Chapter 6

Contrary to his habit he remained in his office during the luncheon hour, having a tray sent in. He was to remain invisible. Mahr would doubtless make every effort to find him by what might appear accident. Later a message, asking him to join a bridge game at the Metropolitan Club, caused him to chuckle. His would-be host was a friend of Mahr's. He answered curtly that he was sick of wasting his time at cards, and had decided to drop it for a while, hanging up the receiver so abruptly that the conversation ceased in the midst of a word. An hour later Mahr addressed him over the wire.

"Ah, Gard, is that you? I called you up to tell you the Heim Vandyke has just been sent up to me. I hear you were interested in it yourself, though you saw only the photograph. Don't you want to stop in on your way uptown and see it? It's a gem. You'll be sorry you didn't bid on it. But, joking aside, you're the connoisseur whose opinion I want. I don't give a continental about the dealers; they'll fill you up with anything." Gard growled a brief acceptance. "I'll be glad to see you. Good-by."

Abruptly he terminated his interviews and conferences, adjourning all business till the following day. Mentioning an hour when, if necessary, he might be found in his home, he dismissed his officials, slipped into his overcoat, secured his hat, turned at the door of his private office, muttering something about his stick, and, quickly crossing the room, opened a drawer of his writing table and drew forth a small, snub-nosed revolver. He hesitated a moment, tossed it back, and squaring his shoulders strode from the room.

Half an hour later he entered the spacious lobby of Victor Mahr's ostentatious dwelling.

"Mr. Mahr is expecting you, sir," said the solemn servant, who conducted him to a vast anteroom, hung with trophies of armor, and bowed him into a second room, book-lined and businesslike, evidently the secretary's private office, deserted now and in some confusion, as if the occupant had left in haste. The servant crossed to a door opposite, and having discreetly knocked and announced the distinguished visitor, bowed and retired. The lackey would have taken Gard's overcoat and hat, but he retained his hold upon them, as if determined that his stay should be short.

Mahr rose to greet him, his hand extended. Gard's impedimenta seemed to preclude the handshake, and the host hastened to insist upon his guest being relieved.

Gard shook his head. "I have only a moment to inspect your picture, Mahr," he said coldly.

"Oh, no, don't say that. Have a highball; you will find everything on the table. What can I give you? This Scotch is excellent."

"No," said Gard sternly. "Excuse me; I am here for one purpose."

Mahr was chagrined, but switched on the electric lights above the canvas occupying the place of honor on the crowded wall. The portrait stood revealed, a jewel of color, rich as a ruby, mysterious as an autumn night, vivid in its humanity, divine in its art, palpitating with life, yet remote as death itself. The marvelous canvas glowed before them--a thing to quell anger, to stifle love, to still hate itself in an impulse of admiration.

Suddenly Marcus Gard began to laugh, as he had laughed that day long ago, at his own discomfiture.

"What is it?" stuttered Mahr, amazed. "Don't you think it genuine?" There was panic in his tone.

Gard laughed again, then broke off as suddenly as he had begun; and passion thrilled in his voice as he turned fierce eyes upon his enemy.

"I am laughing at the singular role this painting has played in my life. We have met before--the Heim Vandyke and I. If Fate chooses to turn painter, we must grind his colors, I suppose. But what I intend to grind first, is you, Victor Mahr! You--you cowardly hound! No--stand where you are; don't go near that bell. It's hard enough for me to keep my hands off you as it is!"

The attack had been so unexpected that Mahr was honestly at a loss to account for it. He looked anxiously toward the door, remembered the absence of his secretary and gasped in fear. He was at the mercy of the madman. With an effort he mastered his terror.

"Don't be angry," he stammered. "Don't be annoyed with me; it's all a mistake, you know. Are you--are you feeling quite well? Do let me give you something--a--a glass of champagne, perhaps. I'll call a servant."

Gard's smile was so cruel that Mahr's worst fears were confirmed. But the torrent of accusation that burst from Gard's lips bore him down with the consciousness of the other's knowledge.

