Chapter 2

I

One afternoon that spring Claude was sitting on the long flight of granite steps that leads up to the State House in Denver. He had been looking at the collection of Cliff Dweller remains in the Capitol, and when he came out into the sunlight the faint smell of fresh-cut grass struck his nostrils and persuaded him to linger. The gardeners were giving the grounds their first light mowing. All the lawns on the hill were bright with daffodils and hyacinths. A sweet, warm wind blew over the grass, drying the waterdrops. There had been showers in the afternoon, and the sky was still a tender, rainy blue, where it showed through the masses of swiftly moving clouds.

Claude had been away from home for nearly a month. His father had sent him out to see Ralph and the new ranch, and from there he went on to Colorado Springs and Trinidad. He had enjoyed travelling, but now that he was back in Denver he had that feeling of loneliness which often overtakes country boys in a city; the feeling of being unrelated to anything, of not mattering to anybody. He had wandered about Colorado Springs wishing he knew some of the people who were going in and out of the houses; wishing that he could talk to some of those pretty girls he saw driving their own cars about the streets, if only to say a few words. One morning when he was walking out in the hills a girl passed him, then slowed her car to ask if she could give him a lift. Claude would have said that she was just the sort who would never stop to pick him up, yet she did, and she talked to him pleasantly all the way back to town. It was only twenty minutes or so, but it was worth everything else that happened on his trip. When she asked him where she should put him down, he said at the Antlers, and blushed so furiously that she must have known at once he wasn't staying there.

He wondered this afternoon how many discouraged young men had sat here on the State House steps and watched the sun go down behind the mountains. Every one was always saying it was a fine thing to be young; but it was a painful thing, too. He didn't believe older people were ever so wretched. Over there, in the golden light, the mass of mountains was splitting up into four distinct ranges, and as the sun dropped lower the peaks emerged in perspective, one behind the other. It was a lonely splendour that only made the ache in his breast the stronger. What was the matter with him, he asked himself entreatingly. He must answer that question before he went home again.

The statue of Kit Carson on horseback, down in the Square, pointed Westward; but there was no West, in that sense, any more. There was still South America; perhaps he could find something below the Isthmus. Here the sky was like a lid shut down over the world; his mother could see saints and martyrs behind it.

Well, in time he would get over all this, he supposed. Even his father had been restless as a young man, and had run away into a new country. It was a storm that died down at last,--but what a pity not to do anything with it! A waste of power--for it was a kind of power; he sprang to his feet and stood frowning against the ruddy light, so deep in his struggling thoughts that he did not notice a man, mounting from the lower terraces, who stopped to look at him.

The stranger scrutinized Claude with interest. He saw a young man standing bareheaded on the long flight of steps, his fists clenched in an attitude of arrested action,--his sandy hair, his tanned face, his tense figure copper-coloured in the oblique rays. Claude would have been astonished if he could have known how he seemed to this stranger.

II

The next morning Claude stepped off the train at Frankfort and had his breakfast at the station before the town was awake. His family were not expecting him, so he thought he would walk home and stop at the mill to see Enid Royce. After all, old friends were best.

He left town by the low road that wound along the creek. The willows were all out in new yellow leaves, and the sticky cotton-wood buds were on the point of bursting. Birds were calling everywhere, and now and then, through the studded willow wands, flashed the dazzling wing of a cardinal.

All over the dusty, tan-coloured wheatfields there was a tender mist of green,--millions of little fingers reaching up and waving lightly in the sun. To the north and south Claude could see the corn-planters, moving in straight lines over the brown acres where the earth had been harrowed so fine that it blew off in clouds of dust to the roadside. When a gust of wind rose, gay little twisters came across the open fields, corkscrews of powdered earth that whirled through the air and suddenly fell again. It seemed as if there were a lark on every fence post, singing for everything that was dumb; for the great ploughed lands, and the heavy horses in the rows, and the men guiding the horses.

Along the roadsides, from under the dead weeds and wisps of dried bluestem, the dandelions thrust up their clean, bright faces. If Claude happened to step on one, the acrid smell made him think of Mahailey, who had probably been out this very morning, gouging the sod with her broken butcher knife and stuffing dandelion greens into her apron. She always went for greens with an air of secrecy, very early, and sneaked along the roadsides stooping close to the ground, as if she might be detected and driven away, or as if the dandelions were wild things and had to be caught sleeping.

Claude was thinking, as he walked, of how he used to like to come to mill with his father. The whole process of milling was mysterious to him then; and the mill house and the miller's wife were mysterious; even Enid was, a little--until he got her down in the bright sun among the cat-tails. They used to play in the bins of clean wheat, watch the flour coming out of the hopper and get themselves covered with white dust.

Best of all he liked going in where the water-wheel hung dripping in its dark cave, and quivering streaks of sunlight came in through the cracks to play on the green slime and the spotted jewel-weed growing in the shale. The mill was a place of sharp contrasts; bright sun and deep shade, roaring sound and heavy, dripping silence. He remembered how astonished he was one day, when he found Mr. Royce in gloves and goggles, cleaning the millstones, and discovered what harmless looking things they were. The miller picked away at them with a sharp hammer until the sparks flew, and Claude still had on his hand a blue spot where a chip of flint went under the skin when he got too near.

