Operas Every Child Should Know Descriptions Of The Text And Mus
Chapter 17
After the row had quieted down and Nancy and Harriet got time to think matters over, Harriet reached the conclusion that she could not endure Lionel's misfortune. Hence she had got Nancy to accompany her to the farmer's house. When they arrived some new maid whom the farmers had got opened the door to them.
"Go, Nancy, and find Plunkett, Lionel's trusty friend, and tell him I am repentant and cannot endure Lionel's misfortunes. Tell him his friend is to have hope," and, obeying her beloved Lady Harriet, Nancy departed to find Plunkett and give the message. In a few minutes she returned with the farmer. He now knew who the ladies were and treated Harriet most respectfully.
"Have you told him?" Lady Harriet asked.
"Yes, but we cannot make Lionel understand anything. He sits vacantly gazing at nothing. He has had so much trouble, that probably his brain is turned."
"Let us see," said Harriet; and instantly she began to sing, "'Tis the Last Rose."
While she sang, Lionel entered slowly. He had heard. Harriet ran to him and would have thrown herself into his arms, but he held her off, fearing she was again deceiving him.
"No, no, I repent, and it was I who took thy ring to the Queen! I have learned that thy father was a nobleman--the great Earl of Derby; and the Queen sends the message to thee that she would undo the wrong done thee. Thou art the Earl of Derby--and I love thee--so take my hand if thou wilt have me."
Well, this was all very well, but Lionel was not inclined to be played fast and loose with in that fashion. When he was a plain farmer, she had nothing of this sort to say to him, however she may have felt.
"No," he declared, "I will have none of it! Leave me, all of you," and he rushed off, whereupon Harriet sank upon a bench, quite overcome. Then suddenly she started up.
"Ah--I have a thought!" and out she flew. While she was gone, the farmer and Nancy, who had really begun to care greatly for each other, confessed their love.
"Now that our affairs are no longer in confusion, let us go out and walk and talk it over," Plunkett urged, and, Nancy being quite willing, they went out. But when they got outside they found to their amazement that Plunkett's farmhands were rushing hither and thither, putting up tents and booths and flags, and turning the yard into a regular fair-ground, such as the scene appeared when Lionel and Harriet first met. Some of the girls on the farm were assuming the role of maids looking for service, and, in short, everything was as nearly like the original scene as they could possibly make it in a short time.
"What, what is all this?" Plunkett asked, amazed. Then he learned it was all done by Harriet's orders, and he and Nancy began to understand. Then Harriet came in, dressed as Martha. Nancy ran off and returned dressed as Julia, and then all was complete.
"There is Lionel coming toward us," Nancy cried. "What will happen now?" and there he came, led sadly by Plunkett. He looked about him, dazed, till Plunkett brought up Lady Harriet and presented her as a maid seeking work.
"Heaven! It is Martha----"
"Yes, is this not enough to prove to thee that I am ready to renounce my rank and station for thee? Here I am, seeking thy service," she pleaded.
"Well, good lassies, what can ye do?" Plunkett asked, entering into the spirit of the thing, and then Nancy gaily sang:
I for spinning finest linen, etc.
Lady Harriet gave Lionel some flowers and then began "'Tis the Last Rose." Then presently, Lionel, who had been recovering himself slowly while the play had been going on, joined in the last measures, and holding out his arms to Lady Harriet, the lovers were united. Nancy and Plunkett were having the gayest sort of a time, and everybody was singing at the top of his voice that from that time forth there should be nothing but gaiety and joy in the world; and probably that turned out to be true for everybody but old Sir Tristram, who hadn't had a stroke of good luck since the curtain rose on the first act!
HUMPERDINCK
This composer of charming music will furnish better biographical material fifty years hence. At present we must be satisfied to listen to his compositions, and leave the study of the man to future generations.
HAENSEL AND GRETEL
CHARACTERS OF THE OPERA
Peter, a broom-maker. Gertrude, his wife. Haensel } Gretel } their children. Witch, who eats little children. Sandman, who puts little children to sleep. Dewman, who wakes little children up. Children. Fourteen angels.
The story takes place in a German forest.
Composer: E. Humperdinck. Author: Adelheid Wette.