Chapter 5

Then he suddenly and abruptly got up, kissed his hostess’s hand vehemently three times, and said he was very sorry, but he must hasten to keep a pressing engagement. He then left the room.

Mrs. Bergmann got up and said, “Let us go upstairs.” But the men had most of them to go, some to the House of Commons, others to fulfil various engagements.

The stranger thanked Mrs. Bergmann for her kind hospitality and left. And the remaining guests, seeing that it was obvious that no further attraction was to be expected, now took their leave reluctantly and went, feeling that they had been cheated.

Angela Lockton stayed a moment.

“Who were you expecting, Louise, dear?” she asked.

“Only an old friend,” said Mrs. Bergmann, “whom you would all have been very glad to see. Only as he doesn’t want anybody to know he’s in London, I couldn’t tell you all who he was.”

“But tell me now,” said Mrs. Lockton; “you know how discreet I am.”

“I promised not to, dearest Angela,” she answered; “and, by the way, what was the name of the man you brought with you?”

“Didn’t I tell you? How stupid of me!” said Mrs. Lockton. “It’s a very easy name to remember: Shakespeare, William Shakespeare.”

FETE GALANTE

To Cecilia Fisher

“The King said that nobody had ever danced as I danced to-night,” said Columbine. “He said it was more than dancing, it was magic.”

“It is true,” said Harlequin, “you never danced like that before.”

But Pierrot paid no heed to their remarks, and stared vacantly at the sky. They were sitting on the deserted stage of the grass amphitheatre where they had been playing. Behind them were the clumps of cypress trees which framed a vista of endless wooden garden and formed their drop scene. They were sitting immediately beneath the wooden framework made of two upright beams and one horizontal, which formed the primitive proscenium, and from which little coloured lights had hung during the performance. The King and Queen and their lords and ladies who had looked on at the living puppet show had all left the amphitheatre; they had put on their masks and their dominoes, and were now dancing on the lawns, whispering in the alleys and the avenues, or sitting in groups under the tall dark trees. Some of them were in boats on the lake, and everywhere one went, from the dark boscages, came sounds of music, thin, tinkling tunes played on guitars by skilled hands, and the bird-like twittering and whistling of flageolets.

“The King said I looked like a moon fairy,” said Columbine to Pierrot. Pierrot only stared at the sky and laughed inanely. “If you persist in slighting me like this,” she whispered in his ear, in a whisper which was like a hiss, “I will abandon you for ever. I will give my heart to Harlequin, and you shall never see me again.” But Pierrot continued to stare at the sky, and laughed once more inanely. Then Columbine got up, her eyes flashing with rage; taking Harlequin by the arm she dragged him swiftly away. They danced across the grass semi-circle of the amphitheatre and up the steps away into the alleys. Pierrot was left alone with Pantaloon, who was asleep, for he was old and clowning fatigued him. Then Pierrot left the amphitheatre also, and putting a black mask on his face he joined the revellers who were everywhere dancing, whispering, talking, and making music in subdued tones. He sought out a long lonely avenue, in one side of which there nestled, almost entirely concealed by bushes and undergrowth, a round open Greek temple. Right at the end of the avenue a foaming waterfall splashed down into a large marble basin, from which a tall fountain rose, white and ghostly, and made a sobbing noise. Pierrot went towards the temple, then he turned back and walked right into the undergrowth through the bushes, and lay down on the grass, and listened to the singing of the night-jar. The whole garden that night seemed to be sighing and whispering; there was a soft warm wind, and a smell of mown hay in the air, and an intoxicating sweetness came from the bushes of syringa. Columbine and Harlequin also joined the revellers. They passed from group to group, with aimless curiosity, pausing sometimes by the artificial ponds and sometimes by the dainty groups of dancers, whose satin and whose pearls glimmered faintly in the shifting moonlight, for the night was cloudy. At last they too were tired of the revel, they wandered towards a more secluded place and made for the avenue which Pierrot had sought. On their way they passed through a narrow grass walk between two rows of closely cropped yew hedges. There on a marble seat a tall man in a black domino was sitting, his head resting on his hands; and between the loose folds of his satin cloak, one caught the glint of precious stones. When they had passed him Columbine whispered to Harlequin: “That is the King. I caught sight of his jewelled collar.” They presently found themselves in the long avenue at the end of which were the waterfall and the fountain. They wandered on till they reached the Greek temple, and there suddenly Columbine put her finger on her lips. Then she led Harlequin back a little way and took him round through the undergrowth to the back of the temple, and, crouching down in the bushes, bade him look. In the middle of the temple there was a statue of Eros holding a torch in his hands. Standing close beside the statue were two figures, a man dressed as a Pierrot, and a beautiful lady who wore a grey satin domino. She had taken off her mask and pushed back the hood from her hair, which was encircled by a diadem made of something shining and silvery, and a ray of moonlight fell on her face, which was as delicate as the petal of a flower. Pierrot was masked; he was holding her hand and looking into her eyes, which were turned upwards towards his.

