O. Henry Memorial Award Prize Stories of 1919

Chapter 23

Chapter 234,144 wordsPublic domain

Foh-Kyung took a silken and ivory fan from an inner pocket and spread it in the air. Dong-Yung knew the fan well. It came from a famous jeweller's on Nanking Road, and had been designed by an old court poet of long ago. The tiny ivory spokes were fretted like ivy-twigs in the North, but on the leaves of silk was painted a love-story of the South. There was a tea-house, with a maiden playing a lute, and the words of the song, fantastic black ideographs, floated off to the ears of her lover. Foh-Kyung spread out its leaves in the sun, and looked at it and smiled."

"Never is the heart of man satisfied," he said, "alone. Neither when the willow fuzz flies in the spring, or when the midnight snow silvers the palms. Least of all is it satisfied when it seeks the presence of God above. I want thee beside me."

Dong-Yung hid her delight. Already for the third time he said those words--those words that changed all the world from one of a loving following-after to a marvelous oneness.

So they stepped across the lawn together. It was to Dong-Yung as if she stepped into an unknown land. She walked on flat green grass. Flowers in stiff and ordered rows went sedately round and round beneath a lurid red brick wall. A strange, square-cornered, flat-topped house squatted in the midst of the flat green grass. On the lawn at one side was a white-covered table, with a man and a woman sitting beside it. The four corners of the table-cloth dripped downward to the flat green grass. It was all very strange and ugly. Perhaps it was a garden, but no one would have guessed it. Dong-Yung longed to put each flower plant in a dragon bowl by itself and place it where the sun caught its petals one by one as the hours flew by. She longed for a narrow, tile-edged patch to guide her feet through all that flat green expanse. A little shiver ran over her. She looked back, down the wide gravelled way, through the gate, where the gate-keeper sat, tipped back against the wall on his stool, to the shop of the money-changer's opposite. A boy leaned half across the polished wood counter and shook his fist in the face of the money-changer. "Thou thief!" he cried. "Give me my two cash!" Dong-Yung was reassured. Around her lay all the dear familiar things; at her side walked her lord and master. And he had said they were seeking a new freedom, a God of love. Her thoughts stirred at her heart and caught her breath away.

The foreigners rose to greet them. Dong-Yung touched the hand of an alien man. She did not like it at all. The foreign-born woman made her sit down beside her, and offered her bitter, strong tea in delicate, lidless cups, with handles bent like a twisted flower-branch.

"I have been meaning to call for a long time, Mrs. Li," said the foreign-born woman.

"The great wife will receive thee with much honour," Dong-Yung answered.

"I am so glad you came with your husband."

"Yes," Dong-Yung answered, with a little smile. "The customs of the foreign-born are pleasant to our eyes."

"I am glad you like them," said the foreign-born woman. "I couldn't bear not to go everywhere with my husband."

Dong-Yung liked her suddenly on account of the look that sprang up a moment in her eyes and vanished again. She looked across at the priest, her husband, a man in black, with thin lips and seeing eyes. The eyes of the foreign woman, looking at the priest, her husband, showed how much she loved him. "She loves him even as a small wife loves," Dong-Yung thought to herself. Dong-Yung watched the two men, the one in imperial yellow, the one in black, sitting beside each other and talking. Dong-Yung knew they were talking of the search. The foreign-born woman was speaking to her again.

"The doctor told me I would die if I came to China, but John felt he had a call. I would not stand in his way."

The woman's face was illumined.

"And now you are very happy?" Dong-Yung announced.

"And now I am very happy; just as you will be very happy."

"I am always happy since my lord took me for his small wife." Dong-Yung matched her happiness with the happiness of the foreign-born woman, proudly, with assurance. In her heart she knew no woman, born to eat bitterness, had ever been so happy as she in all the worlds beneath the heavens. She looked around her, beyond the failure of the foreign woman's garden, at the piled, peaked roofs of China looking over the wall. The fragrance of a blossoming plum-tree stole across from a Chinese courtyard, and a peach-branch waved pink in the air. A wonder of contentment filled Dong-Yung.

