Chapter 23

They were saving their matches and candles against necessity. Mechanically the old man chopped and hacked at the wall of earth in front of him. Now and then the pick would encounter a stone or some other hard substance. In the last few days they had come upon frequent pieces of old brick. Detroit Jim had rejoiced over these signs. For the old man every falling clod of earth seemed to bring him nearer to freedom. They also took his mind off Slattery.

So he chopped away, how long he did not know. Suddenly his pick struck an obstacle again. He hacked at it. It gave slightly. A third time he struck it, and it seemed to recede. An odour of mouldy air filled his nostrils. In that little aperture his pick touched nothing now! He heard something fall! Then he knew! There was a hollow place in front of them! The abandoned conduit? He stifled a shout.

From somewhere, muffled at first, but ultimately faintly strident, rose a prolonged wail that seemed to issue from the very earth. The sound rose, and fell, and rose again. Frantically the pick of Old Man Anderson hacked away at the dirt, and then at whatever was in front of him. Detroit Jim snapped the feeble flashlight then. It was a wall--the conduit wall!

Meantime, the prison siren shrieked out to the countryside the news of an escape.

What time it was--whether night or day or what day, neither Jim nor Old Man Anderson knew. They had slept, of course, and Jim had forgotten to wind his watch. Had one week or two weeks passed? If two weeks had slipped by and if the prison officers ran true to form they would by now have ceased searching inside the prison walls.

Old Man Anderson and Detroit Jim huddled close to each other in the darkness of the conduit. A hundred times they had crawled from one end to the other of their vaultlike trap! In their desperate and fruitless search for an outlet to the conduit they had burned many matches and several candles. Besides, Old Man Anderson had required light in which to fight off his attacks of nerves, and the last of the candles had gone for that. Now total darkness enveloped them.

The conduit was blocked! By earth at one end, and by a brick wall at the other! All along the winding hundred feet of vault they had hacked out brick after brick only to encounter solid earth behind. Only a few tins of food remained and the water was wholly gone; the liquid from the food cans only served to increase their thirst.

Old Man Anderson had grown to loathe Detroit Jim. Every word he murmured, every movement he made, intensified the loathing. He had made up his mind that Jim was planning to desert him the next time he should fall asleep; perhaps would kill him and leave him there--in the dark. The two had practically ceased speaking to each other. In his mental confusion Old Man Anderson kept revolving in his mind, with satisfaction, a new plan he had evolved. The next time Jim should fall asleep he would crawl back through the aperture in the conduit wall, pry up the boards over the opening into the prison yard, wriggle out, and take his chances in getting over the wall somehow! Better even be shot by a guard than die like a rat in this unspeakable place, as he was doing, where he couldn't stand up and dared not lie down on account of the things that were forever crawling through the place! His contemplation of his plan was broken in upon by his companion clutching him spasmodically by the arm. The old man's cry died in his throat.

Footsteps! Dull and distant they were, and somewhere above them--momentarily more distinct--receding--gone!

Detroit Jim pulled Andersen's head toward him, and whispered:

"Sidewalk! People going by! We've never sat right here before! We wouldn't hear them if they weren't walking on stone, or slate, or something hard!"

The old man's heart pounded like a trip-hammer. Detroit Jim seized the pick and began to pry the bricks loose from the arched roof of the conduit. They worked like mad, picking, hacking, pulling, piling the bricks softly down on the conduit floor.

Once, for an instant, Jim stopped working. "How far from the hole we came in through, do you think we are?" he whispered.

"'Bout a hundred feet, I guess," answered the old man. "Why?"

Without replying Detroit Jim resumed his picking, picking, at the bricks. A hundred feet from where they had entered would not be under the sidewalk. Finally, he understood. This conduit wound around a good deal; it would take a hundred winding feet to cover thirty straightaway.

Finally, also, Detroit Jim turned the pick over to the old man, who, feeling in the blackness with his hands, discovered the span as wide as his outstretched arms, from which Detroit Jim had removed the bricks. It was a span of yielding earth into which the old man now dug his pick. As he worked, the loosened dirt fell upon him, upon his head, into his eyes and nose and ears....

Abruptly the old man's pick struck the flagging above them! Detroit Jim mounted upon the pile of bricks and shoved Anderson aside.