Jason Royce must have kept his mill going out of sentiment, for there was not much money in it now. But milling had been his first business, and he had not found many things in life to be sentimental about. Sometimes one still came upon him in dusty miller's clothes, giving his man a day off. He had long ago ceased to depend on the risings and fallings of Lovely Creek for his power, and had put in a gasoline engine. The old dam now lay "like a holler tooth," as one of his men said, grown up with weeds and willow-brush.

Mr. Royce's family affairs had never gone as well as his business. He had not been blessed with a son, and out of five daughters he had succeeded in bringing up only two. People thought the mill house damp and unwholesome. Until he built a tenant's cottage and got a married man to take charge of the mill, Mr. Royce was never able to keep his millers long. They complained of the gloom of the house, and said they could not get enough to eat. Mrs. Royce went every summer to a vegetarian sanatorium in Michigan, where she learned to live on nuts and toasted cereals. She gave her family nourishment, to be sure, but there was never during the day a meal that a man could look forward to with pleasure, or sit down to with satisfaction. Mr. Royce usually dined at the hotel in town. Nevertheless, his wife was distinguished for certain brilliant culinary accomplishments. Her bread was faultless. When a church supper was toward, she was always called upon for her wonderful mayonnaise dressing, or her angel-food cake,--sure to be the lightest and spongiest in any assemblage of cakes.

A deep preoccupation about her health made Mrs. Royce like a woman who has a hidden grief, or is preyed upon by a consuming regret. It wrapped her in a kind of insensibility. She lived differently from other people, and that fact made her distrustful and reserved. Only when she was at the sanatorium, under the care of her idolized doctors, did she feel that she was understood and surrounded by sympathy.

Her distrust had communicated itself to her daughters and in countless little ways had coloured their feelings about life. They grew up under the shadow of being "different," and formed no close friendships. Gladys Farmer was the only Frankfort girl who had ever gone much to the mill house. Nobody was surprised when Caroline Royce, the older daughter, went out to China to be a missionary, or that her mother let her go without a protest. The Royce women were strange, anyhow, people said; with Carrie gone, they hoped Enid would grow up to be more like other folk. She dressed well, came to town often in her car, and was always ready to work for the church or the public library.

Besides, in Frankfort, Enid was thought very pretty,--in itself a humanizing attribute. She was slender, with a small, well-shaped head, a smooth, pale skin, and large, dark, opaque eyes with heavy lashes. The long line from the lobe of her ear to the tip of her chin gave her face a certain rigidity, but to the old ladies, who are the best critics in such matters, this meant firmness and dignity. She moved quickly and gracefully, just brushing things rather than touching them, so that there was a suggestion of flight about her slim figure, of gliding away from her surroundings. When the Sunday School gave tableaux vivants, Enid was chosen for Nydia, the blind girl of Pompeii, and for the martyr in "Christ or Diana." The pallor of her skin, the submissive inclination of her forehead, and her dark, unchanging eyes, made one think of something "early Christian."

On this May morning when Claude Wheeler came striding up the mill road, Enid was in the yard, standing by a trellis for vines built near the fence, out from under the heavy shade of the trees. She was raking the earth that had been spaded up the day before, and making furrows in which to drop seeds. From the turn of the road, by the knotty old willows, Claude saw her pink starched dress and little white sun-bonnet. He hurried forward.

"Hello, are you farming?" he called as he came up to the fence.

Enid, who was bending over at that moment, rose quickly, but without a start. "Why, Claude! I thought you were out West somewhere. This is a surprise!" She brushed the earth from her hands and gave him her limp white fingers. Her arms, bare below the elbow, were thin, and looked cold, as if she had put on a summer dress too early.

"I just got back this morning. I'm walking out home. What are you planting?"

"Sweet peas."

"You always have the finest ones in the country. When I see a bunch of yours at church or anywhere, I always know them."

"Yes, I'm quite successful with my sweet peas," she admitted. "The ground is rich down here, and they get plenty of sun."

"It isn't only your sweet peas. Nobody else has such lilacs or rambler roses, and I expect you have the only wistaria vine in Frankfort county."

"Mother planted that a long while ago, when she first moved here. She is very partial to wistaria. I'm afraid we'll lose it, one of these hard winters."

"Oh, that would be a shame! Take good care of it. You must put in a lot of time looking after these things, anyway." He spoke admiringly.

Enid leaned against the fence and pushed back her little bonnet. "Perhaps I take more interest in flowers than I do in people. I often envy you, Claude; you have so many interests."

He coloured. "I? Good gracious, I don't have many! I'm an awfully discontented sort of fellow. I didn't care about going to school until I had to stop, and then I was sore because I couldn't go back. I guess I've been sulking about it all winter."

She looked at him with quiet astonishment. "I don't see why you should be discontented; you're so free."

"Well, aren't you free, too?"

"Not to do what I want to. The only thing I really want to do is to go out to China and help Carrie in her work. Mother thinks I'm not strong enough. But Carrie was never very strong here. She is better in China, and I think I might be."

Claude felt concern. He had not seen Enid since the sleigh-ride, when she had been gayer than usual. Now she seemed sunk in lassitude. "You must get over such notions, Enid. You don't want to go wandering off alone like that. It makes people queer. Isn't there plenty of missionary work to be done right here?"

She sighed. "That's what everybody says. But we all of us have a chance, if we'll take it. Out there they haven't. It's terrible to think of all those millions that live and die in darkness."

