Part 20
Yet nothing visible came as yet, no alteration in the actual landscape, no sign of change in things familiar to his eyes, while impetus thus fought against inertia. He perceived nothing form-al. Calm and untouched himself, he lay outside the circle of evocation, watching, waiting, scarcely daring to breathe, yet well aware that any minute the scene would transfer itself from memory that was subjective to matter that was objective.
And then, in a flash, the bridge was built, and the transfer was accomplished. How or where he did not see, he could not tell. It was there before he knew it--there before his normal, earthly sight. He saw it, as he saw the hands he was holding stupidly up to shield his face. For this terrific release of force long held back, long stored up, latent for centuries, came pouring down the empty Wadi bed prepared for its reception. Through stones and sand and boulders it came in an impetuous hurricane of power. The liberation of its life appalled him. All that was free, untied, responded instantly like chaff; loose objects fled towards it; there was a yielding in the hills and precipices; and even in the mass of Desert which provided their foundation. The hinges of the Sand went creaking in the night. It shaped for itself a bodily outline.
Yet, most strangely, nothing definitely moved. How could he express the violent contradiction? For the immobility was apparent only--a sham, a counterfeit; while behind it the essential _being_ of these things did rush and shift and alter. He saw the two things side by side: the outer immobility the senses commonly agree upon, _and_ this amazing flying-out of their inner, invisible substance towards the vortex of attracting life that sucked them in. For stubborn matter turned docile before the stress of this returning life, taught somewhere to be plastic. It was being moulded into an approach to bodily outline. A mobile elasticity invaded rigid substance. The two officiating human beings, safe at the stationary centre, and himself, just outside the circle of operation, alone remained untouched and unaffected. But a few feet in any direction, for any one of them, meant--instantaneous death. They would be absorbed into the vortex, mere corpuscles pressed into the service of this sphere of action of a mighty Body....
How these perceptions reached him with such conviction, Henriot could never say. He knew it, because he _felt_ it. Something fell about him from the sky that already paled towards the dawn. The stars themselves, it seemed, contributed some part of the terrific, flowing impulse that conquered matter and shaped itself this physical expression.
Then, before he was able to fashion any preconceived idea of what visible form this potent life might assume, he was aware of further change. It came at the briefest possible interval after the beginning--this certainty that, to and fro about him, as yet however indeterminate, passed Magnitudes that were stupendous as the desert. There was beauty in them too, though a terrible beauty hardly of this earth at all. A fragment of old Egypt had returned--a little portion of that vast Body of Belief that once was Egypt. Evoked by the worship of one human heart, passionately sincere, the Ka of Egypt stepped back to visit the material it once informed--the Sand.
Yet only a portion came. Henriot clearly realised that. It stretched forth an arm. Finding no mass of worshippers through whom it might express itself completely, it pressed inanimate matter thus into its service.
Here was the beginning the woman had spoken of--little opening clue. Entire reconstruction lay perhaps beyond.
And Henriot next realised that these Magnitudes in which this group-energy sought to clothe itself as visible form, were curiously familiar. It was not a new thing that he would see. Booming softly as they dropped downwards through the sky, with a motion the size of them rendered delusive, they trooped up the Avenue towards the central point that summoned them. He realised the giant flock of them--descent of fearful beauty--outlining a type of life denied to the world for ages, countless as this sand that blew against his skin. Careering over the waste of Desert moved the army of dark Splendours, that dwarfed any organic structure called a body men have ever known. He recognised them, cold in him of death, though the outlines reared higher than the pyramids, and towered up to hide whole groups of stars. Yes, he recognised them in their partial revelation, though he never saw the monstrous host complete. But, one of them, he realised, posing its eternal riddle to the sands, had of old been glimpsed sufficiently to seize its form in stone,--yet poorly seized, as a doll may stand for the dignity of a human being or a child’s toy represent an engine that draws trains....
And he knelt there on his narrow ledge, the world of men forgotten. The power that caught him was too great a thing for wonder or for fear; he even felt no awe. Sensation of any kind that can be named or realised left him utterly. He forgot himself. He merely watched. The glory numbed him. Block and pencil, as the reason of his presence there at all, no longer existed....
Yet one small link remained that held him to some kind of consciousness of earthly things: he never lost sight of this--that, being just outside the circle of evocation, he was safe, and that the man and woman, being stationary in its untouched centre, were also safe. But--that a movement of six inches in any direction meant for any one of them instant death.
What was it, then, that suddenly strengthened this solitary link so that the chain tautened and he felt the pull of it? Henriot could not say. He came back with the rush of a descending drop to the realisation--dimly, vaguely, as from great distance--that he was with these two, now at this moment, in the Wadi Hof, and that the cold of dawn was in the air about him. The chill breath of the Desert made him shiver.