Jim felt along the edges of the stone clear around. It seemed to measure about three feet by two, and to be of slate, and probably held in place only by its contact with other stones, or by cement between the stones. No light appeared through the crevices. Detroit Jim took from his pocket a huge pocket-knife and with the longest blade poked up between the main stone and the one adjoining. The blade met resistance.

Ultimately, and abruptly, however, the blade shot through to the hilt of the knife. Jim drew it back instantly. No light came through the crevice.

"I smell good air," he whispered, "but I can't see a thing. It must be night!"

They knew now what to do. The flagging must be removed at once, before any one should go by! The hole would be big enough to let them out! Old Man Andersen's heart leaped. It was over. They had won. Trust him to go where they'd never get him for the Slattery business! As for Detroit Jim, he already knew the next big trick that he would pull off--out in Cleveland!

Ultimately, as Detroit Jim worked upon it, the stone began to sag. An edge caught upon the adjacent flagging. The two men, perched upon the wobbly bricks, manipulated the stone, working it loose, until, finally, it came crashing down.

The stone had made noise enough, it seemed, to wake the dead; yet above them there was no sound. Swiftly they raised the flagging and set it securely upon the heap of bricks. When Detroit Jim stood upon this improvised platform his head was level with the aperture they had made. He could see no sky, no stars, could feel no wind, discover no light such as pervades even the darkest night.

"Good God!" he breathed. His fingers went out over the flagging. His knife dropped. The tinkle echoed dully down the conduit. He stooped to where Old Man Anderson stood, breathing hard.

"It's a--a room!" he whispered.

"A--a room?" repeated Old Man Anderson dully.

"Come! After me! Up! I'll pull you up!"

Detroit Jim, being wiry, swung himself up, and then bent down, groping for the old man's hands. Winded, panting, exhausted, the two men stood at last in this new blackness, clutching each other, their ears strained to catch the slightest sound.

"For God's sake, don't fall down that hole now!" hissed Detroit Jim. "Listen. We'll both crawl together till we get to a wall. Then you feel along one way, and whisper to me what you find, and I'll crawl the other. Look for a window or a door--some way out! We'll come together finally. Are you ready?"

"I'm--I'm afraid," whined the old man.

Detroit Jim's fingers dug into the other's arm, and he pulled the latter along. Their groping hands touched a wall--a wall of wood. Detroit Jim stood up and pulled Anderson beside him. He felt the old man shiver. He shoved him gently in to the left and himself moved cautiously to the right, slowly, catlike.

Finally, Jim came to a door. He could perceive no light through the chinks in the door. Sensing the increasing uncanniness of a room without windows, without furniture, with flagging for a floor, he turned the knob of the door gently, and it gave under his touch.

Just then there came to him a hoarse whisper from across the room. It made him jump. "I've--I've found some wires," the old man was saying, "in a cable running along the floor----"

"See where they lead!" Detroit Jim was breathless, in anticipation.

And then, shattering the overwhelming tension of the moment, shrilled, suddenly, a horrible, prolonged, piercing shriek ending in a gasp and the sound of a heavy body falling to the floor! What, in God's name, had happened to the old man? And that yell was enough to awaken the entire world!

Detroit Jim groped his way across the room. He could hear now no further sound from the old man.... Steps outside! He sank upon his knees, his hands outstretched. He heard a lock turn; then following upon a click the whole universe went white, and dazzling and scorching!

He raised one arm to his blinking, throbbing eyes. A rough voice shouted: "Hands up!"

There was a rush of feet, the rough clutch of hands at his shoulders.... Presently he found himself blinking down upon the fear-contorted face of Old Man Anderson dirt-streaked, bearded, gaunt, dead!

Slowly his eyes crawled beyond the body on the floor.... Before him, its empty arms stretched toward him, its straps and wires twisting snakily in front of him, was The Chair!

"AURORE"

By ETHEL WATTS MUMFORD

From _Pictorial Review_

"Your name!--_Votre nom_?" Crossman added, for in the North Country not many of the habitants are bilingual.

She looked at him and smiled slowly, her teeth white against cardinal-flower lips.

"Ma name? Aurore," she answered in a voice as mystically slow as her smile, while the mystery of her eyes changed and deepened.

