Part 28

It is a curious fact that the jaunting car, although it is distinctively Irish, and would not be tolerated in any other country, was invented and introduced by an Italian, Charles Bianconi, a native of Milan, who arrived in Ireland about the year 1800 and set up at Clonmel as an artist and picture dealer. Being struck by the absence of vehicles in the country, for everybody went on horseback in those days, he built a conveyance of his own design which immediately became popular and was imitated by every one who had the means to build or buy a box and a pair of wheels.

Only in Dublin can you hire a covered carriage--four-wheelers or "growlers," as they are called in London; but in Waterford, Cork, and Limerick are "covered cars," which are without doubt the most uncomfortable vehicles that anybody ever rode in, unless it be a Chinese cart. They are "inside cars," with a hood of canvas or leather over them, supported by an iron frame or hickory bows. Imagine a large, square box with one end knocked out of it, and replaced by a step or two for the passengers to enter; two seats, one on either side, upon which the passengers sit _vis-a-vis_, clinging to straps suspended from the roof. There are no windows, no place for ventilation except the open back, which is covered with a curtain that may be raised or not, according to the state of the weather.

Two things which everybody can commend in Ireland are the horses and the donkeys--the style, strength, beauty, and speed of the one and the uncomplaining endurance of the other. An Irish horse never gets tired, is never lazy, and never vicious--at least, that is what his breeders and owners say of him, and, of course, the Irish hunters are the best in the world. But the Irish donkey, who does the humble and insignificant traffic, who hauls the vegetables to market and does the teaming for the small farmers, is an object of universal admiration. Not for his beauty, of course, but for those higher qualities that make up character, for his strength of purpose, his untiring industry, his patient fidelity. They are the mainstay of the Irish poor, and, although the object of ridicule and wit, I think the people appreciate them, because they treat them so much better than the Italians and Spaniards and the peons of the Spanish-American republics of America.

"Go back to your brother!" said a street urchin the other day to a costermonger who left his donkey by the roadside for a few moments. "Go back to your brother!" said the chauffeur of our automobile to a woman who was driving a donkey cart and came across to inspect our machine. "Go back to your brother!" said a policeman to a young boy who was driving a donkey cart and had jumped off his ordinary seat upon the whiffletree to resent the attack of some street urchin. And when I asked the policeman about the use of that phrase, which one hears continually, he explained that it was common all over Ireland for a donkey driver to call his beast "brother," and it deserves that name for its fidelity if for nothing more.

XXIII

CORK AND BLARNEY CASTLE

Cork is a neat but an ugly town, which had a hundred thousand population twenty years ago and now has only eighty thousand. The missing ones, they tell me, have gone to the United States. It is one of the most prosperous and one of the cleanest cities in Ireland, and, although in former years strangers complained of pestiferous beggars, we have not seen a single one. The common people are much better dressed and the children are much neater in their appearance than those of the similar class in Dublin. They don't buy their clothing at a slopshop. They are more cheerful and happy, and the women show more pride and better taste in their apparel.

The River Lee, which rises over on the west coast, in Lake Gougane-Barra, near Killarney, divides into two streams just as it reaches the city of Cork, and embraces the business section of the town between the two channels. They are walled up with masonry, and wide quays on either side furnish plenty of room for handling the commerce, which seems to be considerable. Large sums of money have been spent to deepen the channel and furnish conveniences for handling the trade, and vessels drawing twenty feet of water can come up to the very center of the city at low tide, where they discharge Welsh coal and English merchandise and receive agricultural produce, bacon, woolen goods, hides, and leather, and various other products of Ireland. The walls of the quay are hung with unconscious artistic taste every morning with fishing nets. The fishermen bring their catch up the river to the very door of the market and spread their nets over the gray stones to dry. The entire distance from these quays to the Atlantic Ocean at Queenstown, about twelve miles, is a panorama of beauty. For the river on both sides is inclosed between high bluffs that are clad with the richest of foliage and flowering plants, among which you can catch glimpses of artistic villas. Tom Moore called it "the noble sea avenue of God."

All tourists like Cork. It is a cheerful city. The atmosphere is brighter and the streets are more attractive than in Dublin. The shops are large and the show windows are well dressed, and on St. Patrick's Street, which, of course, is the principal thoroughfare, there are several windows full of most appetizing buns and cakes and other things to eat. But the tradesmen are remarkably late about getting around in the morning. When I go out for my walk after breakfast, between eight and nine o'clock, most of the shops are still closed, the doors are locked, and the shutters are up. None of the retail merchants expect customers until after nine, and then they open very slowly. The markets do not commence business until nine o'clock and wholesale dealers and their clerks do not get down until ten. A gentleman of whom I inquired about this indolent custom declared that it was as ancient as the ruins of Fin-Barre Abbey. He declared, however, that although they lie abed late in the morning the business men of Cork made things hum when they once got started.

