Part 10

And now he stood on the bridge of his trim little ship, not so large as a penny steamer on the Thames, a gallant figure, upright and slender as when he was a lad, in a neat blue suit and the company's cap set jauntily on his white hair, with his pointed beard nattily trimmed. Seventy-six years old. It is a great age. With his head thrown back, his glasses in his hand, the Chinese pilot by his side, he watched the vast expanse of the winding river. A fleet of junks with their high sterns, their square sails set, descended on the swift current, and the rowers chanted a monotonous chant as they worked at their creaking oars. The yellow water in the setting sun was lovely with pale soft tints, it was as smooth as glass; and along the flat banks the trees and the huts of a bedraggled village, hazy in the heat of the day, were now silhouetted sharply, like the shadows of a shadowgraph, against the pale sky. He raised his head as he heard the cry of wild geese and he saw them flying high above him in a great V to what far lands he knew not. In the distance against the sunlight stood a solitary hill crowned with temples. Because he had seen all this so often it affected him strangely. The dying day made him think, he knew not why, of his long past and of his great age. He regretted nothing.

"By George," he muttered, "I've had a fine life."

XLVI

THE PLAIN

The incident was of course perfectly trivial, and it could be very easily explained; but I was surprised that the eyes of the spirit could blind me so completely to what was visible to the eyes of sense. I was taken aback to find how completely one could be at the mercy of the laws of association. Day after day I had marched among the uplands and to-day I knew that I must come to the great plain in which lay the ancient city whither I was bound; but when I set out in the morning there was no sign that I approached it. Indeed the hills seemed no less sheer and when I reached the top of one, thinking to see the valley below, it was only to see before me one steeper and taller yet. Beyond, climbing steadily, I could see the white causeway that I had followed so long, shining in the sunlight as it skirted the brow of a rugged tawny rock. The sky was blue and in the west hung here and there little clouds like fishing boats becalmed towards evening off Dungeness. I trudged along, mounting all the time, alert for the prospect that awaited me, if not round this bend, then round the next, and at last, suddenly, when I was thinking of other things, I came upon it. But it was no Chinese landscape that I saw, with its padi fields, its memorial arches and its fantastic temples, with its farmhouses set in a bamboo grove and its wayside inns where under the banyan trees the poor coolies may rest them of their weary loads; it was the valley of the Rhine, the broad plain all golden in the sunset, the valley of the Rhine with its river, a silvery streak, running through it, and the distant towers of Worms; it was the great plain upon which my young eyes rested, when, a student in Heidelberg, after walking long among the fir-clad hills above the old city, I came out upon a clearing. And because I was there first conscious of beauty; because there I knew the first glow of the acquisition of knowledge (each book I read was an extraordinary adventure); because there I first knew the delight of conversation (oh, those wonderful commonplaces which each boy discovers as though none had discovered them before); because of the morning stroll in the sunny Anlage, the cakes and coffee which refreshed my abstemious youth at the end of a strenuous walk, the leisurely evenings on the castle terrace, with the smoky blue haze over the tumbled roofs of the old town below me; because of Goethe and Heine and Beethoven and Wagner and (why not?) Strauss with his waltzes, and the beer-garden where the band played and girls with yellow plaits walked sedately; because of all these things--recollections which have all the force of the appeal of sense--to me not only does the word _plain_ mean everywhere and exclusively the valley of the Rhine; but the only symbol for happiness I know is a wide prospect all golden in the setting sun, with a shining stream of silver running through it, like the path of life or like the ideal that guides you through it, and far away the grey towers of an ancient town.

XLVII

FAILURE

A little man, portly, in a fantastic hat, like a bushranger's, with an immense brim, a pea-jacket such as you see in Leech's pictures of the sea-faring man, and very wide check trousers of a cut fashionable heaven knows how many years ago. When he takes off his hat you see a fine head of long curly hair, and though he is approaching the sixties it is scarcely grey. His features are regular. He wears a collar several sizes too large for him so that his whole neck, massive and statuesque, is shown. He has the look of a Roman Emperor in a tragedy of the sixties and this air of an actor of the old school is enhanced by his deep booming voice. His stumpy frame makes it slightly absurd. You can imagine his declaiming the blank verse of Sheridan Knowles with an emphasis to rouse the pit to frenzy, and when he greets you, with too large a gesture, you guess how that resonant organ would tremble when he wrung your heart (in 1860) over the death of his child. It was splendid a little later to hear him ask the Chinese servant for "me boots, boy, me boots. A kingdom for me boots." He confessed that he should have been an actor.

"To be or not to be, that was the question, but me family, me family, dear boy, they would have died of the disgrace, and so I was exposed to the slings and arrows of outrageous fortune."