"You scoundrel!" roared the enraged man. "You squirming, poisonous snake! You would strike at a woman through her daughter, would you! You would send anonymous letters to a child about her mother! You would hire sneaks for your sneaking vileness!--coward, brute that you are! Well, I know it all--_all_, I say. And as true as I live, if ever you make one move in that direction again, I shall find it out, and I will kill you! But first I'll go to your boy, Victor Mahr, and I shall tell him: 'Your father is a criminal--a bigamist. Your mother never was his wife. Sneak and beast from first to last, he found it easier to desert and deceive. You are the nameless child of an outcast father, the whelp of a cur.' I'll say in your own words, Victor Mahr: 'Obscurity is best, perhaps, even exile.' Do you remember those words? Well, never forget them again as long as you live, or, by God, you'll have no time on earth to make your peace!"

Mahr's face was gray; his hands trembled. He looked at that moment as if the death the other threatened was already come upon him. There was a moment of silence, intense, charged with the electricity of emotions--a silence more sinister than the noise of battles. Twice Mahr attempted to speak, but no sound came from his contracted throat. Slowly he pulled himself together. A look awful, inhuman, flashed over his convulsed features. Words came at last, high, cackling and cracked, like the voice of senility.

"It's you--it's _you_!" he quavered. "So she told you everything, did she? So you and she--"

The sentence ended in a hoarse gasp, as Mahr launched himself at Gard with the spring of an animal goaded beyond endurance.

Gard was the larger man, and his wrath had been long demanding expression. They closed with a jar that rocked the electric lamp on the desk. There was a second of straining and uncertainty. Then with a jerk Gard lifted his adversary clear off his feet, and shook him, shook him with the fury of a bulldog, and as relentlessly. Then, as if the temptation to murder was more than he could longer resist, he flung him from him.

Mahr fell full length upon the heavy rug, limp and inert, yet conscious.

Gard stooped, picked up his hat and gloves from where they had fallen and turned upon his heel.

At that moment the outside door of the secretary's office opened and closed, and footsteps sounded in the room beyond.

"Get up," said Gard quietly, "unless you care to have them see you there."

The sound had acted like magic upon the prostrate man. He did not need the admonition. He had already dragged his shaking body to an upright position, ere he slowly sank down into the embrace of one of the huge armchairs.

A quick knock was followed by the appearance of Teddy Mahr. The room was in darkness save for the light on the table and the clustered radiance concentrated upon the glowing portrait, that had smiled down remote and serene upon the scene just enacted, as it had doubtless gazed upon many another as strange.

"Father!" exclaimed the boy, and as he came within the ring of light, his face showed pale and anxious.

Gard did not give him time for a reply. "Good evening," he said. "I have been admiring the Vandyke. A wonderful canvas, and one thing that your father may well be proud of."

At the sound of the voice the young man turned and advanced with an exclamation of welcome. "Mr. Gard, the very one I most wanted to see. Tell me--what is the matter? Where has Dorothy gone? I've been to the house, and either they don't know or they won't tell me. She didn't let me know. I can't understand it. For heaven's sake, tell me! Nothing is wrong, is there?"

"Why, of course, you should know, Teddy." For the first time he used the familiar term. "I quite forgot about you young people. You see, Dorothy received threatening letters from some crank, and as we weren't sure what might occur I sent her off. _Mahr, shall I tell your son?_"

He turned to where the limp figure showed huddled in the depths of red upholstery. There was a question and a threat in the measured words.

"Of course, tell him Miss Marteen's address," and in that answer there was a prayer.

"Then here." Gard wrote a few words on his card and gave it into the boy's eager hand. "Run up and see her. She's with her aunt. I can bring her home any time now, however. We've located the trouble and got the man under restraint. Good-night."

