Chapter 9

Then Mr. Dominique Raffin loomed dark on the horizon. Mr. Raffin did not loom as dark as he might have loomed, however, because he was half white. He hailed from Haiti, and was the son of a French sailor and a transplanted Congo wench. He was slight of build and shifty of eye. His excuse for being was a genius for music. He could play anything, could this pasty Dominique, but of all instruments he was at his tuneful best on the alto saxophone.

"Lawd! _Oh_, Lawd!" his audience would ejaculate, as with closed eyes and heads thrown back they would drink in the sonorous emanations from the brazen tube. "Dat's de horn ob de Angel Gabriel--dat's de heabenly music ob de spears!" And so Dominique's popularity grew among the ladies of San Juan, even if among the gentlemen it did not.

To tell the truth, Dominique was something of a beau. Because he played in an orchestra, he had ample opportunity to study the deportment of people who passed as fashionable. His dress was immaculate; his hair was not so kinky that it couldn't be plastered down with brilliantine, and he perfumed himself copiously. His fingers were heavily laden with rings. Dominique's voice was whining--irritating.

His native tongue was French, but he had learned to speak English in Jamaica. Thus his accent was a curious mixture of French and Cockney, lubricated with oily African.

Altogether, it is not to be wondered that such sturdy sons of Ham as Ambrose disliked the snaky Mr. Raffin. Disliked him the more when his various musical and cultural accomplishments made him a general favourite with the ladies. And then, when he absolutely cut Mr. Travis from the affections of Miss Tate, the wrath of the blacker and more wholesome San Juan citizens knew no bounds.

As for Ambrose--he sulked. Even his friends, the fur-lined tenants of Swalecliffe Arms, noticed that something worried the swart guardian of their gate. In the evenings Ambrose gave his entire time to frenzied rolling of the bones and was surprised to see that here, at least, luck had not deserted him.

On the few occasions when he forsook the green baize for an evening's dancing at the St. Benedict Young People's Guild, the sight of the coveted Miss Aphrodite whirling in the arms of the hated Raffin almost overcame him.

Finally the lovesick Mr. Travis decided to call upon the lady of his heart and demand an explanation. After some rehearsal of what he wanted to say, Ambrose betook himself to the tenement in which the Tate family dwelt. At sight of her cast-off swain, Miss Aphrodite showed the whites of her eyes and narrowed her lips to a thin straight line--perhaps an inch and a half thin. Evidently she was displeased.

Aphrodite opened the interview by inquiring why she was being pestered and intermediated by a low-down black nigger that didn't have no mo' brains than he had manners. Her feelings was likely to git the better of her at any moment; in which event Mr. Travis had better watch out, that was all--jest watch out.

The astounded Mr. Travis did his best to pacify this Amazon; to explain that he had merely come to inquire the reason for her displeasure; to learn in what respect Mr. Raffin had proved himself so sweetly desirable.

The answer was brief and crushing. It seemed that where Mr. Travis was a big, bulky opener of doors, Mr. Raffin was a sleek and cultured Chesterfield--a musician--an artist. Where Mr. Travis could not dance without stepping on everybody in the room, Mr. Raffin was a veritable Mordkin. Where Mr. Travis hung out with a bunch of no-good crap-shooting black buck niggers, Mr. Raffin's orchestral duties brought him into the most cultured s'ciety. In short, the yellow man from Haiti was a gentleman; the black man from Texas was a boor.

This unexpected tirade made the unhappy Ambrose a trifle weak in the knees. Then pride came to the rescue, and he drew himself to his full and towering six feet five. He held out his mammoth hands before Miss Aphrodite and warned her that with them, at the first provocation, he would jest take and bust Mr. Raffin in two. This done, he would throw the shuddering fragments into the street, and with his feet--Exhibit B--would kick them the entire length and breadth of the neighbourhood.

This threat only aroused new fires of scorn and vituperation, and Miss Tate informed her guest that, should he ever attempt the punitive measures described, Mr. Raffin would cut him up into little pieces. It seemed that Mr. Raffin carried a knife, and that he knew how to use it.

Mr. Travis snorted at this, and stamped out of the Tate apartment.

At his exit, doors closed softly on every floor, because the neighbours had listened to the tête-à-tête with intense interest. Even people in the next house had been able to hear most of it.