“It is the Queen!” whispered Columbine to Harlequin. And once more putting her finger on her lips, she deftly led him by the hand and noiselessly threaded her way through the bushes and back into the avenue, and without saying a word ran swiftly with him to the place where they had seen the King. He was still there, alone, his head resting upon his hands.

* * * * *

In the temple the Queen was upbraiding her lover for his temerity in having crossed the frontier into the land from which he had been banished for ever, and for having dared to appear at the court revel disguised as Pierrot. “Remember,” she was saying, “the enemies that surround us, the dreadful peril, and the doom that awaits us.” And her lover said: “What is doom, and what is death? You whispered to the night and I heard. You sighed and I am here!” He tore the mask from his face, and the Queen looked at him and smiled. At that moment a rustle was heard in the undergrowth, and the Queen started back from him, whispering: “We are betrayed! Fly!” And her lover put on his mask and darted through the undergrowth, following a path which he and no one else knew, till he came to an open space where his squire awaited him with horses, and they galloped away safe from all pursuit.

Then the King walked into the temple and led the Queen back to the palace without saying a word; but the whole avenue was full of dark men bearing torches and armed with swords, who were searching the undergrowth. And presently they found Pierrot who, ignorant of all that had happened, had been listening all night to the song of the night-jar. He was dragged to the palace and cast into a dungeon, and the King was told. But the revel did not cease, and the dancing and the music continued softly as before. The King sent for Columbine and told her she should have speech with Pierrot in his prison, for haply he might have something to confess to her. And Columbine was taken to Pierrot’s dungeon, and the King followed her without her knowing it, and concealed himself behind the door, which he set ajar.

Columbine upbraided Pierrot and said: “All this was my work. I have always known that you loved the Queen. And yet for the sake of past days, tell me the truth. Was it love or a joke, such as those you love to play?”

Pierrot laughed inanely. “It was a joke,” he said. “It is my trade to make jokes. What else can I do?”

“You love the Queen nevertheless,” said Columbine, “of that I am sure, and for that I have had my revenge.”

“It was a joke,” said Pierrot, and he laughed again.

And though she talked and raved and wept, she could get no other answer from him. Then she left him, and the King entered the dungeon.

“I have heard what you said,” said the King, “but to me you must tell the truth. I do not believe it was you who met the Queen in the temple; tell me the truth, and your life shall be spared.”

“It was a joke,” said Pierrot, and he laughed. Then the King grew fierce and stormed and threatened. But his rage and threats were in vain! for Pierrot only laughed. Then the King appealed to him as man to man and implored him to tell him the truth; for he would have given his kingdom to believe that it was the real Pierrot who had met the Queen and that the adventure had been a joke. Pierrot only repeated what he had said, and laughed and giggled inanely.

