Obiter Dicta: Second Series

Chapter 2

Chapter 23,998 wordsPublic domain

In the summer of 1643 he took a sudden journey into the country, and returned home to his boys with a wife, the daughter of an Oxfordshire Cavalier. Poor Mary Powell was but seventeen, her poetic lord was thirty- five. From the country-house of a rollicking squire to Aldersgate Street was somewhat too violent a change. She had left ten brothers and sisters behind her, the eldest twenty-one, the youngest four. As one looks upon this picture and on that, there is no need to wonder that the poor girl was unhappy. The poet, though keenly alive to the subtle charm of a woman's personality, was unpractised in the arts of daily companionship. He expected to find much more than he brought of general good-fellowship. He had an ideal ever in his mind of both bodily and spiritual excellence, and he was almost greedy to realize both, but he knew not how. One of his complaints was that his wife was mute and insensate, and sat silent at his board. It must, no doubt, have been deadly dull, that house in Aldersgate Street. Silence reigned, save when broken by the cries of the younger Phillips sustaining chastisement. Milton had none of that noble humanitarian spirit which had led Montaigne long years before him to protest against the cowardly traditions of the schoolroom. After a month of Aldersgate Street, Mrs. Milton begged to go home. Her wish was granted, and she ran back to her ten brothers and sisters, and when her leave of absence was up refused to return. Her husband was furiously angry; and in a time so short as almost to enforce the belief that he began the work during the honeymoon, was ready with his celebrated pamphlet, _The Doctrine and Discipline of Divorce restored to the good of both sexes_. He is even said, with his accustomed courage, to have paid attentions to a Miss Davis, who is described as a very handsome and witty gentlewoman, and therefore not one likely to sit silent at his board; but she was a sensible girl as well, and had no notion of a married suitor. Of Milton's pamphlet it is everyone's duty to speak with profound respect. It is a noble and passionate cry for a high ideal of married life, which, so he argued, had by inflexible laws been changed into a drooping and disconsolate household captivity, without refuge or redemption. He shuddered at the thought of a man and woman being condemned, for a mistake of judgment, to be bound together to their unspeakable wearisomeness and despair, for, he says, not to be beloved and yet retained is the greatest injury to a gentle spirit. Our present doctrine of divorce, which sets the household captive free on payment of a broken vow, but on no less ignoble terms, is not founded on the congruous, and is indeed already discredited, if not disgraced.

This pamphlet on divorce marks the beginning of Milton's mental isolation. Nobody had a word to say for it. Episcopalian, Presbyterian, and Independent held his doctrine in as much abhorrence as did the Catholic, and all alike regarded its author as either an impracticable dreamer or worse. It was written certainly in too great haste, for his errant wife, actuated by what motives cannot now be said, returned to her allegiance, was mindful of her plighted troth, and, suddenly entering his room, fell at his feet and begged to be forgiven. She was only nineteen, and she said it was all her mother's fault. Milton was not a sour man, and though perhaps too apt to insist upon repentance preceding forgiveness, yet when it did so he could forgive divinely. In a very short time the whole family of Powells, whom the war had reduced to low estate, were living under his roof in the Barbican, whither he moved on the Aldersgate house proving too small for his varied belongings. The poet's father also lived with his son.

Mrs. Milton had four children, three of whom, all daughters, lived to grow up. The mother died in childbirth in 1652, being then twenty-six years of age.

The _Areopagitica_, _a Speech for Unlicensed Printing_, followed the divorce pamphlet, but it also fell upon deaf ears. Of all religious sects the Presbyterians, who were then dominant, are perhaps the least likely to forego the privilege of interference in the affairs of others. Instead of the Archbishop of Canterbury and the Bishop of London, instead of 'a lordly Imprimatur, one from Lambeth House, another from the west end of Paul's,' there was appointed a commission of twenty Presbyterians to act as State Licensers. Then was Milton's soul stirred within him to a noble rage. His was a threefold protest--as a citizen of a State he fondly hoped had been free, as an author, and as a reader. As a citizen he protested against so unnecessary and improper an interference. It is not, he cried, 'the unfrocking of a priest, the unmitring of a bishop, that will make us a happy nation,' but the practice of virtue, and virtue means freedom to choose. Milton was a manly politician, and detested with his whole soul grandmotherly legislation. 'He who is not trusted with his own actions, his drift not being known to be evil, and standing to the hazard of law and penalty, has no great argument to think himself reputed in the commonwealth wherein he was born, for other than a fool or a foreigner.' 'They are not skilful considerers of human things who imagine to remove sin by removing the matter of sin.' 'And were I the chooser, a dram of well-doing should be preferred before many times as much the forcible hindrance of evil doing.' These are texts upon which sermons, not inapplicable to our own day, might be preached. Milton has made our first parent so peculiarly his own, that any observations of his about Adam are interesting. 'Many there be that complain of Divine Providence for suffering Adam to transgress. Foolish tongues! When God gave him reason He gave him freedom to choose, for reason is but choosing; he had been else a mere artificial Adam. We ourselves esteem not of that obedience a love or gift which is of force. God therefore left him free, set before him a provoking object ever almost in his eyes; herein consisted his merit, herein the right of his reward, the praise of his abstinence.' So that according to Milton even Eden was a state of trial. As an author, Milton's protest has great force. 'And what if the author shall be one so copious of fancy as to have many things well worth the adding come into his mind after licensing, while the book is yet under the press, which not seldom happens to the best and diligentest writers, and that perhaps a dozen times in one book? The printer dares not go beyond his licensed copy. So often then must the author trudge to his leave-giver that those his new insertions may be viewed, and many a jaunt will be made ere that licenser--for it must be the same man--can either be found, or found at leisure; meanwhile either the press must stand still, which is no small damage, or the author lose his accuratest thoughts, and send forth the book worse than he made it, which to a diligent writer is the greatest melancholy and vexation that can befall.'

