Chapter 6

A flat-bottomed bayou skiff, and in it the oars, a riverman's blanket-roll of greasy clothes, and a tin box! He knew the box. On one end, in faded gilt, was the name "B. Tedge." Rogers had seen it on the grimy shelf in the pilothouse on the _Marie Louise_. He felt for the rope; the skiff was barely scraping bottom. Yes, they had moored it here--they must be camped on the sands of Au Fer, awaiting the dawn.

A boat? He didn't know what a Texas cowman could do with a boat on an alien and unknown shore, but he slipped into it, raised an oar, and shoved back from the sandy spit. At least he could drift off Au Fer's waterless desolation. Tedge would kill him to-morrow when he found him there; because he knew Tedge had fired the _Marie_ for the insurance.

So he poled slowly off. The skiff drifted now. Rogers tried to turn to the oar athwart, and awkwardly he stumbled. The oar seemed like a roll of thunder when it struck the gunwale.

And instantly a hoarse shout arose behind him. Tedge's voice--Tedge had not slept well. The gaunt cattle burning or choking in the salt tide, or perhaps the lilies of Bayou Boeuf--anyhow, he was up with a cry and dashing for the skiff. In a moment Rogers saw him.

The Texas man began driving desperately on the oars. He heard the heavy rush of the skipper's feet in the deepening water. Tedge's voice became a bull-like roar as the depth began to check him. To his waist, and the slow skiff was but ten yards away; to his great shoulders, and the clumsy oarsman was but five.

And with a yell of triumph Tedge lunged out swimming. Whoever the fugitive, he was hopeless with the oars. The skiff swung this way and that, and a strong man at its stern could hurl it and its occupant bottom-side up in Au Fer Pass. Tedge, swimming in Au Fer Pass, his fingers to the throat of this unknown marauder! There'd be another one go--and nothing but his hands--Bill Tedge's hands that the shrimp camps feared.

Just hold him under--that was all. Tread water, and hold the throat beneath until its throbbing ceased. Tedge could; he feared no man. Another overhand stroke, and he just missed the wobbling stern of the light skiff.

He saw the man start up and raise an oar as if to strike. Tedge laughed triumphantly. Another plunge and his fingers touched the gunwale. And then he dived; he would bring his back up against the flat bottom and twist his enemy's footing from under him. Then in the deep water Tedge lunged up for the flat keel, and slowly across his brow an invisible hand seemed to caress him.

He opened his eyes to see a necklace of opalescent jewels gathering about his neck; he tore at it and the phosphorescent water gleamed all about him with feathery pendants. And when his head thrust above water, the moment's respite had allowed the skiff to straggle beyond his reach.

Tedge shouted savagely and lunged again--and about his legs came the soft clasp of the drifting hyacinth roots. Higher, firmer; and he turned to kick free of them. He saw the man in the boat poling uncertainly in the tide not six feet beyond him. And now, in open water, Tedge plunged on in fierce exultance. One stroke--and the stars beyond the boatman became obscured; the swimmer struck the soft, yielding barrier of the floating islands. This time he did not lose time in drawing from them; he raised his mighty arms and strove to beat them down, flailing the broad leaves until the spiked blossoms fell about him. A circlet of them caressed his cheek. He lowered his head and swam bull-like into the drift; and when he knew the pressure ahead was tightening slowly to rubbery bands, forcing him gently from his victim, Tedge raised his voice in wild curses.

He fought and threshed the lilies, and they gave him cool, velvety kisses in return. He dived and came up through them; and then, staring upward, he saw the tall, purple spikes against the stars. And they were drifting--they were sailing seaward to their death. He couldn't see the boat now for the shadowy hosts; and for the first time fear glutted his heart. It came as a paroxysm of new sensation--Tedge of the _Marie Louise_ who had never feared.