Claude glanced up at the sombre mill house, hidden in cedars,--then off at the bright, dusty fields. He felt as if he were a little to blame for Enid's melancholy. He hadn't been very neighbourly this last year. "People can live in darkness here, too, unless they fight it. Look at me. I told you I've been moping all winter. We all feel friendly enough, but we go plodding on and never get together. You and I are old friends, and yet we hardly ever see each other. Mother says you've been promising for two years to run up and have a visit with her. Why don't you come? It would please her."

"Then I will. I've always been fond of your mother." She paused a moment, absently twisting the strings of her bonnet, then twitched it from her head with a quick movement and looked at him squarely in the bright light. "Claude, you haven't really become a free-thinker, have you?"

He laughed outright. "Why, what made you think I had?"

"Everybody knows Ernest Havel is, and people say you and he read that kind of books together."

"Has that got anything to do with our being friends?"

"Yes, it has. I couldn't feel the same confidence in you. I've worried about it a good deal."

"Well, you just cut it out. For one thing, I'm not worth it," he said quickly.

"Oh, yes, you are! If worrying would do any good--" she shook her head at him reproachfully.

Claude took hold of the fence pickets between them with both hands. "It will do good! Didn't I tell you there was missionary work to be done right here? Is that why you've been so stand-offish with me the last few years, because you thought I was an atheist?"

"I never, you know, liked Ernest Havel," she murmured.

When Claude left the mill and started homeward he felt that he had found something which would help him through the summer. How fortunate he had been to come upon Enid alone and talk to her without interruption,--without once seeing Mrs. Royce's face, always masked in powder, peering at him from behind a drawn blind. Mrs. Royce had always looked old, even long ago when she used to come into church with her little girls,--a tiny woman in tiny high-heeled shoes and a big hat with nodding plumes, her black dress covered with bugles and jet that glittered and rattled and made her seem hard on the outside, like an insect.

Yes, he must see to it that Enid went about and saw more of other people. She was too much with her mother, and with her own thoughts. Flowers and foreign missions--her garden and the great kingdom of China; there was something unusual and touching about her preoccupations. Something quite charming, too. Women ought to be religious; faith was the natural fragrance of their minds. The more incredible the things they believed, the more lovely was the act of belief. To him the story of "Paradise Lost" was as mythical as the "Odyssey"; yet when his mother read it aloud to him, it was not only beautiful but true. A woman who didn't have holy thoughts about mysterious things far away would be prosaic and commonplace, like a man.

III

During the next few weeks Claude often ran his car down to the mill house on a pleasant evening and coaxed Enid to go into Frankfort with him and sit through a moving picture show, or to drive to a neighbouring town. The advantage of this form of companionship was that it did not put too great a strain upon one's conversational powers. Enid could be admirably silent, and she was never embarrassed by either silence or speech. She was cool and sure of herself under any circumstances, and that was one reason why she drove a car so well,--much better than Claude, indeed.

One Sunday, when they met after church, she told Claude that she wanted to go to Hastings to do some shopping, and they arranged that he should take her on Tuesday in his father's big car. The town was about seventy miles to the northeast and, from Frankfort, it was an inconvenient trip by rail.

On Tuesday morning Claude reached the mill house just as the sun was rising over the damp fields. Enid was on the front porch waiting for him, wearing a blanket coat over her spring suit. She ran down to the gate and slipped into the seat beside him.

"Good morning, Claude. Nobody else is up. It's going to be a glorious day, isn't it?"

"Splendid. A little warm for this time of year. You won't need that coat long."

For the first hour they found the roads empty. All the fields were grey with dew, and the early sunlight burned over everything with the transparent brightness of a fire that has just been kindled. As the machine noiselessly wound off the miles, the sky grew deeper and bluer, and the flowers along the roadside opened in the wet grass. There were men and horses abroad on every hill now. Soon they began to pass children on the way to school, who stopped and waved their bright dinner pails at the two travellers. By ten o'clock they were in Hastings.

While Enid was shopping, Claude bought some white shoes and duck trousers. He felt more interest than usual in his summer clothes. They met at the hotel for lunch, both very hungry and both satisfied with their morning's work. Seated in the dining room, with Enid opposite him, Claude thought they did not look at all like a country boy and girl come to town, but like experienced people touring in their car.

"Will you make a call with me after dinner?" she asked while they were waiting for their dessert.

"Is it any one I know?"

"Certainly. Brother Weldon is in town. His meetings are over, and I was afraid he might be gone, but he is staying on a few days with Mrs. Gleason. I brought some of Carrie's letters along for him to read."

Claude made a wry face. "He won't be delighted to see me. We never got on well at school. He's a regular muff of a teacher, if you want to know," he added resolutely.

Enid studied him judicially. "I'm surprised to hear that; he's such a good speaker. You'd better come along. It's so foolish to have a coolness with your old teachers."

An hour later the Reverend Arthur Weldon received the two young people in Mrs. Gleason's half-darkened parlour, where he seemed quite as much at home as that lady herself. The hostess, after chatting cordially with the visitors for a few moments, excused herself to go to a P. E. O. meeting. Every one rose at her departure, and Mr. Weldon approached Enid, took her hand, and stood looking at her with his head inclined and his oblique smile. "This is an unexpected pleasure, to see you again, Miss Enid. And you, too, Claude," turning a little toward the latter. "You've come up from Frankfort together this beautiful day?" His tone seemed to say, "How lovely for you!"

