turned round, and likewise followed our devious course. Once or twice we missed him; but it was only because he could not walk so fast as we; for he appeared again as we emerged from the door of another church. Our one-legged friend we never missed for a moment; he kept pretty near us,--near enough to be amused by our indecision whither to go; and he seemed much delighted when it began to rain, and he saw us at a loss how to find our way back to the hotel. Nevertheless, he did not offer to guide us; but stumped on behind with a faster or slower dot of his crutch, according to our pace. I began to think that he must have been engaged as a spy upon our movements by the police who had taken away my passport at the city gate. In this way he attended us to the door of the hotel, where the beggar had already arrived. The latter again put in his doleful petition; the one-legged boy said not a word, nor seemed to expect anything, and both had to go away without so much as a mezzo baioccho out of our pockets. The multitude of beggars in Italy makes the heart as obdurate as a paving-stone.
We left Foligno this morning, and, all ready for us at the door of the hotel, as we got into the carriage, were our friends, the beggar-man and the one-legged boy; the latter holding out his ragged hat, and smiling with as confident an air as if he had done us some very particular service, and were certain of being paid for it, as from contract. It was so very funny, so impudent, so utterly absurd, that I could not help giving him a trifle; but the man got nothing,--a fact that gives me a twinge or two, for he looked sickly and miserable. But where everybody begs, everybody, as a general rule, must be denied; and, besides, they act their misery so well that you are never sure of the genuine article.
PERUGIA.
May 25th.--As I said last night, we left Foligno betimes in the morning, which was bleak, chill, and very threatening, there being very little blue sky anywhere, and the clouds lying heavily on some of the mountain-ridges. The wind blew sharply right in U----'s face and mine, as we occupied the coupe, so that there must have been a great deal of the north in it. We drove through a wide plain--the Umbrian valley, I suppose--and soon passed the old town of Spello, just touching its skirts, and wondering how people, who had this rich and convenient plain from which to choose a site, could think of covering a huge island of rock with their dwellings,--for Spello tumbled its crooked and narrow streets down a steep descent, and cannot well have a yard of even space within its walls. It is said to contain some rare treasures of ancient pictorial art.
I do not remember much that we saw on our route. The plains and the lower hillsides seemed fruitful of everything that belongs to Italy, especially the olive and the vine. As usual, there were a great many shrines, and frequently a cross by the wayside. Hitherto it had been merely a plain wooden cross; but now almost every cross was hung with various instruments, represented in wood, apparently symbols of the crucifixion of our Saviour,--the spear, the sponge, the crown of thorns, the hammer, a pair of pincers, and always St. Peter's cock, made a prominent figure, generally perched on the summit of the cross.
From our first start this morning we had seen mists in various quarters, betokening that there was rain in those spots, and now it began to spatter in our own faces, although within the wide extent of our prospect we could see the sunshine falling on portions of the valley. A rainbow, too, shone out, and remained so long visible that it appeared to have made a permanent stain in the sky.
By and by we reached Assisi, which is magnificently situated for pictorial purposes, with a gray castle above it, and a gray wall around it, itself on a mountain, and looking over the great plain which we had been traversing, and through which lay our onward way. We drove through the Piazza Grande to an ancient house a little beyond, where a hospitable old lady receives travellers for a consideration, without exactly keeping an inn.
In the piazza we saw the beautiful front of a temple of Minerva, consisting of several marble pillars, fluted, and with rich capitals supporting a pediment. It was as fine as anything I had seen at Rome, and is now, of course, converted into a Catholic church.
I ought to have said that, instead of driving straight to the old lady's, we alighted at the door of a church near the city gate, and went in to inspect some melancholy frescos, and thence clambered up a narrow street to the cathedral, which has a Gothic front, old enough, but not very impressive. I really remember not a single object that we saw within, but am pretty certain that the interior had been stuccoed and whitewashed. The ecclesiastics of old time did an excellent thing in covering the interiors of their churches with brilliant frescos, thus filling the holy places with saints and angels, and almost with the presence of the Divinity. The modern ecclesiastics do the next best thing in obliterating the wretched remnants of what has had its day and done its office. These frescos might be looked upon as the symbol of the living spirit that made Catholicism a true religion, and glorified it as long as it did live; now the glory and beauty have departed from one and the other.
