Over the Teacups

Chapter 5

Chapter 54,138 wordsPublic domain

All this is not to be wondered at when you remember the inert characteristics of nitrogen. There are in some localities natural springs which give out slender streams of oxygen. You will learn by and by what use the Saturnians make of this dangerous gas, which, as you recollect, constitutes about one fifth of your own atmosphere. Saturn has large lead mines, but no other metal is found on this planet. The inhabitants have nothing else to make tools of, except stones and shells. The mechanical arts have therefore made no great progress among them. Chopping down a tree with a leaden axe is necessarily a slow process.

So far as the Saturnians can be said to have any pride in anything, it is in the absolute level which characterizes their political and social order. They profess to be the only true republicans in the solar system. The fundamental articles of their Constitution are these:

All Saturnians are born equal, live equal, and die equal.

All Saturnians are born free,--free, that is, to obey the rules laid down for the regulation of their conduct, pursuits, and opinions, free to be married to the person selected for them by the physiological section of the government, and free to die at such proper period of life as may best suit the convenience and general welfare of the community.

The one great industrial product of Saturn is the bread-root. The Saturnians find this wholesome and palatable enough; and it is well they do, as they have no other vegetable. It is what I should call a most uninteresting kind of eatable, but it serves as food and drink, having juice enough, so that they get along without water. They have a tough, dry grass, which, matted together, furnishes them with clothes sufficiently warm for their cold-blooded constitutions, and more than sufficiently ugly.

A piece of ground large enough to furnish bread-root for ten persons is allotted to each head of a household, allowance being made for the possible increase of families. This, however, is not a very important consideration, as the Saturnians are not a prolific race. The great object of life being the product of the largest possible quantity of bread-roots, and women not being so capable in the fields as the stronger sex, females are considered an undesirable addition to society. The one thing the Saturnians dread and abhor is inequality. The whole object of their laws and customs is to maintain the strictest equality in everything,--social relations, property, so far as they can be said to have anything which can be so called, mode of living, dress, and all other matters. It is their boast that nobody ever starved under their government. Nobody goes in rags, for the coarse-fibred grass from which they fabricate their clothes is very durable. (I confess I wondered how a woman could live in Saturn. They have no looking-glasses. There is no such article as a ribbon known among them. All their clothes are of one pattern. I noticed that there were no pockets in any of their garments, and learned that a pocket would be considered prima facie evidence of theft, as no honest person would have use for such a secret receptacle.) Before the revolution which established the great law of absolute and lifelong equality, the inhabitants used to feed at their own private tables. Since the regeneration of society all meals are taken in common. The last relic of barbarism was the use of plates,--one or even more to each individual. This “odious relic of an effete civilization,” as they called it, has long been superseded by oblong hollow receptacles, one of which is allotted to each twelve persons. A great riot took place when an attempt was made by some fastidious and exclusive egotists to introduce partitions which should partially divide one portion of these receptacles into individual compartments. The Saturnians boast that they have no paupers, no thieves, none of those fictitious values called money,--all which things, they hear, are known in that small Saturn nearer the sun than the great planet which is their dwelling-place.

“I suppose that now they have levelled everything they are quiet and contented. Have they any of those uneasy people called reformers?”

“Indeed they have,” said my attendant. “There are the Orthobrachians, who declaim against the shameful abuse of the left arm and hand, and insist on restoring their perfect equality with the right. Then there are Isopodic societies, which insist on bringing back the original equality of the upper and lower limbs. If you can believe it, they actually practise going on all fours,--generally in a private way, a few of them together, but hoping to bring the world round to them in the near future.”

Here I had to stop and laugh.

“I should think life might be a little dull in Saturn,” I said.

“It is liable to that accusation,” she answered. “Do you notice how many people you meet with their mouths stretched wide open?”

“Yes,” I said, “and I do not know what to make of it. I should think every fourth or fifth person had his mouth open in that way.”

“They are suffering from the endemic disease of their planet, prolonged and inveterate gaping or yawning, which has ended in dislocation of the lower jaw. After a time this becomes fixed, and requires a difficult surgical operation to restore it to its place.”

It struck me that, in spite of their boast that they have no paupers, no thieves, no money, they were a melancholy-looking set of beings.

“What are their amusements?” I asked.

“Intoxication and suicide are their chief recreations. They have a way of mixing the oxygen which issues in small jets from certain natural springs with their atmospheric nitrogen in the proportion of about twenty per cent, which makes very nearly the same thing as the air of your planet. But to the Saturnians the mixture is highly intoxicating, and is therefore a relief to the monotony of their every-day life. This mixture is greatly sought after, but hard to obtain, as the sources of oxygen are few and scanty. It shortens the lives of those who have recourse to it; but if it takes too long, they have other ways of escaping from a life which cuts and dries everything for its miserable subjects, defeats all the natural instincts, confounds all individual characteristics, and makes existence such a colossal bore, as your worldly people say, that self-destruction becomes a luxury.”