But at first, so deeply had his soul been dipped in this fragment of ancient worship, he could remember nothing more. Somewhere lay a little spot of streets and houses; its name escaped him. He had once been there; there were many people, but insignificant people. Who were they? And what had he to do with them? All recent memories had been drowned in the tide that flooded him from an immeasurable Past.
And who were they--these two beings, standing on the white floor of sand below him? For a long time he could not recover their names. Yet he remembered them; and, thus robbed of association that names bring, he saw them for an instant naked, and knew that one of them was evil. One of them was vile. Blackness touched the picture there. The man, his name still out of reach, was sinister, impure and dark at the heart. And for this reason the evocation had been partial only. The admixture of an evil motive was the flaw that marred complete success.
The names then flashed upon him--Lady Statham--Richard Vance.
Vance! With a horrid drop from splendour into something mean and sordid, Henriot felt the pain of it. The motive of the man was so insignificant, his purpose so atrocious. More and more, with the name, came back--his first repugnance, fear, suspicion. And human terror caught him. He shrieked. But, as in nightmare, no sound escaped his lips. He tried to move; a wild desire to interfere, to protect, to prevent, flung him forward--close to the dizzy edge of the gulf below. But his muscles refused obedience to the will. The paralysis of common fear rooted him to the rocks.
But the sudden change of focus instantly destroyed the picture; and so vehement was the fall from glory into meanness, that it dislocated the machinery of clairvoyant vision. The inner perception clouded and grew dark. Outer and inner mingled in violent, inextricable confusion. The wrench seemed almost physical. It happened all at once, retreat and continuation for a moment somehow combined. And, if he did not definitely see the awful thing, at least he was aware that it had come to pass. He knew it as positively as though his eye were glued against a magnifying lens in the stillness of some laboratory. He witnessed it.
The supreme moment of evocation was close. Life, through that awful sandy vortex, whirled and raged. Loose particles showered and pelted, caught by the draught of vehement life that moulded the substance of the Desert into imperial outline--when, suddenly, shot the little evil thing across that marred and blasted it.
Into the whirlpool flew forward a particle of material that was a human being. And the Group-Soul caught and used it.
The actual accomplishment Henriot did not claim to see. He was a witness, but a witness who could give no evidence. Whether the woman was pushed of set intention, or whether some detail of sound and pattern was falsely used to effect the terrible result, he was helpless to determine. He pretends no itemised account. She went. In one second, with appalling swiftness, she disappeared, swallowed out of space and time within that awful maw--one little corpuscle among a million through which the Life, now stalking the Desert wastes, moulded itself a troop-like Body. Sand took her.
There followed emptiness--a hush of unutterable silence, stillness, peace. Movement and sound instantly retired whence they came. The avenues of Memory closed; the Splendours all went down into their sandy tombs....
* * * * *
The moon had sunk into the Libyan wilderness; the eastern sky was red. The dawn drew out that wondrous sweetness of the Desert, which is as sister to the sweetness that the moonlight brings. The Desert settled back to sleep, huge, unfathomable, charged to the brim with life that watches, waits, and yet conceals itself behind the ruins of apparent desolation. And the Wadi, empty at his feet, filled slowly with the gentle little winds that bring the sunrise.
Then, across the pale glimmering of sand, Henriot saw a figure moving. It came quickly towards him, yet unsteadily, and with a hurry that was ugly. Vance was on the way to fetch him. And the horror of the man’s approach struck him like a hammer in the face. He closed his eyes, sinking back to hide.
But, before he swooned, there reached him the clatter of the murderer’s tread as he began to climb over the splintered rocks, and the faint echo of his voice, calling him by name--falsely and in pretence--for help.
HELOUAN.
THE TRANSFER
The child first began to cry in the early afternoon--about three o’clock, to be exact. I remember the hour, because I had been listening with secret relief to the sound of the departing carriage. Those wheels fading into distance down the gravel drive with Mrs. Frene, and her daughter Gladys to whom I was governess, meant for me some hours’ welcome rest, and the June day was oppressively hot. Moreover, there was this excitement in the little country household that had told upon us all, but especially upon myself. This excitement, running delicately behind all the events of the morning, was due to some mystery, and the mystery was of course kept concealed from the governess. I had exhausted myself with guessing and keeping on the watch. For some deep and unexplained anxiety possessed me, so that I kept thinking of my sister’s dictum that I was really much too sensitive to make a good governess, and that I should have done far better as a professional clairvoyante.
