Chapter 3

We are too apt to regard fox-hunting merely as a relaxation, a source of pleasure, and the result of a desire to do the way people do in the novels which we steal from English authors: but this is not all. To successfully hunt a fox, to jump fences 'cross country like an unruly steer, is no child's play. To ride all day on a very hot and restless saddle, trying to lope while your horse is trotting, giving your friends a good view of the country between yourself and your horse, then leaping stone walls, breaking your collar-bone in four places, pulling out one eye and leaving it hanging on a plum tree, or going home at night with your transverse colon wrapped around the pommel of your saddle and your liver in an old newspaper, requires the greatest courage.

Too much stress cannot be placed upon the costume worn while fox-hunting, and in fact, that is, after all, the life and soul of the chase. For ladies, nothing looks better than a close-fitting jacket, sewed together with thread of the same shade and a skirt. Neat-fitting cavalry boots and a plug hat complete the costume. Then, with a hue in one hand and a cry in the other, she is prepared to mount. Lead the horse up to a stone wall or a freight car and spring lightly into the saddle with a glad cry. A freight car is the best thing from which to mount a horse, but it is too unwieldy and frequently delays the chase. For this reason, too, much luggage should not be carried on a fox-hunt. Some gentlemen carry a change of canes, neatly concealed in a shawl strap, but even this may be dispensed with.

For gentlemen, a dark, four-button cutaway coat, with neat, loose-fitting, white panties, will generally scare a fox into convulsions, so that he may be easily killed with a club. A short-waisted plug hat may be worn also, in order to distinguish the hunter from the whipper-in, who wears a baseball cap. The only fox-hunting I have ever done was on board an impetuous, tough-bitted, fore-and-aft horse that had emotional insanity. I was dressed in a swallow-tail coat, waistcoat of Scotch plaid Turkish toweling, and a pair of close-fitting breeches of etiquette tucked into my boot-tops. As I was away from home at the time and could not reach my own steed I was obliged to mount a spirited steed with high, intellectual hips, one white eye and a big red nostril that you could set a Shanghai hen in. This horse, as soon as the pack broke into full cry, climbed over a fence that had wrought-iron briers on it, lit in a corn field, stabbed his hind leg through a sere and yellow pumpkin, which he wore the rest of the day, with seven yards of pumpkin vine streaming out behind, and away we dashed 'cross country. I remained mounted not because I enjoyed it, for I did not, but because I dreaded to dismount. I hated to get off in pieces. If I can't get off a horse's back as a whole, I would rather adhere to the horse. I will adhere that I did so.

We did not see the fox, but we saw almost everything else. I remember, among other things, of riding through a hothouse, and how I enjoyed it. A morning scamper through a conservatory when the syringas and Jonquils and Jack roses lie cuddled up together in their little beds, is a thing to remember and look back to and pay for. To stand knee-deep in glass and gladiolas, to smell the mashed and mussed up mignonette and the last fragrant sigh of the scrunched heliotrope beneath the hoof of your horse, while far away the deep-mouthed baying of the hoarse hounds, hotly hugging the reeking trail of the aniseseed bag, calls on the gorgeously caparisoned hills to give back their merry music or fork it over to other answering hills, is joy to the huntsman's heart.

On, on I rode with my unconfined locks streaming behind me in the autumn wind. On and still on I sped, the big, bright pumpkin slipping up and down the gambrel of my spirited horse at every jump. On and ever on we went, shedding terror and pumpkin seeds along our glittering track till my proud steed ran his leg in a gopher hole and fell over one of those machines that they put on a high-headed steer to keep him from jumping fences. As the horse fell, the necklace of this hickory poke flew up and adjusted itself around my throat. In an instant my steed was on his feet again, and gayly we went forward while the prong of this barbarous appliance, ever and anon plowed into a brand new culvert or rooted up a clover field. Every time it ran into an orchard or a cemetery it would jar my neck and knock me silly. But I could see with joy that it reduced the speed of my horse. At last as the sun went down, reluctantly, it seemed to me, for he knew that he would never see such riding again, my ill-spent horse fell with a hollow moan, curled up, gave a spasmodic quiver with his little, nerveless, sawed-off tail and died.

The other huntsmen succeeded in treeing the anise-seed bag at sundown, in time to catch the 6 o'clock train home.

Fox-hunting is one of the most thrilling pastimes of which I know, and for young men whose parents have amassed large sums of money in the intellectual pursuit of hides and tallow, the meet, the chase, the scamper, the full cry, the cover, the stellated fracture, the yelp of the pack, the yip, the yell of triumph, the confusion, the whoop, the holla, the hallos, the hurrah, the abrasion, the snort of the hunter, the concussion, the sward, the open, the earth stopper, the strangulated hernia, the glad cry of the hound as he brings home the quivering seat of the peasant's pantaloons, the yelp of joy as he lays at his master's feet, the strawberry mark of the rustic, all, all are exhilarating to the sons of our American nobility.