Number Five stopped here.

Your imaginary wholesale Shakerdom is all very fine, said I. Your Utopia, your New Atlantis, and the rest are pretty to look at. But your philosophers are treating the world of living souls as if they were, each of them, playing a game of solitaire,--all the pegs and all the holes alike. Life is a very different sort of game. It is a game of chess, and not of solitaire, nor even of checkers. The men are not all pawns, but you have your knights, bishops, rooks,--yes, your king and queen,--to be provided for. Not with these names, of course, but all looking for their proper places, and having their own laws and modes of action. You can play solitaire with the members of your own family for pegs, if you like, and if none of them rebel. You can play checkers with a little community of meek, like-minded people. But when it comes to the handling of a great state, you will find that nature has emptied a box of chessmen before you, and you must play with them so as to give each its proper move, or sweep them off the board, and come back to the homely game such as I used to see played with beans and kernels of corn on squares marked upon the back of the kitchen bellows.

It was curious to see how differently Number Five's narrative was received by the different listeners in our circle. Number Five herself said she supposed she ought to be ashamed of its absurdities, but she did not know that it was much sillier than dreams often are, and she thought it might amuse the company. She was herself always interested by these ideal pictures of society. But it seemed to her that life must be dull in any of them, and with that idea in her head her dreaming fancy had drawn these pictures.

The Professor was interested in her conception of the existence of the Lunites without waste, and the death in life of the nitrogen-breathing Saturnians. Dream-chemistry was a new subject to him. Perhaps Number Five would give him some lessons in it.

At this she smiled, and said she was afraid she could not teach him anything, but if he would answer a few questions in matter-of-fact chemistry which had puzzled her she would be vastly obliged to him.

“You must come to my laboratory,” said the Professor.

“I will come to-morrow,” said Number Five.

Oh, yes! Much laboratory work they will do! Play of mutual affinities. Amalgamates. No freezing mixtures, I'll warrant!

Why shouldn't we get a romance out of all this, hey?

But Number Five looks as innocent as a lamb, and as brave as a lion. She does not care a copper for the looks that are going round The Teacups.

Our Doctor was curious about those cases of anchylosis, as he called it, of the lower jaw. He thought it a quite possible occurrence. Both the young girls thought the dream gave a very hard view of the optimists, who look forward to a reorganization of society which shall rid mankind of the terrible evils of over-crowding and competition.

Number Seven was quite excited about the matter. He had himself drawn up a plan for a new social arrangement. He had shown it to the legal gentleman who has lately joined us. This gentleman thought it well-intended, but that it would take one constable to every three inhabitants to enforce its provisions.

I said the dream could do no harm; it was too outrageously improbable to come home to anybody's feelings. Dreams were like broken mosaics,--the separated stones might here and there make parts of pictures. If one found a caricature of himself made out of the pieces which had accidentally come together, he would smile at it, knowing that it was an accidental effect with no malice in it. If any of you really believe in a working Utopia, why not join the Shakers, and convert the world to this mode of life? Celibacy alone would cure a great many of the evils you complain of.

I thought this suggestion seemed to act rather unfavorably upon the ladies of our circle. The two Annexes looked inquiringly at each other. Number Five looked smilingly at them. She evidently thought it was time to change the subject of conversation, for she turned to me and said, “You promised to read us the poem you read before your old classmates the other evening.”

I will fulfill my promise, I said. We felt that this might probably be our last meeting as a Class. The personal reference is to our greatly beloved and honored classmate, James Freeman Clarke.

AFTER THE CURFEW.

The Play is over. While the light Yet lingers in the darkening hall,

I come to say a last Good-night Before the final Exeunt all.

We gathered once, a joyous throng: The jovial toasts went gayly round; With jest, and laugh, and shout, and song we made the floors and walls resound.

We come with feeble steps and slow, A little band of four or five, Left from the wrecks of long ago, Still pleased to find ourselves alive.

Alive! How living, too, are they whose memories it is ours to share! Spread the long table's full array, There sits a ghost in every chair!

One breathing form no more, alas! Amid our slender group we see; With him we still remained “The Class,” without his presence what are we?

The hand we ever loved to clasp, That tireless hand which knew no rest, Loosed from affection's clinging grasp, Lies nerveless on the peaceful breast.