Crossman watched her, fascinated. She was like no woman he had ever seen, radiating a personality individual and strange. "Aurore," he repeated. "You're not the dawn, you know; not a bit like it." He did not expect her to own to any knowledge of the legend of her name, but she nodded her head understandingly.

"It was the Curé name' me so," she explained. "But the Curé and me," she shrugged, "never could--how you say?--see--hear--one the other--so, I would not be a blonde just for spite to him--I am a very black dawn, _n'est-ce pas_?"

"A black dawn," he repeated. Her words unleashed his fancy--her heavy brows and lashes, her satiny raven hair, her slow voice that seemed made of silence, her eyes that changed in expression so rapidly that they dizzied one with a sense of space. "Black Dawn!" He stared at her long, which in no wise disconcerted her.

"Will you want, then, Antoine and me?" she asked at length.

He woke from his dream with a savage realization that, most surely, he wanted her. "Yes. Of course--you--and Antoine. Wait, _attendez_, don't go yet."

"_Why_ not?" she smiled. "I have what I came for."

Her hand was on the door-latch. The radiance from the opened door of the square, old-fashioned stove shimmered over her fur cap and intensified the broad scarlet stripes of her mackinaw. In black corduroy trousers, full and bagging as a moujik's, she stood at ease, her feet small and dainty even in the heavy caribou-hide boots.

"_Bon soir, monsieur_," she said. "In two days we go with you to camp--me--_and_ Antoine."

"Wait!" he cried, but she had opened the door. He rose with a start, and, ignoring the intense cold, followed her till the stinging breath of the North stabbed him with the recollection of its immutable power. All about him the night was radiant. Of a sudden the sky was hung with banners--banners that rippled and folded and unfolded, banners of rainbows, long, shaking loops of red and silver, ghosts of lost emeralds and sapphires, oriflammes that fluttered in the heavens, swaying across the world in mysterious majesty. Immensity, Silence, Mystery--The Northern Lights! "Aurora!" he called into the night, "Aurora--Borealis!"

The Curé of Portage Dernier drove up to the log-cabin office and shook himself from his blankets; his _soutane_ was rolled up around his waist and secured with safety-pins; his solid legs were encased in the heaviest of woollen trousers and innumerable long stockings. His appearance was singularly divided--clerical above, under the long wool-lined cape, and "lay" below. Though the thermometer showed a shockingly depressed figure, the stillness and the warmth of the sun, busy at diamond-making in the snow, gave the feeling of spring.

The sky was inconceivably blue. The hard-frozen world was one immaculate glitter, the giant evergreens standing black against its brightness. The sonorous ring of axes on wood, the gnawing of saws, the crunching of runners, the crackling crash of distant trees falling to the woodsmen's onslaughts--Bijou Falls logging-camp was a vital centre of joyous activity.

The Curé grinned and rubbed his mittened hands. "H--Hola!" he called.

At his desk in the north window Crossman heard the hail, and went to the door. At sight of the singular padded figure his face lifted in a grin. "Come in, Father," he exclaimed; "be welcome."

"Ah," said the Priest, his pink face shining with benevolence, "I thank you. Where is my friend, that good Jakapa? I am on my monthly circuit, and I thought to see what happens at the Falls of the Bijou." He stepped inside the cabin and advanced to the stove with outstretched hands. "I have not the pleasure," he said tentatively.

"My name is Crossman," the other answered. "I am new to the North."

"Ah, so? I am the Curé of Portage Dernier, but, as you see, I must wander after my lambs--very great goats are they, many of them, and the winter brings the logging. So I, too, take to the timber. My team," he waved an introducing hand at the two great cross-bred sled-dogs that unhooked from their traces had followed him in and now sat gravely on their haunches, staring at the fire. "You are an overseer for the company?" suggested the Curé, politely curious--"or perhaps you cruise?"

Crossman shook his head. "No, _mon père_. I came up here to get well."

"Ah," said the Curé, sympathetically tapping his lung. "In this air of the evergreens and the new wood, in the clean cold--it is the world's sanatorium--you will soon be yourself again."

Crossman smiled painfully. "Perhaps _here_"--he laid a long, slender finger on his broad chest--"but I heal not easily of the great world sickness--the War. It has left its mark! The War, the great malady of the world."