* * * * *

IX

Though the heat in the Pullman was intense the tall woman in the first seat was heavily veiled. She had come out from the drawing room to allow more freedom to her maid, who was packing a dressing-case and rolling up steamer rugs. Her fellow travelers eyed her with curiosity. She was doubtless some great and exclusive personage, for she had not appeared in public, not even in the diner. She sank into the vacant seat with an air of hopeless weariness, yet her restless hands never ceased their groping, her slim fingers slipped in and out, in and out of the loop of her long neck chain, or nervously twined one with another in endless intertouch.

The long journey north was over at last. The weary days and nights of hurried travel. Only a moment more and the familiar sights and sounds of the great city would greet her once again. She was going home--to what? Mrs. Marteen did not dare to picture the future. Pursued, as if by the Furies themselves, she had been driven, madly, blind with suffering, back to the scene of disaster--to know--to know--the worst, perhaps--but to know!

Day and night, night and day, her iron will had fought the fever that burned in her veins. Silent, self-controlled, she had given no sign of her suffering and her terror, though her eyes were ringed with sleeplessness and her mouth had grown stiff with its effort to command. The tension was torture. Her heart strings were drawn to the snapping point; her mind was a bowstring never relaxed, till every fiber of her resistant body ached for relief.

At last they had arrived. At last the hollow rumble of the train in the vast echoing station warned her of her journey's end. Instinctively she gave her orders, thrusting her baggage checks into the hands of her maid.

"I'm going on at once," she said. "Attend to everything. Give me my little nécessaire. I don't feel quite well, and I want to get home as quickly as possible."

She hurried away before the servant could ask a question, and was directed to the open cab stand. As she stepped in, she reeled. Trepidation took hold upon her, but with enforced calm, she seated herself, and gave the address to the starter. As the motor drew away from the great buildings, she threw back her veil for the first time, and opened a window. The rush of cool air revived her somewhat, but her heart beat spasmodically, her blood seemed a thin, unliving stream. Street after street slipped by like a panorama on a screen, familiar, yet unreal. The world, her world, had changed in its essence, in its every manifestation.

At last the taxi drew up before the door of her home--was it home still? she wondered. Her hand trembled so she could not unfasten the latch, and the chauffeur, descending from his seat, came to her assistance.

"Wait," she said in a strangled voice. "Wait; I may want you."

At the door of her apartment she had to pause, before she rang, to gather courage, to obtain control of her whirling brain. At last the ornate door swung inward and her butler faced her with welcoming eye.

"Mrs. Marteen! Pray pardon the undress livery! No word had been received."

She took note of the darkened rooms. Only one switch, whose glow she had seen turned on as the servant came to the door, gave light. The place was hollow and unlived in as an outworn shell.

"Miss Dorothy?" she said, striving to give her voice a natural tone.

The butler h'mmed. "Miss Dorothy has gone, Madam, with Madam's sister--since yesterday. They left no address, and said nothing about when they might be expected. Mr. Gard had been with Miss Dorothy in the afternoon."

Mrs. Marteen caught hold of the broad and solid back of a carved hall chair and stood motionless, leaning her full weight on its ancient oak for support.

"That's all right, Stevens," she said at length. "You needn't notify the other servants that I have returned--for the present. I'm going right out again. I just stopped in for some important papers I may have need of. Just light the hall and the library, will you?"

With the falling of the sword that severed her last hope a new self-possession came to her--the quiet of despair. Her brain cleared, her fevered pulse became normal, the weariness that had racked her frame passed from her. She only asked to be alone for a little--alone with her love and her memories. She quarreled no more with Fate.

