Operas Every Child Should Know Descriptions Of The Text And Mus
Chapter 32
Now if the Duke of Mantua was ever angry in his life, he was angry when the curtain rose on the second act. There he was, pacing about a sumptuous apartment, fuming with rage.
"If ever I loved any one in my life, it was that girl!" he cried. "And heaven knows what can have become of her." As a matter of fact, the Duke had some misgiving after he had left Gilda in the garden, and, later, he had returned. But he had found the place deserted and could get no news of her from that hour.
"Oh, but I would defend thee, if thou art in trouble," he cried; and in the midst of his excitement Marullo, Borsa, and Ceprano and other courtiers rushed into the room. All were fairly bursting with news of the escapade of the night before.
"Oh, Duke! Oh, Lord! What do you think? We have carried off the jester's sweetheart!"
"What?" The Duke stared and then gave a great cry. "Speak, speak. What have you done?"
"The jester's sweetheart."
"Where is she?" the Duke asked, hardly daring to trust his voice.
"Here, in this house."
"What do you say?"
"Yes, we brought her here."
"Oh, joy!" the Duke exclaimed; then aside: "She is near me," and forgetting all about his friends he went out excitedly.
"Why did he turn away from us?" the men asked each other. "He has enjoyed our adventures before now." They were a little uneasy and were conferring together when Rigoletto came in. He was a pitiful-looking fellow, worn with a night of horror and weeping, but he came singing:
"La, la, la, la, la,"--pretending not to be agitated. "Pray what is the news?" he asked off-hand, seeking not to betray his agony of mind, till he should have learned something about his daughter.
"Pleasant morning, Rigoletto!" the men answered, mockingly, and glancing with grins at each other. "Pray what _is_ the news?" Rigoletto, half dead with anxiety, moved about the room looking for some sign of Gilda.
"Lord! See him fishing about in every corner for her? He thinks to find her under the table," one of them whispered, and the men burst out laughing.
Then Rigoletto discovered a handkerchief on the floor and snatched it, hoping to find a clue, but it was not hers. Just then a page ran in to say that the Duchess was asking for the Duke.
"He is still in bed," one of the men answered, watching the effect of that upon Rigoletto, who was listening to every word.
"He cannot be," the page persisted. "Didn't he just pass me on the stairs?"
"All right, then! He has gone a-hunting," and they laughed.
"With no escort? Hardly. Come, don't think me a fool. Where's the Duke? The Duchess wishes to speak with him."
"It is you who are a dull fool," the men exclaimed, seeming to carry on the conversation aside, but taking good care that Rigoletto should hear. "The Duke cannot be disturbed--do you understand? He is with a lady."
"Ah! Villains!" Rigoletto shrieked, turning upon them like a tiger. "My daughter! You have my daughter--here in this palace. Give me my daughter!" The men all rushed after him as he made for the door.
"Your daughter? My God! Your daughter?" They were horrified at their own doings, hearing it was Rigoletto's daughter.
"Stand back! Don't think to keep me from my daughter." As they still held him tight, hardly knowing what then to do, he sank down in despair. He entreated help of the different courtiers whom he had so often and maliciously misused. Then he wept.
"Oh, have pity on me, my lords! Let me go to my daughter." While everybody was hesitating in consternation, Gilda, having got free, rushed from the next room, and into his arms. She screamed hysterically that she had been carried off by the Duke. Rigoletto nearly foamed at the mouth with rage, and at last the men became truly afraid of him.
"Go, all of you!" he stammered, no longer able to speak plainly. "And if the Duke comes into this room I will kill him." So the courtiers withdrew. The palace was in an uproar.
"It is a mistake to jest with a madman," Marullo whispered to Borsa as they went out. Father and daughter were left alone. After looking at Gilda a moment, trying to recover himself, Rigoletto whispered.
"Now, my child; they have gone. Speak!" Gilda throwing herself into her father's arms, told of her meetings with the Duke, and of how she had grown to love him, and finally of how in the night she had been carried away.
As they were in each other's arms the guard entered with old Count Monterone, who was being taken to his cell. As he was being led across the room, Rigoletto's wild eyes fixed themselves in horror upon the man whose curse had cursed him. The Count paused before the Duke's picture and cursed it.
"I shall be the instrument to fulfill thy curse, old man," Rigoletto whispered as the Count passed out, and he made a frightful oath of vengeance against the Duke of Mantua. His words frightened Gilda, because she dearly loved the Duke even though she believed he had caused her to be carried off. As the jester raised his hand to take the dreadful oath to kill, Gilda fell upon her knees beside him.