My wife, U----, and Miss Shepard now set out with a cicerone to visit the great Franciscan convent, in the church of which are preserved some miraculous specimens, in fresco and in oils, of early Italian art; but as I had no mind to suffer any further in this way, I stayed behind with J----- and R-----, who we're equally weary of these things.
After they were gone we took a ramble through the city, but were almost swept away by the violence of the wind, which struggled with me for my hat, and whirled R----- before it like a feather. The people in the public square seemed much diverted at our predicament, being, I suppose, accustomed to these rude blasts in their mountain-home. However, the wind blew in momentary gusts, and then became more placable till another fit of fury came, and passed as suddenly as before. We walked out of the same gate through which we had entered,--an ancient gate, but recently stuccoed and whitewashed, in wretched contrast to the gray, venerable wall through which it affords ingress,--and I stood gazing at the magnificent prospect of the wide valley beneath. It was so vast that there appeared to be all varieties of weather in it at the same instant; fields of sunshine, tracts of storm,--here the coming tempest, there the departing one. It was a picture of the world on a vast canvas, for there was rural life and city life within the great expanse, and the whole set in a frame of mountains,--the nearest bold and dust-net, with the rocky ledges showing through their sides, the distant ones blue and dim,--so far stretched this broad valley.
When I had looked long enough,--no, not long enough, for it would take a great while to read that page,--we returned within the gate, and we clambered up, past the cathedral and into the narrow streets above it. The aspect of everything was immeasurably old; a thousand years would be but a middle age for one of those houses, built so massively with huge stones and solid arches, that I do not see how they are ever to tumble down, or to be less fit for human habitation than they are now. The streets crept between them, and beneath arched passages, and up and down steps of stone or ancient brick, for it would be altogether impossible for a carriage to ascend above the Grand Piazza, though possibly a donkey or a chairman's mule might find foothold. The city seems like a stony growth out of the hillside, or a fossilized city,--so old and singular it is, without enough life and juiciness in it to be susceptible of decay. An earthquake is the only chance of its ever being ruined, beyond its present ruin. Nothing is more strange than to think that this now dead city--dead, as regards the purposes for which men live nowadays--was, centuries ago, the seat and birthplace almost of art, the only art in which the beautiful part of the human mind then developed itself. How came that flower to grow among these wild mountains? I do not conceive, however, that the people of Assisi were ever much more enlightened or cultivated on the side of art than they are at present. The ecclesiastics were then the only patrons; and the flower grew here because there was a great ecclesiastical garden in which it was sheltered and fostered. But it is very curious to think of Assisi, a school of art within, and mountain and wilderness without.
My wife and the rest of the party returned from the convent before noon, delighted with what they had seen, as I was delighted not to have seen it. We ate our dejeuner, and resumed our journey, passing beneath the great convent, after emerging from the gate opposite to that of our entrance. The edifice made a very good spectacle, being of great extent, and standing on a double row of high and narrow arches, on which it is built up from the declivity of the hill.
We soon reached the Church of St. Mary of the Angels, which is a modern structure, and very spacious, built in place of one destroyed by an earthquake. It is a fine church, opening out a magnificent space in its nave and aisles; and beneath the great dome stands the small old chapel, with its rude stone walls, in which St. Francis founded his order. This chapel and the dome appear to have been the only portions of the ancient church that were not destroyed by the earthquake. The dwelling of St. Francis is said to be also preserved within the church; but we did not see it, unless it were a little dark closet into which we squeezed to see some frescos by La Spagna. It had an old wooden door, of which U---- picked off a little bit of a chip, to serve as a relic. There is a fresco in the church, on the pediment of the chapel, by Overbeck, representing the Assumption of the Virgin. It did not strike me as wonderfully fine. The other pictures, of which there were many, were modern, and of no great merit.
