Chapter 14

"I'll give you the spoon, Isadore Kantor, where you don't want it. If you don't hurry down the way that bell is ringing, not one bite out of your little brother's birthday-cake to-night!"

"I'm goin', ain't I?"

"Always on my children's birthdays a meanness sets into this house! Ru-dolph, will you put down that bowl? Iz-zy--for the last time I ask you--for the last time--"

Erect now, Mrs. Kantor lifted a portentous hand, letting it hover.

"I'm goin', ma; for golly sakes, I'm goin'!" said her recalcitrant one, shuffling off toward the staircase, shuffling, shuffling.

Then Mrs. Kantor resumed her plumbing, and through the little apartment, its middle and only bedroom of three beds and a crib lighted vicariously by the front room and kitchen, began to wind the warm, the golden-brown fragrance of cake in the rising.

By six o'clock, the shades were drawn against the dirty dusk of Allen Street, and the oilcloth-covered table dragged out center and spread by Esther Kantor, nine in years, in the sturdy little legs bulging over shoe-tops, in the pink cheeks that sagged slightly of plumpness, and in the utter roundness of face and gaze, but mysteriously older in the little-mother lore of crib and knee-dandling ditties and in the ropy length and thickness of the two brown plaits down her back.

There was an eloquence to that waiting, laid-out table, the print of the family already gathered about it; the dynastic high chair, throne of each succeeding Kantor; an armchair drawn up before the paternal moustache-cup; the ordinary kitchen chair of Mannie Kantor, who spilled things, an oilcloth sort of bib dangling from its back; the little chair of Leon Kantor, cushioned in an old family album that raised his chin above the table. Even in cutlery, the Kantor family was not lacking in variety. Surrounding a centerpiece of thick Russian lace were Russian spoons washed in washed-off gilt, forks of one, two, and three tines. Steel knives with black handles. A hart's-horn carving-knife. Thick-lipped china in stacks before the armchair. A round four-pound-loaf of black bread waiting to be torn, and to-night, on the festive mat of cotton lace, a cake of pinkly gleaming icing, encircled with five pink little twisted candles.

At slightly after six, Abrahm Kantor returned, leading by a resisting wrist Leon Kantor, his stemlike little legs, hit midship, as it were, by not sufficiently cut-down trousers and so narrow and birdlike of face that his eyes quite obliterated the remaining map of his features, like those of a still wet nestling. All except his ears. They poised at the sides of Leon's shaved head of black bristles, as if butterflies had just lighted there, whispering, with very spread wings, their message, and presently would fly off again. By some sort of muscular contraction, he could wiggle these ears at will, and would do so for a penny, a whistle, and upon one occasion for his brother Rudolph's dead rat, so devised as to dangle from string and window before the unhappy passer-by. They were quivering now, these ears, but because the entire little face was twitching back tears and gulp of sobs.

"Abrahm--Leon--what is it?" Her hands and her forearms instantly out from the business of kneading something meaty and floury, Mrs. Kantor rushed forward, her glance quick from one to the other of them. "Abrahm, what's wrong?"

"I'll feedle him! I'll feedle him!"

The little pulling wrist still in clutch, Mr. Kantor regarded his wife, the lower half of his face, well covered with reddish bristles, undershot, his free hand and even his eyes violently lifted. To those who see in a man a perpetual kinship to that animal kingdom of which he is supreme, there was something undeniably anthropoidal about Abrahm Kantor, a certain simian width between the eyes and long, rather agile hands with hairy backs.

"Hush it!" cried Mr. Kantor, his free hand raised in threat of descent and cowering his small son to still more undersized proportions. "Hush it, or, by golly, I'll--"

"Abrahm--Abrahm--what is it?"

Then Mr. Kantor gave vent in acridity of word and feature.

"_Schlemmil!_" he cried. "_Momser! Ganef! Nebich!_" By which Abrahm Kantor, in smiting mother tongue, branded his offspring with attributes of apostate and ne'er-do-well, of idiot and thief.

"Abrahm!"

"_Schlemmil!_" repeated Mr. Abrahm, swinging Leon so that he described a large semi-circle that landed him into the meaty and waiting embrace of his mother. "Take him! You should be proud of such a little _Momser_ for a son! Take him--and here you got back his birthday dollar. A feedle! Honest--when I think on it--a feedle!"