Ambrose made his furious way toward the Social Club, his mind set on mortal encounter with the hated Dominique. But--here was an inspiration!--why not win his money away from him first? To win away his last cent--to humble him--to ruin him--and then to break him in two and kick the pieces through the San Juan causeways, as per programme! This would be a revenge indeed!

Ambrose noted with satisfaction that Mr. Raffin was already at play, and crossing the smoke-filled room he threw down some money and took his place in the game.

Now, Mr. Travis was ordinarily a very garrulous and vociferous crap shooter, but to-night he was savagely silent. There was a disturbing, electric _something_ in the air that the neutrals felt and feared. There was a look in the Travis eye that boded ill for somebody, and one by one the more prudent gamesters withdrew.

Then suddenly the storm broke.

Later accounts were not clear as to just what started the fray, but start it did.

Dominique's knife appeared from some place, and the table crashed. Then the knife swished through space like a hornet and buried its point harmlessly in a door across the room.

What followed is still a subject of wondering conversation on San Juan Hill.

It seems that Mr. Travis seized Mr. Raffin by the collar of his coat, and swung him round and round and over his head. Mr. Raffin streamed almost straight out, like the imitation airplanes that whirl dizzily about the tower in an amusement park. Suddenly there was a rending of cloth, and Dominique shot through the air to encounter the wall with a soul-satisfying thump.

Ambrose looked bewildered at the torn clothing he held in his hand, and then at the limp form of his late antagonist. Mr. Raffin lay groaning, naked from the waist up.

Ambrose strode across to administer further chastisement, but was halted by a cry from one of the onlookers. This man stood pointing at Dominique's naked back--pointing, and staring with eyes that rolled with genuine negro terror.

"Look!" gasped the affrighted one. "Look! It's de Voo-doo Eye-- _dat man's a witch_! Ambrose, fo' de Lawd's sake, git away from hyar!"

"What you-all talkin' about?" scoffed Ambrose, striding closer, and rolling Dominique so that the light shone full on his back. "What you-all talkin'----_Good Lawd_"!

This last ejaculation from Ambrose was caused by the sight that met his gaze.

There, on the yellow back before him, reaching from shoulder to shoulder, was tattooed the likeness of a great human eye!

Everyone saw it now. To some--the Northern darkies--it meant nothing. But to the old-school Southern negroes it meant mystery--magic--death. _It was the sign of the Voodoo_!

Several of the more superstitious onlookers retreated in poor order, their teeth chattering. Their mammies had told them about the Voodoo Eye. They remembered the tales whispered in the slave quarters about people being prayed to death by these baleful creatures of ill omen! They weren't going to take any chances!

Ambrose, for all his natural courage, was shaken. He remembered old Tom Blue, the Texas Voodoo, who poisoned twenty-one people and came to life after the white men lynched him. And now he had laid rough hands on one of the deadly clan; had brought upon himself the wrath of a man who could simply _wish_ him to death!

Trembling, he stooped down and looked at the Devil's Sign. He looked again--closely. Then he broke out into a ringing peal of wholesome darky laughter.

"Git up!" he shouted, as Dominique showed signs of life. "Git up, Mr. Voodoo, befo' Ah gits impatient an' throws you out de window!"

This recklessness--this defiance of the dread power--shocked even the least superstitious of the audience. By this time they were all under the spell of this mysterious mark. Those who hadn't recognized it at once had been quickly enlightened by the others.

Ambrose seized Dominique by the shoulder and dragged him to his feet. Swaying unsteadily, the mulatto looked around him through eyes closed to snakelike slits.

"Raffin," said Ambrose, "you-all has on yo' back de Eye ob Voodoo. Dese gennlemen hyar thinks yo' _is_ a Voodoo. Ah know yo' _ain't_!"

"I _am_ a Voodoo! An' you, you _sacré cochon_," hissed Raffin, "I'll make you wish you had nevaire been born!"

"Well, jes' fo' de present," laughed Ambrose, good humour spreading all over his face, "you-all had better git outa my way, an' stay _out_! Git outa hyar _quick_!"

Dominique, his evil face twitching with fury, picked up the ragged shreds of his coat and walked unsteadily out.

At his exit a dead silence fell upon the remaining members. Then they gathered together in excited groups and discussed the incident in heated undertones. Ambrose, quite unconcerned, took up a pack of cards and commenced a game of solitaire.

