Odd Bits of Travel with Brush and Camera

Part 11

Chapter 113,859 wordsPublic domain

In the year 914, a protracted rain ruined the harvest in this region, and a terrible famine ensued among the poor people, who in their distress finally applied to the archbishop, as his granaries were overflowing with the harvests of former years. But the hard-hearted prelate would not listen to them. At last they wearied him so with their importunities, that he bade them assemble in an empty barn, promising to meet them on a certain day and quiet their demands.

Delighted with the prospect of relief, the people gathered on the appointed day in such numbers that the barn was soon filled. The archbishop ordered his servants to fasten all the doors and windows so that none could escape, and then set fire to the building, declaring that they were as troublesome as rats, and should perish in the same way.

The following day, when the bishop entered his dining-room, he found that the rats had gnawed his recently finished portrait from the frame, and it lay in a heap of fragments on the floor. While he stood gazing at it a messenger burst into the room with the news that a great army of fierce looking rats were coming toward the castle. Without a moment's delay the archbishop flung himself on a horse and rode rapidly away followed by thousands of rats all animated by the revengeful spirits of the starving population he had burned. He had scarcely dismounted and entered a small boat on the Rhine, when the rats fell upon his horse and devoured it. Rowing to his tower in the middle of the Rhine, he locked himself in, thinking he had escaped his voracious foes; but the rats boldly swam across the Bingerloch, and gnawed thousands of holes in the tower, through which they rushed to their victim. Southey in his ballad, thus describes their entrance into the tower:

"And in at the windows, and in at the door, And through the walls, helter-skelter they pour, And down from the ceiling, and up from the floor, From the right and the left, from behind and before, From within and without, from above and below, And all at once to the bishop they go.

"They have whetted their teeth against the stones, And now they pick the bishop's bones; They knawed the flesh from every limb, For they were sent to do judgment on him."

This is the old legend; but now comes the searcher after truth with the information that the tower was in reality erected in the middle ages as a watch tower, and the name is derived from the old German "musen," to spy. These ruins were again converted into a station for signalling steamers, which in descending the Rhine are required to slacken speed here when other vessels are coming up the river.

Taking one of the small steamboats which run from Bingen to the opposite bank, we land at the little town of Ruedesheim which lies at the base of the mountain. This old town is one of the most famous on the river, not only for its wines but for the legend of the beautiful Gisela, who was commanded by her father to become a nun in fulfillment of his vow made in Palestine during the crusade against the Saracens. The maiden had a lover, and finding that no entreaties could save her from her fate, Gisela leaped from a tower into the river, and the fishermen declare that her spirit still lingers about the Bingerloch, and her voice is often heard amid the rushing torrent.

The first vineyards here are said to have been planted by Charlemagne, who observed that the snow disappeared earlier from the hills behind the town than from other regions in the neighborhood. The Ruedesheimer Berg is covered with walls and arches, and terrace rises above terrace, to prevent the falling of the soil.

We drive to the top of this charming hill whose sunny slopes are clothed with vineyards. Upon the summit, as on most of the others in the neighborhood, there is a hotel with grounds prettily laid out, and here one may remain and enjoy the pure air and enchanting views, for a day, a week, or for the whole season.

Here, too, is the National Monument, in describing which I will copy the words of my guide book:

"The National Monument on the Niederwald, erected in commemoration of the unanimous rising of the people and the foundation of the new German Empire in 1870-71, stands upon a projecting spur of the hill (980 feet above the sea level; 740 feet above the Rhine), opposite Bingen, and is conspicuous far and wide. It was begun in 1877 from the designs of Professor Schilling of Dresden, and was inaugurated in 1883 in presence of Emperor William I. and numerous other German princes. The huge architectural basis is seventy-eight feet high, while the noble figure of Germania, with the imperial crown and the laurel-wreathed sword, an emblem of the unity and strength of the empire, is thirty-three feet in height. The principal relief on the side of the pedestal facing the river, symbolizes the 'Wacht am Rhein.' It contains portraits of King William of Prussia and other German princes and generals, together with representatives of the troops from the different parts of Germany, with the text of the famous song below; to the right and left are allegorical figures of Peace and War, while below are Rhenus and Mosella, the latter as the future guardian of the western frontier of the empire. The fine reliefs on the sides of the pedestal represent the departure and the return of the troops."

We visit many of the most noted breweries and wine vaults in the neighborhood. Those of Herr J. Hufnagel are the largest in this section of the country. They are cut in the base of the mountain, and extend inward many hundred feet. Here the choice wines are stored, many of the enormous casks containing upwards of twenty thousand quarts. Hundreds of barrels and hogsheads are seen; in fact every nook and corner of the vault is filled, and so extensive is this subterranean apartment, that avenues are made from one part to another, and along these we walk, the guide bearing a lamp to light the way.