Such a rush of outrage seemed fairly to strangle Mr. Kantor that he stood, hand still upraised, choking and inarticulate above the now frankly howling huddle of his son.

"Abrahm you should just once touch this child! How he trembles! Leon--mamma's baby--what is it--is this how you come back when papa takes out to buy your birthday present? Ain't you ashamed?"

Mouth distended to a large and blackly hollow O, Leon between terrifying spells of breath-holding, continued to howl.

"All the way to Naftel's toy store I drag him. A birthday present for a dollar his mother wants he should have--all right, a birthday present! I give you my word till I'm ashamed for Naftel, every toy on his shelves is pulled down. Such a cow--that shakes with his head--"

"No--no--no!" This from young Leon, beating at his mother's skirts.

Again the upraised but never quite descending hand of his father.

"By golly, I'll 'no--no' you!"

"Abrahm--go way! Baby, what did papa do?"

Then Mr. Kantor broke into an actual tarantella of rage, his hands palms up and dancing.

"'What did papa do?' she asks. She's got easy asking. 'What did papa do?' The whole shop, I tell you. A sheep with a baa inside when you squeeze on him--games--a horn so he can holler my head off--such a knife like Izzy's with a scissors in it! 'Leon,' I said, ashamed for Naftel, 'that's a fine knife like Izzy's so you can cut up with.' 'All right then'--when I see how he hollers--'such a box full of soldiers to have war with.' 'Dollar seventy-five,' says Naftel. 'All right then,' I says--when I seen how he keeps hollering--'give you a dollar fifteen for 'em.' I should make myself small for fifteen cents more. 'Dollar fifteen,' I says--anything so he should shut up with his hollering for what he seen in the window."

"He seen something in the window he wanted, Abrahm?"

"Didn't I tell you? A feedle! A four-dollar feedle! A moosiker, so we should have another feedler in the family for some thirty-cents lessons."

"Abrahm--you mean--he--our Leon--wanted a violin?"

"'Wanted,' she says. I could potch him again this minute for how he wanted it! _Du_--you little bum you--_Chammer_--_Momser_--I'll feedle you!"

Across Mrs. Kantor's face as she knelt there in the shapeless cotton-stuff uniform of poverty, through the very tenement of her body, a light had flashed up into her eyes. She drew her son closer, crushing his puny cheek up against hers, cupping his bristly little head in her by no means immaculate palms.

"He wanted a violin--it's come, Abrahm! The dream of all my life--it's come! I knew it must be one of my children if I waited long enough--and prayed enough. A musician! He wants a violin. He cried for a violin. My baby! Why, darlink, mamma'll sell her clothes off her back to get you a violin. He's a musician, Abrahm! I should have known it the way he's fooling always around the chimes and the bells in the store!"

Then Mrs. Kantor took to rocking his head between her palms.

"_Oi--oi!_ The mother is crazier as her son. A moosican! A _Fresser_ you mean. Such an eater, it's a wonder he ain't twice too big instead of twice too little for his age."

"That's a sign, Abrahm; they all eat big. For all we know he's a genius. I swear to you, Abrahm, all the months before he was born, I prayed for it. Each one before they came, I prayed it should be the one. I thought that time the way our Isadore ran after the organ-grinder he would be the one. How could I know it was the monkey he wanted? When Isadore wouldn't take it, I prayed my next one and then my next one should have the talent. I've prayed for it, Abrahm. If he wants a violin, please, he should have it."

"Not with my money."

"With mine! I've got enough saved, Abrahm. Them three extra dollars right here inside my own waist, that I saved toward that cape down on Grand Street. I wouldn't have it now the way they say the wind blows up them--"

"I tell you the woman's crazy!"

"I feel it! I know he's got talent! I know my children so well. A--a father don't understand. I'm so next to them. It's like I can tell always everything that will happen to them--it's like a pain--somewheres here--in back of my heart."

"A pain in the heart she gets!"

"For my own children I'm always a prophet, I tell you. You think I didn't know that--that terrible night after the pogrom after we got out of Kief to cross the border! You remember, Abrahm, how I predicted it to you then--how our Mannie would be born too soon and--and not right from my suffering? Did it happen on the ship to America just the way I said it would? Did it happen just exactly how I predicted our Izzy would break his leg that time playing on the fire-escape? I tell you, Abrahm, I get a real pain here under my heart that tells me what comes to my children. Didn't I tell you how Esther would be the first in her confirmation-class and our baby Boris would be red-headed? At only five years, our Leon all by himself cries for a fiddle--get it for him, Abrahm--get it for him!"