Milton would have had no licensers. Every book should bear the printer's name, and 'mischievous and libellous books' were to be burnt by the common hangman, not as an effectual remedy, but as the 'most effectual remedy man's prevention can use.'

The noblest pamphlet in 'our English, the language of men ever famous and foremost in the achievements of liberty,' accomplished nothing, and its author must already have thought himself fallen on evil days.

In the year 1645, the year of Naseby, as Mr. Pattison reminds us, appeared the first edition of Milton's Poems. Then, for the first time, were printed _L'Allegro_ and _Il Penseroso_, the _Ode on the Morning of Christ's Nativity_, and various of the sonnets. The little volume also contained _Comus_ and _Lycidas_, which had been previously printed. With the exception of three sonnets and a few scraps of translation, Milton had written nothing but pamphlets since his return from Italy. At the beginning of the volume, which is a small octavo, was a portrait of the poet, most villainously executed. He was really thirty-seven, but flattered himself, as men of that age will, that he looked ten years younger; he was therefore much chagrined to find himself represented as a grim-looking gentleman of at least fifty. The way he revenged himself upon the hapless artist is well known. The volume, with the portrait, is now very scarce, almost rare.

In 1647 Milton removed from the Barbican, both his father and his father- in-law being dead, to a smaller house in Holborn, backing upon Lincoln's Inn Fields, close to where the Inns of Court Hotel now stands, and not far from the spot which was destined to witness the terrible tragedy which was at once to darken and glorify the life of one of Milton's most fervent lovers, Charles Lamb. About this time he is supposed to have abandoned pedagogy. The habit of pamphleteering stuck to him; indeed, it is one seldom thrown off. It is much easier to throw off the pamphlets.

In 1649 Milton became a public servant, receiving the appointment of Latin Secretary to the Council of Foreign Affairs. He knew some member of the Committee, who obtained his nomination. His duties were purely clerkly. It was his business to translate English despatches into Latin, and foreign despatches into English. He had nothing whatever to do with the shaping of the foreign policy of the Commonwealth. He was not even employed in translating the most important of the State papers. There is no reason for supposing that he even knew the leading politicians of his time. There is a print one sees about, representing Oliver Cromwell dictating a foreign despatch to John Milton; but it is all imagination, nor is there anything to prove that Cromwell and Milton, the body and soul of English Republicanism, were ever in the same room together, or exchanged words with one another. Milton's name does not occur in the great history of Lord Clarendon. Whitelocke, who was the leading member of the Committee which Milton served, only mentions him once. Thurloe spoke of him as a blind man who wrote Latin letters. Richard Baxter, in his folio history of his Life and Times, never mentions Milton at all. {27} He was just a clerk in the service of the Commonwealth, of a scholarly bent, peculiar habit of thought, and somewhat of an odd temper. He was not the man to cultivate great acquaintances, or to flitter away his time waiting the convenience of other people. When once asked to use his influence to obtain for a friend an appointment, he replied he had no influence, '_propter paucissimas familiaritates meas cum gratiosis_, _qui domi fere_, _idque libenter_, _me contineo_.' The busy great men of the day would have been more than astonished, they would have been disgusted, had they been told that posterity would refer to most of them compendiously, as having lived in the age of Milton. But this need not trouble us.