After visiting these great storerooms, we are invited to the hotel of the proprietor, which is close by, and on the porch we are served with an enjoyable lunch flavored with choice German wine.

There is a beautiful drive along the river bank, and if one is tired, he may stop at one of the inviting restaurants in this neighborhood, and while resting and refreshing himself, look out at the tourists and others passing along the wide airy street, or as is a common custom, he may have his luncheon served upon the porch, from which there is a delightful and extended view of the Rhine. With plenty of shade and comfortable chairs, and the beautiful river before us, how swiftly the time passes! Sometimes, in consequence of our ignorance of the language, laughable mistakes are made in the ordering of our meals, which seem to increase the jollity of both the waiters and our party. On one of these occasions, while eating our luncheon in the open air, a band of eight or ten street musicians station themselves upon the porch but a few feet from us. They are healthy, hearty-looking men, but contrary to our previous experience in this country, they play the most inharmonious airs. We endure this for a short time, then as the discordant sounds become more and more annoying, we bestow upon the leader a number of small coins, and entreat them to begone. They evidently misunderstand us, and think, from our liberal contribution, that we appreciate their efforts, for they continue their playing with increased vigor and--discord. We do not wish to leave our pleasant quarters, so resign ourselves to the situation. After repeating their repertoire, which seems endless, with profuse smiling bows and thanks they leave us at last to the peaceful enjoyment of the day.

The Niederberg is a massive rectangular castle whose three vaulted stories, belonging to the twelfth century, were joined to the remains of a structure of earlier date. It was originally the seat of the Knights of Ruedesheim, who were compelled to become vassals of the Archbishop of Mayence for brigandage.

At Ruedesheim begins the Rheingau, which is the very "vineyard" of this country. Here every foot of ground is cultivated, and the grape is the monarch of the land. All the hillsides are covered with the vines, and here in the midst of the verdure appears the picturesque villa of the planter or wine merchant. It is a rich and beautiful region.

From Bingen and Ruedesheim we go to Frankfort-on-the-Main. This town which has witnessed the coronation of many of the German emperors, is noted for its ancient legends, and to one of these it is said it owes its name. This is the story: Charlemagne, having penetrated into the forests to wage war against the Saxons, was once compelled to retreat with his brave Franks. A heavy fog lay over the country which was unknown to him. Fearing that his little army would be cut to pieces if he lingered, and unable to see more than a few feet ahead of him, Charlemagne prayed to the Lord for help and guidance. The next moment the heavy fog parted, and the emperor saw a doe leading her young through the stream. He instantly called to his men, and they forded the river in safety. The fog closed behind them and hid them from the pursuing enemy.

In commemoration of his deliverance, Charlemagne called the place Frankford (the ford of the Franks), and the city which grew up shortly afterward retained the name.

This, one of the important cities of Germany, is said to have been a small Roman military station in the first century, A. D.

It is first mentioned as Franconoford and the seat of the royal residence in 793; and the following year Charlemagne held a convocation of bishops and dignitaries of the empire here. The town attained such a degree of prosperity that in 876, at the death of Lewis the German, it was looked upon as the capital of the east Franconian Empire. On the dissolution of the empire in 1806, Frankfort was made over to the Primate of the Rhenish Confederation, and in 1810 it became the capital of the grand-duchy of Frankfort.

It was one of the four free cities of the German Confederation, and the seat of the Diet from 1815 to 1866, in which year it passed to Prussia. To-day we find it a handsome city of two hundred and twenty-nine thousand inhabitants, with beautiful streets, stately houses surrounded by lovely gardens, and fine stores, parks, monuments and many attractions for the tourist. Here are churches, theatres, libraries and museums, and an opera house which will accommodate two thousand spectators.

In the Rossmarkt stands the monument of Gutenberg, which consists of three figures, Gutenberg in the centre with Fust and Schoffer on either side, upon a large sandstone pedestal. On the frieze are portrait heads of celebrated printers, and in the niches beneath are the arms of the four towns where printing was first practiced: Mayence, Frankfort, Venice and Strassburg. Around the base are figures representing Theology, Poetry, Natural Science and Industry. This monument was erected in 1858.

This is the birthplace of Goethe, and here is the house in which the poet was born, with its inscription recording that event, (August 28, 1749). The handsome monument of Goethe, erected in 1844, twelve years after his death adorns the Goethe-Platz. The pedestal of the monument bears allegorical figures in relief in front, while on the sides are figures from the poems of the great writer.