Mr. Frene, senior, ‘Uncle Frank,’ was expected for an unusual visit from town about tea-time. That I knew. I also knew that his visit was concerned somehow with the future welfare of little Jamie, Gladys’ seven-year-old brother. More than this, indeed, I never knew, and this missing link makes my story in a fashion incoherent--an important bit of the strange puzzle left out. I only gathered that the visit of Uncle Frank was of a condescending nature, that Jamie was told he must be upon his very best behaviour to make a good impression, and that Jamie, who had never seen his uncle, dreaded him horribly already in advance. Then, trailing thinly through the dying crunch of the carriage wheels this sultry afternoon, I heard the curious little wail of the child’s crying, with the effect, wholly unaccountable, that every nerve in my body shot its bolt electrically, bringing me to my feet with a tingling of unequivocal alarm. Positively, the water ran into my eyes. I recalled his white distress that morning when told that Uncle Frank was motoring down for tea and that he was to be ‘very nice indeed’ to him. It had gone into me like a knife. All through the day, indeed, had run this nightmare quality of terror and vision.
‘The man with the ’normous face?’ he had asked in a little voice of awe, and then gone speechless from the room in tears that no amount of soothing management could calm. That was all I saw; and what he meant by ‘the ’normous face’ gave me only a sense of vague presentiment. But it came as anti-climax somehow--a sudden revelation of the mystery and excitement that pulsed beneath the quiet of the stifling summer day. I feared for him. For of all that commonplace household I loved Jamie best, though professionally I had nothing to do with him. He was a high-strung, ultra-sensitive child, and it seemed to me that no one understood him, least of all his honest, tender-hearted parents; so that his little wailing voice brought me from my bed to the window in a moment like a call for help.
The haze of June lay over that big garden like a blanket; the wonderful flowers, which were Mr. Frene’s delight, hung motionless; the lawns, so soft and thick, cushioned all other sounds; only the limes and huge clumps of guelder roses hummed with bees. Through this muted atmosphere of heat and haze the sound of the child’s crying floated faintly to my ears--from a distance. Indeed, I wonder now that I heard it at all, for the next moment I saw him down beyond the garden, standing in his white sailor suit alone, two hundred yards away. He was down by the ugly patch where nothing grew--the Forbidden Corner. A faintness then came over me at once, a faintness as of death, when I saw him _there_ of all places--where he never was allowed to go, and where, moreover, he was usually too terrified to go. To see him standing solitary in that singular spot, above all to hear him crying there, bereft me momentarily of the power to act. Then, before I could recover my composure sufficiently to call him in, Mr. Frene came round the corner from the Lower Farm with the dogs, and, seeing his son, performed that office for me. In his loud, good-natured, hearty voice he called him, and Jamie turned and ran as though some spell had broken just in time--ran into the open arms of his fond but uncomprehending father, who carried him indoors on his shoulder, while asking ‘what all this hubbub was about?’ And, at their heels, the tail-less sheep-dogs followed, barking loudly, and performing what Jamie called their ‘Gravel Dance,’ because they ploughed up the moist, rolled gravel with their feet.
I stepped back swiftly from the window lest I should be seen. Had I witnessed the saving of the child from fire or drowning the relief could hardly have been greater. Only Mr. Frene, I felt sure, would not say and do the right thing quite. He would protect the boy from his own vain imaginings, yet not with the explanation that could really heal. They disappeared behind the rose trees, making for the house. I saw no more till later, when Mr. Frene, senior, arrived.
* * * * *
To describe the ugly patch as ‘singular’ is hard to justify, perhaps, yet some such word is what the entire family sought, though never--oh, never!--used. To Jamie and myself, though equally we never mentioned it, that treeless, flowerless spot was more than singular. It stood at the far end of the magnificent rose garden, a bald, sore place, where the black earth showed uglily in winter, almost like a piece of dangerous bog, and in summer baked and cracked with fissures where green lizards shot their fire in passing. In contrast to the rich luxuriance of the whole amazing garden it was like a glimpse of death amid life, a centre of disease that cried for healing lest it spread. But it never did spread. Behind it stood the thick wood of silver birches and, glimmering beyond, the orchard meadow, where the lambs played.
The gardeners had a very simple explanation of its barrenness--that the water all drained off it owing to the lie of the slopes immediately about it, holding no remnant to keep the soil alive. I cannot say. It was Jamie--Jamie who felt its spell and haunted it, who spent whole hours there, even while afraid, and for whom it was finally labelled ‘strictly out of bounds’ because it stimulated his already big imagination, not wisely but too darkly--it was Jamie who buried ogres there and heard it crying in an earthy voice, swore that it shook its surface sometimes while he watched it, and secretly gave it food in the form of birds or mice or rabbits he found dead upon his wanderings. And it was Jamie who put so extraordinarily into words the _feeling_ that the horrid spot had given me from the moment I first saw it.
‘It’s bad, Miss Gould,’ he told me.
‘But, Jamie, nothing in Nature is bad--exactly; only different from the rest sometimes.’
‘Miss Gould, if you please, then it’s empty. It’s not fed. It’s dying because it can’t get the food it wants.’