But this was different, this soft and moving web of silence. No, not quite silence, for past his ear the splendid hyacinths drifted with a musical creaking, leaf on leaf, the buoyant bulbs brushing each other. The islets joined and parted; once he saw open water and plunged for it--and over his shoulders there surged a soft coverlet. He turned and beat it; he churned his bed into a furious welter, and the silken curtain lowered.

He shrank from it now, staring. The feathery roots matted across his chest, the mass of them felt slimy like the hide of a drowned brute.

"Drownin' cows"--he muttered thickly--"comin' on a man driftin' and drownin'--no, no! Lilies, jest lilies--damn 'em!"

The tall spiked flowers seemed nodding--yes, just lilies, drifting and singing elfin music to the sea tide. Tedge roared once again his hatred of them; he raised and battered his huge fists into their beauty, and they seemed to smile in the starlight. Then, with a howl, he dived.

He would beat them--deep water was here in the pass, and he would swim mightily far beneath the trailing roots--he would find the man with the boat yet and hurl him to die in the hyacinth bloom.

He opened his eyes in the deep, clear water and exulted. He, Tedge, had outwitted the bannered argosies. With bursting lungs he charged off across the current, thinking swiftly, coolly, now of the escape. And as he neared the surface he twisted to glance upward. It was light there--a light brighter than the stars, but softer, evanescent. Mullet and squib were darting about or clinging to a feathery forest that hung straight down upon him. Far and near there came little darts of pale fire, gleaming and expiring with each stir in the phosphorescent water.

And he had to rise; a man could not hold the torturing air in his lungs for ever. Yes, he would tear a path to the stars again and breathe. His arms flailed into the first tenuous streamers, which parted in pearly lace before his eyes. He breasted higher, and they were all about him now; his struggles evoked glowing bubble-jewels which drifted upward to expire. He grasped the soft roots and twisted and sought to raise himself. He had a hand to the surface bulbs, but a silken mesh seemed tightening about him.

And it was drifting--everything was drifting in the deep pass of Au Fer. He tried to howl in the hyacinth web, and choked--and then he merely fought in his close-pressing cocoon, thrusting one hard fist to grasp the broad leaves. He clung to them dumbly, his face so close to the surface that the tall spiked flowers smiled down--but they drifted inexorably with a faint, creaking music, leaf on leaf.

Tedge opened his eyes to a flicker of myriad lights. The sound was a roaring now--like the surf on the reefs in the hurricane month; or the thunder of maddened steers above him across this flowery sea meadow. Perhaps the man he had killed rode with this stampede? Tedge shrank under the lilies--perhaps they could protect him now? Even the last stroke of his hands made luminous beauty of the under-running tide.

An outward-bound shrimp lugger saw the figures on Au Fer reef and came to anchor beyond the shoals. The Cajan crew rowed up to where Milt Rogers and Crump and the black deckhand were watching by a pool. The shrimpers listened to the cowman, who had tied the sleeve of his shirt about his bloody head.

"You can get a barge down from Morgan City and take the cows off before the sea comes high," said Rogers quietly. "They're eating the lilies--and they find sweet water in 'em. Worlds o' lilies driftin' to sea with sweet water in the bulbs!" And he added, watching Crump and the black man who seemed in terror of him: "I want to get off, too. I want to see the swamp country where worlds o' flowers come from!"

He said no more. He did not even look in the pool where Crump pointed. He was thinking of that girl of the swamps who had bid him come to her. But all along the white surf line he could see the green-and-purple plumes of the hyacinth warriors tossing in the breeze--legion upon legion, coming to die gloriously on Au Fer's sands.

But first they sent a herald; for in Tedge's hand, as he lay in the pool, one waxen-leafed banner with a purple spear-point glittered in the sun.

THE URGE

By MARYLAND ALLEN

From _Everybody's_

She is now a woman ageless because she is famous. She is surrounded by a swarm of lovers and possesses a great many beautiful things. She has more than one Ming jar in the library at her country place; yards upon yards of point de Venise in her top bureau-drawer. She is able to employ a very pleasant, wholesome woman, whose sole duty it is to keep her clothes in order.