He directed most of his remarks to Enid and, as always, avoided looking at Claude except when he definitely addressed him.

"You are farming this year, Claude? I presume that is a great satisfaction to your father. And Mrs. Wheeler is quite well?"

Mr. Weldon certainly bore no malice, but he always pronounced Claude's name exactly like the word "Clod," which annoyed him. To be sure, Enid pronounced his name in the same way, but either Claude did not notice this, or did not mind it from her. He sank into a deep, dark sofa, and sat with his driving cap on his knee while Brother Weldon drew a chair up to the one open window of the dusky room and began to read Carrie Royce's letters. Without being asked to do so, he read them aloud, and stopped to comment from time to time. Claude observed with disappointment that Enid drank in all his platitudes just as Mrs. Wheeler did. He had never looked at Weldon so long before. The light fell full on the young man's pear-shaped head and his thin, rippled hair. What in the world could sensible women like his mother and Enid Royce find to admire in this purring, white-necktied fellow? Enid's dark eyes rested upon him with an expression of profound respect. She both looked at him and spoke to him with more feeling than she ever showed toward Claude.

"You see, Brother Weldon," she said earnestly, "I am not naturally much drawn to people. I find it hard to take the proper interest in the church work at home. It seems as if I had always been holding myself in reserve for the foreign field,--by not making personal ties, I mean. If Gladys Farmer went to China, everybody would miss her. She could never be replaced in the High School. She has the kind of magnetism that draws people to her. But I have always been keeping myself free to do what Carrie is doing. There I know I could be of use."

Claude saw it was not easy for Enid to talk like this. Her face looked troubled, and her dark eyebrows came together in a sharp angle as she tried to tell the young preacher exactly what was going on in her mind. He listened with his habitual, smiling attention, smoothing the paper of the folded letter pages and murmuring, "Yes, I understand. Indeed, Miss Enid?"

When she pressed him for advice, he said it was not always easy to know in what field one could be most useful; perhaps this very restraint was giving her some spiritual discipline that she particularly needed. He was careful not to commit himself, not to advise anything unconditionally, except prayer.

"I believe that all things are made clear to us in prayer, Miss Enid."

Enid clasped her hands; her perplexity made her features look sharper. "But it is when I pray that I feel this call the strongest. It seems as if a finger were pointing me over there. Sometimes when I ask for guidance in little things, I get none, and only get the feeling that my work lies far away, and that for it, strength would be given me. Until I take that road, Christ withholds himself."

Mr. Weldon answered her in a tone of relief, as if something obscure had been made clear. "If that is the case, Miss Enid, I think we need have no anxiety. If the call recurs to you in prayer, and it is your Saviour's will, then we can be sure that the way and the means will be revealed. A passage from one of the Prophets occurs to me at this moment; 'And behold a way shall be opened up before thy feet; walk thou in it.' We might say that this promise was originally meant for Enid Royce! I believe God likes us to appropriate passages of His word personally." This last remark was made playfully, as if it were a kind of Christian Endeavour jest. He rose and handed Enid back the letters. Clearly, the interview was over.

As Enid drew on her gloves she told him that it had been a great help to talk to him, and that he always seemed to give her what she needed. Claude wondered what it was. He hadn't seen Weldon do anything but retreat before her eager questions. He, an "atheist," could have given her stronger reinforcement.

Claude's car stood under the maple trees in front of Mrs. Gleason's house. Before they got into it, he called Enid's attention to a mass of thunderheads in the west.

"That looks to me like a storm. It might be a wise thing to stay at the hotel tonight."

"Oh, no! I don't want to do that. I haven't come prepared."

He reminded her that it wouldn't be impossible to buy whatever she might need for the night.

"I don't like to stay in a strange place without my own things," she said decidedly.

"I'm afraid we'll be going straight into it. We may be in for something pretty rough,--but it's as you say." He still hesitated, with his hand on the door.

"I think we'd better try it," she said with quiet determination. Claude had not yet learned that Enid always opposed the unexpected, and could not bear to have her plans changed by people or circumstances.

For an hour he drove at his best speed, watching the clouds anxiously. The table-land, from horizon to horizon, was glowing in sunlight, and the sky itself seemed only the more brilliant for the mass of purple vapours rolling in the west, with bright edges, like new-cut lead. He had made fifty odd miles when the air suddenly grew cold, and in ten minutes the whole shining sky was blotted out. He sprang to the ground and began to jack up his wheels. As soon as a wheel left the earth, Enid adjusted the chain. Claude told her he had never got the chains on so quickly before. He covered the packages in the back seat with an oilcloth and drove forward to meet the storm.

The rain swept over them in waves, seemed to rise from the sod as well as to fall from the clouds. They made another five miles, ploughing through puddles and sliding over liquefied roads. Suddenly the heavy car, chains and all, bounded up a two-foot bank, shot over the sod a dozen yards before the brake caught it, then swung a half-circle and stood still. Enid sat calm and motionless.

Claude drew a long breath. "If that had happened on a culvert, we'd be in the ditch with the car on top of us. I simply can't control the thing. The whole top soil is loose, and there's nothing to hold to. That's Tommy Rice's place over there. We'd better get him to take us in for the night."

