Part 2

"Let me laugh, too," she begged. "I was thinking," he explained, "of an old maid aunt of mine who used to pray the Lord she wouldn't die guessing." Easter stopped and unrestrainedly roared. He was scandalized. "Hurry up," he expostulated. "We shall be late, otherwise." But he was secretly elated at the quick-fire success of his joke. A smart girl, that; she will go far--perhaps too far. They went into the Conservatoire Cosmopolitaine. The door was opened by a polite coloured man. He said Madame was busy just then. Wouldn't they wait in the reception room? Stone called the old man "George" and gave him a cigarette. The room was on the first floor facing the entrance hall. At the stroke of four gabble was heard. Girls and young men with fiddle cases and music-rolls tumbled down stairs, while fresh classes were forming. A weary or bored instructor bustled among his pupils. A gong struck. "Now, ladies, now gentlemen," called out George. "Upstairs, please, for Monsieur Lapoul's class."

"It's run like a railway station here," said Stone. Then added in French, "We shall see Madame Mayerbeer first, but don't say anything about Fursch-Madi. I'd like to get you on the free-list, then, perhaps, you might help out by accompanying." Easter tried to look grateful, but couldn't. "What do they pay accompanists by the hour?" she naively inquired.

"Pon my word," he answered, "you are a regular pawnbroker."

"Oh, it's all very well for you. You're a man. I must work for my living." She was tart. He grimly smiled: "A critic who has to listen to rotten singers isn't working, is he? Hello! here's Madame." A pretty plump little woman, picturesquely garbed in brown-ribbed velvet, wearing a man's collar and cravat artistically tied, tripped into the room and in French bade them the time of day. Stone took her apart and whispered in her little ear, which her loosely piled iron gray hair did not conceal. But she was all eyes for the girl, who in turn devoured this model Parisienne. And she is an American, what chic! thought Easter. "A voice, you say, Alfred, and such good looks. I should say so. Come up stairs, Miss Brandès. Nice stage name, eh, Alfred! Of course, she will go into the Fursch class." "I don't know about that," answered Stone, who seemed to be an oracle in the eyes of Madame. "I should rather say Ash. The young lady has a lot to learn, a long road to travel--" "Yes, but"--"But me no buts," he retorted. "With Fursch-Madi she will only get a vocal top-dressing, whereas it's the roots that need attending to. No, try Frida Ash."

"Bien, monsieur, mais vous êtes exigeant." Madame Mayerbeer turned to the girl and fairly glowed with enthusiasm.

"I am a lover of beauty, Miss Brandès, in all its forms. You must be with us. Our Conservatoire is truly international. We develop native talent irrespective of race or religion. Talent is what we are after, and I need hardly tell you that our teaching staff is the most famous in the world. Such genius. But the combination of beauty and talent--you, Mr. Stone tells me, possess a wonderful voice--All right, George. Tell her I'll be upstairs soon. Attendez...." She rushed out to the stairway. "Adèle, I'll be up in a minute. We have just discovered a treasure. A marvellous voice, so Mr. Stone declares...." A grumbling voice called down:

"Another of his discoveries--like the last I suppose." There was ironic edge to her words. Stone never winced, Madame was only more amiable. "I'm crazy to hear you sing." There was genuine fire in her lovely eyes. Easter was quite willing. But M. Lapoul wouldn't be ready for a half-hour.

"George, tell M. Lapoul to dismiss his class for the day," cried Madame impetuously. "Say I wish to consult him about our new scheme for a Théâtre d'application here in the Conservatoire." Ten minutes later light footsteps were heard. A fantastic Frenchman rushed in, kissed Madame's hand, bowed, till his spine cracked, before Easter and stared her out of countenance. He was the typical Gallic tenor and jeune-premier. Hair worn bang-fashion like a silly girl, a sparse, peaked beard, moustaches upturned--the conquering rooster was evoked by every movement of his graceful, insolent, interesting person. But his eyes were superb, thought Easter, who was fascinated by their size, lustre, and the heavy romantic lashes that fringed them. So this is the celebrated Victor Lapoul, the singer who turned the heads of Parisian women when he warbled so amorously at the Comique, she mused. They say he hasn't much voice left. It's all in his personality. The tenor circled her as a cat does a mouse. He wore a preposterously low collar, his hairy chest was partly visible. Ugh! Easter didn't like hairy men. She shocked her mother when a growing girl by declaring she would never marry, because she wouldn't be able to endure the sight of her husband's hairy legs when he got out of bed in the morning. Her mother shrugged despairing shoulders. I've hatched out a queer bird, this Yankee child of mine, said the Frenchwoman. But she re-doubled her watch on the girl's goings and comings. No such feeble excuse as spending the night with a school-girl friend imposed upon this experienced woman. Strange to relate that Easter was as strictly chaperoned as if living on the continent. She, American born, was brought up like a French provincial miss.