In short he came out to China as a tea-taster. But he came when the Ceylon tea was already ousting the Chinese and it was no longer possible for the merchant to enrich himself in a few years. But the old lavishness endured and life was led in a grand style when the means to pay for it no longer existed. The struggle became harder. Finally came the Sino-Japanese war, and with the loss of Formosa, ruin. The tea-taster looked about for other means of livelihood. He became a wine-merchant, an undertaker, an estate-agent, a broker, an auctioneer. He tried every way of making money that his ardent imagination suggested, but with the diminishing prosperity of the port his efforts were bootless. Life was too much for him. And now at last he had the pitiful air of a broken man; there was even something touching in it, like the appeal of a woman who cannot believe in the loss of her beauty and implores the compliment which reassures but no longer convinces her. And yet, notwithstanding, he had a solace: he had still a magnificent assurance; he was a failure and he knew it; but it did not really affect him, for he was the victim of fate: no shadow of a doubt in his own capacity had ever crossed his mind.

XLVIII

A STUDENT OF THE DRAMA

He sent in a neat card of the correct shape and size, deeply bordered in black, upon which under his name was printed _Professor of Comparative Modern Literature_. He turned out to be a young man, small, with tiny elegant hands, with a larger nose than you see as a rule in the Chinese and gold rimmed spectacles. Though it was a warm day he was dressed, in European clothes, in a suit of heavy tweed. He seemed a trifle shy. He spoke in a high falsetto, as though his voice had never broken, and those shrill notes gave I know not what feeling of unreality to his conversation. He had studied in Geneva and in Paris, Berlin and Vienna, and he expressed himself fluently in English, French, and German.

It appeared that he lectured on the drama and he had lately written, in French, a work on the Chinese theatre. His studies abroad had left him with a surprising enthusiasm for Scribe, and this was the model he proposed for the regeneration of the Chinese drama. It was curious to hear him demand that the drama should be exciting. He was asking for the _pièce bien faite_, the _scène à faire_, the curtain, the unexpected, the dramatic. The Chinese theatre, with its elaborate symbolism, has been what we are always crying for, the theatre of ideas; and apparently it has been perishing of dullness. It is true that ideas do not grow on every gooseberry bush, they need novelty to make them appetising, and when they are stale they stink as badly as stale fish.

But then, remembering the description on the card, I asked my friend what books, English and French, he recommended his students to read in order to familiarise themselves with the current literature of the day. He hesitated a little.

"I really don't know," he said at last, "you see, that's not my branch, I only have to do with drama; but if you're interested I'll ask my colleague who lectures on European fiction to call on you."

"I beg your pardon," I said.

"Have you read _Les Avariés_?" he asked. "I think that is the finest play that has been produced in Europe since Scribe."

"Do you?" I said politely.

"Yes, you see our students are greatly interested in sociological questions."

It is my misfortune that I am not, and so as deftly as I could I led the conversation to Chinese philosophy which I was desultorily reading. I mentioned Chuang-Tzu. The professor's jaw fell.

"He lived a very long time ago," he said, perplexed.

"So did Aristotle," I murmured pleasantly.

"I have never studied the philosophers," he said, "but of course we have at our university a professor of Chinese philosophy and if you are interested in that I will ask him to come and call on you."

It is useless to argue with a pedagogue, as the Spirit of the Ocean (somewhat portentously to my mind) remarked to the Spirit of the River and I resigned myself to discuss the drama. My professor was interested in its technique and indeed was preparing a course of lectures on the subject, which he seemed to think both complicated and abstruse. He flattered me by asking me what were the secrets of the craft.

"I know only two," I answered. "One is to have common-sense and the other is to stick to the point."

"Does it require no more than that to write a play?" he inquired with a shade of dismay in his tone.

"You want a certain knack," I allowed, "but no more than to play billiards."

"They lecture on the technique of the drama in all the important universities of America," said he.

"The Americans are an extremely practical people," I answered. "I believe that Harvard is instituting a chair to instruct grandmothers how to suck eggs."

"I do not think I quite understand you."

"If you can't write a play no one can teach you and if you can it's as easy as falling off a log."

Here his face expressed a lively perplexity, but I think only because he could not make up his mind whether this operation came within the province of the professor of physics or within that of the professor of applied mechanics.

"But if it is so easy to write a play why do dramatists take so long about it?"

"They didn't, you know. Lope de la Vega and Shakespeare and a hundred others wrote copiously and with ease. Some modern playwrights have been perfectly illiterate men and have found it an almost insuperable difficulty to put two sentences together. A celebrated English dramatist once showed me a manuscript and I saw that he had written the question: will you have sugar in your tea, five times before he could put it in this form. A novelist would starve if he could not on the whole say what he wanted to without any beating about the bush."

"You would not call Ibsen an illiterate man and yet it is well known that he took two years to write a play."