At dawn the prison door was opened and three masked men led Pierrot out through the courtyard into the garden. The revellers had gone home, but here and there lights still twinkled and flickered and a stray note or two of music was still heard. Some of the latest of the revellers were going home. The dawn was grey and chilly; they led Pierrot through the alleys to the grass amphitheatre, and they hanged him on the horizontal beam which formed part of the primitive proscenium where he and Columbine had danced so wildly in the night. They hanged him and his white figure dangled from the beam as though he were still dancing; and the new Pierrot, who was appointed the next day, was told that such would be the fate of all mummers who went too far, and whose jokes and pranks overstepped the limits of decency and good breeding.

THE GARLAND

The _Referendarius_ had three junior clerks to carry on the business of his department, and they in their turn were assisted by two scribes, who did most of the copying and kept the records. The work of the Department consisted in filing and annotating the petitions and cases which were referred from the lower Courts, through the channel of the _Referendarius_, to the Emperor.

The three clerks and their two scribes occupied a high marble room in the spacious office. It was as yet early in April, but, nevertheless, the sun out of doors was almost fierce. The high marble rooms of the office were cool and stuffy at the same time, and the spring sunshine without, the soft breeze from the sea, the call of the flower-sellers in the street, and the lazy murmur of the town had, in these shaded, musty, and parchment-smelling halls, diffused an atmosphere of laziness which inspired the clerks in question with an overwhelming desire to do nothing.

There was, indeed, no pressing work on hand. Only from time to time the _Referendarius_, who occupied a room to himself next door to theirs, would communicate with them through a hole in the wall, demanding information on some point or asking to be supplied with certain documents. Then the clerks would make a momentary pretence of being busy, and ultimately the scribes would find either the documents or the information which were required.

As it was, the clerks were all of them engaged in occupations which were remote from official work. The eldest of them, Cephalus by name--a man who was distinguished from the others by a certain refined sobriety both in his dark dress and in his quiet demeanour--was reading a treatise on algebra; the second, Theophilus, a musician, whose tunic was as bright as his flaming hair, was mending a small organ; and the third, Rufinus, a rather pale, short-sighted, and untidy youth, was scribbling on a tablet. The scribes were busy sorting old records and putting them away in their permanent places.

Presently an official strolled in from another department. He was a middle-aged, corpulent, and cheerful-looking man, dressed in gaudy coloured tissue, on which all manner of strange birds were depicted. He was bursting with news.

“Phocas is going to win,” he said. “It is certain.”

Cephalus looked vaguely up from his book and said: “Oh!”

Theophilus and Rufinus paid no attention to the remark.

“Well,” continued the new-comer cheerfully, “Who will come to the races with me?”

As soon as he heard the word races, Rufinus looked up from his scribbling. “I will come,” he said, “if I can get leave.”

“I did not know you cared for that sort of thing,” said Cephalus.

Rufinus blushed and murmured something about going every now and then. He walked out of the room, and sought the _Referendarius_ in the next room. This official was reading a document. He did not look up when Rufinus entered, but went on with his reading. At last, after a prolonged interval, he turned round and said: “What is it?”

“May I go to the races?” asked Rufinus.

“Well,” said the high official, “what about your work?”

“We’ve finished everything,” said the clerk.

The Head of the Department assumed an air of mystery and coughed.

“I don’t think I can very well see my way to letting you go,” he said. “I am very sorry,” he added quickly, “and if it depended on me you should go at once. But He,” he added--he always alluded to the Head of the Office as He--“does not like it. He may come in at any moment and find you gone. No; I’m afraid I can’t let you go to-day. Now, if it had been yesterday you could have gone.”

“I should only be away an hour,” said Rufinus, tentatively.

“He might choose just that hour to come round. If it depended only on me you should go at once,” and he laughed and slapped Rufinus on the back, jocularly.

The clerk did not press the point further.

“You’d better get on with that index,” said the high official as Rufinus withdrew.

He told the result of his interview to his sporting friend, who started out by himself to the Hippodrome.