Fox-hunting combines the danger and the wild, tumultuous joy of the skating-rink, the toboggan slide, the mush-and-milk sociable and the straw ride.

With a good horse, an air cushion, a reliable earth-stopper and an anise-seed bag, a man must indeed be thoroughly blase who cannot enjoy a scamper across country, over the Pennsylvania wold, the New Jersey mere, the Connecticut moor, the Indiana glade, the Missouri brake, the Michigan mead, the American tarn, the fen, the gulch, the buffalo wallow, the cranberry marsh, the glen, the draw, the canyon, the ravine, the forks, the bottom or the settlement.

For the young American nobleman whose ducal father made his money by inventing a fluent pill, or who gained his great wealth through relieving humanity by means of a lung pad, a liver pad, a kidney pad or a foot pad, fox-hunting is first rate.

The Boy Friend

Clarence, my boy-friend, hale and strong, O, he is as jolly as he is young; And all of the laughs of the lyre belong To the boy all unsung:

So I want to sing something in his behalf-- To clang some chords, of the good it is To know he is near, and to have the laugh Of that wholesome voice of his.

I want to tell him in gentler ways Than prose may do, that the arms of rhyme, Warm and tender with tuneful praise, Are about him all the time.

I want him to know that the quietest nights We have passed together are yet with me Roistering over the old delights That were born of his company.

I want him to know how my soul esteems The fairy stories of Andersen, And the glad translations of all the themes Of the hearts of boyish men.

Want him to know that my fancy flows, With the lilt of a dear old-fashioned tune, Through "Lewis Carroll's" poemly prose, And the tale of "The Bold Dragoon."

O, this is the Prince that I would sing-- Would drape and garnish in velvet line Since courtlier far than any king Is this brave boy-friend of mine!

A Letter of Acceptance

The secretary of the Ashfield Farmer's Club, of Ashfield, Mass., Mr. E. D. Church, informs me by United States mail that upon receipt of my favorable reply I will become an honorary member of that Club, along with George William Curtis, Prof. Norton, Prof. Stanley Hall, of Harvard, and other wet-browed toilers in the catnip-infested domain of Agriculture.

I take this method of thanking the Ashfield Farmers' Club, through its secretary, for the honor thus all so unworthily bestowed, and joyfully accept the honorary membership, with the understanding, however, that during the County Fair the solemn duty of delivering the annual address from the judges' stand, in tones that will not only ring along down the corridors of time, but go thundering three times around a half-mile track and be heard above the rhythmic plunk of the hired man who is trying to ascertain, by means of a large mawl and a thumping machine, how hard he can strike, shall fall upon Mr. Curtis or other honorary members of the club. I have a voice that does very well to express endearment, or other subdued emotions, but it is not effective at a County Fair. Spectators see the wonderful play of my features, but they only hear the low refrain of the haughty Clydesdale steed, who has a neighsal voice and wears his tail in a Grecian coil. I received $150 once for addressing a race-track one mile in length on "The Use and Abuse of Ensilage as a Narcotic." I made the gestures, but the sentiments were those of the four-ton Percheron charger, Little Medicine, dam Eloquent.

I spoke under a low shed and rather adverse circumstances. In talking with the committee afterwards, as I wrapped up my gestures and put them back in the shawl strap, I said that I felt almost ashamed to receive such a price for the sentiments of others, but they said that was all right. No one expected to hear an Agricultural Address. They claimed that it was most generally purely spectacular, and so they regarded my speech as a great success. I used the same gestures afterwards in speaking of "The Great Falling Off among Bare-Back Riders in the Circuses of the Present Day."

I would also like to be excused from any duties as a judge of curly-faced stock or as an umpire of ornamental needlework. After a person has had a fountain pen kicked endwise through his chest by the animal to which he has awarded the prize, and later on has his features worked up into a giblet pie by the owner of the animal to whom he did not award the prize, he does not ask for public recognition at the hands of his fellow-citizens. It is the same in the matter of ornamental needlework and gaudy quilts, which goad a man to drink and death. While I am proud to belong to a farmers' club and "change works" with a hearty, whole-souled ploughman like George William Curtis, I hope that at all County Fairs or other intellectual hand-to-hand contests between outdoor orators and other domestic animals, I may be excused, and that when judges of inflamed slumber robes and restless tidies, which roll up and fall over the floor or adhere to the backs of innocent people; or stiff, hard Doric pillor-shams which do not in any way enhance the joys of sleep; or beautiful, pale-blue satin pincushions which it would be wicked to put a pin in and which will therefore ever and forevermore mock the man who really wants a pin, just as a beautiful match-safe stands idly through the long vigils of the night, year after year, only to laugh at the man who staggers towards it and falls up against it and finds it empty; or like the glorious inkstand which is so pretty and so fragile that it stands around with its hands in its pockets acquiring dust and dead flies for centuries, so that when you are in a hurry you stick your pen into a small chamber of horrors--I say when the judges are selected for this department I would rather have my name omitted from the panel, as I have formed or expressed an opinion and have reasonable doubts and conscientious scruples which it would require testimony to remove, and I am not qualified anyway, and I have been already placed in jeopardy once, and that is enough.