"I tell you, Sarah, I got a crazy woman for a wife! It ain't enough we celebrate eight birthdays a year with one-dollar presents each time and copper goods every day higher. It ain't enough that right to-morrow I got a fifty-dollar note over me from Sol Ginsberg--a four-dollar present she wants for a child that don't even know the name of a feedle!"

"Leon baby, stop hollering--papa will go back and get the fiddle for you now before supper. See--mamma's got money here in her waist--"

"Papa will go back for the feedle not--three dollars she's saved for herself he can holler out of her for a feedle!"

"Abrahm, he's screaming so he--he'll have a fit."

"He should have two fits."

"Darlink--"

"I tell you the way you spoil your children it will some day come back on us."

"It's his birthday night, Abrahm--five years since his little head first lay on the pillow next to me."

"All right--all right--drive me crazy because he's got a birthday."

"Leon baby--if you don't stop hollering you'll make yourself sick. Abrahm, I never saw him like this--he's green--"

"I'll green him. Where is that old feedle from Isadora--that seventy-five-cents one?"

"I never thought of that! You broke it that time you got mad at Isadore's lessons. I'll run down. Maybe it's with the junk behind the store. I never thought of that fiddle, Leon darlink--wait--mamma'll run down and look--wait, Leon, till mamma finds you a fiddle."

The raucous screams stopped then suddenly, and on their very lustiest crest, leaving an echoing gash across silence. On willing feet of haste, Mrs. Kantor wound down backward the high, ladderlike staircase that led to the brass shop.

Meanwhile, to a gnawing consciousness of dinner-hour, had assembled the house of Kantor. Attuned to the intimate atmosphere of the tenement which is so constantly rent with cry of child, child-bearing, delirium, delirium-tremens, Leon Kantor had howled no impression into the motley din of things. Isadore, already astride his chair, well into center-table, for first vociferous tear at the four-pound loaf; Esther Kantor, old at chores, settled an infant into the high chair, careful of tiny fingers in lowering the wooden bib.

"Papa, Izzy's eating first again."

"Put down that loaf and wait until your mother dishes up or you'll get a potch you won't soon forget."

"Say, pop--"

"Don't 'say pop' me! I don't want no street-bum freshness from you!"

"I mean, papa, there was an uptown swell in, and she bought one of them seventy-five-cent candlesticks for the first price,"

"_Schlemmil--Chammer!_" said Mr. Kantor, rinsing his hands at the sink. "Didn't I always tell you it's the first price times two when you see up-town business come in? Haven't I learned it to you often enough a slummer must pay for her nosiness?"

There entered then, on poor shuffling feet, Mannie Kantor so marred in the mysterious and ceramic process of life that the brain and the soul had stayed back sooner than inhabit him. Seventeen in years, in the down upon his face, and in growth unretarded by any great nervosity of system, his vacuity of face was not that of childhood but rather as if his light eyes were peering out from some hinterland and wanting so terribly and so dumbly to communicate what they beheld to brain-cells closed against himself.

At sight of Mannie, Leon Kantor, the tears still wetly and dirtily down his cheeks, left off his black, fierce-eyed stare of waiting long enough to smile, darkly, it is true, but sweetly.

"Giddy-ap!" he cried. "Giddy-ap!"

And then Mannie, true to habit, would scamper and scamper.

Up out of the traplike stair-opening came the head of Mrs. Kantor, disheveled and a smudge of soot across her face, but beneath her arm, triumphant, a violin of one string and a broken back.

"See, Leon--what mamma got! A violin! A fiddle! Look--the bow, too, I found. It ain't much, baby, but it's a fiddle."

"Aw, ma--that's my old violin--gimme--I want it--where'd you find--"

"Hush up, Izzy! This ain't yours no more. See, Leon, what mamma brought you! A violin!"

"Now, you little _Chammer_, you got a feedle, and if you ever let me hear you holler again for a feedle, by golly if I don't--"

From his corner, Leon Kantor reached out, taking the instrument and fitting it beneath his chin, the bow immediately feeling, surely and lightly for string.