"But that would be worse than the hotel," Enid objected. "They are not very clean people, and there are a lot of children."

"Better be crowded than dead," he murmured. "From here on, it would be a matter of luck. We might land anywhere."

"We are only about ten miles from your place. I can stay with your mother tonight."

"It's too dangerous, Enid. I don't like the responsibility. Your father would blame me for taking such a chance."

"I know, it's on my account you're nervous." Enid spoke reasonably enough. "Do you mind letting me drive for awhile? There are only three bad hills left, and I think I can slide down them sideways; I've often tried it."

Claude got out and let her slip into his seat, but after she took the wheel he put his hand on her arm. "Don't do anything so foolish," he pleaded.

Enid smiled and shook her head. She was amiable, but inflexible.

He folded his arms. "Go on."

He was chafed by her stubbornness, but he had to admire her resourcefulness in handling the car. At the bottom of one of the worst hills was a new cement culvert, overlaid with liquid mud, where there was nothing for the chains to grip. The car slid to the edge of the culvert and stopped on the very brink. While they were ploughing up the other side of the hill, Enid remarked; "It's a good thing your starter works well; a little jar would have thrown us over."

They pulled up at the Wheeler farm just before dark, and Mrs. Wheeler came running out to meet them with a rubber coat over her head.

"You poor drowned children!" she cried, taking Enid in her arms. "How did you ever get home? I so hoped you had stayed in Hastings."

"It was Enid who got us home," Claude told her. "She's a dreadfully foolhardy girl, and somebody ought to shake her, but she's a fine driver."

Enid laughed as she brushed a wet lock back from her forehead. "You were right, of course; the sensible thing would have been to turn in at the Rice place; only I didn't want to."

Later in the evening Claude was glad they hadn't. It was pleasant to be at home and to see Enid at the supper table, sitting on his father's right and wearing one of his mother's new grey house-dresses. They would have had a dismal time at the Rices', with no beds to sleep in except such as were already occupied by Rice children. Enid had never slept in his mother's guest room before, and it pleased him to think how comfortable she would be there.

At an early hour Mrs. Wheeler took a candle to light her guest to bed; Enid passed near Claude's chair as she was leaving the room. "Have you forgiven me?" she asked teasingly.

"What made you so pig-headed? Did you want to frighten me? or to show me how well you could drive?"

"Neither. I wanted to get home. Good-night."

Claude settled back in his chair and shaded his eyes. She did feel that this was home, then. She had not been afraid of his father's jokes, or disconcerted by Mahailey's knowing grin. Her ease in the household gave him unaccountable pleasure. He picked up a book, but did not read. It was lying open on his knee when his mother came back half an hour later.

"Move quietly when you go upstairs, Claude. She is so tired that she may be asleep already."

He took off his shoes and made his ascent with the utmost caution.

IV

Ernest Havel was cultivating his bright, glistening young cornfield one summer morning, whistling to himself an old German song which was somehow connected with a picture that rose in his memory. It was a picture of the earliest ploughing he could remember.

He saw a half-circle of green hills, with snow still lingering in the clefts of the higher ridges; behind the hills rose a wall of sharp mountains, covered with dark pine forests. In the meadows at the foot of that sweep of hills there was a winding creek, with polled willows in their first yellow-green, and brown fields. He himself was a little boy, playing by the creek and watching his father and mother plough with two great oxen, that had rope traces fastened to their heads and their long horns. His mother walked barefoot beside the oxen and led them; his father walked behind, guiding the plough. His father always looked down. His mother's face was almost as brown and furrowed as the fields, and her eyes were pale blue, like the skies of early spring. The two would go up and down thus all morning without speaking, except to the oxen. Ernest was the last of a long family, and as he played by the creek he used to wonder why his parents looked so old.

Leonard Dawson drove his car up to the fence and shouted, waking Ernest from his revery. He told his team to stand, and ran out to the edge of the field.

"Hello, Ernest," Leonard called. "Have you heard Claude Wheeler got hurt day before yesterday?"

"You don't say so! It can't be anything bad, or they'd let me know."

"Oh, it's nothing very bad, I guess, but he got his face scratched up in the wire quite a little. It was the queerest thing I ever saw. He was out with the team of mules and a heavy plough, working the road in that deep cut between their place and mine. The gasoline motor-truck came along, making more noise than usual, maybe. But those mules know a motor truck, and what they did was pure cussedness. They begun to rear and plunge in that deep cut. I was working my corn over in the field and shouted to the gasoline man to stop, but he didn't hear me. Claude jumped for the critters' heads and got 'em by the bits, but by that time he was all tangled up in the lines. Those damned mules lifted him off his feet and started to run. Down the draw and up the bank and across the fields they went, with that big plough-blade jumping three or four feet in the air every clip. I was sure it would cut one of the mules open, or go clean through Claude. It would have got him, too, if he hadn't kept his hold on the bits. They carried him right along, swinging in the air, and finally ran him into the barb-wire fence and cut his face and neck up."

"My goodness! Did he get cut bad?"

"No, not very, but yesterday morning he was out cultivating corn, all stuck up with court plaster. I knew that was a fool thing to do; a wire cut's nasty if you get overheated out in the dust. But you can't tell a Wheeler anything. Now they say his face has swelled and is hurting him terrible, and he's gone to town to see the doctor. You'd better go over there tonight, and see if you can make him take care of himself."