Rufinus settled down to his index. But he soon fell into a mood of abstraction. The races and the games did not interest him in the least. It was something else which attracted him. And, as he sat musing, the vision of the Hippodrome as he had last seen it rose clearly before him. He saw the seaweed-coloured marble; the glistening porticoes, adorned with the masterpieces of Greece, crowded with women in gemmed embroideries and men in white tunics hemmed with broad purple; he saw the Generals with their barbaric officers--Bulgarians, Persians, Arabs, Slavs--the long line of savage-looking prisoners in their chains, and the golden breastplates of the standard-bearers. He saw the immense silk _velum_ floating in the azure air over that rippling sea of men, those hundreds of thousands who swarmed on the marble steps of the Hippodrome. He saw the Emperor in his high-pillared box, on his circular throne of dull gold, surrounded by slaves fanning him with jewel-coloured plumes, and fenced round with golden swords.

And opposite him, on the other side of the Stadium, the Empress, mantled in a stiff pontifical robe, laden with heavy embroidered stuffs, her little head framed like a portrait in a square crown of gold and diamonds, whence chains of emeralds hung down to her breast; motionless as an idol, impassive as a gilded mummy.

He saw the crowd of gorgeous women, grouped like Eastern flowers around her: he saw one woman. He saw one form as fresh as a lily of the valley, all white amidst that hard metallic splendour; frail as a dewy anemone, slender as the moist narcissus. He saw one face like the chalice of a rose, and amidst all those fiery jewels two large eyes as soft as dark violets. And the sumptuous Court, the plumes, the swords, the standards, the hot, vari-coloured crowd melted away and disappeared, so that when the Emperor rose and made the sign of the Cross over his people, first to the right, and then to the left, and thirdly over the half-circle behind him, and the singers of Saint Sofia and the Church of the Holy Apostles mingled their bass chant with the shrill trebles of the chorus of the Hippodrome, to the sound of silver organs, he thought that the great hymn of praise was rising to her and to her alone; and that men had come from the uttermost parts of the earth to pay homage to her, to sing her praise, to kneel to her--to her, the wondrous, the very beautiful: peerless, radiant, perfect.

A voice, followed by a cough, called from the hole in the wall; but Rufinus paid no heed, so deeply sunk was he in his vision.

“Rufinus, the Chief is calling you,” said Cephalus.

Rufinus started, and hurried to the hole in the wall. The Head of the Department gave him a message for an official in another department.

Rufinus hurried with the message downstairs and delivered it. On his way back he passed the main portico on the ground floor. He walked out into the street: it was empty. Everybody was at the games.

A dark-skinned country girl passed him singing a song about the swallow and the spring. She was bearing a basket full of anemones, violets, narcissi, wild roses, and lilies of the valley.

“Will you sell me your flowers?” he asked, and he held out a silver coin.

“You are welcome to them,” said the girl. “I do not need your money.”

He took the flowers and returned to the room upstairs. The flowers filled the stuffy place with an unwonted and wonderful fragrance.

Then he sat down and appeared to be once more busily engrossed in his index. But side by side with the index he had a small tablet, and on this, every now and then, he added or erased a word to a short poem. The sense of it was something like this:--

Rhodocleia, flowers of spring I have woven in a ring; Take this wreath, my offering, Rhodocleia.

Here’s the lily, here the rose Her full chalice shall disclose; Here’s narcissus wet with dew, Windflower and the violet blue. Wear the garland I have made; Crowned with it, put pride away; For the wreath that blooms must fade; Thou thyself must fade some day, Rhodocleia.

THE SPIDER’S WEB

To K. L.

He heard the bell of the Badia sound hour after hour, and still sleep refused its solace. He got up and looked through the narrow window. The sky in the East was soft with that luminous intensity, as of a melted sapphire, that comes just before the dawn. One large star was shining next to the paling moon. He watched the sky as it grew more and more transparent, and a fresh breeze blew from the hills. It was the second night that he had spent without sleeping, but the weariness of his body was as nothing compared with the aching emptiness which possessed his spirit. Only three days ago the world had seemed to him starred and gemmed like the Celestial City--an enchanted kingdom, waiting like a sleeping Princess for the kiss of the adventurous conqueror; and now the colours had faded, the dream had vanished, the sun seemed to be deprived of his glory, and the summer had lost its sweetness.