All the while Foh-Kyung was talking. Dong-Yung turned back from all the greenness around her to listen. He sat very still, with his hands hid in his sleeves. The wave-ridged hem of his robe--blue and green and purple and red and yellow--was spread out decorously above his feet. Dong-Yung looked and looked at him, so still and motionless and so gorgeously arrayed. She looked from his feet, long, slim, in black satin slippers, and close-fitting white muslin socks, to the feet of the foreign priest. His feet were huge, ugly black things. From his feet Dong-Yung's eyes crept up to his face, over his priestly black clothes, rimmed with stiff white at wrist and throat. Yes, his face was even as the face of a priest, of one who serves between the gods and men, a face of seeing eyes and a rigid mouth. Dong-Yung shuddered.

"And so we have come, even as the foreign-born God tells us, a man and his wife, to believe the Jesus way."

Foh-Kyung spoke in a low voice, but his face smiled. Dong-Yung smiled, too, at his open, triumphant declarations. She said over his words to herself, under her breath, so that she would remember them surely when she wanted to call them back to whisper to her heart in the dark of some night. "We two, a man and his wife"--only dimly, with the heart of a little child, did Dong-Yung understand and follow Foh-Kyung; but the throb of her heart answered the hidden light in his eyes.

The foreign-born priest stood up. The same light shone in his eyes. It was a rapture, an exaltation. Suddenly an unheard-of thing happened. The outside kingdom woman put her arms around Dong-Yung! Dong-Yung was terrified. She was held tight against the other woman's shoulder. The foreign-born woman used a strange perfume. Dong-Yung only half heard her whispered words.

"We are like that, too. We could not be separated. Oh, you will be happy!"

Dong-Yung thought of the other woman. "In her heart she is humble and seemly. It is only her speech and her ways that are unfitting."

"We are going into the chapel a moment," said the priest. "Will you come, too?"

Dong-Yung looked at Foh-Kyung, a swift upward glance, like the sudden sweep of wings. She read his answer in his eyes. He wanted her to come. Not even in the temple of the foreign-born God did he wish to be without her.

A coolie called the foreign-born woman away.

The priest, in his tight trousers, and jacket, black and covered with a multitude of round flat buttons, stood up, and led the way into the house and down a long corridor to a closed door at the end. Dong-Yung hurried behind the two men. At the door the priest stood aside and held it open for her to pass in first. She hesitated. Foh-Kyung nodded.

"Do not think fearful things, little Princess," he whispered. "Enter, and be not afraid. There is no fear in the worship of Jesus."

So Dong-Yung crossed the threshold first. Something caught her breath away, just as the chanting of the dragon priests always did. She took a few steps forward and stood behind a low-backed bench. Before her, the light streamed into the little chapel through one luminous window of coloured glass above the altar. It lay all over the grey-tiled floor in roses and sunflowers of pink and god. A deep purple stripe fell across the head of the black-robed priest. Dong-Yung was glad of that. It made his robe less hideous, and she could not understand how one could serve a god unless in beautiful robes. On the altar beneath the window of coloured flowers were two tall silver candlesticks, with smooth white tapers. A wide-mouthed vase filled with Chinese lilies stood between them. The whole chapel was faintly fragrant with their incense. So even the foreign-born worshipers lit candles, and offered the scent of the lilies to their spirit God. Truly, all the gods of all the earth and in the sky are lovers of lit candles and flowers. Also, one prays to all gods.

The place was very quiet and peaceful, mottled with the gorgeous, flowerlike splashes of colour. The waiting candles, the echoes of many prayers, the blossom of worship filled the tiny chapel. Dong-Yung liked it, despite herself, despite the strangeness of the imageless altar, despite the clothes of the priest. She stood quite still behind the bench flooded and filled with an all-pervading sense of happiness.

Foh-Kyung and the black-robed priest walked past her, down the little aisle, to a shiny brass railing that went like a fence round before the altar. The foreign-born priest laid one hand on the railing as if to kneel down, but Foh-Kyung turned and beckoned with his chin to Dong-Yung to come. She obeyed at once. She was surprisingly unafraid. Her feet walked through the patterns of colour, which slid over her head and hands, gold from the gold of a cross and purple from the robe of a king. As if stepping through a rainbow, she came slowly down the aisle to the waiting men, and in her heart and in her eyes lay the light of all love and trust.