He wasn't worrying. He knew that Dominique was no more a Voodoo than he was. Startled at first, he had noticed that the eye had not been carved in Dominique's back, as it should have been, but had been tattooed. This in itself made the thing doubtful. But more than this, the marks were the unmistakably accurate work of an electric tattooing machine.

Ambrose had spent his youth on the Galveston water front, and knew tattooing in all its forms. Electric tattooing on a Voodoo was about as much in keeping with the ancient and awesome dignity of the cult as spangled tights would be on the King of England. No--it was ridiculous. Dominique was not a Voodoo!

Ambrose continued his solitaire, humming as he played. Occasionally he cast an amused eye at the excited groups across the room, and was not surprised when Mr. Behemoth Scott, president of the club, at last came over to him.

"Mistah Travis," began Mr. Scott deferentially, clearing his throat, "would you-all be good enough to jine our little gatherin' while we confabulate on dis hyar recent contabulaneous incident?"

"Suttingly, Mr. Scott, suttingly!" said Ambrose, pushing back his chair, and crossing the room with the quaking official. "What can Ah do fo' you-all?"

"Well, jest this," said Mr. Scott. "You gennlemen kin'ly correc' me or bear out what Ah say. Leavin' aside all argument whether they _is_ sech things as Voodoos, Ah guess any of you gennlemen from the South will remember Aunt Belle Agassiz and Tom Blue. Ah guess yo' mammies all done tole 'bout the African Voodoos, an' how ebery now an' den one of 'em crops up still. An' Ah guess dat we've seen to-night dat we've got a Voodoo among us. Now, Mr. Travis"--here he turned to Ambrose--"we know what Aunt Belle Agassiz done on de Mathis Plantation in Georgia--_you_ ought to know what Tom Blue did in Texas. So we wants to warn you, as a fren' an' membah of dis club in good standin', dat you better leave town to-night."

An assenting murmur arose from the crowd, with much rolling of eyes and nodding of heads.

Ambrose held up his hand for silence. A serious expression came over his features, and he towered tall and straight before them.

"Gennlemen," he said, "Ah sho appreciates yo' good sperit in dis hyar unfo'tunate affair. But Ah tells you-all hyar an' now dat Dominique Raffin ain't no mo' Voodoo den Ah is. Now, Ah ain't sayin' dat he _ain't_ a Voodoo, an' Ah ain't sayin' dat Ah _am_ one. All Ah says is dat Ah's as _much_ of a Voodoo as he is--an' Ah'm willin' to prove it!"

"How you-all do dat, Ambrose?" asked somebody.

"Ah'm comin' to dat," replied Ambrose. "If you-all wants to decide dis mattah beyont all doubt, Ah respekf'ly suggests dat we hold a _see_-ance in dis hyar room, under any c'nditions dat you-all kin d'vise. If Ah cain't show yo mo' supernat'ral man'festations dan he can, Ah gives him fifty dollahs. If it's de oder way 'roun', he leaves de city within twenty-fo' hours. Is dat fair?"

"Well, it suttinly soun's puff'cly jest," replied Mr. Scott. "We-all will appint a committee to frame de rules of de _see_-ance, an' make 'em fair fo' both. You's been willin' to prove yo'-se'f, Ambrose, an' yo' couldn't do mo'. If dis m'latter Voodoo don't want to do lak'wise, he can leave dese pahts moughty sudden. Ain't dat so, gennlemen?"

"Yassuh--he'll leave _quick_!" was the threatening reply.

"All right den, Ambrose," continued the spokesman, "we'll 'range fo' dis sperit-summonin' contes' jes' as soon as we kin. We'll have it nex' Satiddy night at lates'. Meanwhile we-all is moughty obleeged to yo' for yo' willin'-ness to do de right thing."

The great night arrived, and San Juan, dressed in its gala finery, wended its chattering way to the Senegambian séance. But beneath the finery and the chatter ran a subtle under-current of foreboding, for your negro is superstitious, and, well, _Voodoos are Voodoos_!

Dominique Raffin, dressed in somber black, went to the club alone and unattended save by Miss Aphrodite Tate. San Juan, fearing the Raffin mulatto and his ghostly powers, had held its respectful distance ever since the evening when Ambrose and his rage had revealed them. Familiarity breeding contempt, Miss Aphrodite knew her man, and feared him not.

