Chapter 22

The near horse knew the game, knew how to lead the others. That was Annie's salvation. As she swung into the field she had a struggle with the knife, but it dropped into place, and the first of the golden harvest fell before it squarely, cleanly; the stubble was even behind it. She watched the broad backs of her team, a woman in a dream. She did not know how she drove them; the lines were heavy in her hands, dragged at her arms. It was hot, and sweat rolled down her forehead. She wished vaguely that she had remembered to put on her sunbonnet.

Behind her came Unc' Zenas and Aunt Dolcey, setting the sheaves into compact, well-capped stocks, little rough golden castles to dot this field of amazing conflict.

And now the reaper had come to the corner. Unc' Zenas straightened himself and watched anxiously. But his faith in the near horse was justified--the team turned smoothly, Annie lifted the blade and dropped it, and they started again, only half visible now across the tall grain.

Annie's wrists and back ached unbearably, the sweat got in her eyes, but she drove on. She thought a little of Wes, and how he had looked when she picked up that butcher knife. She thought of his heavy hand on her shoulder, and her flesh burned where he had grasped it.

"I'm going to cut this wheat if it kills me." she said over and over to herself in a queer refrain. "I'm going to cut this wheat if it kills me!" She thought probably it would. But she drove on.

She made her second corner successfully, and now the sun was at her back, and that gave her a little ease. This wheat was going to be cut, and hauled to the thresher, and sold in the market, if she did every bit of the work herself. She would show Wes Dean! Let him try to stop her--if he dared!

And there would be money enough for everything the baby might want or might need. Her child should not be born to poverty and skimping. If only the sun didn't beat so hard on the back of her neck! If only her arms didn't ache so!

After countless hours of time she overtook Dolcey and Zenas, and the old woman divined her chief discomfort. She snatched the sunbonnet off her own head and handed it up to her.

"Marster in hebben, ef I only had my stren'th!" muttered Zenas as she went on.

"Angels b'arin' dat chile up wid deir wings," chanted Aunt Dolcey. Then, descending to more mundane matters, she added a delighted chuckle: "I knowed she'd rise en shine one dese days. Holler at Marse Wes she did, name him names, plenty. Yessuh--laid him out!"

"What you s'pose he up to now?" asked Zenas, looking over his shoulder.

"I dunno--but I bet you he plumb da'nted. Zenas, lak I tol' you--man may hab plenty debbilment, rip en t'ar, but he'll stan' back whenas a ooman meks up her min' she stood enough." And Aunt Dolcey had never heard of Rudyard Kipling's famous line.

"Dat chile might kill he'se'f."

"When yo' mad yo' kin 'complish de onpossible, en it doan' hurt yo'," replied Dolcey, thus going Kipling one better.

But she watched Annie anxiously.

The girl held out, though the jolting and shaking racked her excruciatingly and the pull of the reins seemed to drag the very flesh from her bones. Now and then the golden field swam dark before her eyes, the backs of the horses swelled to giant size and blotted out the sun. But she kept on long after her physical strength was gone; her endurance held her. Slowly, carefully, the machine went round and round the field, and the two bent old figures followed.

And so they came to mid-morning. They had long since ceased to look or care for any sign of the young master of the land. None of them noticed him, coming slowly, slowly from the stables, coming slowly, slowly to the field's edge and standing there, watching with unbelieving, sullen eyes the progress of the reaper, the wavering arms that guided the horses, the little shaken blue figure that sat high in the driver's seat. But he was there.

It is said of criminals that a confession can often be extracted by the endless repetition of one question alone; they cannot bear the pressure of its monotony. Perhaps it was the monotony of the measured rattle and clack of the machine going on so steadily that finally impelled Wes Dean, after his long frowning survey of the scene, to vault the low stone wall and approach it.

Annie did not check the horses when she saw him; she did not even look at him. But he looked at her, and in her white face, with the dreary circles of utter fatigue shadowing her eyes, his defeat was completed. He put his hand on the bit of the nearest horse and stopped the team.

Then she looked at him, as one looks at a loathsome stranger.