On the Continent Milton enjoyed a wider reputation, on account of his controversy with the great European scholar, Salmasius, on the sufficiently important and interesting, and then novel, subject of the execution of Charles I. Was it justifiable? Salmasius, a scholar and a Protestant, though of an easy-going description, was employed, or rather, as he had no wages (Milton's hundred _Jacobuses_ being fictitious), nominated by Charles, afterwards the Second, to indict the regicides at the bar of European opinion, which accordingly he did in the Latin language. The work reached this country in the autumn of 1649, and it evidently became the duty of somebody to answer it. Two qualifications were necessary--the replier must be able to read Latin, and to write it after a manner which should escape the ridicule of the scholars of Leyden, Geneva, and Paris. Milton occurred to somebody's mind, and the task was entrusted to him. It is not to be supposed that Cromwell was ever at the pains to read Salmasius for himself, but still it would not have done to have it said that the _Defensio Regia_ of so celebrated a scholar as Salmasius remained unanswered, and so the appointment was confirmed, and Milton, no new hand at a pamphlet, set to work. In March, 1651, his first _Defence of the English People_ was in print. In this great pamphlet Milton asserts, as against the doctrine of the divine right of kings, the undisputed sovereignty of the people; and he maintains the proposition that, as well by the law of God, as by the law of nations, and the law of England, a king of England may be brought to trial and death, the people being discharged from all obligations of loyalty when a lawful prince becomes a tyrant, or gives himself over to sloth and voluptuousness. This noble argument, alike worthy of the man and the occasion, is doubtless over-clouded and disfigured by personal abuse of Salmasius, whose relations with his wife had surely as little to do with the head of Charles I. as had poor Mr. Dick's memorial. Salmasius, it appears, was henpecked, and to allow yourself to be henpecked was, in Milton's opinion, a high crime and misdemeanour against humanity, and one which rendered a man infamous, and disqualified him from taking part in debate.

It has always been reported that Salmasius, who was getting on in years, and had many things to trouble him besides his own wife, perished in the effort of writing a reply to Milton, in which he made use of language quite as bad as any of his opponent's; but it now appears that this is not so. Indeed, it is generally rash to attribute a man's death to a pamphlet, or an article, either of his own or anybody else's.

Salmasius, however, died, though from natural causes, and his reply was not published till after the Restoration, when the question had become, what it has ever since remained, academical.

Other pens were quicker, and to their productions Milton, in 1654, replied with his _Second Defence of the English People_, a tract containing autobiographical details of immense interest and charm. By this time he was totally blind, though, with a touch of that personal sensitiveness ever characteristic of him, he is careful to tell Europe, in the _Second Defence_, that externally his eyes were uninjured, and shone with an unclouded light.

Milton's _Defences of the English People_ are rendered provoking by his extraordinary language concerning his opponents. 'Numskull,' 'beast,' 'fool,' 'puppy,' 'knave,' 'ass,' 'mongrel-cur,' are but a few of the epithets employed. This is doubtless mere matter of pleading, a rule of the forum where controversies between scholars are conducted; but for that very reason it makes the pamphlets as provoking to an ordinary reader as an old bill of complaint in Chancery must have been to an impatient suitor who wanted his money. The main issues, when cleared of personalities, are important enough, and are stated by Milton with great clearness. 'Our king made not us, but we him. Nature has given fathers to us all, but we ourselves appointed our own king; so that the people is not for the king, but the king for them.' It was made a matter of great offence amongst monarchs and monarchical persons that Charles was subject to the indignity of a trial. With murders and poisonings kings were long familiar. These were part of the perils of the voyage, for which they were prepared, but, as Salmasius put it, 'for a king to be arraigned in a court of judicature, to be put to plead for his life, to have sentence of death pronounced against him, and that sentence executed,'--oh! horrible impiety. To this Milton replies: 'Tell me, thou superlative fool, whether it be not more just, more agreeable to the rules of humanity and the laws of all human societies, to bring a criminal, be his offence what it will, before a court of justice, to give him leave to speak for himself, and if the law condemns him, then to put him to death as he has deserved, so as he may have time to repent or to recollect himself; than presently, as soon as ever he is taken, to butcher him without more ado?'

But a king of any spirit would probably answer that he preferred to have his despotism tempered by assassination than by the mercy of a court of John Miltons. To which answer Milton would have rejoined, 'Despotism, I know you not, since we are as free as any people under heaven.'

The weakest part in Milton's case is his having to admit that the Parliament was overawed by the army, which he says was wiser than the senators.