His eye fell upon some papers which were lying loose upon his table. There was an unfinished sonnet which he had begun three days ago. The octet was finished and the first two lines of the sestet. He would never finish it now. It had no longer any reason to be; for it was a cry to ears which were now deaf, a question, an appeal, which demanded an answering smile, a consenting echo; and the lips, the only lips which could frame that answer, were dumb. He remembered that Casella, the musician, had asked him a week ago for the text of a _canzone_ which he had repeated to him one day. He had promised to let him have it. The promise had entirely gone out of his mind. Then he reflected that because the ship of his hopes and dreams had been wrecked there was no reason why he should neglect his obligations to his fellow-travellers on the uncertain sea.

He sat down and transcribed by the light of the dawn in his exquisite handwriting the stanzas which had been the fruit of a brighter day. And the memory of this dead joy was exceedingly bitter to him, so that he sat musing for some time on the unutterable sadness which the ghosts of perished joys bring to man in his misery, and a line of Virgil buzzed in his brain; but not, as of yore, did it afford him the luxury of causeless melancholy, but like a cruel finger it touched his open wound. The ancients, he thought, knew how to bear misfortune.

Levius fit patientia Quidquid corrigere est nefas.

As the words occurred to him he thought how much better equipped he was for the bitter trial, since had he not the certain hope of another life, and of meeting his beloved in the spaces of endless felicity? Surely then he should be able to bear his sorrow with as great a fortitude as the pagan poets, who looked forward to nothing but the dust; to whom the fabled dim country beyond the Styx was a cheerless dream, and to whom a living dog upon the earth was more worthy of envy than the King of all Elysium. He must learn of the ancients.

The magic of the lemon-coloured dawn had vanished now before the swift daylight. Many bells were ringing in the city, and the first signs of life were stirring in the streets. He searched for a little book, and read of the consolation which Cicero gave to Laelius in the _De Amicitia_. But he had not read many lines before he closed the book. His wound was too fresh for the balm of reason and philosophy.

“Later,” he thought, “this will strengthen and help me, but not to-day; to-day my wound must bleed and be allowed to bleed, for all the philosophy in the world cannot lessen the fact that yesterday she was and to-day she is not.”

He felt a desire to escape from his room, which had been the chapel of such holy prayers, the shrine where so many fervent tapers of hope had burnt, where so sweet an incense of dream had risen. He left his room and hurried down the narrow stone stairs into the street. As he left the house he turned to his right and walked on till he reached Or San Michele; there he turned to his right again and walked straight on till he reached the churches of Santa Reparata and San Giovanni. He entered San Giovanni and said a brief prayer; then he took the nearest street, east of Santa Reparata, to the Porta a ballo, and found himself beyond the walls of the city. He walked towards Fiesole.

The glory of the sunrise was still in the sky, the fragrance of the dawning summer (it was the 11th of June) was in the air. He walked towards the East. The corn on the hills was green, and pink wild roses fringed every plot of wheat. The grass was wet with dew. The city glittered in the plain beneath, clean and fresh in the dazzling air; it seemed a part of the pageant of summer, an unreal piece of imagery, distinct and clear-cut, yet miraculous, like a mirage seen in mid-ocean. “Truly,” he thought, “this is the city of the flower, and the lily is its fitting emblem.”

But while his heart went out towards his native town he felt a sharp pang as he remembered that the flower of flowers, the queen of the lilies, had been mowed down by the scythe, and the city which to him had heretofore been an altar was now a tomb. The lovely Virgilian dirge,

Manibus date lilia plenis . . . His saltem accumulem donis et fungar inani Munere,