The beaming eye, the cheering voice, That lent to life a generous glow, whose every meaning said “Rejoice,” we see, we hear, no more below.

The air seems darkened by his loss, Earth's shadowed features look less fair, And heavier weighs the daily cross His willing shoulders helped as bear.

Why mourn that we, the favored few

Whom grasping Time so long has spared Life's sweet illusions to pursue, The common lot of age have shared?

In every pulse of Friendship's heart There breeds unfelt a throb of pain, One hour must rend its links apart, Though years on years have forged the chain.

So ends “The Boys,”--a lifelong play. We too must hear the Prompter's call To fairer scenes and brighter day Farewell! I let the curtain fall.

IV

If the reader thinks that all these talking Teacups came together by mere accident, as people meet at a boarding-house, I may as well tell him at once that he is mistaken. If he thinks I am going to explain how it is that he finds them thus brought together, whether they form a secret association, whether they are the editors of this or that periodical, whether they are connected with some institution, and so on,--I must disappoint him. It is enough that he finds them in each other's company, a very mixed assembly, of different sexes, ages, and pursuits; and if there is a certain mystery surrounds their meetings, he must not be surprised. Does he suppose we want to be known and talked about in public as “Teacups”? No; so far as we give to the community some records of the talks at our table our thoughts become public property, but the sacred personality of every Teacup must be properly respected. If any wonder at the presence of one of our number, whose eccentricities might seem to render him an undesirable associate of the company, he should remember that some people may have relatives whom they feel bound to keep their eye on; besides the cracked Teacup brings out the ring of the sound ones as nothing else does. Remember also that soundest teacup does not always hold the best tea, or the cracked teacup the worst.

This is a hint to the reader, who is not expected to be too curious about the individual Teacups constituting our unorganized association.

The Dictator Discourses.

I have been reading Balzac's Peau de Chagrin. You have all read the story, I hope, for it is the first of his wonderful romances which fixed the eyes of the reading world upon him, and is a most fascinating if somewhat fantastic tale. A young man becomes the possessor of a certain magic skin, the peculiarity of which is that, while it gratifies every wish formed by its possessor, it shrinks in all its dimensions each time that a wish is gratified. The young man makes every effort to ascertain the cause of its shrinking; invokes the aid of the physicist, the chemist, the student of natural history, but all in vain. He draws a red line around it. That same day he indulges a longing for a certain object. The next morning there is a little interval between the red line and the skin, close to which it was traced. So always, so inevitably. As he lives on, satisfying one desire, one passion, after another, the process of shrinking continues. A mortal disease sets in, which keeps pace with the shrinking skin, and his life and his talisman come to an end together.

One would say that such a piece of integument was hardly a desirable possession. And yet, how many of us have at this very moment a peau de chagrin of our own, diminishing with every costly wish indulged, and incapable, like the magical one of the story, of being arrested in its progress.

Need I say that I refer to those coupon bonds, issued in the days of eight and ten per cent interest, and gradually narrowing as they drop their semiannual slips of paper, which represent wishes to be realized, as the roses let fall their leaves in July, as the icicles melt away in the thaw of January?

How beautiful was the coupon bond, arrayed in its golden raiment of promises to pay at certain stated intervals, for a goodly number of coming years! What annual the horticulturist can show will bear comparison with this product of auricultural industry, which has flowered in midsummer and midwinter for twenty successive seasons? And now the last of its blossoms is to be plucked, and the bare stem, stripped of its ever maturing and always welcome appendages, is reduced to the narrowest conditions of reproductive existence. Such is the fate of the financial peau de chagrin. Pity the poor fractional capitalist, who has just managed to live on the eight per cent of his coupon bonds. The shears of Atropos were not more fatal to human life than the long scissors which cut the last coupon to the lean proprietor, whose slice of dry toast it served to flatter with oleomargarine. Do you wonder that my thoughts took the poetical form, in the contemplation of these changes and their melancholy consequences? If the entire poem, of several hundred lines, was “declined with thanks” by an unfeeling editor, that is no reason why you should not hear a verse or two of it.

THE PEAU DE CHAGRIN OF STATE STREET.

How beauteous is the bond In the manifold array Of its promises to pay, While the eight per cent it gives And the rate at which one lives Correspond!

But at last the bough is bare Where the coupons one by one Through their ripening days have run, And the bond, a beggar now, Seeks investment anyhow, Anywhere!

The Mistress commonly contents herself with the general supervision of the company, only now and then taking an active part in the conversation. She started a question the other evening which set some of us thinking.

“Why is it,” she said, “that there is so common and so intense a desire for poetical reputation? It seems to me that, if I were a man, I had rather have done something worth telling of than make verses about what other people had done.”