Mr. Church writes that the club has taken up, discussed and settled all points of importance bearing upon Agriculture, from the tariff up to the question of whether or not turpentine poured in a cow's ear ameliorates the pangs of hollow horn. He desires suggestions and questions for discussion. That shows the club to be thoroughly alive. It will soon be Spring, and we cannot then discuss these matters. New responsibilities will be added day by day in the way of stock, and we will have to think of names for them. Would it not be well before the time comes for active farm work to think out a long list of names before the little strangers arrive? Nothing serves to lower us in the estimation of our fellow-farmers or the world more than the frequent altercations between owners and their hired help over what name they shall give a weary, wobbly calf who has just entered the great arena of life, full of hopes and aspirations, perhaps, but otherwise absolutely empty. Let us consider this before Spring fairly opens, so that we may be prepared for anything of this kind.

One more point may properly come before the club at its next meeting, and I mention it here because I may be so busy at Washington looking after our other interests that I cannot get to the club meeting. I refer to the evident change in climate here from year to year, and its effect upon seeds purchased of florists and seedsmen generally.

Twenty years ago you could plant a seed according to directions and it would produce a plant which seemed to resemble in a general way the picture on the outside of the package. Now, under the fluctuating influences of irresponsible isotherms, phlegmatic Springs, rare June weather and overdone weather in August, I find it almost impossible to produce a plant or vegetable which in any way resembles its portrait. Is it my fault or the fault of the climate? I wish the club would take hold of this at its next regular meeting. I first noticed the change in the summer of '72, I think. I purchased a small package of early Scotch plaid curled kale with a beautiful picture on the outside. It was as good a picture of Scotch kale as I ever saw. I could imagine how gay and light-hearted it was the day when it went up to the studio and had its picture taken for this purpose. A short editorial paragraph under the picture stated that I should plant in quick, rich soil, in rows four inches apart, to a depth of one inch, cover lightly and then roll. I did so. No farmer of my years enjoys rolling better than I do.

In a few weeks the kale came up but turned out to be a canard. I then waited two weeks more and other forms of vegetation made their appearance. None of them were kale. A small delegation of bugs which deal mostly with kale came into the garden one day, looked at the picture on the discarded paper, then examined what had crawled out through the ground and went away. I began to fear then that climatic influences had been at work on the seeds, but I had not fully given up all hope.

At first the plants seemed to waver and hesitate over whether they had better be wild parsnips or Lima beans. Then I concluded that they had decided to be foliage plants or rhubarb. But they did not try to live up to their portraits. Pretty soon I discovered that they had no bugs which seemed to go with them, and then I knew they were weeds. Things that are good to eat always have bugs and worms on them, while tansy and castor-oil go through life unmolested.

I ordered a new style of gladiola eight years ago of a man who had his portrait in the bow of his seed catalogue. If he succeeds no better in resembling his portrait than his gladiolas did in resembling theirs, he must be a human onion whose presence may easily be detected at a great distance.

Last year I planted the seeds of a watermelon which I bought of a New York seedsman who writes war articles winters and sells garden seeds in the Spring. The portrait of this watermelon would tempt most any man to climb a nine-rail fence in the dead of night and forget all else in order to drown his better nature and his nose in its cool bosom. People came for miles to look at the picture of this melon and went away with a pleasant taste in their mouths.

The plants were a little sluggish, though I planted in hills far apart each way in a rich warm loam enriched by everything that could make a sincere watermelon get up and hump itself. The melons were to be very large indeed, with a center like a rose. According to the picture, these melons generally grew so large and plenty that most everybody had to put side-boards on the garden fence to keep them from falling over into other farms and annoying people who had all the melons they needed. I fought squash bugs, cut worms, Hessian flies, chinch bugs, curculio, mange, pip, drought, dropsy, caterpillars and contumely till the latter part of August, when a friend from India came to visit me. I decided to cut a watermelon in honor of his arrival. When the proper moment had arrived and the dinner had progressed till the point of fruit, the tropical depths of my garden gave up their season's wealth in the shape of a low-browed citron about as large and succulent as a hot ball.