And when I stared into the little pale face where the eyes shone so dark and wonderful, seeking within myself for the right thing to say to him, he added, with an emphasis and conviction that made me suddenly turn cold: ‘Miss Gould’--he always used my name like this in all his sentences--‘it’s hungry, don’t you see? But _I_ know what would make it feel all right.’
Only the conviction of an earnest child, perhaps, could have made so outrageous a suggestion worth listening to for an instant; but for me, who felt that things an imaginative child believed were important, it came with a vast disquieting shock of reality. Jamie, in this exaggerated way, had caught at the edge of a shocking fact--a hint of dark, undiscovered truth had leaped into that sensitive imagination. Why there lay horror in the words I cannot say, but I think some power of darkness trooped across the suggestion of that sentence at the end, ‘I know what would make it feel all right.’ I remember that I shrank from asking explanation. Small groups of other words, veiled fortunately by his silence, gave life to an unspeakable possibility that hitherto had lain at the back of my own consciousness. The way it sprang to life proves, I think, that my mind already contained it. The blood rushed from my heart as I listened. I remember that my knees shook. Jamie’s idea was--had been all along--my own as well.
And now, as I lay down on my bed and thought about it all, I understood why the coming of his uncle involved somehow an experience that wrapped terror at its heart. With a sense of nightmare certainty that left me too weak to resist the preposterous idea, too shocked, indeed, to argue or reason it away, this certainty came with its full, black blast of conviction; and the only way I can put it into words, since nightmare horror really is not properly tellable at all, seems this: that there _was_ something missing in that dying patch of garden; something lacking that it ever searched for; something, once found and taken, that would turn it rich and living as the rest; more--that there _was_ some living person who could do this for it. Mr. Frene, senior, in a word, ‘Uncle Frank,’ was this person who out of his abundant life could supply the lack--unwittingly.
For this connection between the dying, empty patch and the person of this vigorous, wealthy, and successful man had already lodged itself in my subconsciousness before I was aware of it. Clearly it must have lain there all along, though hidden. Jamie’s words, his sudden pallor, his vibrating emotion of fearful anticipation had developed the plate, but it was his weeping alone there in the Forbidden Corner that had printed it. The photograph shone framed before me in the air. I hid my eyes. But for the redness--the charm of my face goes to pieces unless my eyes are clear--I could have cried. Jamie’s words that morning about the ‘’normous face’ came back upon me like a battering-ram.
Mr. Frene, senior, had been so frequently the subject of conversation in the family since I came, I had so often heard him discussed, and had then read so much about him in the papers--his energy, his philanthropy, his success with everything he laid his hand to--that a picture of the man had grown complete within me. I knew him as he was--within; or, as my sister would have said--clairvoyantly. And the only time I saw him (when I took Gladys to a meeting where he was chairman, and later _felt_ his atmosphere and presence while for a moment he patronisingly spoke with her) had justified the portrait I had drawn. The rest, you may say, was a woman’s wild imagining; but I think rather it was that kind of divining intuition which women share with children. If souls could be made visible, I would stake my life upon the truth and accuracy of my portrait.
For this Mr. Frene was a man who drooped alone, but grew vital in a crowd--because he used their vitality. He was a supreme, unconscious artist in the science of taking the fruits of others’ work and living--for his own advantage. He vampired, unknowingly no doubt, every one with whom he came in contact; left them exhausted, tired, listless. Others fed him, so that while in a full room he shone, alone by himself and with no life to draw upon he languished and declined. In the man’s immediate neighbourhood you felt his presence draining you; he took your ideas, your strength, your very words, and later used them for his own benefit and aggrandisement. Not evilly, of course; the man was good enough; but you felt that he was dangerous owing to the facile way he absorbed into himself all loose vitality that was to be had. His eyes and voice and presence devitalised you. Life, it seemed, not highly organised enough to resist, must shrink from his too near approach and hide away for fear of being appropriated, for fear, that is, of--death.
Jamie, unknowingly, put in the finishing touch to my unconscious portrait. The man carried about with him some silent, compelling trick of drawing out all your reserves--then swiftly pocketing them. At first you would be conscious of taut resistance; this would slowly shade off into weariness; the will would become flaccid; then you either moved away or yielded--agreed to all he said with a sense of weakness pressing ever closer upon the edges of collapse. With a male antagonist it might be different, but even then the effort of resistance would generate force that _he_ absorbed and not the other. He never gave out. Some instinct taught him how to protect himself from that. To human beings, I mean, he never gave out. This time it was a very different matter. He had no more chance than a fly before the wheels of a huge--what Jamie used to call--‘attraction’ engine.
So this was how I saw him--a great human sponge, crammed and soaked with the life, or proceeds of life, absorbed from others--stolen. My idea of a human vampire was satisfied. He went about carrying these accumulations of the life of others. In this sense his ‘life’ was not really his own. For the same reason, I think, it was not so fully under his control as he imagined.
* * * * *