Milton's address to his countrymen, with which he concludes the first defence, is veritably in his grand style:

'He has gloriously delivered you, the first of nations, from the two greatest mischiefs of this life--tyranny and superstition. He has endued you with greatness of mind to be First of Mankind, who after having confined their own king and having had him delivered into their hands, have not scrupled to condemn him judicially, and pursuant to that sentence of condemnation to put him to death. After performing so glorious an action as this, you ought to do nothing that's mean and little; you ought not to think of, much less do, anything but what is great and sublime. Which to attain to, this is your only way: as you have subdued your enemies in the field, so to make it appear that you of all mankind are best able to subdue Ambition, Avarice, the love of Riches, and can best avoid the corruptions that prosperity is apt to introduce. These are the only arguments by which you will be able to evince that you are not such persons as this fellow represents you, traitors, robbers, murderers, parricides, madmen, that you did not put your king to death out of any ambitious design--that it was not an act of fury or madness, but that it was wholly out of love to your liberty, your religion, to justice, virtue, and your country, that you punished a tyrant. But if it should fall out otherwise (which God forbid), if, as you have been valiant in war, you should grow debauched in peace, and that you should not have learnt, by so eminent, so remarkable an example before your eyes, to fear God, and work righteousness; for my part I shall easily grant and confess (for I cannot deny it), whatever ill men may speak or think of you, to be very true. And you will find in time that God's displeasure against you will be greater than it has been against your adversaries--greater than His grace and favour have been to yourseves, which you have had larger experience of than any other nation under heaven.'

This controversy naturally excited greater interest abroad, where Latin was familiarly known, than ever it did here at home. Though it cost Milton his sight, or at all events accelerated the hour of his blindness, he appears greatly to have enjoyed conducting a high dispute in the face of Europe. 'I am,' so he says, 'spreading abroad amongst the cities, the kingdoms, and nations, the restored culture of civility and freedom of life.' We certainly managed in this affair of the execution of Charles to get rid of that note of insularity which renders our politics uninviting to the stranger.

Milton, despite his blindness, remained in the public service until after the death of Cromwell; in fact, he did not formally resign until after the Restoration. He played no part, having none to play, in the performances that occurred between those events. He poured forth pamphlets, but there is no reason to believe that they were read otherwise than carelessly and by few. His ideas were his own, and never had a chance of becoming fruitful. There seemed to him to be a ready and an easy way to establish a free Commonwealth, but on the whole it turned out that the easiest thing to do was to invite Charles Stuart to reascend the throne of his ancestors, which he did, and Milton went into hiding.

It is terrible to think how risky the situation was. Milton was undoubtedly in danger of his life, and _Paradise Lost_ was unwritten. He was for a time under arrest. But after all he was not one of the regicides--he was only a scribe who had defended regicide. Neither was he a man well associated. He was a solitary, and, for the most part, an unpopular thinker, and blind withal. He was left alone for the rest of his days. He lived first in Jewin Street, off Aldersgate Street; and finally in Artillery Walk, Bunhill Fields. He had married, four years after his first wife's death, a lady who died within a twelvemonth, though her memory is kept ever fresh, generation after generation, by her husband's sonnet beginning,

'Methought I saw my late espoused saint.'

Dr. Johnson, it is really worth remembering, called this a poor sonnet. In 1664 Milton married a third and last wife, a lady he had never seen, and who survived her husband for no less a period than fifty-three years, not dying till the year 1727. The poet's household, like his country, never realized any of his ideals. His third wife took decent care of him, and there the matter ended. He did not belong to the category of adored fathers. His daughters did not love him--it seems even probable they disliked him. Mr. Pattison has pointed out that Milton never was on terms even with the scholars of his age. Political acquaintances he had none. He was, in Puritan language, 'unconnected with any place of worship,' and had therefore no pastoral visits to receive, or sermons to discuss. The few friends he had were mostly young men who were attracted to him, and were glad to give him their company; and it is well that he had this pleasure, for he was ever in his wishes a social man--not intended to live alone, and blindness must have made society little short of a necessity for him.

Now it was, in the evening of his days, with a Stuart once more upon the throne, and Episcopacy finally installed, that Milton, a defeated thinker, a baffled pamphleteer--for had not Salmasius triumphed?--with Horton and Italy far, far behind him, set himself to keep the promise of his glorious youth, and compose a poem the world should not willingly let die. His manner of life was this. In summer he rose at four, in winter at five. He went to bed at nine. He began the day with having the Hebrew Scriptures read to him. Then he contemplated. At seven his man came to him again, and he read and wrote till an early dinner. For exercise he either walked in the garden or swung in a machine. Besides conversation, his only other recreation was music. He played the organ and the bass viol. He would sometimes sing himself. After recreation of this kind he would return to his study to be read to till six. After six his friends were admitted, and would sit with him till eight. At eight he had his supper--olives or something light. He was very abstemious. After supper he smoked a pipe of tobacco, drank a glass of water, and went to bed. He found the night a favourable time for composition, and what he composed at night he dictated in the day, sitting obliquely in an elbow chair with his leg thrown over the arm.