There are twenty-three thousand Jews in Frankfort, and in the quarter to which these people are limited, we are shown the house in which the Senior Rothschild was born. It is an unassuming brick building of three stories, in good repair. As I gaze upon this modest dwelling, I think of the man who from such unpromising beginning, became the founder of the greatest financial firm the world has known.

There is a stone effigy of Luther not far from the Cathedral, in memory of a tradition that the great reformer preached a sermon here on his journey to Worms. It is true that these associations are to be found in almost every European town; but none the less are we impressed as we stand before the monuments of the great ones of the earth--the men who have left their indelible marks--"footprints on the sands of time "--which the years have no power to efface. These men must have truly lived.

"He most lives Who thinks most, feels the noblest, acts the best."

The Cathedral of Frankford is a conspicuous edifice towering above the other buildings, quaint and picturesque in spite of a lack of harmony in many of its details. From the platform of the tower, one may have a beautiful view of the city, with its thick border of trees, and of the fields and meadows beyond along the shining waters of the Main. This Church of St. Bartholomew was founded by Lewis the German in 852, and was rebuilt in the Gothic style 1235-39. The different portions represent various periods. The tower, left unfinished in 1512, now three hundred and twelve feet high, was completed from the designs of the architect which were discovered in the municipal archives.

A Prussian Capital and a Fashionable Resort.

_A Prussian Capital and a Fashionable Resort._

We Start for Berlin--Mountain and Valley--Harvesters--Villages--A Great City--Unter den Linden--Kroll Theatre and Garden--The City Streets--Ostend--A Fashionable Watering Place--The Promenade--The Kursaal--On the Beach--Bathing Machines--Studies for an Artist--The Race Course--Sunday--The Winning Horse--Fickle Dame Fortune--The English Channel--A Bureau of Information--Queenstown--An Irish Lass--The Last Stop--The End of the Journey.

The journey from Frankfort to Berlin is through a pleasant and interesting country. For many miles we look from the car windows upon an undulating landscape: hills and valleys follow each other in rapid succession as our train dashes along at the rate of a mile a minute. Now and then we pass men and women in the fields; and now young girls with bare feet and short skirts busily raking the hay,--true pictures of "Maud Muller on a summer day." And here is a whole group of "nut brown maids" laughing merrily at their work, while over in a corner of the field is the belle of the countryside listening shyly to the stalwart young harvester who stands on the border of the adjoining meadow.

"Her tresses loose behind Play on her neck and wanton with the wind; The rising blushes which her cheeks o'erspread Are opening roses in the lily's bed."

Now we pass the harvesters at rest, sitting under the green trees and hedges with their dinner pails beside them. It is a pleasant, peaceful picture. Here is a picturesque village with quaint looking houses, and a little gurgling brook in the foreground. An echo from the distant mountain answers the shrill whistle of our engine and we can see the silvery cloud of smoke that follows us wander off to the right, then fade away in misty fragments. In many of these settlements, there are shaded nooks where tables and chairs are placed, and here the villagers are sipping their beer, in happy social converse.

The young people wave their hands and caps to us as we pass, and with their bright costumes animate the lovely scenes which, although so close to each other, are of such different character. At last we reach Berlin, and our great iron horse stands puffing in the station, defying man to detect upon him any sign of exhaustion.

In this large city entertainment can be found for people of every kind and taste. The street known throughout the world as Unter-den-Linden is a splendid avenue, one hundred and sixty-five feet in width, and takes its name from the double row of linden trees with which it is ornamented. It is the busiest portion of the city, contains handsome hotels, beautiful palaces, large shops, and many fine statues of celebrated men.

The first day or two after your arrival in the city, engage a carriage and take in the general appearance of the city, its parks and suburbs; then visit the art galleries, museums, palaces and churches until the brain becomes accustomed to the bewildering array of subjects which demand attention. Stroll quietly along Unter-den-Linden stopping now and then at one of the many stores which line this beautiful avenue. At one end of this thoroughfare is the celebrated Brandenburg Gate, a sort of triumphal arch. It is a fine structure, two hundred feet wide and seventy-five feet high, supported by Doric columns. There are five entrances, the central one being reserved for the passage of members of the royal family.

The Kroll Theatre and Gardens are a popular resort for the people of Berlin. These gardens are illuminated every evening by thousands of electric lights, arranged in various designs, as flowers, harps and other graceful forms, and this illuminated scene is the centre of a gay throng of pleasure seekers, who promenade the paths, or sit about in groups listening to the music of the fine orchestras stationed at each end of the spacious grounds. The entertainment is not over until a very late hour.