Leonard drove on, and Ernest went back to his team. "It's queer about that boy," he was thinking. "He's big and strong, and he's got an education and all that fine land, but he don't seem to fit in right." Sometimes Ernest thought his friend was unlucky. When that idea occurred to him, he sighed and shook it off. For Ernest believed there was no help for that; it was something rationalism did not explain.

The next afternoon Enid Royce's coupe drove up to the Wheeler farmyard. Mrs. Wheeler saw Enid get out of her car and came down the hill to meet her, breathless and distressed. "Oh, Enid! You've heard of Claude's accident? He wouldn't take care of himself, and now he's got erysipelas. He's in such pain, poor boy!"

Enid took her arm, and they started up the hill toward the house. "Can I see Claude, Mrs. Wheeler? I want to give him these flowers."

Mrs. Wheeler hesitated. "I don't know if he will let you come in, dear. I had hard work persuading him to see Ernest for a few moments last night. He seems so low-spirited, and he's sensitive about the way he's bandaged up. I'll go to his room and ask him."

"No, just let me go up with you, please. If I walk in with you, he won't have time to fret about it. I won't stay if he doesn't wish it, but I want to see him."

Mrs. Wheeler was alarmed at this suggestion, but Enid ignored her uncertainty. They went up to the third floor together, and Enid herself tapped at the door.

"It's I, Claude. May I come in for a moment?"

A muffled, reluctant voice answered. "No. They say this is catching, Enid. And anyhow, I'd rather you didn't see me like this."

Without waiting she pushed open the door. The dark blinds were down, and the room was full of a strong, bitter odor. Claude lay flat in bed, his head and face so smothered in surgical cotton that only his eyes and the tip of his nose were visible. The brown paste with which his features were smeared oozed out at the edges of the gauze and made his dressings look untidy. Enid took in these details at a glance.

"Does the light hurt your eyes? Let me put up one of the blinds for a moment, because I want you to see these flowers. I've brought you my first sweet peas."

Claude blinked at the bunch of bright colours she held out before him. She put them up to his face and asked him if he could smell them through his medicines. In a moment he ceased to feel embarrassed. His mother brought a glass bowl, and Enid arranged the flowers on the little table beside him.

"Now, do you want me to darken the room again?"

"Not yet. Sit down for a minute and talk to me. I can't say much because my face is stiff."

"I should think it would be! I met Leonard Dawson on the road yesterday, and he told me how you worked in the field after you were cut. I would like to scold you hard, Claude."

"Do. It might make me feel better." He took her hand and kept her beside him a moment. "Are those the sweet peas you were planting that day when I came back from the West?"

"Yes. Haven't they done well to blossom so early?"

"Less than two months. That's strange," he sighed.

"Strange? What?"

"Oh, that a handful of seeds can make anything so pretty in a few weeks, and it takes a man so long to do anything and then it's not much account."

"That's not the way to look at things," she said reprovingly.

Enid sat prim and straight on a chair at the foot of his bed. Her flowered organdie dress was very much like the bouquet she had brought, and her floppy straw hat had a big lilac bow. She began to tell Claude about her father's several attacks of erysipelas. He listened but absently. He would never have believed that Enid, with her severe notions of decorum, would come into his room and sit with him like this. He noticed that his mother was quite as much astonished as he. She hovered about the visitor for a few moments, and then, seeing that Enid was quite at her ease, went downstairs to her work. Claude wished that Enid would not talk at all, but would sit there and let him look at her. The sunshine she had let into the room, and her tranquil, fragrant presence, soothed him. Presently he realized that she was asking him something.

"What is it, Enid? The medicine they give me makes me stupid. I don't catch things."

"I was asking whether you play chess."

"Very badly."

"Father says I play passably well. When you are better you must let me bring up my ivory chessmen that Carrie sent me from China. They are beautifully carved. And now it's time for me to go."

She rose and patted his hand, telling him he must not be foolish about seeing people. "I didn't know you were so vain. Bandages are as becoming to you as they are to anybody. Shall I pull the dark blind again for you?"

"Yes, please. There won't be anything to look at now."

"Why, Claude, you are getting to be quite a ladies' man!"

Something in the way Enid said this made him wince a little. He felt his burning face grow a shade warmer. Even after she went downstairs he kept wishing she had not said that.

His mother came to give him his medicine. She stood beside him while he swallowed it. "Enid Royce is a real sensible girl--" she said as she took the glass. Her upward inflection expressed not conviction but bewilderment.

Enid came every afternoon, and Claude looked forward to her visits restlessly; they were the only pleasant things that happened to him, and made him forget the humiliation of his poisoned and disfigured face. He was disgusting to himself; when he touched the welts on his forehead and under his hair, he felt unclean and abject. At night, when his fever ran high, and the pain began to tighten in his head and neck, it wrought him to a distressing pitch of excitement. He fought with it as one bulldog fights with another. His mind prowled about among dark legends of torture,--everything he had ever read about the Inquisition, the rack and the wheel.

When Enid entered his room, cool and fresh in her pretty summer clothes, his mind leaped to meet her. He could not talk much, but he lay looking at her and breathing in a sweet contentment. After awhile he was well enough to sit up half-dressed in a steamer chair and play chess with her.