The butler preceded her, lighting the way. At the door of the library, she dismissed him with a wave of her hand. Calmly she entered and softly closed the door behind her. In the blaze of the electrics she saw every nook and corner of the room--photographically--every tone and color, every glint and gleam, but her mind fastened itself with remorseless logic to one thing only--the sliding panel. In her distracted vision it seemed to move, to slip back even as she gazed. The grain of the wood appeared to writhe, to creep up and down and ripple as if with the evil life of what lay behind. She forced herself to walk across the room to lay her weakened fingers, from which all sense of touch seemed to have withdrawn, upon that vibrating panel. The face of the safe stood revealed. Slowly with growing fear she turned the numbers of the combination and paused--she could not face the ordeal, but with the releasing of the clutch, the weight of the door caused it to open slowly, as if an invisible force drew it outward and Mrs. Marteen saw before her the empty shelves within. As if in a dream she pressed the spring, and realized that the carefully planned hiding place, was hiding place no more. She stood still with outstretched arms, as if crucified. The mute evidence of that opened door was not to be refuted. Her enemy had triumphed; her own sin had found her out. No self-pity eased the awful moments. Hot pity poured in upon her heart, but not for herself in this hour of misery--but for her daughter, for the innocent sweet soul of truth, whose faith had been shattered, whose deepest love had been betrayed, whose belief in honor had been destroyed. Where had she fled? Into whose heart had she poured the torrent of her grief and shame? Could there be one thought of love, of forgiveness? Ah, she was a mother no longer. She had sold her sacred trust. She had no rights, no privileges. She must go--go quickly, efface herself forever. That was her duty, that was the only way. Like a mortally wounded creature, she thought only of some small, cramped, sheltered corner, some lair wherein to die.

With an effort she turned from the room, closed the door, and stood uncertain where to turn. Down the corridor, at its far end, was Dorothy's room. The thought drew her. She turned the knob, found the switch, and hesitated on the thresh-hold. Should she go in? Should she, the sin-stained soul, dare profane the sanctuary, the virginal altar of the pure in heart! Yes--ah, yes!--for this last time! She was a mother still.

She entered, and cast herself on her knees by the little pink and white bed. She had no tears--the springs of relief were dried in the flame of her heart's hell. She found Dorothy's pillow, a mass of dainty embroidery and foolish frills. She laid her hot cheek on its cool linen surface. In a passion of loss she kissed each leaf and rose of its needlework garland.

Then she rose to her feet. She must go, she must disappear--now, and forever from the world that had known her. She would send one message when the time came--one message--to the one man she trusted, to the one man who would fulfill her wish--that in the years to come, his watchful care should guard her child from further harm. But that, too, must wait. She rose to her feet, and crossed to the dressing-table. There was Dorothy's picture--her little girl's picture, the one she preferred to all the others. She slipped it from its silver frame, and clasped it to her breast. She could not bear to look upon the room as she left it. She turned off the light, and crept away like a thief. She was trembling now. The calmness that had been hers as she heard her death sentence, was gone. Her overtaxed body and mind rebelled. It was with difficulty that she made her way through the deserted rooms and stumbled to the street and the waiting cab.

"Where to?" the chauffeur asked.

She gave the name of one of the large hotels. Yes, once in some such caravanserai, she might elude all pursuit. In one door and out of another--and who was to find her trace in the seething mass of the city's life? The simple transaction of paying her fare, and entering the hotel became strangely difficult. Words eluded her, she was conscious that the chauffeur eyed her oddly as he handed her her bag.

Then came a blank. She found herself once more out-of-doors, in an unfamiliar cross street. She saw a number on a lamppost, and realized that she had walked many blocks. She imagined that she was pursued--someone was lurking behind her in the shadow of an area--someone had peeped at her from behind drawn blinds. She started to run, but her bursting heart restrained her. She tried to still its beating; it seemed loud, clamorous as a drum; everyone must hear it and wonder what consciousness of guilt could make a heart beat so loudly in one's breast. She began walking again as rapidly as she dared. She must not attract attention. She must not let the shadows that followed her know that she feared them. If they guessed her panic they would lurk no longer; they would crowd close, rush upon her in vaporous throngs, stifling her like hot smoke.