In the space of Victor Lapoul's room Easter sang. She had boasted to the amused Stone that her operatic repertoire began with Pinafore and ended with Isolde. Sweet Little Buttercup and Isolde! It was too much for his gravity. He said so and she was annoyed. A characteristic. The slightest contradiction and she became belligerent. She accompanied herself in "Good Night" by Dvorak. Madame was all smiles. A diplomatic girl, this, to first sing a composition by the reigning Director of the institution. Lapoul, his arms melodramatically folded, struck an attitude at the end of the instrument. He was apparently more absorbed in the face of the singer than by her singing. He made no comment when she finished. Stone cynically regarded the tenor. "Cabotin" he whispered to the patronne, who never budged. She was accustomed to his carping tongue. Easter had expected tumultuous acclaim. The silence chilled her a trifle, but she didn't lose courage. Oh! well, I'll try them with something classic, and began Isolde's Liebestod. Lapoul threw up his arms: "Suffering Jesu," he cried, "not that, not that accursed requiem of a tomcat howled over by a tabby."

"You see, he doesn't care much for Wagner," interposed Madame.

"Care much is good," laughed Stone. Lapoul left the room. "Sing something French. I'll bring him back," whispered Madame. "It is still 1870 for him." She dashed out. Stone looked at Easter, she looked at Stone. "Sing anything French," he finally commanded, but he could hardly keep his face straight. "M. Escargot will run in." "Why do you call him Escargot? His name is not Snail." Easter was all smiles as she began that classic of barber-shop and bar-room, "Les Rameaux." Lapoul tip-toed in, followed by Madame. The music suited the full-bodied tones of her voice, and, as Easter knew the composition she got through with some sense of triumph. "Rotten," was all that Stone ejaculated. The tenor applauded. A very magnificent, extraordinary, beautiful, lovely, wonderful soprano. Ah! one year in his class. Mademoiselle would be a marvellous artiste. Ravishing. Overwhelming. The Metropolitan Opera House would gladly throw open its doors to such genius. All the while he uttered this hyperbolical praise he persistently fastened his bold staring eyes upon the girl. Stone noted that he made swallowing movements as if he were about to taste a bonne-bouche. His offer left the company cold. His scheme didn't suit the plans of either Madame Mayer beer or Alfred Stone. "Fursch-Madi," said Madame. "She goes to Ash or no one," muttered Stone. Why the girl is amateurish. She has no steady production, she phrases like a fool. Madame Frida will soon fix all that. They moved out. Lapoul called to Easter. "A moment, charming demoiselle." She returned to the room and his arms clasped her and hot moist kisses were deposited on her cheek. She didn't stir. "But you are adorable. Pardon, a thousand pardons," he begged. She didn't answer. Stone outside the door winked at Madame, who indulgently smiled. A Frenchman could do no harm in her eyes. "Cochon," exclaimed Stone. Easter re-appeared as cool as a dew-pearled June rose, but she wasn't blushing. "Great God! how glacial are these American misses," moaned Lapoul, when alone. But he didn't mean what he said.