She wears superb clothes--the last word in richness and the elegance of perfection--clothes that no man can declaim over, stimulating himself the while with shot after shot of that most insidious of all dope, self-pity. You see, she earns them all herself, along with the Ming jars, the point de Venise, the country place, and countless other things. She is the funniest woman in the world--not in her press-agent's imagination, but in cold, sober fact. She can make anybody laugh; she does make everybody.

Night after night in the huge public theatres of the common people; in the small private ones of the commoner rich; in Greek amphitheatres where the laughter rolls away in thunderous waves to be echoed back by distant blue hills; in institutions for the blind; in convalescent wards; everywhere, every time, she makes them laugh. The day labourer, sodden and desperate from too much class legislation, the ego in his cosmos and the struggle for existence; the statesman, fearful of losing votes, rendered blue and depressed by the unruliness of nations and all the vast multitude of horrors that lie in between--all of these, all of them, she makes laugh. She is queen of the profession she has chosen--unusual for one of her sex. She is the funniest woman in the world.

When she is at home--which is seldom--she has many visitors and strives, if possible, to see none of them.

"You know, I entertain so much," she pleads in that vivid, whimsical way of hers that holds as much of sadness as mirth.

But this time, it being so early in the afternoon, she was caught unawares.

The girls--they were nothing but girls, three of them--found her out upon the lawn, sitting on a seat where the velvety green turf fell away in a steep hillside, and far beneath them they could see the river moving whitely beyond the trees. They halted there before her, happy but trembling, giggling but grave. They were gasping and incoherent, full of apologies and absurd tremors. It had taken their combined week's savings to bribe the gardener. And they only wanted to know one thing: How had she achieved all this fame and splendour, by what magic process had she become that rarest of all living creatures, the funniest woman in the world?

It was an easy enough question to ask and, to them, hovering twittering upon high heels a trifle worn to one side, a simple one for her to answer. She looked at them in that humorous, kindly way of hers, looked at their silly, excited, made-up faces with noses sticking out stark, like handles, from a too-heavy application of purplish-white powder. Then her glance travelled down the velvety green slope to the bright river glancing and leaping beyond the shady trees.

Did she think of that other girl? Sitting there with that strange smile upon her face, the smile that is neither mirth nor sadness, but a poignant, haunting compound of both, did she remember her and the Urge that had always been upon her, racking her like actual pain, driving her with a whip of scorpions, flaying her on and on with a far more vivid sense of suffering than the actual beatings laid on by her mother's heavy hand, the thing that found articulation in the words, "I must be famous, I must!"

She belonged in the rear of a batch of a dozen, and had never been properly named. The wind was blowing from the stockyards on the dark hour when she arrived. It penetrated even to the small airless chamber where she struggled for her first breath--one of a "flat" in the poorest tenement in the worst slum in Chicago. Huddled in smelly rags by a hastily summoned neighbour from the floor above, the newcomer raised her untried voice in a frail, reedy cry. Perhaps she did not like the smell that oozed in around the tightly closed window to combat the foul odours of the airless room. Whatever it was, this protest availed her nothing, for the neighbour hurriedly departed, having been unwilling from the first, and the mother turned away and lay close against the stained, discoloured wall, too apathetic, too utterly resigned to the fate life had meted out to her to accord this most unwelcome baby further attention. This first moment of her life might easily serve as the history of her babyhood.

Her father was also indifferent. He brought home his money and gave it to his wife--children were strictly none of his business. Her brothers and sisters, each one busily and fiercely fending for himself, gave no attention to her small affairs.

Tossed by the careless hand of Fate into the dark sea of life to swim or perish, she awoke to consciousness with but one thought--food; one ruling passion--to get enough. And since, in her habitual half-starved state, all food looked superlatively good to her, cake was the first word she learned to speak. It formed her whole vocabulary for a surprisingly long time, and Cake was the only name she was ever known by in her family circle and on the street that to her ran on and on and on as narrow and dirty, as crowded and as cruel as where it passed the great dilapidated old rookery that held the four dark rooms that she called home.