Foh-Kyung caught her hand.

"See, I take her hand," he said to the priest, "even as you would take the hand of your wife, proud and unashamed in the presence of your God. Even as your love is, so shall ours be. Where the thoughts of my heart lead, the heart of my small wife follows. Give us your blessing."

Foh-Kyung drew Dong-Yung to her knees beside him. His face was hidden, after the manner of the foreign worshipers; but hers was uplifted, her eyes gazing at the glass with the colours of many flowers and the shapes of men and angels. She was happier than she had ever been--happier even than when she had first worshiped the ancestral tablets with her lord and master, happier even than at the feast of the dead, when they laid their food offerings on the shaven grave-mounds. She felt closer to Foh-Kyung than in all her life before.

She waited. The silence grew and grew till in the heart of it something ominous took the place of its all-pervading peace. Foh-Kyung lifted his face from his hands and rose to his feet. Dong-Yung turned, still kneeling, to scan his eyes. The black-robed priest stood off and looked at them with horror. Surely it was horror! Never had Dong-Yung really liked him. Slowly she rose, and stood beside and a little behind Foh-Kyung. He had not blessed them. Faintly, from beyond the walls of the Christian chapel came the beating of drums. Devil-drums they were. Dong-Yung half smiled at the long-known familiar sound.

"Your small wife?" said the priest. "Have you another wife?"

"Assuredly," Foh-Kyung answered. "All men have a great wife first; but this, my small wife, is the wife of my heart. Together we have come to seek and find the Jesus way."

The priest wiped his hand across his face. Dong-Yung saw that it was wet with tiny round balls of sweat. His mouth had suddenly become one thin red line, but in his eyes lay pain.

"Impossible," he said. His voice was quite different now, and sounded like bits of metal falling on stone. "No man can enter the church while living in sin with a woman other than his lawful wife. If your desire is real, put her away."

With instant response, Foh-Kyung made a stately bow. "Alas! I have made a grievous mistake. The responsibility will be on my body. I thought all were welcome. We go. Later on, perhaps, we may meet again."

The priest spoke hurriedly.

"I do not understand your meaning. Is this belief of such light weight that you will toss it away for a sinful woman? Put her away, and come and believe." But Foh-Kyung did not hear his words. As he turned away, Dong-Yung followed close behind her lord and master, only half comprehending, yet filled with a great fear. They went out again into the sunshine, out across the flat green grass, under the iron gateway, back into the Land of the Flowery Kingdom. Foh-Kyung did not speak until he put Dong-Yung in the rickshaw.

"Little Wife of my Heart," he said, "stop at the jeweller's and buy thee new ear-rings, these ear-rings of the sky-blue stone and sea-tears, and have thy hair dressed and thy gowns perfumed, and place the two red circles on the smile of thy cheeks. To-night we will feast. Hast thou forgotten that to-night is the Feast of the Lanterns, when all good Buddhists rejoice?"

He stood beside her rickshaw, in his imperial yellow garment hemmed with the rainbow waves of the sea, and smiled down into her eyes.

"But the spirit God of love, the foreign-born spirit God?" said Dong-Yung. "Shall we feast to him too?"

"Nay, it is not fitting to feast to two gods at once," said Foh-Kyung. "Do as I have said."

He left her. Dong-Yung, riding through the sun-splashed afternoon, buying coloured jewels and flowery perfume and making herself beautiful, yet felt uneasy. She had not quite understood. A dim knowledge advanced toward her like a wall of fog. She pressed her two hands against it and held it off--held it off by sheer mental refusal to understand. In the courtyard at home the children were playing with their lighted animals, drawing their gaudy paper ducks, luminous with candle-light, to and fro on little standards set on four wheels. At the gate hung a tall red-and-white lantern, and over the roof floated a string of candle-lit balloons. In the ancestral hall the great wife had lit the red candles, speared on their slender spikes, before the tablets. In the kitchen the cooks and amahs were busy with the feast-cooking. Candles were stuck everywhere on the tables and benches. They threw little pools of light on the floor before the stove and looked at the empty niche. In the night it was merely a black hole in the stove filled with formless shadow. She wished--

"Dong-Yung, Flower in the House, where hast thou hidden the kitchen gods? Put them in their place." Foh-Kyung, still in imperial yellow, stood like a sun in the doorway.