III

After promising to return early the next morning Easter shook hands with Madame Mayerbeer and went away with Stone. As they descended the flight of steps a clean-shaven young man dashed past them. "Hallo Alfred!" he cheerily cried. He saluted, but did not glance at the girl. He was in a hurry and Stone smilingly turned to his companion: "Jewel is always late. He doesn't give a hang for the clock." Her legs shook so much that she had to lean on Stone's arm. "What's the matter?" he sharply asked. "My ankle turned. I thought I'd fall. Who was that young man with the blue eyes?" Stone looked at her. She was pale and her expression far from amiable. "Blue eyes," he echoed, "what sharp eyes are yours Miss Brandès. I'm sorry about the ankle. Does it still hurt?" They were now arrived at Union Square. "What name did you call him?" she demanded obstinately. "Oh, Jewel--that is, Ulick Invern is his whole name. He lectures on music every week at the Cosmopolitaine--or every other week, just as it suits his lordship. Madame is fond of him. That's his misfortune--his popularity. You are living in his rooms." He paused and asked permission to re-light his eternal cigarette. She repeated the name:

"Ulick Invern. So that's his name." There was something so strange in her intonation that Stone stopped. "Why? Did you ever meet him? Or have you heard of his variegated behaviour?" She marched in silence by his side. Getting rid of him at 23rd Street pleading an urgent visit to one of the shops she left him standing in an amazed stupour, and quickly vanished. "Damn them for the selfish beasts they all are. They are like two peas in a pod these singers. Ungrateful animals." He went into Valkenberg's for a drink, his vanity thoroughly ruffled....

But she didn't go to the shops, instead hurried home by way of 6th Avenue. Once in her room, with the lock turned on the outer world she sank into a fauteuil and pressed her burning face into her hands. "Ulick Invern. Ulick Invern. That's his name--at last. What a coward to give me a false one." When she arose her eyes were glittering, but not with tears. They were as dry as her heart and that was like a cinder in her bosom....

THE SECOND GATE

_At the second gate, the warder stripped her; he took the pendants from her ears_....

I

Ulick Invern preferred the short cut down the hill to the smoother roundabout road, which, though shaded, was dusty. It was the last week of his vacation, much needed, little desired. He was loath to leave New York, best-beloved city after Paris; but his doctor advised him to try New Hampshire to relieve his hay-fever. As he went across the fields of the Forest Hills park he was forced to admit that the fortnight in Franconia had put him on his feet. No sneezing, no insomnia, no writing, lots of reading. Such reading. He had made up his mind that no fiction, either frivolous or serious, would he fetch in his trunk; not even his adored Flaubert. Nothing but books dealing with the origins of religious beliefs, mystic books; Thomas à Kempis, Apollo, by Reinach, several Cardinal Newman volumes, the Old Testament, Browning, and as a concession to his profane leanings, a copy of Petronius in the original. Ulick was a fair latinist; his literary tastes versatile. This serene September forenoon he pondered the idea of a new religion. He had been reading in Reinach's Apollo of the mushroom swiftness with which any crazy silly superstition grows overnight in proper soil. The more ignorant the mob the easier it is to convince with some insane doctrine. Witness the growth of Mormonism or the new cult in America which already boasted a female pope and a big following.

"A new religion" he said aloud. "Well, why not? the time seems ripe. Everything is unsettled. We are on the verge of something tremendous, a world-war, a social revolution, and yet we have never been seemingly more prosperous--I mean the entire earth. We must be entering into a new constellation; perhaps Mars is in the ascendant; or the sullen house of Saturn...." Ulick wasn't a star-worshipper, he liked to flirt with astrology as he flirted with a belief in the Fourth Dimension of Space. He was a well set-up young man still in the twenties, vigourous mentally and physically, nervous rather than muscular, yet capable of great powers of resistance. His friends, and he had many, said he was too volatile to compass distinction; he couldn't stick at anything over a month. This mania for the study of comparative religions was not new--he had only revived an old interest. Christianity with its stems deep in Judaism, Asiatic legends, Alexandrian mysticism; with its taboos, fetishes, totems, animism and magic, its lofty belief in the idealism of Jesus and its mumbo-jumbo conjurations and incredibly absurd miracles--this welter of old-world faiths and debasing superstition, a polytheistic judaism, held his fancy, for, as a former student of theology, he saw more clearly the polyphonic criss-crossing of ideas and ceremonies than the majority of critics. A palimpsest, rather, many palimpsests, was this religion, which in less than two thousand years has undergone more radical changes than any that preceded it. A chameleon among religions, compared with which Buddhism is a rock of eternal certitude. But sentimentality always ends by wrecking a religion, or a nation, and Christianity is first sentimental, the romantic as opposed to the classic faiths of the Greeks and Romans.