"You are right." Meditatively the Priest threw aside his cape and began unfastening the safety-pins that held up his cassock. "You say well. It strikes at the _heart_."

Crossman nodded.

"Yet it passes, my son, and Nature heals; as long as the hurt be in Nature, Nature will take care. And you have come where Nature and God work together. In this great living North Country, for sick bodies and sick souls, the good God has His good sun and His clean winds." He nodded reassurance, and Crossman's dark face cleared of its brooding.

"Sit down, Father." He advanced a chair.

"So," murmured the Curé, continuing his thought as he sank into the embrace of thong and withe. "So you were in the War, and did you take hurt there, my son?"

Crossman nodded. "Trench pneumonia, and then the rat at the lung; but of shock, something also. But I think it was not concussion, as the doctors said, but _soul_-shock. It has left me, Father, like Mohammed's coffin, suspended. I think I have lost my grip on the world--and not found my hold on another."

"Shock of the soul," the Priest ruminated. "Your soul is bruised, my son. We must take care of it." His voice trailed off. There was silence in the little office broken only by the yawn and snuffle of the sled-dogs.

Suddenly the door swung open. In the embrasure stood Aurore in her red mackinaw and corduroy trousers. A pair of snowshoes hung over her back, and her hand gripped a short-handled broad axe. Her great eyes turned from Crossman to the Curé, and across her crimson mouth crept her slow smile. The Curé sprang to his feet at sight of her, his face went white, and the lines from nose to lips seemed to draw in.

"Aurore!" he exclaimed; "Aurore!"

"_Oui, mon père_," she drawled. "It is Aurore." She struck a provocative pose, her hand on her hip, her head thrown back, while her eyes changed colour as alexandrite in the sun.

The Curé turned on Crossman. "What is this woman to you?"

Her eyes defied him. "Tell him," she jeered. "What _am_ I to you?"

"She is here with Antoine Marceau, the log-brander," Crossman answered unsteadily. "She takes care of our cabin, Jakapa's and mine."

"Is that _all_?" the Priest demanded.

Her eyes challenged him. What, indeed, was she to him? What _was_ she? From the moment he had followed her into the boreal night, with its streaming lights of mystery and promise, she had held his imagination and his thoughts.

"Is that _all_?" the Priest insisted.

"You insult both this girl and me," Crossman retorted, stung to sudden anger.

"_Dieu merci_!" the Curé made the sign of the cross as he spoke. "As for this woman, send her away. She is _not_ the wife of Antoine Marceau; she is not married--she _will_ not be."

In spite of himself a savage joy burned in Crossman's veins. She was the wife of no man; she was a free being, whatever else she was.

"I do not have to marry," she jeered. "That is for the women that only one man desires--or perhaps two--like some in your parish, _mon père_."

"She is evil," the Priest continued, paying no attention to her sneering comment. "I know not what she is, nor who. One night, in autumn, in the dark of the hour before morning, she was brought to me by some Indians. They had found her, a baby, wrapped in furs, in an empty canoe, rocking almost under the Grande Falls. But I tell you, and to my sorrow, I _know_, she is evil. She knows not God, nor God her. You, whose soul is sick, flee her as you would the devil! Aurore, the Dawn! I named her, because she came so near the morning. Aurore! Ah, God! She should be named after the blackest hour of a witch's Sabbath!"

She laughed. It was the first time Crossman had heard her laugh--a deep, slow, far-away sound, more like an eerie echo.

"_He_ has a better name for me," she said, casting Crossman a look whose intimacy made his blood run hot within him. "'The Black Dawn'--_n'est-ce-pas?_ Though I _have_ heard him call me in the night--by another name," with which equivocal statement she swung the axe into the curve of her arm, turned on her heel, and softly closed the door between them.

The Priest turned on him. "My son," his eyes searched Crossman's, "you have not lied to me?"

"No," he answered steadily. "Once I called her the Aurora Borealis--that is all. To me she seems mysterious and changing, and coloured, like the Northern Lights."

