Book V. p. 136). On great occasions the principal guests seem to have

had ladies assigned to them as their table companions (cf. Book VI. p. 178). One would gather from this passage, and that in Book VI., that the lady of highest rank had the hostess for companion, thus we find Arnivé eating with Orgelusé, and Guinevere having a queen (probably Ekuba) for companion; while Kunnewaare is Arthur's table-mate, as here Itonjé is Gawain's.

Page 78, line 180--'_Ne'er was it night in her presence_.' Cf. Book II. p. 48.

Page 79, line 194--'_Thuringia_.' San Marte remarks on this passage that at this period music and song invariably went together, the one was necessary to the complete understanding of the other; separately, they were unintelligible. In many instances the lyrical poems of the day were wedded to dance music, the flowing graceful rhythm of which made it an appropriate vehicle for the illustration of poetry. The Thuringian Court being the centre of the literary life of the time many of these dances would naturally originate there; though it must not be supposed that dances _without_ the accompaniment of song were not also known.

Page 81, line 262--'_Kancor, and Thèbit, and Trebuchet_.' San Marte says that Thèbit is Thabet Ben Korka, a famous Arabic physician, mathematician, and philosopher of the ninth century. Kancor is probably Kenkeh, an astronomer and physician of the same period. Trebuchet has been mentioned before. Cf. Book V. p. 144 and Note.

Page 81, 279--'_'Twas yet in the early morning_.' Chrêtien gives no account of the delivery of the squire's message, but simply states that he finds Arthur and his knights plunged in grief at the prolonged absence of Gawain, and then breaks off abruptly in the middle of a sentence before they have learnt of his safety. From this point onward Wolfram's version is entirely independent of the _Conte del Graal_, but his poem shows no dislocation or contradiction, such as one would expect would have been the case had he been following a source that suddenly failed him; on the contrary, there is a far more complete harmony between all the parts of Wolfram's poem than we find in any other Romance of the cycle.

Page 82, lines 301-10--'_Meljanz de Lys_.' Cf. Book VIII. p. 239, and Introduction to Book X. and Note. If there was no account of Gawain's intermediate adventures Wolfram is evidently anxious to make his hearers believe in the existence of such a record, by means of well-timed and appropriate allusions. The fact that the combat was to be in the presence of Meljanz de Lys is only casually mentioned in Book VIII. For the allusions to Kunnewaare, Jeschuté, and Ekuba cf. closing pages of Book VI. with the account of the dispersal of the company at Plimizöl. The whole passage is a proof of the care with which the poem has been constructed, and the details brought into harmony with each other.

Page 83, line 339--'_Brought he news of some gallant venture?_' Cf.