He debouched into the road leading to Zaneburg, after a plunge down the hill. Shade-trees bordered the avenue upon which stood pretty bungalows. There were an unusual number of people walking and riding; perhaps because of Saturday, or, and he suddenly remembered, because the Hillcrest Hotel was to be sold at public auction that very noon, with all its contents. Country folk are keen on buying something for nothing. Invern flicked golden-rod, abhorred of hay-fever sufferers, and decided to go with the crowd. But first I'll stop at Zaneburg and get a drink of cider. Nothing stronger in the state; indeed, nothing could be stronger than New Hampshire cider. He was thirsty, which pleasant condition he laughingly set down to his constellation; he had been born under the sign of Aquarius the Water-Carrier.

He entered the village and made for the Inn which bore the resounding title: At the Sign of the Golden Buck. He had hardly reached the post-office, also the general store, when noisy, discordant music struck his unwilling ears. A critic of music, once upon a time, he suffered from his sensitive hearing. He averred it was the false intonation of singers, whether in opera or concert that had driven him from professional criticism into the theatre; from the frying-pan into the fire, he lamented. So the horrible conglomeration of noises which assailed his tympani set him to wondering--and cursing. There were the banging of big drums, tambourine thumping, tooting of fifes coupled with hideous howling without tune or rhythm; just the howling of idiots penned-up behind bars, or the screeching of hyenas on a desert plain beneath the rays of a sultry midnight moon. He looked around for a path to escape, and then decided to see the show--probably some circus. A crowd had quickly formed. Borne along he soon saw an irregular procession chiefly composed of women dancing, screaming, beating tambourines. Hysteria was in the air. Two figures, detached from the others, focussed his attention. A gigantic noseless negro wearing a scarlet turban and dressed in a gaudy gown like a woman's wrapper, headed the throng. His big eyes rolled, and at intervals he emitted a roar as he struck an exotic gong with a hammer.

"De Holy Yowlers is here!" he boomed in a formidable basso. "Welcome de Holy Yowlers. Services at de rotunda in ten minutes. Entrance free. Come one, come all. Welcome all. Hear de Holy Yowlers." A young woman walking behind this giant and carrying a banner shrieked: "Holy Yowlers. Save your dirty souls. Dance into paradise. Holy Yowlers." Her pretty eyes were bloodshot. She staggered under the grievous burden. Her face was bloated with enthusiasm as she cursed the evil of rum-drinking. The Holy Yowlers was a prohibition organization, evidently, as the woman's words and behaviour indicated. Ulick examined her with curiosity. Here's the beginning of my new religion, he cogitated. Lots of noise, a few incomprehensible phrases, plenty of rum--and it's enough to start anything from a political party to the second advent of some sheep-god. I forgot to add fornication. The twin pillars of all religions have been, still are and ever shall be, superstition and fornication; faith in the imbecile doctrines and fornication--else the membership would dwindle. His reverie was interrupted by a voice that whispered: "It's Roarin' Nell, sartain. She's on one of her regular sprees. Nuthin' stops her. Just look at that big nigger, how he handles her. He ought to get his derned ugly head punched. Nell used to be pretty. Too much rum and religion got the best of her." It was a farm-hand who spoke. Ulick asked him questions. Nell joined them. She planted her banner--blazoned with the device of a cross and crescent on a red ground--the initials H. Y.--before him, and casually remarked:

"It's as hot as the hinges of hell. Buy a drink for me mister."

"Surely," he answered. "I'm going to the Inn. Come along." She held back. "They wunt be selling me any drink. I'm forbidden." "How forbidden?" "Well, see here. It's this way. When I drink I don't know when to stop--" "Yes stick to cider--" She burst into hysterical laughter. "Cider? That's the worst ever. It's a temperance drink, too. Them teetotallers just dote on cider." The procession had been halted. The coloured person had temporarily lost his zeal. Burning sunrays concentrated on his woolly skull. He vaguely passed thick fingers across his blubber lips. His eyes were soft and appealing as he gazed at Ulick. Roarin' Nell made significant motions. She threw back her head, whose shapeliness was concealed by a sunbonnet and placed a finger on her mouth. The thirst was in her and had insidiously attacked the citadel of the invading host. Brother Rainbow couldn't get any further. "Go back to de rotunda!" he bellowed to the faithful disciples, and as he once more struck the metallic gong he added: "In ten minutes, beloved brethren, de Holy Yowlers will attack de rum-devil and put him to flight." "Come along," impatiently cried Ulick, "I'm dying with thirst." "Go behind the barn, we can get what we want," cautioned Nell.