Up to the age of ten her life was sketchy. A passionate scramble for food, beatings, tears, slumber, a swift transition from one childish ailment to another that kept her forever out of reach of the truant officer.

She lay upon the floor in a little dark room, and through the window in the airless air-shaft, high up in one corner, she could see a three-cornered spot of light. At first she wondered what it was, since she lived in a tenement, not under the sky. Then it resolved itself into a ball, white and luminous, that floated remote in that high place and seemed to draw her, and was somehow akin to the queer, gnawing pain that developed about that time beneath her breastbone. It was all inarticulate, queer and confused. She did not think, she did not know how. She only felt that queer gnawing beneath her breastbone, distinct from all her other pains, and which she ascribed to hunger, and saw the lovely, trembling globe of light. At first she felt it only when she was ill and lay on the tumbled floor bed and looked up through the dark window; afterward always in her dreams.

After she passed her tenth birthday the confusion within her seemed to settle as the queer pain increased, and she began to think, to wonder what it could be.

A year or two later her father died, and as she was the only child over whom her mother could exercise any control, the report of her death was successfully impressed upon the truant officer, so that she might be put to work unhindered to help the family in its desperate scramble for food, a scramble in which she took part with vivid earnestness. She was hired to Maverick's to wash dishes.

Maverick was a Greek and kept an open-all-night chop-house, a mean hole in the wall two doors from the corner, where Cake's surpassing thinness made her invaluable at the sink. Also the scraps she carried home in her red, water-puckered hands helped out materially. Then her mother took a boarder and rested in her endeavours, feeling she had performed all things well.

This boarder was a man with a past. And he had left it pretty far behind, else he had never rented a room and meals from the mother of Cake. In this boarder drink and debauchery had completely beaten out of shape what had once been a very noble figure of a man. His body was shrunken and trembling; the old, ragged clothes he wore flapped about him like the vestments of a scarecrow. His cheeks had the bruised congested look of the habitual drinker, his nose seemed a toadstool on his face, and his red eyes were almost vanished behind puffy, purple, pillow-like lids. His voice was husky and whispering, except when he raised it. Then it was surprisingly resonant and mellow, with something haunting in it like the echo of an echo of a very moving sweetness.

One night Cake, returning all weary and played-out from dish-washing at Maverick's, heard him speaking in this loud voice of his, pushed the door open a crack, and peeked in. He was standing in the middle of the floor evidently speaking what the child called to herself "a piece." Her big mouth crooked derisively in the beginning of what is now her famous smile. The lodger went on speaking, being fairly well stimulated at the time, and presently Cake pushed the door wider and crept in to the dry-goods box, where her mother always kept a candle, and sat down.

The lodger talked on and on while Cake sat rapt, the flickering candle in her hands throwing strange lights and shadows upon her gaunt face. How was she to know she was the last audience of one of the greatest Shakespearian actors the world had ever seen?

It was a grave and wondering Cake that crept to her place to sleep that night between her two older sisters. And while they ramped against her and chewed and snorted in her ears, she listened all over again to that wonderful voice and was awed by the colour and beauty of the words that it had spoken. She slept, and saw before her the globe of light, trembling and luminous, the one bright thing of beauty her life had ever known, that seemed to draw her up from darkness slowly and with great suffering. Trembling and weeping she awoke in the dawn, and the strange pain that had tortured her so much and that she had called hunger and sought to assuage with scraps from the plates that came to the sink at Maverick's became articulate at last. With her hands clasped hard against her breast she found relief in words.

"I gotta be somebody," sobbed the child. "I mus' be famous, I mus'!"