"It is obvious that Ibsen found a prodigious difficulty in thinking of a plot. He racked his brain furiously, month after month, and at last in despair used the very same that he had used before."

"What do you mean?" the professor cried, his voice rising to a shrill scream. "I do not understand you at all."

"Have you not noticed that Ibsen uses the same plot over and over again? A number of people are living in a closed and stuffy room, then some one comes (from the mountains or from over the sea) and flings the window open; everyone gets a cold in the head and the curtain falls."

I thought it just possible that the shadow of a smile might lighten for a moment the professor's grave face, but he knit his brows and gazed for two minutes into space. Then he rose.

"I will peruse the works of Henrik Ibsen once more with that point of view in mind," he said.

I did not omit before he left to put him the question which one earnest student of the drama always puts another when peradventure they meet. I asked him, namely, what he thought was the future of the theatre. I had an idea that he said, oh hell, but on reflection I believe his exclamation must have been, _ô ciel!_ He sighed, he shook his head, he threw up his elegant hands; he looked the picture of dejection. It was certainly a comfort to find that all thoughtful people considered the drama's state in China no less desperate than all thoughtful people consider it in England.

XLIX

THE TAIPAN

No one knew better than he that he was an important person. He was number one in not the least important branch of the most important English firm in China. He had worked his way up through solid ability and he looked back with a faint smile at the callow clerk who had come out to China thirty years before. When he remembered the modest home he had come from, a little red house in a long row of little red houses, in Barnes, a suburb which, aiming desperately at the genteel, achieves only a sordid melancholy, and compared it with the magnificent stone mansion, with its wide verandahs and spacious rooms, which was at once the office of the company and his own residence, he chuckled with satisfaction. He had come a long way since then. He thought of the high tea to which he sat down when he came home from school (he was at St. Paul's), with his father and mother and his two sisters, a slice of cold meat, a great deal of bread and butter and plenty of milk in his tea, everybody helping himself, and then he thought of the state in which now he ate his evening meal. He always dressed and whether he was alone or not he expected the three boys to wait at table. His number one boy knew exactly what he liked and he never had to bother himself with the details of housekeeping; but he always had a set dinner with soup and fish, entrée, roast, sweet and savoury, so that if he wanted to ask anyone in at the last moment he could. He liked his food and he did not see why when he was alone he should have less good a dinner than when he had a guest.

He had indeed gone far. That was why he did not care to go home now, he had not been to England for ten years, and he took his leave in Japan or Vancouver where he was sure of meeting old friends from the China coast. He knew no one at home. His sisters had married in their own station, their husbands were clerks and their sons were clerks; there was nothing between him and them; they bored him. He satisfied the claims of relationship by sending them every Christmas a piece of fine silk, some elaborate embroidery, or a case of tea. He was not a mean man and as long as his mother lived he had made her an allowance. But when the time came for him to retire he had no intention of going back to England, he had seen too many men do that and he knew how often it was a failure; he meant to take a house near the race-course in Shanghai: what with bridge and his ponies and golf he expected to get through the rest of his life very comfortably. But he had a good many years before he need think of retiring. In another five or six Higgins would be going home and then he would take charge of the head office in Shanghai. Meanwhile he was very happy where he was, he could save money, which you couldn't do in Shanghai, and have a good time into the bargain. This place had another advantage over Shanghai: he was the most prominent man in the community and what he said went. Even the consul took care to keep on the right side of him. Once a consul and he had been at loggerheads and it was not he who had gone to the wall. The taipan thrust out his jaw pugnaciously as he thought of the incident.

But he smiled, for he felt in an excellent humour. He was walking back to his office from a capital luncheon at the Hong-Kong and Shanghai Bank. They did you very well there. The food was first rate and there was plenty of liquor. He had started with a couple of cocktails, then he had some excellent sauterne and he had finished up with two glasses of port and some fine old brandy. He felt good. And when he left he did a thing that was rare with him; he walked. His bearers with his chair kept a few paces behind him in case he felt inclined to slip into it, but he enjoyed stretching his legs. He did not get enough exercise these days. Now that he was too heavy to ride it was difficult to get exercise. But if he was too heavy to ride he could still keep ponies, and as he strolled along in the balmy air he thought of the spring meeting. He had a couple of griffins that he had hopes of and one of the lads in his office had turned out a fine jockey (he must see they didn't sneak him away, old Higgins in Shanghai would give a pot of money to get him over there) and he ought to pull off two or three races. He flattered himself that he had the finest stable in the city. He pouted his broad chest like a pigeon. It was a beautiful day, and it was good to be alive.