They found the rooms of the social club full of excited negroes, for never before in San Juan's history had such a momentous event been scheduled. Raffin and Aphrodite were received with a fearsome respect by Behemoth Scott, who had been appointed master of ceremonies.

"Jes' make yo'se'f to home," he greeted them. "Mista Travis ain't come yit; we has ten minutes befo' de contes' styarts."

At last, with a bare minute to spare, Ambrose smilingly entered. He wore his splendid full-dress suit, a wonderful creation of San Juan's leading tailor, who, at Ambrose's tasteful suggestion, had faced the lapels with satin of the most royal purple. Set out by this background of colourful lapel was a huge yellow chrysanthemum, while on the broad red band that diagonally traversed his shining shirt front glittered like a decoration, the insignia from his Swalecliffe uniform cap.

"Good evenin', folks," was his cheerful greeting. "If you-all is quite ready fo' dis _see_-ance, an' provided mah--er--wuthy opponent am ready, Ah'd jes' as soon _pro_ceed."

Miss Aphrodite gazed on the imposing figure of Ambrose with more than a little admiration. Comparing him with the trembling Raffin, she found much in his favour.

All but his footwear. Accustomed as she had become to the glistening patent leathers affected by Raffin, Ambrose's clumsy congress gaiters somewhat marred his gorgeousness. Nevertheless, she felt her affections wavering. Her speculations were interrupted by the voice of the master of ceremonies:

"Ladies an' gennlemen," began Mr. Scott, "we-all has d 'cided to form a circle of twelve of our membahs wif dese two Voodoo gennlemen asettin' opp'site each oder in de circle. In o'dah to preclude any poss'bility of either Mista Travis or Mista Raffin from leavin' dere places, we has d'cided to tie dem to dere cheers by ropes passed 'roun' dere bodies an' fastened to de backs of de cheers. De lights will den be distinguished. When he lights is tu'ned out, Mista Raffin will be given fifteen minutes in which to summon de supernat'ral proofs--whatevah dey may be--of his bein' Voodoo. Den Mista Travis will be given his chanct."

Amid the hushed whisperings of the assemblage the committee, six men and six women, Aphrodite included, took their places in the circle. Ambrose and the mulatto were seated opposite each other and were perhaps twelve feet apart. Raffin, nervously licking his lips, sat bolt upright while members of the committee passed ropes around him and the back of his chair, and tied his hands. In direct contrast to his rival, Ambrose slouched down in his seat and joked with the trembling members as they secured him in his place.

Those not on the committee crowded close to the chair backs of the circle in order that nothing should escape them. The excitement was tense, and everyone was breathing hard. When all was ready Mr. Behemoth Scott took his place in the circle. Drawing a long breath and grasping his chair for support, he spoke in a hushed and husky voice: "All raidy, now? Ah asks silence from eve'body. _Turn out de lights_"!

At the fateful words Stygian darkness enveloped the crowded room. The shades had been drawn and not the faintest ray from the dim street lights penetrated the place. It was stifling hot, and the assembled investigators were perspiring freely....

Silence--black, awe-inspired silence! Two hundred pairs of superstitious eyes peered into the horrible gloom--two hundred pairs of ears strained at the tomblike stillness. The suspense was awful, and none dared move. Occasionally some familiar sound came from the world outside: the clang of the Tenth Avenue car or the whistle of a tugboat out in the river, but these sounds were of another existence--they seemed distant and unfamiliar and wholly out of place in the mystery and terror of the Voodoo seance.

The minutes slid by, and nothing happened. The suspense was worse than ever. Something stirred in the circle. Two hundred hearts missed a beat. Then the whining, terror-stricken voice of the mulatto broke the stillness: "Let Travis try," he whispered hoarsely. "My spirits will not come until 'e 'as tried. Let 'im try fo' fifteen minutes, and when 'e 'as failed I will summon the ghost of Bula-Wayo, the king of all the tribes of the Niger. But let Travis try first!" This last almost pleadingly.

A moment more of silence and Ambrose's deep voice boomed forth in the darkness.

"Ah's willin'," he declared. "Anythin' dat now appears will be mah doin'--ten minits is all Ah asks. Am dat sat'sfact'ry?"

"Yaas," replied the voice of Behemoth Scott. "Go ahaid wif yo' sperit-summonin', Mista Travis."