"What you want?" she asked coldly.

He swallowed hard. "Annie--I'll--I'll cut the wheat, le'me lift you down off there." He held out his arms.

She did not budge. "You going to cut it all--and haul it down to the thresher?"

"Yes--yes, I will. Gee, you look near dead--get down, honey. You go in the house and lay down--I'm afraid you'll kill yourself. I'm afraid you'll hurt--him some way."

Still she did not move. "I'd ruther be dead than live with a man that acts like you do," she said. "Grown up, and can't handle his temper."

Something in her quiet, cold scorn struck through to him and cut away forever his childish satisfaction with himself. A new manhood came into his face; his twitching, sinister vein was still. Surrender choked him, but he managed to get it out:

"I know I acted like a fool. But I can't let you do this. I'll--I'll try to----"

The words died on his lips and he leaped forward in time to catch her as she swayed and fell, fainting.

An hour later Annie lay on the lounge in the sitting room, still aching with terrible weariness, but divinely content. Far away she could hear the steady susurrus of the reaper, driven against the golden wheat, and the sound was a promise and a song to her ears. She looked up now and then at the pictured face of Wes's father, frowning and passionate, and the faint smile of a conqueror curved her tired mouth. For she had found and proved the strongest thing in the world, and she would never again know fear.

THE TRIBUTE

By HARRY ANABLE KNIFFIN

From _Brief Stories_

The Little Chap reached up a chubby hand to the doorknob. A few persistent tugs and twists and it turned in his grasp. Slowly pushing the door open, he stood hesitating on the threshold of the studio.

The Big Chap looked up from his easel by the window. His gray eyes kindled into a kindly smile, its welcoming effect offset by an admonitory headshake. "Not now, Son," he said. "I'm busy."

"Can't I stay a little while, Daddy?" The sturdy little legs carried their owner across the floor as he spoke. "I'll be quiet, like--like I was asleep."

The Big Chap hesitated, looking first at his canvas and then at the small replica of himself standing before him.

"I got on my new pants," the youngster was saying, conversationally easing the embarrassment of a possible capitulation. "Mummy says I ought to be proud of them, and because I'm five years old."

The artist looked gravely down at him. "Proud, Son?" he asked, in the peculiar way he had of reasoning with the Little Chap. "Have you reached the age of five because of anything you have done? Or did you acquire the trousers with money you earned?"

The Little Chap looked up at him questioningly. He had inherited his father's wide gray eyes, and at present their expression was troubled. Then, evidently seeking a more easily comprehended topic, his eyes left his father's and sought the canvas on which was depicted a court scene of mediaeval times. "Who is that, Daddy?" His small index finger pointed to the most prominent figure in the painting.

His father continued to regard him thoughtfully. "One of England's proud kings, Son."

"And what did _he_ do to be proud of?" came quickly from the youthful inquisitioner.

A hearty laugh escaped the artist. "Bully for you, Son! That's a poser! Aside from taxing the poor and having enemies beheaded, I'm puzzled to know what he really did do to earn his high position."

The Little Chap squirmed himself between his father's knees and started to scale the heights to his lap, where he finally settled down with a sigh of comfort. "Tell me a story about him," he said eagerly. "A story with castles, 'n' wars, 'n' everything."

The artist's gaze rested on the kingly figure in the picture, then wandered away to the window through which he seemed to lose himself in scenes of a far-distant time.

"I'll tell you a story, Son," he began, slowly and ruminatingly, "of how Loyalty and Service stormed the Stronghold of Honour and Splendour. This proud king you see in the picture lived part of the time in the great castle of Windsor, and the balance of the year in Saint James's Palace in London."

"It must have cost him a lot for rent," wisely interpolated the Little Chap.

"No, the people paid the rent, Son. Some of them were glad to do it, for they looked upon their king as a superior being. Among this class of loyal subjects was an old hatter, very poor and humble."

"What was his name?" asked the Little Chap, apparently greatly interested.

"He had no name. People in those olden days were known by their trade or calling. So he was simply called 'the hatter'."