We pursued our way, and came, by and by, to the foot of the high hill on which stands Perugia, and which is so long and steep that Gaetano took a yoke of oxen to aid his horses in the ascent. We all, except my wife, walked a part of the way up, and I myself, with J----- for my companion, kept on even to the city gate,--a distance, I should think, of two or three miles, at least. The lower part of the road was on the edge of the hill, with a narrow valley on our left; and as the sun had now broken out, its verdure and fertility, its foliage and cultivation, shone forth in miraculous beauty, as green as England, as bright as only Italy. Perugia appeared above us, crowning a mighty hill, the most picturesque of cities; and the higher we ascended, the more the view opened before us, as we looked back on the course that we had traversed, and saw the wide valley, sweeping down and spreading out, bounded afar by mountains, and sleeping in sun and shadow. No language nor any art of the pencil can give an idea of the scene. When God expressed himself in the landscape to mankind, he did not intend that it should be translated into any tongue save his own immediate one. J----- meanwhile, whose heart is now wholly in snail-shells, was rummaging for them among the stones and hedges by the roadside; yet, doubtless, enjoyed the prospect more than he knew. The coach lagged far behind us, and when it came up, we entered the gate, where a soldier appeared, and demanded my passport. We drove to the Grand Hotel de France, which is near the gate, and two fine little boys ran beside the carriage, well dressed and well looking enough to have been a gentleman's sons, but claiming Gaetano for their father. He is an inhabitant of Perugia, and has therefore reached his own home, though we are still little more than midway to our journey's end.
Our hotel proves, thus far, to be the best that we have yet met with. We are only in the outskirts of Perugia; the bulk of the city, where the most interesting churches and the public edifices are situated, being far above us on the hill. My wife, U----, Miss Shepard, and R----- streamed forth immediately, and saw a church; but J-----, who hates them, and I remained behind; and, for my part, I added several pages to this volume of scribble.
This morning was as bright as morning could be, even in Italy, and in this transparent mountain atmosphere. We at first declined the services of a cicerone, and went out in the hopes of finding our way to whatever we wished to see, by our own instincts. This proved to be a mistaken hope, however; and we wandered about the upper city, much persecuted by a shabby old man who wished to guide us; so, at last, Miss Shepard went back in quest of the cicerone at the hotel, and, meanwhile, we climbed to the summit of the hill of Perugia, and, leaning over a wall, looked forth upon a most magnificent view of mountain and valley, terminating in some peaks, lofty and dim, which surely must be the Apennines. There again a young man accosted us, offering to guide us to the Cambio or Exchange; and as this was one of the places which we especially wished to see, we accepted his services. By the by, I ought to have mentioned that we had already entered a church (San Luigi, I believe), the interior of which we found very impressive, dim with the light of stained and painted windows, insomuch that it at first seemed almost dark, and we could only see the bright twinkling of the tapers at the shrines; but, after a few minutes, we discerned the tall octagonal pillars of the nave, marble, and supporting a beautiful roof of crossed arches. The church was neither Gothic nor classic, but a mixture of both, and most likely barbarous; yet it had a grand effect in its tinted twilight, and convinced me more than ever how desirable it is that religious edifices should have painted windows.
The door of the Cambio proved to be one that we had passed several times, while seeking for it, and was very near the church just mentioned, which fronts on one side of the same piazza. We were received by an old gentleman, who appeared to be a public officer, and found ourselves in a small room, wainscoted with beautifully carved oak, roofed with a coved ceiling, painted with symbols of the planets, and arabesqued in rich designs by Raphael, and lined with splendid frescos of subjects, scriptural and historical, by Perugino. When the room was in its first glory, I can conceive that the world had not elsewhere to show, within so small a space, such magnificence and beauty as were then displayed here. Even now, I enjoyed (to the best of my belief, for we can never feel sure that we are not bamboozling ourselves in such matters) some real pleasure in what I saw; and especially seemed to feel, after all these ages, the old painter's devout sentiment still breathing forth from the religious pictures, the work of a hand that had so long been dust.