She paused for breath in her painful flight. The glare from the entrance of a moving picture show fell upon her. Somehow, in that light she felt safe. The shadows could not cross its yellow glare. She breathed more easily for a moment, then became tense. A man was coming out of the white and gold ginger-bread entrance, like a maggot from some huge cake. The man was small, middle-aged, dark, with unwieldy movements and evil, predatory eyes--"Like Victor Mahr!" she said aloud; "like Victor Mahr!" The man passed before her and was gone from the circle of light into the darkness of the outer street. She gave a gasp, and her mad eyes dilated. The suggestion had gripped her. Sudden furious hate entered her soul. Victor Mahr--her enemy! The cause of all her heart break. She had forgotten how or why this was the case; but she knew herself the victim--he, the torturer. She wanted vengeance, she wanted relief from her own torment. It was he who held the key to the whole trouble. She must find him out. She must tear it from him. She strove to think clearly, to remember where she might find him. She started walking again; standing still would not find him, that was certain. Unconsciously she followed the directions her subconscious mind offered. As she walked, there came a sense of approval. She was on the right track now. Her footfalls became less dragging and aimless. She was going somewhere--to a definite place, where she would find something vastly necessary, imperative to her very life.

She neared a church; passed it. Yes, that was right. It was a landmark on her road. A white archway loomed before her in the gloom. Her journey's end--her journey's end! With that realization fatigue mastered her. She must rest before making any further effort, or she could not accomplish anything. Her limbs refused to do her bidding. The weight of her traveling case had become a crushing burden. But before she rested she must find something important that she had come so far to see--a house, a large house--what house?

She looked about her at the stately mansions fronting the square. Then recognition leaped into her eyes, and she sank upon a bench facing the familiar entrance. Now she could afford to wait. Her enemy could not escape while she sat watching. He--could--not--escape--

* * * * *

X

As Marcus Gard stood upon the steps of Mahr's residence, and heard the soft closing of its door behind him, he shut his eyes, drew himself erect and breathed deep of the keen, cold air. A rush of youth expanded every vein and artery. He experienced the physical and mental exultation of the strong man who has met and conquered his enemy. The mere personal expression of his anger had relieved him. He felt strong, alert, almost happy. He descended to the street and turned his steps homeward. At last something was accomplished. The serpent's fangs were drawn. He experienced a cynical amusement in the thought that the path of true love had been smoothed by such equivocal means. Neither of the children would ever know of the shadows that had gathered so closely around them.

But, Mrs. Marteen--what of her? Again the longing came upon him--to know her awake to herself and to her own soul; to know the predatory instinct forever quieted, that upsurging of some remote inconscience of the race's history of rapine in the open, and acquisition by stealth, forever conquered; to know her spirit triumphant. The momentary joy of successful battle passed, leaving him deeply troubled. All his fears returned. The sense of impending disaster, that had withdrawn for the moment, overwhelmed him once more.

He entered his own home absently, listened, abstracted, to the various items Saunders thought important enough to mention, dismissed him, and turned wearily to a pile of personal mail. His eye caught a familiar handwriting on a thick envelope.

From Mrs. Marteen evidently--postmarked St. Augustine. He broke the seal, wondering how her letter came to bear that mark. What change had been made in her plans? He hesitated, panic-stricken, like a woman before an unexpected telegram. He withdrew the enclosure, noting at a glance a variety of papers--the appearance of a diary.

"Dear, dear friend," it began, "I must write--I must, and to you, because you know--you know, and yet you have made me your friend--to you, because you love my little girl. They are killing me, killing me through her. I'm coming home, as fast as I can; I don't yet know how, for I'm heading the other way, and I can't stop the steamer, but I'm coming. I received a message, the second day out. It had been given to the purser for delivery and marked with the date--that's nothing unusual; I've had steamer letters delivered, one each day, during a whole crossing. I never gave it a thought when he handed it to me, I never divined. It seems to me now that I should have sensed it. I read it, and--but how to tell you? I have it here; I'll send it to you."

A sheet of notepaper was pinned to the letter. Sick at heart, Gard unfastened it. Mahr's name appeared at the bottom. Gard read: "Dear lady, you forgot to give your daughter the combination of the jewel safe and its inner compartment before you sailed. I am attending to that for you, and have no doubt that she will at once inventory the contents. We are always glad to return favors conferred upon us."