I have had other similar experiences, and I think we ought to do something about it if we can. I have planted the seed of the morning glory and the moon flower and dreamed at night that my home looked like a florist's advertisement, but when leafy June came a bunch of Norway oats and a hill of corn were trying to climb the strings nailed up for the use of my non-resident vines. I have planted with song and laughter the seeds of the ostensible pansy and carnation, only in tears to reap the bachelor's button and the glistening foliage of the sorghum plant. I have planted in faith and a deep, warm soil, with pleasing hope in my heart and a dark-red picture on the outside of the package, only to harvest the low, vulgar jimson weed and the night-blooming bull thistle.

Does the mean temperature or the average rainfall have anything to do with it? If statistics are working these changes they ought to be stopped. For my own part, however, I am led to believe that our seedsmen put so much money into their catalogues that they do not have anything left to use in the purchase of seeds. Good religion and very fair cookies may be produced without the aid of caraway seed, but you cannot gather nice, fresh train figs of thistles or expect much of a seedsman whose plants make no effort whatever to resemble their pictures.

Hoping that you will examine into this matter, and that the club will always hereafter look carefully in this column for its farm information, I remain, in a sitting posture, yours truly.

BILL NYE.

In the Afternoon

You in the hammock; and I, near by, Was trying to read, and to swing you, too; And the green of the sward was so kind to the eye, And the shade of the maples so cool and blue, That often I looked from the book to you To say as much, with a sigh.

You in the hammock. The book we'd brought From the parlor--to read in the open air,-- Something of love and of Launcelot And Guinevere, I believe, was there-- But the afternoon, it was far more fair Than the poem was, I thought.

You in the hammock; and on and on I droned and droned through the rhythmic stuff-- But with always a half of my vision gone Over the top of the page--enough To caressingly gaze at you, swathed in the fluff Of your hair and your odorous lawn.

You in the hammock--And that was a year-- Fully a year ago, I guess!-- And what do we care for their Guinevere And her Launcelot and their lordliness!-- You in the hammock still, and--Yes-- Kiss me again, my dear!

The Rise and Fall of William Johnson

(A CHRISTMAS STORY)

It has always been one of my pet notions that on Christmas day we ought not to remember those only who may be related to us and those who are prosperous, but, that we should, while remembering them, forget not the unfortunate who are dead to all the world but themselves and who suffer in prison walls, not alone for their own crimes, perhaps, but for the crimes of their parents and their grandparents before them. Few of the prosperous and happy pause to-day to think of the convict whose days are all alike and whose nights are filled with bitterness.

At the risk of being dull and prosy, I am going to tell a story that is not especially humorous or pathetic, but merely true. Every Christmas I try to tell a true story. I do not want the day to go by without some sort of recognition by which to distinguish it from other days, and so I celebrate it in that way.

This is the story of William Johnson, a Swede, who went to Wyoming Territory, perhaps fifteen years ago, to seek his fortune among strangers, and who, without even a knowledge of the English language, began in his patient way to work at whatever his hands found to do. He was a plain, long-legged man, with downcast eyes and nose.

There was some surprise expressed all around when he was charged one day by Jake Feinn with feloniously taking, stealing, carrying away and driving away one team of horses, the property of the affiant, and of the value of $200 contrary to the statutes in such case made and provided, and against the peace and dignity of the Territory of Wyoming.

Everybody laughed at the idea of Jake Feinn owning a team worth $200, and, as he was also a chronic litigator, it was generally conceded that Johnson would be discharged. But his misfortunes seemed to swoop down on him from the very first moment. At the preliminary examination Johnson acted like a man who was dazed. He couldn't talk or understand English very well. He failed to get a lawyer. He pleaded guilty, not knowing what it meant, and was permitted to take it back. He had no witnesses, and the Court was in something of a hurry as it had to prepare a speech that afternoon to be delivered in the evening on the "Beauties of Eternal Justice," and so it was adjudged that in default of $500 bail the said William Johnson be committed to the County Jail of Albany County in said Territory, there to await the action of the Grand Jury for the succeeding term of the District Court for the Second Judicial District of Wyoming.

Meekly and silently William Johnson left the warm and stimulating Indian summer air of October to enter the dark and undesirable den of a felon. Patiently he accepted the heart-breaking destiny which seemed really to belong to some one else. He put in his days studying an English primer all the forenoon and doing housework around the jail kitchen in the afternoon.

He was a very tall man and a very awkward man, with large, intellectual joints and a sad face. When he got so that he could read a little I went in to hear him one day. He stood up like an exaggerated schoolboy, and while he bored holes in the page of his primer with a long and corneous forefinger he read that little poem:

Pray tell me, bird, what you can see Up in the top of that tall tree? Have you no fear that some rude boy May come and mar your peace and joy?

* * * * *

Oh, no, my child, I fear no harm, While with my song I thus can charm. My mate is here, my youngsters, too, And here we sit and sing to you.