Cork is a city of churches and some of them are modern, which is a novelty. The Roman Catholic Cathedral is an imposing structure and the interior is magnificent.

One of the "Godless colleges" is in Cork--Queen's College--which occupies a beautiful situation upon a bluff on the outskirts of the city, entirely hidden among venerable trees and flowering plants, with a swift flowing brook at its feet. It was the site of a monastery established here by Fin-Barre, the patron saint of Cork, who came here about the year 700, built a chapel, and started a monastic school that became famous and attracted many students from the continent of Europe. The city grew up around that monastery and was first composed of students who lived in huts and cabins of their own construction while they carried on their studies. Then business men and farmers began to come in and Cork became a place of sufficient importance to attract the attention of the Danish sea-rovers who, after plundering it again and again, took a fancy to the place and settled down here themselves. St. Fin-Barre was buried in his own church and his dust was afterward taken out of the tomb and enshrined in a silver reliquary which was carried away by one of the O'Briens when he drove the McCarthys, who happened to be a power in 1089, out of his stronghold and looted the place.

Over the arched entrance to the Queen's College are the significant words:

"Where Fin-Barre Taught, Let Munster Learn."

It is a modern college founded by Queen Victoria in 1849, together with two others of the same sort at Belfast and Galway, and the three are affiliated under the title of "The Royal University of Ireland." That gives the degrees bestowed upon their graduates a higher character and a greater value according to the notions of the people here. The buildings are pretentious and of the Tudor order of architecture. They look very much like those of the Washington University at St. Louis, and are arranged in a similar manner, only the damp atmosphere here gives the stone a maturity of color that no college in the United States is old enough to acquire. There are no dormitories. The students room and board where they like. There are only lecture-rooms, examination halls, a library, and a museum. There is no chapel, no religious services, and no bishops or other clergymen are upon the board of trustees. That is why the institution is under the ban of the Catholic church, and is not patronized by the people of the Church of Ireland. There are departments of art, science, engineering, law, and medicine, but no theology. There is a school, at which the applied sciences and the trades are taught, occupying the old building of the Royal Cork Institute and attended by many ambitious young men and women. It is a sort of Cooper Institute, founded by a brewer named Crawford, who made his money here. There is also an agricultural and dairy school, with an experimental farm of one hundred and eighty acres on the hills about half a mile from the city, where instruction is given in butter and cheese making and in general agricultural science. Cork is the center of the dairy trade of Ireland and exports a great deal of butter to London.

There are several Catholic seminaries and convents and Protestant boarding-schools for boys and girls and preparatory institutions of various grades attended by children from all parts of southern Ireland, which make Cork an educational center. There is a handsome library presented by Mr. Carnegie, adjoining the City Hall, with twelve thousand volumes and about three thousand ticket-holders, who, according to the report of the librarian, borrowed 85,406 books last year, of which 63,902 were works of fiction. There is another library belonging to a chartered association that is available only to its members. There is an opera-house and several theatres, and all the advantages and attractions that one would expect in a city of this size, with a race course of two hundred and forty acres on the banks of the river, just outside the city limits.

There is an attractive promenade, a mile long, called the Mardyke, sheltered by splendid old trees which form a natural arch overhead, which was fashionable for gossip and flirtation as long ago as 1720, but is now given up chiefly to servant girls and their lovers and nurses and children.

The birds sing more sweetly in Cork than any place we have been, or perhaps we have noticed them more readily than we have done elsewhere. Irish birds are as cheerful and happy as Irish people. When we were wandering through the campus of Queen's College, just after a shower, the trees were alive with larks and thrushes. They had come out of their hiding places and were bursting with song.

I met an old woman, bent and gaunt and gray, with bright blue eyes and a canny expression, and asked her the way to the house I was seeking. She answered with politeness, and I gave her a penny.

"God welcome you to Ireland," she said. "An' may yer honor's visit be prosperous. Yer honor is from America. I kin tell that by yer fine looks and yer fine manners, and I've a son over there meself. I'm nothin' but a poor widdy on the edge of the grave, or I'd be follering him there at all, at all."

And it is astonishing how many people we meet here, who have sons and brothers and sisters in the United States. Most of them seem to be in Chicago, Boston, and Brooklyn. Even a rosy-cheeked little newsboy from whom I bought a paper on the street recognized my nationality and remarked, "An' I've a brother in Brooklyn, meself, sor." At least one-fourth of the population of Cork have emigrated to the United States since the census was taken in 1891, and more are going by every steamer.