One afternoon they were by the west window in the sitting-room with the chess board between them, and Claude had to admit that he was beaten again.

"It must be dull for you, playing with me," he murmured, brushing the beads of sweat from his forehead. His face was clean now, so white that even his freckles had disappeared, and his hands were the soft, languid hands of a sick man.

"You will play better when you are stronger and can fix your mind on it," Enid assured him. She was puzzled because Claude, who had a good head for some things, had none at all for chess, and it was clear that he would never play well.

"Yes," he sighed, dropping back into his chair, "my wits do wander. Look at my wheatfield, over there on the skyline. Isn't it lovely? And now I won't be able to harvest it. Sometimes I wonder whether I'll ever finish anything I begin."

Enid put the chessmen back into their box. "Now that you are better, you must stop feeling blue. Father says that with your trouble people are always depressed."

Claude shook his head slowly, as it lay against the back of the chair. "No, it's not that. It's having so much time to think that makes me blue. You see, Enid, I've never yet done anything that gave me any satisfaction. I must be good for something. When I lie still and think, I wonder whether my life has been happening to me or to somebody else. It doesn't seem to have much connection with me. I haven't made much of a start."

"But you are not twenty-two yet. You have plenty of time to start. Is that what you are thinking about all the time!" She shook her finger at him.

"I think about two things all the time. That is one of them." Mrs. Wheeler came in with Claude's four o'clock milk; it was his first day downstairs.

When they were children, playing by the mill-dam, Claude had seen the future as a luminous vagueness in which he and Enid would always do things together. Then there came a time when he wanted to do everything with Ernest, when girls were disturbing and a bother, and he pushed all that into the distance, knowing that some day he must reckon with it again.

Now he told himself he had always known Enid would come back; and she had come on that afternoon when she entered his drug-smelling room and let in the sunlight. She would have done that for nobody but him. She was not a girl who would depart lightly from conventions that she recognized as authoritative. He remembered her as she used to march up to the platform for Children's Day exercises with the other little girls of the infant class; in her stiff white dress, never a curl awry or a wrinkle in her stocking, keeping her little comrades in order by the acquiescent gravity of her face, which seemed to say, "How pleasant it is to do thus and to do Right!"

Old Mr. Smith was the minister in those days,--a good man who had been much tossed about by a stormy and temperamental wife--and his eyes used to rest yearningly upon little Enid Royce, seeing in her the promise of "virtuous and comely Christian womanhood," to use one of his own phrases. Claude, in the boys' class across the aisle, used to tease her and try to distract her, but he respected her seriousness.

When they played together she was fair-minded, didn't whine if she got hurt, and never claimed a girl's exemption from anything unpleasant. She was calm, even on the day when she fell into the mill-dam and he fished her out; as soon as she stopped choking and coughing up muddy water, she wiped her face with her little drenched petticoats, and sat shivering and saying over and over, "Oh, Claude, Claude!" Incidents like that one now seemed to him significant and fateful.

When Claude's strength began to return to him, it came overwhelmingly. His blood seemed to grow strong while his body was still weak, so that the in-rush of vitality shook him. The desire to live again sang in his veins while his frame was unsteady. Waves of youth swept over him and left him exhausted. When Enid was with him these feelings were never so strong; her actual presence restored his equilibrium--almost. This fact did not perplex him; he fondly attributed it to something beautiful in the girl's nature,--a quality so lovely and subtle that there is no name for it.

During the first days of his recovery he did nothing but enjoy the creeping stir of life. Respiration was a soft physical pleasure. In the nights, so long he could not sleep them through, it was delightful to lie upon a cloud that floated lazily down the sky. In the depths of this lassitude the thought of Enid would start up like a sweet, burning pain, and he would drift out into the darkness upon sensations he could neither prevent nor control. So long as he could plough, pitch hay, or break his back in the wheatfield, he had been master; but now he was overtaken by himself. Enid was meant for him and she had come for him; he would never let her go. She should never know how much he longed for her. She would be slow to feel even a little of what he was feeling; he knew that. It would take a long while. But he would be infinitely patient, infinitely tender of her. It should be he who suffered, not she. Even in his dreams he never wakened her, but loved her while she was still and unconscious like a statue. He would shed love upon her until she warmed and changed without knowing why.

Sometimes when Enid sat unsuspecting beside him, a quick blush swept across his face and he felt guilty toward her, meek and humble, as if he must beg her forgiveness for something. Often he was glad when she went away and left him alone to think about her. Her presence brought him sanity, and for that he ought to be grateful. When he was with her, he thought how she was to be the one who would put him right with the world and make him fit into the life about him. He had troubled his mother and disappointed his father, His marriage would be the first natural, dutiful, expected thing he had ever done. It would be the beginning of usefulness and content; as his mother's oft-repeated Psalm said, it would restore his soul. Enid's willingness to listen to him he could scarcely doubt. Her devotion to him during his illness was probably regarded by her friends as equivalent to an engagement.

V

Claude's first trip to Frankfort was to get his hair cut. After leaving the barber-shop he presented himself, glistening with bayrum, at Jason Royce's office. Mr. Royce, in the act of closing his safe, turned and took the young man by the hand.

"Hello, Claude, glad to see you around again! Sickness can't do much to a husky young farmer like you. With old fellows, it's another story. I'm just starting off to have a look at my alfalfa, south of the river. Get in and go along with me."