"And did he make nice hats?"

"I've no doubt he did, Son. But you mustn't interrupt. Well, the hatter paid his tithes, or taxes, after which, I dare say, he had little enough left to live on. But he appeared not to mind. And whenever the King and Queen rode through the streets in their gilded coach of state, his cracked old voice would cheer lustily, and his hoary head would be bared in deepest reverence."

"Didn't he ever catch cold?"

"Hush, Son, I'm telling a story! As the hatter grew older he lost his wits and became quite crazy on the subject of his king. He yearned to do something to prove his loyalty. And whenever England engaged in a war, and a proclamation was issued calling for men to fight for King and country, he would be one of the first to volunteer. But they never accepted him, of course, because he was so old.

"With the passing of the years the Queen died, and the King decided to marry again. Great preparations for the ceremony were begun at Westminster Abbey, where the wedding was to take place. The old hatter became greatly excited when he heard the news. His addled wits presently hit upon a wonderful scheme by which he could both honour and serve his sovereign: _He would make the King a hat to wear at his wedding_!"

"I guess he must 've been a good hatter, after all," the Little Chap murmured, in a tone of conviction.

"Perhaps, in his time," his father conceded. "But you must remember he now was old and foolish. His materials were merely such odds and ends as he could gather together, and the result was very disreputable-looking. But in his rheumy old eyes it was the most wonderful hat ever designed for a monarch. He carefully wrapped it in a soiled old cloth and started out to present it to the King. At the palace gates the guards refused him admittance, and cruelly laughed in his face. He tried every means he could think of to have the hat reach its destination. Once he stopped the Court Chamberlain on the street, only to be rebuked for his pains. Another time he waylaid a peer, as he left the House of Lords, and was threatened with arrest. Foiled in all his attempts, the cracked-brained old fellow impatiently awaited the wedding ceremony. At last the great day arrived. All the bells of old London were ringing blithely as the gilded coach, drawn by ten white horses, deposited the King at Westminster Abbey. In the forefront of the vast throng surrounding the entrance stood the hatter."

"And did he have the hat with him?" asked the Little Chap.

"Yes, Son, he had it with him. And when the King entered the portals of the ancient Abbey, the hatter somehow broke through the line of guards and ran after him crying 'Your Majesty! Your Majesty! Deign to accept this token of a loyal subject's regard!'

"The King turned in surprise And when he saw the ragged old fellow tending him the ridiculous-looking hat, he flew into a great rage and cried angrily: 'How comes this varlet here, interrupting his Sovereign's nuptials and desecrating our Tomb of Kings? Away with him to prison, and let him repent his insolence as he rots in a dungeon!'"

"Why did he do that, Daddy?"

"The Sovereign, Son, was a very proud king, while the hatter was both poor and humble. And at his words the guards hurried forward and hustled the old man out of the Abbey, where his presence was an insult to the Great. In the struggle the hat rolled into the gutter, and one of the King's white horses put his hoof through it. The hatter cried like a child when he saw the work of his loving hands thus ruined. But they carried him off to prison and kept him shut up there until he died and paid the penalty for his crime of desecrating the Abbey."

"Oh, the poor old hatter! But is that the end of the story, Daddy?" The Little Chap's disappointment was markedly pronounced.

"No, Son, there is a little more to come. I meant to tell you that the hatter had reared a large family of boys. His sons all married and, in turn, raised large families. These numerous relatives or kin took the name of Hatterskin. In course of time that became shortened to Hatkins, and so remained until the British habit of dropping their H's reduced it to Atkins.

"At last the proud King died and was buried with great ceremony in the Abbey. Year followed year, and century succeeded century. England, although blessed with a Royal pair both humane and good, was ruled by an even wiser monarch--the Sovereign People.

"Then came an August day when the black thunder-cloud of war darkened her smiling horizon. Four bloody, terrible years the conflict lasted. And when at last an armistice was signed, the stricken people went wild with joy."