The Protestant Cathedral is a fine, modern building with a lofty central tower and four smaller towers of the same design surrounding it. It was finished only a few years ago and cost half a million dollars, most of the money being derived from legacies. It stands on the site of an ancient church built by St. Fin-Barre. The grounds are large and beautifully shaded, with here and there a tomb of some distinguished man. The service and the singing are quite impressive, and we heard the best choir we have found in Ireland.

But the church where everybody goes, which every tourist must visit, is St. Anne's, on the other side of the river, on Shandon Street, which was built in 1722, and is remarkable for an extraordinary-looking tower one hundred and twenty feet high, faced on two sides with red stone and on the other sides with white stone. It is exceedingly ugly, but the people of Cork are very much attached to it, and particularly to the chime of eight bells which hang in the tower and have been immortalized in a simple little poem by "Father Prout," who was the Rev. Francis Mahoney, and is buried in the churchyard in the tomb of his ancestors.

"Father Prout" was the _nom de plume_ of this witty and sentimental clergyman, who was most prolific with his productions. He wrote odes to almost everything in Ireland--plain, simple, homely lines, but full of sentiment and the true poetic spirit. The common people admire them above all other literary works except the ballads of Tom Moore, and indeed Father Prout's verses rank with Moore's melodies in popularity. He also published a great deal of prose, stories and satires and anecdotes illustrating the thoughts and the habits of his fellow countrymen, and occasionally a political satire which involved him in a controversy with his bishop or some political leader. Father Prout in his famous lyric described the peculiar appearance of the spire of his church:

"Parti-colored like the people, Red and white, stands Shandon's steeple."

"With deep affection And recollection I often think of Those Shandon bells, Whose sounds so wild would In the days of childhood Fling round my cradle Their magic spells. Their magic spells.

"On this I ponder Where'er I wander, And thus grow fonder, Sweet Cork, of thee, With thy bells of Shandon That sound so grand on The pleasant waters of The River Lee."

Most of the streets of Cork are wide and well paved, although they are entirely devoid of architectural features and, with the exception of the cathedral, Queen's College, and the courthouse with a stately Grecian portico, there are no buildings in the city worthy of special mention. On the Parade, as one of the principal streets is called, is a conspicuous pile of carved granite that is intensely admired by everybody. It is designed like a shrine, and under a granite canopy is a rude statue of "Erin," leaning upon a harp. Outside, at each corner of the pedestal, are still ruder figures intended to represent Wolf Tone, Davis, O'Neill, Crowley, and Dwyer, heroes of the continuous struggle against British domination. The faces of the pedestal are closely inscribed with names, with these lines in English and Gaelic:

"Erected through the efforts of the Cork Young Ireland Society to perpetuate the memory of the gallant men of 1798, 1803, 1848 and 1867, who fought and died in defense of Ireland, and to recover her sovereign independence. To inspire the youth of our country to follow in their patriotic footsteps and to imitate their heroic example.

"And righteous men will make our land A nation once again."

The breakfast-room at the Imperial Hotel one morning was filled with a lively and noisy crowd of gentlemen of all ages wearing red coats, waistcoats of startling pattern, jockey caps, leather leggings, and heavy brogans. I was told that they represented the nobility of County Cork, and had gathered to hunt otter along the River Lee and the creeks that feed it west of the city. There was one woman in the party, who wore a short skirt of gray tweed, a red jacket, a jockey cap, and high boots. In the stableyard was a pack of hounds in leash which had been brought in from the country. The Marquis of Conyngham was master of the hunt. Otter hunting in the summer along the swampy, muddy banks of the creeks of Ireland takes the place of fox hunting in the winter. The elusive otter is tracked to his hole by the hounds and is then stirred out by gallant gentlemen with pikes--long poles shod with iron tips--after they have chased him through the mud. They keep the skins for robes, stuff the heads for ornaments, and mount the tails for brushes. These hunts take place at least twice a week during the summer season and are sometimes attended by forty or fifty noblemen and gentry.