"She is mysterious and changing and beautiful, but it is not the lights of the North and of Heaven. She is the _feu follet_, the will-o'-the-wisp that hovers over what is rotten, and dead. Send her away, my son; send her away. Oh, she has left her trail of blood and hatred and malice in my parish, I know. She has bred feuds; she has sent strong men to the devil, and broken the hearts of good women. But _you_ will not believe me. It is to Jakapa I must talk. _Mon Dieu_! how is it that he let her come! You are a stranger, but he----"

"Jakapa wished for Antoine, and she was with him," explained Crossman uneasily, yet resentful of the Priest's vehemence.

"I can not wait." The Curé rose and began repinning his clerical garments. "Where is Jakapa? Have you a pair of snowshoes to lend me? You must forgive my agitation, Monsieur, but you do not understand--I--which way?"

"He should be at Mile End, just above the Bijou. Sit still, Father; I will send for him. The wind sets right. I'll call him in." Slipping on his beaver jacket, he stepped outside and struck two blows on the great iron ring, a bent rail, that swung from its gibbet like a Chinese gong. A singing roar, like a metal bellow, sprang into the clear, unresisting air, leaped and echoed, kissed the crags of the Bijou and recoiled again, sending a shiver of sound and vibration through snow-laden trees, on, till the echoes sighed into silence. Crossman's over-sensitive ear clung to the last burring whisper as it answered, going north, north, to the House of Silence, drawn there by the magnet of Silence, as water seeks the sea. For a moment he had almost forgotten the reason for the smitten clamour, hypnotized by the mystery of sound. Then he turned, to see Aurore, a distant figure of scarlet and black at the edge of the wood road, shuffling northward on her long snowshoes, northward, as if in pursuit of the sound that had gone before. She raised a mittened hand to him in ironic salutation. She seemed to beckon, north--north--into the Silence. Crossman shook himself. What was this miasma in his heart? He inhaled the vital air and felt the rush of his blood in answer, realizing the splendour of this beautiful, intensely living world of white and green, of sparkle and prismatic brilliance. Its elemental power like the urge of the world's youth.

But Aurore? His brain still heard the echo of her laugh. He cursed savagely under his breath, and turned his back upon the Curé, unable to face the scrutiny of those kind, troubled eyes.

"Jakapa will be here presently," he said over his shoulder. "That gong carries ten miles if there's no wind. One ring, that's for the Boss; two, call in for the whole gang; three, alarm--good as a telegraph or the telephone as far as it goes. Meanwhile, if you'll excuse me, I'll have a look at the larder."

Without a doubt, he reasoned, Aurore would have left their mid-day meal ready. She would not return, he knew, until the guest had gone. In the little overheated cook-house he found the meal set out. All was in order. Then his eye caught a singular decoration fastened to the door, a paper silhouette, blackened with charcoal, the shape of a cassocked priest. The little cut-out paper doll figure was pinned to the wood by a short, sharp kitchen knife driven viciously deep, and the handle, quivering with the closing of the door, gave the illusion that the hand that had delivered the blow must have only at that instant been withdrawn.

Crossman shivered. He knew that world-old formula of hate; he knew of its almost innocent use in many a white caban, but its older, deeper meaning of demoniacal incantation rushed to his mind, somehow blending with the wizardry with which he surrounded his thoughts of the strange woman.

A step outside crunching in the snow. The door opened, revealing Antoine Marceau. The huge form of the log-brander towered above him. He could not read the expression of the eyes behind the square-cupped snow spectacles.

"She tell me, Aurore," he rumbled, "that I am to come. We have the company."

"Yes, the Curé of Portage Dernier." Crossman watched him narrowly.

Antoine took off the protecting wooden blinders and thrust them in his pocket.

Crossman stood aside, hesitating. Antoine drew off his mittens with businesslike precision, and placed a huge, capable hand on a pot-lid, lifted it, and eyed the contents of the saucepan.

"The Curé, he like ptarmigan," he observed, "but," he added in a matter-of-fact voice, "the Curé like not Aurore--he have tell you, _hein_? Ah, well, why not? For him such as Aurore _are_ not--_voilà_."

"The Curé says she is a devil." Crossman marvelled at his temerity, yet he hung on the answer.

"Why not? For him, as I have say, she _is_ not--for _me_, for _you_, ma frien', _that_ is different." Antoine turned on him eyes as impersonal as those of Fate; where Crossman had expected to see animosity there was none, only a strange brotherhood of pitying understanding.