The Big Chap's gaze returned to the canvas with its scene of mediaeval splendour. A mystic light smouldered in his eyes as, unconscious of his surroundings and his youthful auditor, he continued: "On the second anniversary of that happy day an unprecedented thing happened. Before the ancient Abbey a gun carriage, bearing the flag-draped casket of an unidentified warrior, came to rest on the very spot where the gilded coach of the proud King once had stopped. Again the square was crowded, as on that day in the long ago when the poor hatter foolishly tried to honour his sovereign. The traditions of centuries toppled when the body of the unknown soldier passed through those storied portals followed by the King of England as chief mourner. In the dim, historic chapel the king stood, in advance of princes, prime ministers, and the famous leaders of both army and navy. Like the humble hatter of old his royal head was reverently bared as the nameless hero was laid among the silent company of England's illustrious dead. 'The Boast of Heraldry and the Pomp of Power' bowed in silent homage before the remains of a once common soldier. Thus Loyalty and Service eventually stormed the Stronghold of Honour and Splendour!"

For a moment there was an impressive, brooding silence, broken presently by the Little Chap. "And what was the soldier's name, Daddy?"

Recalled from his revery, the father answered:

"_He was known, Son, as Tommy Atkins_."

The Little Chap's brow was puckered in thought. At last he laughed delightedly and clapped his hands. "Was the soldier, Daddy, one of the hatter's family--the poor old hatter who was thrown out of the Abbey?"

The Big Chap lifted the child from his lap and placed him on his feet. Then he picked up a brush and turned to his painting.

"I like to think so, Son. But only God knows."

THE GETAWAY

By O.F. LEWIS

From _Red Book_

Old Man Anderson, the lifer, and Detroit Jim, the best second-story man east of the Mississippi, lay panting side by side in the pitch-dark dugout, six feet beneath the surface of the prison yard. They knew their exact position to be twenty feet south of the north wall, and, therefore, thirty feet south of the slate sidewalk outside the north wall.

It had taken the twain three months and twenty-one days to achieve the dugout. Although there was always a guard somewhere on the north wall, the particular spot where the dugout had come into being was sheltered from the wall-guard's observation by a small tool-house. Also whenever the pair were able to dig, which was only at intervals, a bunch of convicts was always perched on the heap of dirt from various legitimate excavations within the yard, which Fate had piled up at that precise spot. The earth from the dugout and the earth from these other diggings mixed admirably.

Nor, likewise because of the dirt-pile, could any one detect the job from the south end of the yard. If a guard appeared from around the mat-shop or coming out of the Principal Keeper's office, the convicts sunning themselves on the dirt-pile in the free hour of noon, or late in the afternoon, after the shops had closed, spoke with motionless lips to the two diggers. Plenty of time was thus afforded to shove a couple of boards over the aperture, kick dirt over the boards, and even push a barrow over the dugout's entrance--and there you were!

One minute before this narrative opens, on July 17th, a third convict had dropped the boards over the hole into which Old Man Anderson, the lifer, and Detroit Jim, had crawled. This convict had then frantically kicked dirt over the boards, had clawed down still more dirt, to make sure nothing could be seen of the hole--had made the thing look just like part of the big dirt-pile indeed--and then had legged it to the ball-game now in progress on this midsummer Saturday afternoon, at the extreme south end of the yard, behind the mat-shop.

Dirt trickled down upon the gray hair of Old Man Anderson in the dark and stuffy hole he shared with his younger companion. But the darkness and the stuffiness and the filtering dirt were unsensed. Something far more momentous was in the minds of both. How soon would Slattery, the prison guard, whom they knew to be lying dead in the alley between the foundry and the tool-shop, be found? For years Slattery had been a fairly good friend to Old Man Anderson, but what did that count in the face of his becoming, for all his friendship, a last-minute and totally unexpected impediment to the get-away? He had turned into the alley just when Old Man Anderson and Detroit Jim were crouching for the final jump to the dugout! A blow--a thud--that was all....