"Ah'll cawncentrate now," replied Ambrose, "an' sho'tly you-all will witness ample proof of mah bein' a genuine Voo-doo. _Ah's stahtin_'."

Silence more terrible than ever fell upon the waiting negroes. Then--horror of horrors! a peculiar grating, rustling sound came from the vicinity of Ambrose--a slight creaking--and again silence. The investigators held hands of neighbours who trembled from sheer panic, whose breath came hard and panting from this awful suspense!

Another creaking, as though Ambrose had shifted his weight in his chair....

Then--baleful--in its green, ghastly glow--a dim, indistinct light shone in the centre of the circle! Moving slowly, like a newly awakened spirit, it waved in the very midst of the gasping committee. Back and forth, up and down, it moved--glowing, vaporous, ghostly. Two hundred pairs of bulging eyes saw the horror--and realized that it was an enormous hand, terribly deformed!

Some one moaned with terror--a woman screamed. "De hand ob death!" shrieked a man. "Run--run fo' yo' lives!"

The stampede was spontaneous! Chairs were overturned and tables smashed in this frightful panic in the dark. No one thought of turning on the lights--everyone's sole aim was to leave that appalling shining hand--and get out!

A crashing on the stairway marked where Raffin, chair and all, was making his fear-stricken way to the street. In one brief minute the place was apparently empty save for Ambrose. Still tied to his chair, he inquired: "Is any one hyar?"

For a second there was silence, then the dulcet tones of Miss Aphrodite fell on the big negro's ear: "Ah's hyar, Ambrose," she said.

"Well, den"--recognizing her voice--"would you mine lightin' de gas till Ah can tie mahself loose from dis hyar throne ob glory?"

In a moment a feeble gaslight shone, disclosing Aphrodite--somewhat disarranged by the panic--standing smiling in front of the erstwhile Voodoo. She looked down at his feet. There, sure enough, one huge member was unshod and stockingless; the elastic-slit congress gaiter, lost in the shuffle, lay out of the radius of Ambrose's long leg. Miss Aphrodite picked it up and, stooping, slipped it over his mighty toes, noticing as she did so the thick coating of phosphorescent paint that still covered them.

"Ambrose," she whispered, "Ah wasn't scaired. No ghos' eber was bohn dat had han's de size ob yo' feet!"

An embarrassed silence followed; the gas jet flickered weakly; then Ambrose said: "Untie mah han's, Aphrodite--Ah'd jes' lak to hug you!"

"Oh, Ambrose," she cried coyly. But she untied the rope just the same.

Again came silence, broken only by a certain strange sound. Then Ambrose's voice came softly through the gloom: "Aphrodite," it said, "yo' lips am jes' lak plush!"

THE JUDGMENT OF VULCAN

BY LEE FOSTER HARTMAN

From _Harper's Monthly Magazine_

To dine on the veranda of the Marine Hotel is the one delightful surprise which Port Charlotte affords the adventurer who has broken from the customary paths of travel in the South Seas. On an eminence above the town, solitary and aloof like a monastery, and deep in its garden of lemon-trees, it commands a wide prospect of sea and sky. By day, the Pacific is a vast stretch of blue, flat like a floor, with a blur of distant islands on the horizon--chief among them Muloa, with its single volcanic cone tapering off into the sky. At night, this smithy of Vulcan becomes a glow of red, throbbing faintly against the darkness, a capricious and sullen beacon immeasurably removed from the path of men. Viewed from the veranda of the Marine Hotel, its vast flare on the horizon seems hardly more than an insignificant spark, like the glowing cigar-end of some guest strolling in the garden after dinner.

It may very likely have been my lighted cigar that guided Eleanor Stanleigh to where I was sitting in the shadows. Her uncle, Major Stanleigh, had left me a few minutes before, and I was glad of the respite from the queer business he had involved me in. The two of us had returned that afternoon from Muloa, where I had taken him in my schooner, the _Sylph_, to seek out Leavitt and make some inquiries--very important inquiries, it seemed, in Miss Stanleigh's behalf.

Three days in Muloa, under the shadow of the grim and flame-throated mountain, while I was forced to listen to Major Stanleigh's persistent questionnaire and Leavitt's erratic and garrulous responses--all this, as I was to discover later, at the instigation of the Major's niece--had made me frankly curious about the girl.