He paused as he came to the cemetery. It stood there, neat and orderly, as an evident sign of the community's opulence. He never passed the cemetery without a little glow of pride. He was pleased to be an Englishman. For the cemetery stood in a place, valueless when it was chosen, which with the increase of the city's affluence was now worth a great deal of money. It had been suggested that the graves should be moved to another spot and the land sold for building, but the feeling of the community was against it. It gave the taipan a sense of satisfaction to think that their dead rested on the most valuable site on the island. It showed that there were things they cared for more than money. Money be blowed! When it came to "the things that mattered" (this was a favourite phrase with the taipan) well, one remembered that money wasn't everything.

And now he thought he would take a stroll through. He looked at the graves. They were neatly kept and the pathways were free from weeds. There was a look of prosperity. And as he sauntered along he read the names on the tombstones. Here were three side by side; the captain, the first mate, and the second mate of the barque _Mary Baxter_, who had all perished together in the typhoon of 1908. He remembered it well. There was a little group of two missionaries, their wives and children, who had been massacred during the Boxer troubles. Shocking thing that had been! Not that he took much stock in missionaries; but, hang it all, one couldn't have these damned Chinese massacring them. Then he came to a cross with a name on it he knew. Good chap, Edward Mulock, but he couldn't stand his liquor, drank himself to death, poor devil, at twenty-five: the taipan had known a lot of them do that; there were several more neat crosses with a man's name on them and the age, twenty-five, twenty-six, or twenty-seven; it was always the same story; they had come out to China: they had never seen so much money before, they were good fellows and they wanted to drink with the rest: they couldn't stand it, and there they were in the cemetery. You had to have a strong head and a fine constitution to drink drink for drink on the China coast. Of course it was very sad, but the taipan could hardly help a smile when he thought how many of those young fellows he had drunk underground. And there was a death that had been useful, a fellow in his own firm, senior to him and a clever chap too: if that fellow had lived he might not have been taipan now. Truly the ways of fate were inscrutable. Ah, and here was little Mrs. Turner, Violet Turner, she had been a pretty little thing, he had had quite an affair with her; he had been devilish cut up when she died. He looked at her age on the tombstone. She'd be no chicken if she were alive now. And as he thought of all those dead people a sense of satisfaction spread through him. He had beaten them all. They were dead and he was alive, and by George he'd scored them off. His eyes collected in one picture all those crowded graves and he smiled scornfully. He very nearly rubbed his hands.

"No one ever thought I was a fool," he muttered.

He had a feeling of good-natured contempt for the gibbering dead. Then, as he strolled along, he came suddenly upon two coolies digging a grave. He was astonished, for he had not heard that anyone in the community was dead.

"Who the devil's that for?" he said aloud.

The coolies did not even look at him, they went on with their work, standing in the grave, deep down, and they shovelled up heavy clods of earth. Though he had been so long in China he knew no Chinese, in his day it was not thought necessary to learn the damned language, and he asked the coolies in English whose grave they were digging. They did not understand. They answered him in Chinese and he cursed them for ignorant fools. He knew that Mrs. Broome's child was ailing and it might have died, but he would certainly have heard of it, and besides that wasn't a child's grave, it was a man's and a big man's too. It was uncanny. He wished he hadn't gone into that cemetery; he hurried out and stepped into his chair. His good humour had all gone and there was an uneasy frown on his face. The moment he got back to his office he called to his number two:

"I say, Peters, who's dead, d'you know?"

But Peters knew nothing. The taipan was puzzled. He called one of the native clerks and sent him to the cemetery to ask the coolies. He began to sign his letters. The clerk came back and said the coolies had gone and there was no one to ask. The taipan began to feel vaguely annoyed: he did not like things to happen of which he knew nothing. His own boy would know, his boy always knew everything, and he sent for him; but the boy had heard of no death in the community.

"I knew no one was dead," said the taipan irritably. "But what's the grave for?"

He told the boy to go to the overseer of the cemetery and find out what the devil he had dug a grave for when no one was dead.

"Let me have a whisky and soda before you go," he added, as the boy was leaving the room.

He did not know why the sight of the grave had made him uncomfortable. But he tried to put it out of his mind. He felt better when he had drunk the whisky, and he finished his work. He went upstairs and turned over the pages of _Punch_. In a few minutes he would go to the club and play a rubber or two of bridge before dinner. But it would ease his mind to hear what his boy had to say and he waited for his return. In a little while the boy came back and he brought the overseer with him.

"What are you having a grave dug for?" he asked the overseer point blank. "Nobody's dead."

"I no dig glave," said the man.

"What the devil do you mean by that? There were two coolies digging a grave this afternoon."

The two Chinese looked at one another. Then the boy said they had been to the cemetery together. There was no new grave there.

The taipan only just stopped himself from speaking.

"But damn it all, I saw it myself," were the words on the tip of his tongue.

But he did not say them. He grew very red as he choked them down. The two Chinese looked at him with their steady eyes. For a moment his breath failed him.

"All right. Get out," he gasped.