"Look, Abrahm! He knows how to hold it! What did I tell you? A child that never in his life seen a fiddle, except a beggar's on the street!"

Little Esther suddenly cantered down-floor, clapping her chubby hands.

"Looky--looky--Leon!"

The baby ceased clattering his spoon against the wooden bib. A silence seemed to shape itself.

So black and so bristly of head, his little clawlike hands hovering over the bow, Leon Kantor withdrew a note, strangely round and given up almost sobbingly from the single string. A note of warm twining quality, like a baby's finger.

"Leon--darlink!"

Fumbling for string and for notes the instrument could not yield up to him, the birdlike mouth began once more to open widely and terribly into the orificial O.

It was then Abrahm Kantor came down with a large hollow resonance of palm against the aperture, lifting his small son and depositing him plop upon the family album.

"Take that! By golly, one more whimper out of you and if I don't make you black-and-blue, birthday or no birthday! Dish up, Sarah, quick, or I'll give him something to cry about."

The five pink candles had been lighted, burning pointedly and with slender little smoke wisps. Regarding them owlishly, the tears dried on Leon's face, his little tongue licking up at them.

"Look how solemn he is, like he was thinking of something a million miles away except how lucky he is he should have a pink birthday-cake! Uh--uh--uh! Don't you begin to holler again--Here, I'm putting the feedle next to you--uh--uh--uh!"

To a meal plentifully ladled out directly from stove to table, the Kantor family drew up, dipping first into the rich black soup of the occasion. All except Mrs. Kantor.

"Esther, you dish up; I'm going somewhere. I'll be back in a minute."

"Where you going, Sarah? Won't it keep until--"

But even in the face of query, Sarah Kantor was two flights down and well through the lambent aisles of the copper shop. Outside, she broke into a run, through two blocks of the indescribable bazaar atmosphere of Grand Street, then one block to the right.

Before Naftel's show-window, a jet of bright gas burned into a jibberwock land of toys. There was that in Sarah Kantor's face that was actually lyrical, as, fumbling at the bosom of her dress, she entered.

To Leon Kantor, by who knows what symphonic scheme of things, life was a chromatic scale, yielding up to him through throbbing, living nerves of sheep-gut, the sheerest semitones of man's emotions.

When he tucked his Stradivarius beneath his chin, the Book of Life seemed suddenly translated to him in melody. Even Sarah Kantor, who still brewed for him, on a small portable stove carried from city to city and surreptitiously unpacked in hotel suites, the blackest of soups, and, despite his protestation, would incase his ears of nights in an old home-made device against their flightiness, would often times bleed inwardly at this sense of his isolation.

There was a realm into which he went alone, leaving her as detached as the merest ticket purchaser at the box-office.

At seventeen, Leon Kantor had played before the crowned heads of Europe, the aching heads of American capital, and even the shaved head of a South Sea prince. There was a layout of anecdotal gifts, from the molar tooth of the South Sea prince set in a South Sea pearl to a blue-enamelled snuff-box encrusted with the rearing-lion coat of arms of a very royal house.

At eighteen, came the purchase of a king's Stradivarius for a king's ransom, and acclaimed by Sunday supplements to repose of nights in an ivory cradle.

At nineteen, under careful auspices of press-agent, the ten singing digits of the son of Abrahm Kantor were insured at ten thousand dollars the finger.

At twenty, he had emerged surely and safely from the perilous quicksands which have sucked down whole Lilliputian worlds of infant prodigies.

At twenty-one, when Leon Kantor played a Sunday-night concert, there was a human queue curling entirely around the square block of the opera-house, waiting its one, two, even three and four hours for the privilege of standing-room only.

Usually these were Leon Kantor's own people pouring up from the lowly lands of the East Side to the white lands of Broadway, parched for music, these burning brethren of his--old men in that line, frequently carrying their own little folding camp-chairs, not against weariness of the spirit but of the flesh; youth with Slavic eyes and cheek-bones. These were the six-deep human phalanx which would presently slant down at him from tiers of steepest balconies and stand frankly emotional and jammed in the unreserved space behind the railing which shut them off from the three-dollar seats of the reserved.