There are a number of these gardens throughout the city, which are not, as may be supposed, frequented by the lower classes of the people, but by persons of every rank in society. One can hardly appreciate this scene without having passed an evening amid its light-hearted crowds. Here may be seen officers of many honors, with conspicuous gold and silver badges, mingling with the groups gathered around the tables, or sauntering up and down the garden walks, as well as the private soldier in his regimentals happily quaffing his beer with his sweetheart by his side. Title and rank here as well as elsewhere throughout Germany, are honored and respected by all classes, and the salute is gracefully made whenever one of the army or navy men meets his superior officer.

Berlin with its life and gayety, its grandeur and simplicity, its hospitality and good cheer, captivates our hearts, and we enter joyously into the many diversions it offers; as we sit among the honest and kind-hearted people, we feel the charm of their social atmosphere and wonder why other nations do not allow themselves more time for relaxation and the simple pleasures which abound here.

The Friedrichs-Strasse is the longest street in the city: it is well laid out, and contains many handsome stores. Wilhelms-Strasse is a beautiful avenue, and is considered the most aristocratic street in Berlin, as it contains the palaces of princes, ministers and other distinguished personages. A handsome square opens from this avenue, ornamented with flower-beds and fine statuary.

The museums here are called the Old Museum and the New Museum; they are connected by a passage gallery. The entrance to the Old Museum is adorned by handsome statuary, and the grand portico is beautifully painted with allegorical and mythological subjects: within, the walls are decorated with frescoes representing barbarous and civilized life, and in the great rotunda are ancient statues of gods and goddesses. From this one passes to the Gallery of Gods and Heroes, the Grecian cabinet, the Hall of the Emperors, and that of Greek, Roman and Assyrian sculptures. But it is vain to attempt a description of this vast collection of paintings, and other works of art in the short space I have to devote to the subject. To appreciate a collection of this kind, one should visit it in person.

The Thiergarten is a great park, two miles long, beautifully laid out, and containing many splendid old trees, rustic paths, and artificial ponds and streams. The grounds are ornamented with statuary, and the fine zooelogical collection is in good condition and well arranged. But we must leave fascinating Berlin, and pass on to other scenes.

Now we reach Ostend on the coast of Belgium, one of the most fashionable watering-places of Europe. During the season it attracts thousands of visitors, especially from Belgium and Holland. It was originally a fishing station, but was enlarged by Philip the Good, and fortified by the Prince of Orange in 1583. In the early part of the seventeenth century it sustained one of the most remarkable sieges on record, holding out against the Spanish for a period of three years, and finally surrendering only at the command of the States General.

To-day promenades take the places of the old fortifications, and handsome residences stand where the simple sturdy fisherfolk once dwelt in their cottages. The tide of fashion rolls where a simple people lived their daily life of care and toil. Here congregate people of every nation, the old and the young; and the cosmopolitan character of the promenade is a source of great entertainment to the stranger. As we approach the Digue or chief promenade, which is elevated fully a hundred feet above the beach, we are struck with the beauty of this grand esplanade, a hundred feet wide and extending miles along the shore. On the city side are many handsome buildings; residences, hotels, cafes and some stores. These buildings occupy a space fully a mile in length, but the promenade with its tiled pavement skirts the sea for many miles. Chairs and benches are placed at convenient intervals for the use of the public, and every day, especially in the afternoon, thousands of fashionably dressed people appear upon this walk, rejoicing in the opportunity to display elaborate gowns; some by strolling to and fro before the benches and chairs, and others by more ostentatiously driving by in handsome equipages, with coachmen and footmen in appropriate livery.

Yet it is delightful to sit here on a clear evening, listening to the harmonious melody of the sea, as it mingles its voice with the strains of a fine orchestra, and watching the merry throng passing and repassing. The silent night afar out on the glistening waters seems like a brooding spirit.

"Thou boundless, shining, glorious sea, With ecstasy I gaze on thee; And as I gaze, thy billowy roll Wakes the deep feelings of my soul."

We extend our walk and take in the Kursaal, a handsome structure of marble and iron built upon the side of the promenade. It covers a large area, and within its walls, the sounds of choice music are constantly heard. Dances, concerts and many other forms of entertainment keep this fashionable resort in a whirl both day and night. On many of these occasions the dressing is the most important feature of the affair. The people who resort thither are families of considerable wealth, and can, when they choose, run to extremes in paying court to Dame Fashion.