Anderson lay now, staring wide-eyed into the black nothing of the hole. For the second time he had killed a man, and God knew he hadn't intended to--either time! Fourteen years ago a man had tried to get his wife away from him, while he was serving a one-year bit in the county jail. Both men had had guns, and Old Man Anderson had killed the other or he would have been killed himself. So that was no murder at all! And as for Slattery--big, heavy, slow-moving, red-faced Slattery--Old Man Anderson would even have gone out of his way to do the guard a favour, under ordinary circumstances. But as between Slattery and the chance to escape--that was different.

Old Man Anderson rubbed his right hand in the dirt and held it before his eyes in the blackness. He knew that the moisture on it was Slattery's blood. The iron pipe in Old Man Anderson's hands had struck Slattery on the head just once, but once was enough.

Old Man Anderson burst into hiccoughing sobs. The younger convict punched him in the ribs, and swore at him in muffled tones. Anderson stifled his sobs then, but continued to sniffle and shiver. This time it would absolutely be The Chair for him--if they got him! In a few minutes they couldn't help discovering Slattery. Anderson never could give himself up now, however this business of the dugout and the hoped-for old sewer conduit should finally turn out. In the beginning he had counted on crawling out, if worst came to worst, and surrendering. But to crawl out now meant but one thing--The Chair!

In all his fourteen years behind the walls the vision of The Chair had terrorized the old man. When they had sent him to prison his first cell had been in the death-house, separated from The Chair only by a corridor that, they told him, was about twenty feet long, and took no more than five seconds to traverse--with the priest. Until they changed his cell, the gaunt, terrible Thing in the next room edged every day nearer, nearer, nearer, looming, growing, broadening before his morbid vision until it seemed to have cut off from his sight everything else in the world--closer, closer until it was only seven incredible hours away! Then had come the commutation of his sentence from death to life!

The next day Old Man Anderson, gray-haired even then, went out from the death-house among his gray-clad fellows, but straight into the prison hospital, where for three months be lay a victim of chair-shock just as surely as was ever a man shell-shocked on the Flanders front. And never since had the hands of the man wholly ceased to quiver and to shake.

Now he was a murderer for the second time! In the blackness he stretched out his hand, and ran it over a stack of tin cans. Detroit Jim had been mighty clever! Canned food from the storehouse, enough to last perhaps two weeks! Detroit Jim had had a storehouse job. Twice a day, during the last ten days, the wiry little ferret-faced second-story man had got away with at least one can from the prison commissary. Also he had provided matches, candles, and even a cranky little flashlight. Only chewing tobacco, because you can smell smoke a long way when you are hunting escaped convicts. And a can of water half the size of an ash can!

Despair fastened upon Old Man Anderson, and a wave of sickness swept over him. All the food in the world wouldn't bring Slattery back to life. And again that Thing in the death-house rose before his mind's eyes. Throughout all the years he had carried a kind of dread that sometime a governor might come along who would put back his sentence where it had been at first--and then all his good behaviour in these endless years would count for nothing. Until Detroit Jim had told him about the long-forgotten sewer conduit, he had never even thought to disobey the prison rules.

The old man's teeth chattered. Detroit Jim's thin fingers tugged at his sleeve. That meant getting busy, and digging with the pick with the sawed-off handle. So Anderson wriggled into the horizontal chamber, which was just large enough to permit his body and arms to function.

As he hacked away at the damp earth, he could see in the pitch darkness the dirty sheet of paper, now in Detroit Jim's pocket, upon which their very life depended. It was a tracing made by a discharged convict from a dusty leather-covered book in the public library in New York, sent in by the underground to Jim. The book had contained the report of some forgotten architect, back in the fifties of the last century, and the diagram in his report showed the water and sewage conduit--in use! It ran from the prison building, right down across the yard, six feet under ground, and out under the north wall, under the street outside, and finally into the river. Built of brick, four feet wide, four feet high. A ready-made tunnel to freedom!

Old Man Anderson could hear Detroit Jim's hoarse whisper now, as he chopped away at the dirt, which he shoved back under his stomach, to where Jim's fingers caught it and thrust it farther back.

"We're only a couple of feet from that old conduit right now. Dig, you son of a gun, dig! Can the snifflin'! You dig, and then I'll dig!"