Dong-Yung turned.

"But--"

"Put them back, little Jewel in the Hair. It is not permitted to worship the spirit God. There are bars and gates. The spirit of man must turn back in the searching, turn back to the images of plaster and paint."

Dong-Yung let the wall of fog slide over her. She dropped her resistance. She knew.

"Nay, not the spirit of man. It is but natural that the great God does not wish the importunings of a small wife. Worship thou alone the great God, and the shadow of that worship will fall on my heart."

"Nay, I cannot worship alone. My worship is not acceptable in the sight of the foreign God. My ways are not his ways."

Foh-Kyung's face was unlined and calm, yet Dong-Yung felt the hidden agony of his soul, flung back from its quest upon gods of plaster and paint.

"But I know the thoughts of thy heart, O Lord and Master, white and fragrant as the lily-buds that opened to-day. Has thy wish changed?"

"Nay, my wish is even the same, but it is not permitted to a man of two wives to be a follower of the spirit God."

Dong-Yung had known it all along. This knowledge came with no surprise. It was she who kept him from the path of his desire!

"Put back the kitchen gods," said Foh-Kyung. "We will live and believe and die even as our fathers have done. The gate to the God of love is closed."

The feast was served. In the sky one moon blotted out a world of stars. Foh-Kyung sat alone, smoking. Laughter and talk filled the women's wing. The amahs and coolies were resting outside. A thin reed of music crept in and out among the laughter and talk, from the reed flute of the cook. The kitchen was quite empty. One candle on the table sent up a long smoky tongue of flame. The fire still smouldered in the corner. A little wind shook the cypress-branches without, and carried the scent of the opened lilies into the room.

Dong-Yung, still arrayed for feasting, went to the pigskin trunk in the corner, fitted the key from her belt into the carven brass wings of the butterfly, and lifted out the kitchen gods. One in each hand, she held them, green and gold. She put them back in their niche, and lifted up a bowl of rice to their feet, and beat her head on the ground before them.

"Forgive me, O my kitchen gods, forgive my injurious hands and heart; but the love of my master is even greater than my fear of thee. Thou and I, we bar the gates of heaven from him."

When she had finished, she tiptoed around the room, touching the chairs and tables with caressing fingers. She stole out into the courtyard, and bent to inhale the lily fragrance, sweeter by night than by day. "An auspicious day," the gate-keeper had said that morning. Foh-Kyung had stood beside her, with his feet in the sunshine; she remembered the light in his eyes. She bent her head till the fingers of the lily-petals touched her cheek. She crept back through the house, and looked at Foh-Kyung smoking. His eyes were dull, even as are the eyes of sightless bronze Buddhas. No, she would never risk going in to speak to him. If she heard the sound of his voice, if he called her "little Flower of the House," she would never have the strength to go. So she stood in the doorway and looked at him much as one looks at a sun, till wherever else one looks, one sees the same sun against the sky.

In the formless shadow she made a great obeisance, spreading out her arms and pressing the palms of her hands against the floor.

"O my Lord and Master," she said, with her lips against the boards of the floor, softly, so that none might hear her--"O my Lord and Master, I go. Even a small wife may unbar the gates of heaven."

First, before she went, she cast the two kitchen gods, green and gold, of ancient plaster, into the embers of the fire. There in the morning the cook-rice amahs found the onyx stones that had been their eyes. The house was still unlocked, the gate-keeper at the feast. Like a shadow she moved along the wall and through the gate. The smell of the lilies blew past her. Drums and chants echoed up the road, and the sounds of manifold feastings. She crept away down by the wall, where the moon laid a strip of blackness, crept away to unbar the gates of heaven for her lord and master.