Cork is a very orderly city. The laws are strictly enforced. I noticed by the newspaper reports of the police courts that people are fined for profane swearing and for boisterous behavior. We didn't see a drunken man or woman in Cork, and in Dublin they were common. This is largely due to the work of Bishop O'Callahan and the priests of his diocese and the influence of Father Mathew, the great apostle of temperance, who led a movement that reached every corner of the world about fifty years ago. There are monuments to Father Mathew in many of the cities of Ireland. There is one in Dublin on the principal street, between that of Daniel O'Connell and that now being erected to Parnell, while in Cork the statue of Father Mathew on St. Patrick's Street is the center and focus of all activity. It faces the entrance to the principal bridge over the River Lee and all the street-car lines terminate there. A memorial church has been erected to his memory here, and the Church of the Holy Trinity, of which he was the pastor, has been restored and enlarged. Father Mathew is buried in St. Joseph's Cemetery, on the outskirts of the city, which was formerly the Botanic Gardens, and was obtained by him for a burial place for his congregation in 1830. His precious dust is inclosed in a fine sarcophagus surmounted by the figure of an angel in white marble.

Theobold Mathew was a Capuchin friar, born in Cork, and was attached to the Church of the Holy Trinity in that city. In 1838 he joined a temperance society that had been started by some Protestant gentlemen, chiefly Quakers, for the purpose of offering an example to young mechanics in his parish. He soon became the leading spirit of the organization, was made its president, and finally started upon a mission throughout Ireland to organize similar societies and to promote total abstinence among the people. From that time he devoted his life to the work, and being an orator of remarkable power and possessed of extraordinary energy, zeal, and devotion, he excited the interest of every class of people and of every community on the island. The influence of his agitation was felt in England, Scotland, Australia, America, and in every other part of the world until his name became a universal synonym for temperance. Father Mathew's Total Abstinence societies are still found in almost every city and town in which the English language is spoken. He addressed immense audiences and spoke twice on Tara Hill, which was the throne of the kings of Ireland before Julius Cæsar ruled at Rome. He administered total abstinence pledges to half the people in the country, and intemperance in drink, with its attendant evils and misery, almost disappeared from Ireland. The famine that followed his crusade destroyed much of the good effect, because it demoralized the people and many tried to drown their sorrows in drink. It has been said that Father Mathew died of a broken heart, because so many of his converts violated their pledges, but, since the days of Peter the Hermit, no individual has exercised such a moral influence.

"Now, Terence, me b'y, tell the loidies and gintlemen all ye know, an' kape the rist to yoursilf," was the parting injunction of the porter of the Imperial Hotel to the jarvey of the jaunting car, as he tucked the rugs around our legs and started us off for Blarney Castle, which is five miles from town. It is a delightful drive, for the suburbs of Cork are surrounded by fertile farms and the pastures are illuminated with buttercups in summer, and inclosed in hedges of hawthorn that are bright with blossoms. All nature seems to be in a cheerful mood these days, and the frequent rains, which interfere considerably with motoring, give an appearance of freshness to all the vegetation and a vitality to the trees and plants and flowers and everything growing. That is peculiar to Ireland. It is true that showers come down and cease with surprising suddenness and frequency, and the rain falls as if it was very heavy and had dropped a long distance, but if you carry an umbrella, and that is the universal custom, you are none the worse for it.

A narrow-gauge baby railway starts from outside the campus of Queen's College in Cork and runs to Blarney, a town of about eight hundred inhabitants, mostly farmers, who cultivate the surrounding soil and breed cattle, while their wives and daughters work in a woolen factory belonging to the Mahoney brothers, which is said to produce the best tweed in the kingdom. And you can buy suitings at the shops in Cork. Nothing is sold at the factory.

Blarney Castle, as everybody knows, is one of the best preserved and most beautiful of the many ruins of Ireland, and is probably better known throughout the world than any other because of the marvelous qualities of a famous stone which forms a part of its walls. As Father Prout in one of his verses expresses it:

"There is a stone there That whoever kisses, Oh, he never misses To grow eloquent. 'Tis he that may clamber To my lady's chamber, Or become a member Of parliament."

The castle stands on the banks of a dashing stream called the Comane, full of trout and well protected, and is surrounded by a wonderful forest of cedar, birch, and beech trees that are centuries old. Their trunks are entwined with ivy, and the rocks and ledges upon which the castle stands are cushioned with the same material. I don't know that I have ever seen such luxurious ivy or such sumptuous vegetation out of the tropics, or such fragrant shade. There are natural caves and grottoes in the cliffs, all of which have served a useful purpose in ancient times, and are associated with various fascinating legends. There is a difficult ascent to a natural terrace that is called "The Witch's Stairs." A thoughtful owner of this glorious forest has placed benches at easy intervals, where visitors may sit and read the history, traditions, and legends of the place and imagine that he can see the fairies that dance by moonlight on the carpet of ivy that conceals the earth. Every step is haunted by a goblin or a ghost, and every dark and gloomy corner has been the scene of a tragedy.