Oblivious to criticism the trio marched to a road at the side of the Inn and disappeared. The villagers winked and smiled. The motley gang of worshippers dispersed in irregular groups, slowly moving toward the rotunda, an ancient wooden structure originally destined to house circuses, theatrical companies, musical festivals, but now crowded with the odds and ends of agricultural implements. It was not so easy to get the coveted cider at the Inn; Invern soon found that out. The landlord was in a rage over something. To the request of the young man he snarled: "Nary a drink for Roarin' Nell or for that dam coon of hers. I've been warned by the judge over at Middletown. You can have all you want, not a drop for them others." Invern was disconcerted. He was thoroughly interested in his companions and didn't like to leave them; besides, he determined to attend their service and see the queer brand of religion they would serve. A minute or two had shown him that Brother Rainbow was not a fool; rather, a cunning imposter glib of speech. He didn't bother about the psychology of Nell. She was a poor deluded drunken creature under the control of this monstrous African. He irresolutely paused, then turned his back on the churlish inn-keeper. As he dawdled across to the barn, where his fellow-conspirators waited, he was dazzled by the vision of a tall beautiful girl in white, framed by an old New England doorway, clustered with honeysuckles. "God!" he ejaculated, "where did that dream come from?" He rubbed his eyes, but the dream did not fade from the spot of blazing sunshine and honeysuckles. She beckoned to him: "I was in the parlour," she said in contralto tones that made him vibrate, "and I heard how the old humbug lied to you. Tell your friends to come right in here. It's my room. I board at the Inn. I'll give you something better than cider." Hardly stopping to note that the girl was dark and that her smile was fascinating Ulick called to Brother Rainbow and Roarin' Nell and introduced them as he inquisitively regarded the new hostess.

"Names don't matter," she declared. "I'm Miss Richmond." "And I'm Mr. Paris," added Ulick, using the first name that occurred to him. She bade them be seated and then left the room. Brother Rainbow looked mighty solemn. Nell was like a cat in a strange cellar. Her roving eyes saw the flowers in the window-box, the white dimity curtains, the few scattered feminine ornaments. The photograph of a sweet-faced lady was on the bureau. She stared at it, and then, as if secretly, drew a hand across her eyes, and afterward the same hand across her mouth. She could have wept from sentiment and her tormenting thirst. Invern was vastly amused. Firm footsteps announced the return of the young woman. She was flushed, but triumphant. "He dared to refuse me, but I threatened to leave. I pay well. This is supposed to be the best room in the house, so here's your cider." She put down the tray with its pitcher and glasses and went to her trunk. "Here's the chaser." She held out a large liquour flask for their astonished inspection. Ulick openly admired her, and, with that easy Celtic assurance of his, he confessed his admiration.

"I'm a Southerner, born and bred down there," she confided, "I'm not ashamed of a whisky-flask. I never drink. It's full, as you see, but I hate good folks like you to go dry. Here's to!" She poured a goodly drink into each of the glasses, except her own. "I prefer cider," she explained. They drank in silence. The cider followed. Nell was all eyes. Never had she been so close to such a lovely woman. Such a gown. Invern thought the reverse. A pretty girl, but hoper lessly provincial. Their gaze collided. She smiled. He closed his eyes. He seemed to have seen sparks. Perhaps it was only the whisky. Then he thought of the time. He consulted his watch. "Hello there Brother Rainbow! You're twenty minutes late. Let's go to the rotunda. Come along, do Miss--Richmond?--I think we shall have lots of fun." She nodded, and carefully locking the door she followed the others into the hot sunlight. Brother Rainbow again sounded his exotic gong as he shouted: "De Holy Yowlers. We fight de rum devil!" And his voice was more unctuous and appealing than before, possibly because the whisky hailed from Kentucky.