“You agree with Alexander the Great,” said the Professor. “You would prefer the fame of Achilles to that of Homer, who told the story of his wrath and its direful consequences. I am afraid that I should hardly agree with you. Achilles was little better than a Choctaw brave. I won't quote Horace's line which characterizes him so admirably, for I will take it for granted that you all know it. He was a gentleman,--so is a first-class Indian,--a very noble gentleman in point of courage, lofty bearing, courtesy, but an unsoaped, ill-clad, turbulent, high-tempered young fellow, looked up to by his crowd very much as the champion of the heavy weights is looked up to by his gang of blackguards. Alexander himself was not much better,--a foolish, fiery young madcap. How often is he mentioned except as a warning? His best record is that he served to point a moral as 'Macedonian's madman.' He made a figure, it is true, in Dryden's great Ode, but what kind of a figure? He got drunk,--in very bad company, too,--and then turned fire-bug. He had one redeeming point,--he did value his Homer, and slept with the Iliad under his pillow. A poet like Homer seems to me worth a dozen such fellows as Achilles and Alexander.”

“Homer is all very well far those that can read him,” said Number Seven, “but the fellows that tag verses together nowadays are mostly fools. That's my opinion. I wrote some verses once myself, but I had been sick and was very weak; hadn't strength enough to write in prose, I suppose.”

This aggressive remark caused a little stir at our tea-table. For you must know, if I have not told you already, there are suspicions that we have more than one “poet” at our table. I have already confessed that I do myself indulge in verse now and then, and have given my readers a specimen of my work in that line. But there is so much difference of character in the verses which are produced at our table, without any signature, that I feel quite sure there are at least two or three other contributors besides myself. There is a tall, old-fashioned silver urn, a sugar-bowl of the period of the Empire, in which the poems sent to be read are placed by unseen hands. When the proper moment arrives, I lift the cover of the urn and take out any manuscript it may contain. If conversation is going on and the company are in a talking mood, I replace the manuscript or manuscripts, clap on the cover, and wait until there is a moment's quiet before taking it off again. I might guess the writers sometimes by the handwriting, but there is more trouble taken to disguise the chirography than I choose to take to identify it as that of any particular member of our company.

The turn the conversation took, especially the slashing onslaught of Number Seven on the writers of verse, set me thinking and talking about the matter. Number Five turned on the stream of my discourse by a question.

“You receive a good many volumes of verse, do you not?” she said, with a look which implied that she knew I did.

I certainly do, I answered. My table aches with them. My shelves groan with them. Think of what a fuss Pope made about his trials, when he complained that

“All Bedlam or Parnassus is let out”!

What were the numbers of the

“Mob of gentlemen who wrote with ease”

to that great multitude of contributors to our magazines, and authors of little volumes--sometimes, alas! big ones--of verse, which pour out of the press, not weekly, but daily, and at such a rate of increase that it seems as if before long every hour would bring a book, or at least an article which is to grow into a book by and by?

I thanked Heaven, the other day, that I was not a critic. These attenuated volumes of poetry in fancy bindings open their covers at one like so many little unfledged birds, and one does so long to drop a worm in,--a worm in the shape of a kind word for the poor fledgling! But what a desperate business it is to deal with this army of candidates for immortality! I have often had something to say about them, and I may be saying over the same things; but if I do not remember what I have said, it is not very likely that my reader will; if he does, he will find, I am very sure, that I say it a little differently.

What astonishes me is that this enormous mass of commonplace verse, which burdens the postman who brings it, which it is a serious task only to get out of its wrappers and open in two or three places, is on the whole of so good an average quality. The dead level of mediocrity is in these days a table-land, a good deal above the old sea-level of laboring incapacity. Sixty years ago verses made a local reputation, which verses, if offered today to any of our first-class magazines, would go straight into the waste-basket. To write “poetry” was an art and mystery in which only a few noted men and a woman or two were experts.

When “Potter the ventriloquist,” the predecessor of the well-remembered Signor Blitz, went round giving his entertainments, there was something unexplained, uncanny, almost awful, and beyond dispute marvellous, in his performances. Those watches that disappeared and came back to their owners, those endless supplies of treasures from empty hats, and especially those crawling eggs that travelled all over the magician's person, sent many a child home thinking that Mr. Potter must have ghostly assistants, and raised grave doubts in the minds of “professors,” that is members of the church, whether they had not compromised their characters by being seen at such an unhallowed exhibition. Nowadays, a clever boy who has made a study of parlor magic can do many of those tricks almost as well as the great sorcerer himself. How simple it all seems when we have seen the mechanism of the deception!