APRIL 25TH, AS USUAL

By EDNA FERBER

From _Ladies Home Journal_

Mrs. Hosea C. Brewster always cleaned house in September and April. She started with the attic and worked her purifying path down to the cellar in strict accordance with Article I, Section I, Unwritten Rules for House Cleaning. For twenty-five years she had done it. For twenty-five years she had hated it--being an intelligent woman. For twenty-five years, towel swathed about her head, skirt pinned back, sleeves rolled up--the costume dedicated to house cleaning since the days of What's-Her-Name, mother of Lemuel (see Proverbs)--Mrs. Brewster had gone through the ceremony twice a year.

Furniture on the porch, woolens on the line, mattresses in the yard--everything that could be pounded, beaten, whisked, rubbed, flapped, shaken or aired was dragged out and subjected to one or all of these indignities. After which, completely cowed, they were dragged in again and set in their places. Year after year, in attic and in cellar, things had piled up higher and higher--useless things, sentimental things; things in trunks; things in chests; shelves full of things wrapped up in brown-paper parcels.

And boxes--oh, above all, boxes; pasteboard boxes, long and flat, square and oblong, each bearing weird and cryptic pencilings on one end; cryptic, that, is to anyone except Mrs. Brewster and you who have owned an attic. Thus "H's Fshg Tckl" jabberwocked one long slim box. Another stunned you with "Cur Ted Slpg Pch." A cabalistic third hid its contents under "Slp Cov Pinky Rm." To say nothing of such curt yet intriguing fragments as "Blk Nt Drs" and "Sun Par Val." Once you had the code key they translated themselves simply enough into such homely items as Hosey's fishing tackle, canvas curtains for Ted's sleeping porch, slip-covers for Pinky's room, black net dress, sun-parlour valence.

The contents of those boxes formed a commentary on normal American household life as lived by Mr. and Mrs. Hosea C. Brewster, of Winnebago, Wisconsin. Hosey's rheumatism had prohibited trout fishing these ten years; Ted wrote from Arizona that "the li'l' ol' sky" was his sleeping-porch roof and you didn't have to worry out there about the neighbours seeing you in your pyjamas; Pink's rose-cretonne room had lacked an occupant since Pinky left the Winnebago High School for the Chicago Art Institute, thence to New York and those amazingly successful magazine covers that stare up at you from your table--young lady, hollow chested (she'd need to be with that décolletage), carrying feather fan. You could tell a Brewster cover at sight, without the fan. That leaves the black net dress and sun-parlour valance. The first had grown too tight under the arms (Mrs. Brewster's arms); the second had faded.

Now don't gather from this that Mrs. Brewster was an ample, pie-baking, ginghamed old soul who wore black silk and a crushed-looking hat with a palsied rose atop it. Nor that Hosea C. Brewster was spectacled and slippered. Not at all. The Hosea C. Brewsters, of Winnebago, Wisconsin, were the people you've met on the veranda of the Moana Hotel at Honolulu, or at the top of Pike's Peak, or peering into the restless heart of Vesuvius. They were the prosperous Middle-Western type of citizen who runs down to Chicago to see the new plays and buy a hat, and to order a dozen Wedgwood salad plates at Field's.

Mrs. Brewster knew about Dunsany and Georgette and alligator pears; and Hosea Brewster was in the habit of dropping around to the Elks' Club, up above Schirmer's furniture store on Elm Street, at about five in the afternoon on his way home from the cold-storage plant. The Brewster house was honeycombed with sleeping porches and sun parlours and linen closets, and laundry chutes and vegetable bins and electric surprises as well-to-do Middle Western home is likely to be.

That home had long ago grown too large for the two of them--physically, that is. But as the big frame house had expanded, so had they--intolerance and understanding humanness--until now, as you talked with them, you felt that there was room and to spare of sun-filled mental chambers, and shelves well stored with experience, and pantries and bins and closets for all your worries and confidences.

But the attic! And the cellar! The attic was the kind of attic every woman longs for who hasn't one and every woman loathes who has. "If I only had some place to put things in!" wails the first. And, "If it weren't for the attic I'd have thrown this stuff away long ago," complains the second. Mrs. Brewster herself had helped plan it. Hardwood floored, spacious light, the Brewster attic revealed to you the social, aesthetic, educational and spiritual progress of the entire family as clearly as if a sociologist had chartered it.