She arose to find life no longer a confused struggle for food, but a battle and a march; a battle to get through one day to march on to the next, and so on and on until, in that long line of days that stretched out ahead of her like chambers waiting to be visited, she reached the one where rested Fame, that trembling, luminous globe of beauty it was so vitally necessary for her to achieve. "How come he c'n talk like that?" she demanded of herself, musing on the lodger's wonderful exhibition over the greasy dish-water at Maverick's.

And that night she asked him, prefacing her question with the offering of an almost perfect lamb-chop. Only one piece had been cut from it since the purchaser, at that moment apprised by Maverick himself that the arrival of the police was imminent, had taken a hasty departure.

"Who learned you to talk that-a-way?" demanded Cake, licking a faint, far-away flavour of the chop from her long, thin fingers.

The lodger, for a moment, had changed places with the candle. That is to say, he sat upon the dry-goods box, the candle burned upon the floor. And, having been most unfortunate that day, the lodger was tragically sober. He bit into the chop voraciously, like a dog, with his broken, discoloured teeth.

"A book 'learned' me," he said, "and practice and experience--and something else." He broke off short. "They called it genius then," he said bitterly.

Cake took a short step forward. That thing beneath her prominent breastbone pained her violently, forced her on to speak.

"You learn me," she said.

The lodger ceased to chew and stared, the chop bone uplifted in his dirty hand. A pupil for him!

"You want to do this perhaps," he began. "Pray do not mock me; I am a very foolish, fond old man----"

The disreputable, swollen-faced lodger with a nose like a poisoned toadstool vanished. Cake saw an old white-haired man, crazy and pitiful, yet bearing himself grandly. She gasped, the tears flew to her eyes, blinding her. The lodger laughed disagreeably, he was gnawing on the chop bone again.

"I suppose you think because you've found me here it is likely I'll teach you--you! You starved alley cat!" he snarled.

Cake did not even blink. It is repetition that dulls, and she was utterly familiar with abuse.

"And suppose I did--'learn' you," he sneered, "what would _you_ do with it?"

"I would be famous," cried Cake.

Then the lodger did laugh, looking at her with his head hanging down, his swollen face all creased and purple, his hair sticking up rough and unkempt. He laughed, sitting there a degraded, debauched ruin, looking down from the height of his memories upon the gaunt, unlovely child of the slums who was rendered even more unlovely by the very courage that kept her waiting beside the broken door.

"So you think I could learn you to be famous, hey?" Even the words of this gutter filth he sought to construe into something nattering to himself.

Cake nodded. Really she had not thought of it that way at all. There was no thinking connected with her decision. The dumb hours she had spent staring up the air-shaft had resolved themselves with the passing years into a strange, numb will to do. There was the light and she must reach it. Indeed the Thing there behind the narrow walls of her chest gave her no alternative. She did not think she wanted to be an actress. It was a long time after that before she knew even what an actress was. She did not know what the lodger had been. No. Instinctively, groping and inarticulate, she recognized in him the rags and shreds of greatness, knew him to be a one-time dweller in that temple whither, willing or not, she was bound, to reach it or to die.

The lodger looked down at the naked chop bone in his hand. The juicy, broiled meat was comforting to his outraged stomach. Meat. The word stood out in his mind to be instantly followed by that other word that, for him, had spelled ruin, made him a ragged panhandler, reduced him to living among the poorest and most hopeless. Drink! He raised his head and eyed Cake with crafty calculation.

"What will you pay me for such teaching?" he demanded, and looked down again at the bone.

What he did in the end, Cake herself was satisfied came to him afterward. At first he was actuated only by the desire to procure food and drink--more especially the drink--at the cost of the least possible effort to himself.

Cake saw the look, and she knew. She even smiled a little in the greatness of her relief. She saw she had been right to bring the chop, and appreciated that her progress along road to fame would be as slow or fast as she could procure food for him in lesser or larger quantities.

"I'll bring you eats," she said cunningly. "From Maverick's," she added. By which she meant the eats would be "has-is"--distinctly second class, quite possibly third.

The lodger nodded. "And booze," he put in, watching her face.

"And booze," Cake assented.