They went out to the open car that stood by the sidewalk, and when they were spinning along between fields of ripening grain Claude broke the silence. "I expect you know what I want to see you about, Mr. Royce?"

The older man shook his head. He had been preoccupied and grim ever since they started.

"Well," Claude went on modestly, "it oughtn't to surprise you to hear that I've set my heart on Enid. I haven't said anything to her yet, but if you're not against me, I'm going to try to persuade her to marry me."

"Marriage is a final sort of thing, Claude," said Mr. Royce. He sat slumping in his seat, watching the road ahead of him with intense abstraction, looking more gloomy and grizzled than usual. "Enid is a vegetarian, you know," he remarked unexpectedly.

Claude smiled. "That could hardly make any difference to me, Mr. Royce."

The other nodded slightly. "I know. At your age you think it doesn't. Such things do make a difference, however." His lips closed over his half-dead cigar, and for some time he did not open them.

"Enid is a good girl," he said at last. "Strictly speaking, she has more brains than a girl needs. If Mrs. Royce had another daughter at home, I'd take Enid into my office. She has good judgment. I don't know but she'd run a business better than a house." Having got this out, Mr. Royce relaxed his frown, took his cigar from his mouth, looked at it, and put it back between his teeth without relighting it.

Claude was watching him with surprise. "There's no question about Enid, Mr. Royce. I didn't come to ask you about her," he exclaimed. "I came to ask if you'd be willing to have me for a son-in-law. I know, and you know, that Enid could do a great deal better than to marry me. I surely haven't made much of a showing, so far."

"Here we are," announced Mr. Royce. "I'll leave the car under this elm, and we'll go up to the north end of the field and have a look."

They crawled under the wire fence and started across the rough ground through a field of purple blossoms. Clouds of yellow butterflies darted up before them. They walked jerkily, breaking through the sun-baked crust into the soft soil beneath. Mr. Royce lit a fresh cigar, and as he threw away the match let his hand drop on the young man's shoulder. "I always envied your father. You took my fancy when you were a little shaver, and I used to let you in to see the water-wheel. When I gave up water power and put in an engine, I said to myself: 'There's just one fellow in the country will be sorry to see the old wheel go, and that's Claude Wheeler.'"

"I hope you don't think I'm too young to marry," Claude said as they tramped on.

"No, it's right and proper a young man should marry. I don't say anything against marriage," Mr. Royce protested doggedly. "You may find some opposition in Enid's missionary motives. I don't know how she feels about that now. I don't enquire. I'd be pleased to see her get rid of such notions. They don't do a woman any good."

"I want to help her get rid of them. If it's all right with you, I hope I can persuade Enid to marry me this fall."

Jason Royce turned his head quickly toward his companion, studied his artless, hopeful countenance for a moment, and then looked away with a frown.

The alfalfa field sloped upward at one corner, lay like a bright green-and-purple handkerchief thrown down on the hillside. At the uppermost angle grew a slender young cottonwood, with leaves as light and agitated as the swarms of little butterflies that hovered above the clover. Mr. Royce made for this tree, took off his black coat, rolled it up, and sat down on it in the flickering shade. His shirt showed big blotches of moisture, and the sweat was rolling in clear drops along the creases in his brown neck. He sat with his hands clasped over his knees, his heels braced in the soft soil, and looked blankly off across the field. He found himself absolutely unable to touch upon the vast body of experience he wished to communicate to Claude. It lay in his chest like a physical misery, and the desire to speak struggled there. But he had no words, no way to make himself understood. He had no argument to present. What he wanted to do was to hold up life as he had found it, like a picture, to his young friend; to warn him, without explanation, against certain heart-breaking disappointments. It could not be done, he saw. The dead might as well try to speak to the living as the old to the young. The only way that Claude could ever come to share his secret, was to live. His strong yellow teeth closed tighter and tighter on the cigar, which had gone out like the first. He did not look at Claude, but while he watched the wind plough soft, flowery roads in the field, the boy's face was clearly before him, with its expression of reticent pride melting into the desire to please, and the slight stiffness of his shoulders, set in a kind of stubborn loyalty. Claude lay on the sod beside him, rather tired after his walk in the sun, a little melancholy, though he did not know why.

After a long while Mr. Royce unclasped his broad, thick-fingered miller's hands, and for a moment took out the macerated cigar. "Well, Claude," he said with determined cheerfulness, "we'll always be better friends than is common between father and son-in-law. You'll find out that pretty nearly everything you believe about life--about marriage, especially--is lies. I don't know why people prefer to live in that sort of a world, but they do."

VI

After his interview with Mr. Royce, Claude drove directly to the mill house. As he came up the shady road, he saw with disappointment the flash of two white dresses instead of one, moving about in the sunny flower garden. The visitor was Gladys Farmer. This was her vacation time. She had walked out to the mill in the cool of the morning to spend the day with Enid. Now they were starting off to gather water-cresses, and had stopped in the garden to smell the heliotrope. On this scorching afternoon the purple sprays gave out a fragrance that hung over the flower-bed and brushed their cheeks like a warm breath. The girls looked up at the same moment and recognized Claude. They waved to him and hurried down to the gate to congratulate him on his recovery. He took their little tin pails and followed them around the old dam-head and up a sandy gorge, along a clear thread of water that trickled into Lovely Creek just above the