At a very special one of these concerts, dedicated to the meager purses of just these, and held in New York's super-opera-house, the Amphitheater, a great bowl of humanity, the metaphor made perfect by tiers of seats placed upon the stage, rose from orchestra to dome. A gigantic Colosseum of a cup, lined in stacks and stacks of faces. From the door of his dressing-room, leaning out, Leon Kantor could see a great segment of it, buzzing down into adjustment, orchestra twitting and tuning into it.

In a bare little room, illuminated by a sheaf of roses just arrived, Mrs. Kantor drew him back by the elbow.

"Leon, you're in a draft."

The amazing years had dealt kindly with Mrs. Kantor. Stouter, softer, apparently even taller, she was full of small new authorities that could shut out cranks, newspaper reporters, and autograph fiends. A fitted-over-corsets black taffeta and a high comb in the greying hair had done their best with her. Pride, too, had left its flush upon her cheeks, like two round spots of fever.

"Leon, it's thirty minutes till your first number. Close that door. Do you want to let your papa and his excitement in on you?"

The son of Sarah Kantor obeyed, leaning on his short, rather narrow form in silhouette against the closed door. In spite of slimly dark evening clothes worked out by an astute manager to the last detail in boyish effects, there was that about him which defied long-haired precedent. Slimly and straightly he had shot up into an unmannered, a short, even a bristly-haired young manhood, disqualifying by a close shave for the older school of hirsute virtuosity.

But his nerves did not spare him. On concert nights they seemed to emerge almost to the surface of him and shriek their exposure.

"Just feel my hands, ma. Like ice."

She dived down into her large silk what-not of a reticule.

"I've got your fleece-lined gloves here, son."

"No--no. For God's--sake--not those things! No!"

He was back at the door again, opening it to a slit, peering through.

"They're bringing more seats on the stage. If they crowd me in I won't go on. I can't play if I hear them breathe. Hi--out there--no more chairs--pa--Hancock--"

"Leon, Leon, ain't you ashamed to get so worked up? Close that door. Have you got a manager who is paid just to see to your comfort? When papa comes, I'll have him go out and tell Hancock you don't want chairs so close to you. Leon, will you mind mamma and sit down?"

"It's a bigger house than the royal concert in Madrid, ma. Why, I never saw anything like it! It's a stampede. God, this is real--this is what gets me, playing for my own! I should have given a concert like this three years ago. I'll do it every year now. I'd rather play before them than all the crowned heads on earth. It's the biggest night of my life--they're rioting out there, ma--rioting to get in."

"Leon, Leon, won't you sit down if mamma begs you to?"

He sat then, strumming with all ten fingers upon his knees.

"Try to get quiet, son. Count--like you always do. One--two--three--"

"Please ma--for God's sake--please--please!"

"Look--such beautiful roses! From Sol Ginsberg, an old friend of papa's he used to buy brasses from eighteen years ago. Six years he's been away with his daughter in Munich. Such a beautiful mezzo, they say, engaged already for Metropolitan next season."

"I hate it, ma, if they breathe on my neck."

"Leon darlink, did mamma promise to fix it? Have I ever let you plan a concert where you wouldn't be comfortable?"

His long, slim hands suddenly prehensile and cutting a long, upward gesture, Leon Kantor rose to his feet, face whitening.

"Do it now! Now, I tell you! I won't have them breathe on me. Do you hear me? Now! Now! Now!"

Risen also, her face soft and tremulous for him, Mrs. Kantor put out a gentle, a sedative hand upon his sleeve.

"Son," she said, with an edge of authority even behind her smile, "don't holler at me."

He grasped her hand with his two, and, immediately quiet, placed a close string of kisses along it.

"Mamma," he said, kissing them again and again into the palm, "mamma--mamma!"

"I know, son; it's nerves."

"They eat me, ma. Feel--I'm like ice. I didn't mean it; you know I didn't mean it."

"My baby," she said, "my wonderful boy, it's like I can never get used to the wonder of having you! The greatest one of them all should be mine--a plain woman's like mine!"

He teased her, eager to conciliate and ride down his own state of quivering.

"Now, ma--now--now--don't forget Rimsky!"

"'Rimsky!' A man three times your age who was playing concerts before you was born! Is that a comparison? From your clippings-books I can show Rimsky who the world considers the greatest violinist. Rimsky he rubs into me!"

"All right then, the press-clippings, but did Elsass, the greatest manager of them all, bring me a contract for thirty concerts at two thousand a concert? Now I've got you! Now!"

She would not meet his laughter.